Meg Masha at the new Tinubu Square in "Sights and Sounds of Lagos" tourist documentary film.
Only filmmakers who have produced both documentaries and movies can understand what I am saying.
I
have been professionally engaged in TV and Film productions since I was
17 as a script writer and puppeteer for TV puppet drama at the Nigerian
Television Authority (NTA) Channel 10 on Victoria Island in Lagos
before I joined others on different locations of Nollywood movies more
as an observer than an actor in the 1990s. Then in 1998, I ended up as
the Production Manager of "Money Wise" on DBN TV, the first private TV
station in Nigeria founded by Sonny Adun in the 1980s.
My first
experience in documentary film production was at the UNICEF Nigeria when
I was a national program consultant for Child Survival and Development
and our Communication Department made a TV documentary produced by
Onyeka Onwenu in 1988 and premiered at the Lagos Sheraton Hotel in
Ikeja.
My second experience was in 1995, producing and directing
a video documentary on the Market Based Distribution public health
education project for 100 traders at the old Tejuosho Market in Yaba,
Lagos. It was an amateur documentary for the Center for Education on
Population, AIDS and Drug Abuse (CEPADA), an advocacy NGO founded by
Alhaja H. O. Shitta-Bey, the highly esteemed Program Specialist at the
USAID in Nigeria who won a major award from former President of the
United States of America, Bill Clinton.
I have never attempted
making an independent professional documentary until this year that I
decided to use all my savings to produce and direct my "Sights and
Sounds of Lagos" tourist documentary. I wanted to make it a simple
documentary series for Afrinolly mobile streaming on all the GSM
networks in Nigeria targeting more than 70 million users of smart phones
in the most populated country in Africa with a population of more than 170
million people and the largest economy in Africa with the fastest
growing eCommerce industry in the continent; with more than 125 million
subscribers of GSM networks; largest population of subscribers of cable
TV networks in Africa and second largest producer of home videos in the
world after India. Then, I decided to make it a commercial documentary for
both local and global audiences.
Documentary is not fiction, so you cannot make up imaginary characters, places and events as in movies.
You cannot do as you wish, because actuality and accuracy cannot be compromised in documentary film making. You cannot lie!
You are documenting life on film for the contemporary society and for posterity.
You
have to capture the real life moments, events and incidents of the
people in motion picture. And if you miss any of the true life
activities of the people, places and events, you can never bring them
back again at the same locations.
The sights and sounds of people, places and events change as time passes in seconds, minutes and hours of everyday.
Lagos
has changed over the years since the colonial era to the post colonial
period with the influx of people from different parts of Nigeria and the
world and they all come with their peculiar cultures like the Hausas
from the North and the Igbos from the East. Documenting the changes is
very important for the knowledge of history and the benefits of the
legacies for posterity. A new generation will not know about the ways of
life of the old generation without any document of it in print or
electronic media for them to see. There are magical and precious moments
you can capture on camera as they occur which you cannot see again.
Even if it is a regular daily activity in the same particular place or
spot, it will never be exactly the same every day, because there will be
something different the next time you see it. Like when I used my smart
phone to capture live as a young Nigerian bricklayer was still working
with shovel and basin in the rainfall during the renovation of a house
on Bajulaiye Street in Shomolu. But I lost the video when the smart
phone was stolen and what pained me most was not losing the smart phone,
but losing the precious moments of unique human activities I captured
as they happened. I cannot recall the people to return to the same
locations and repeat the same actions. Of course, I can use reenactments
and reconstructions, but they will never be same young bricklayer in
Shomolu or the two young women in hijab quarreling with the bus
conductor of a “Danfo” minibus at the Mobil Ligali Ayorinde round about
on Victoria Island.
Landmarks may remain for years and decades, but
may have been renovated or totally removed and in such situations
reconstructions will be required to capture the past environment and
reenactments are necessary when producing a historical documentary film
if there is no available footage.
The famous Falomo Shopping
Mall on Awolowo Road in Ikoyi was totally demolished last year and we
are only left with our memories of the popular Bata footwear store,
Glendora and Bestseller bookshops and Swedish-Nigerian, Aino
Oni-Okpaku’s famous Quintessence Arts and Crafts Gallery. The Sandgrouse
Market in Lafiaji on Lagos Island is also gone and will be replaced by a
new one like the Tejuosho Market in Yaba.
The Bar Beach on Victoria Island is now replaced by the construction of the Eko Atlantic City!
The
sights and sounds of Lagos I am documenting today will be different
from the sights and sounds of Lagos in the future. There were no BRT
Lanes until the former Governor of Lagos State, Asiwaju Bola Ahmed
Tinubu introduced the Lagos Bus Rapid Transit System and opened the
first phase on March 17, 2008. What will come next? Only God knows. So,
making documentary films is more significant to me than making
fictional movies.
Churchgoers and traders on Olumo Road leading to the popular MFM Church in Onike, Yaba, Lagos.
Sunset on Victoria Island, Lagos.
Sunset in Onike, Yaba, Lagos.
There have been some videos of sights and
sounds of Lagos, but the producers were not serious about the
documentary values and simply recorded amateurish views of Lagos streets
and some special attractions.
There are other well produced
documentary series like "This is Lagos" by Naija Airtime, "Witness -
Street Life in Lagos" by Al Jazeera and "Lagos, Nigeria The Africa You
Dont See On Television" on YouTube.
The best documentary on Lagos so
far is "LAGOS: Africa's Big Apple" by Lagos Internal Revenue Service
(LIRS). But it did not capture some of the must see tourist attractions
of Lagos I have captured using direct cinema method for my “Sights and
Sounds of Lagos” without talking heads and narrators. My casts for the
special tourist attractions are just to reenact the people who would
have been there normally. And I am very happy and satisfied with what I
have captured from the mainland to the island of Lagos city. For
example, the popular Mountain of Fire and Miracles (MFM) Ministries
Sunday Market on the streets leading to the church is a must see by
millions of people in Nigeria and abroad who have never been there
before. It is one of the must see tourist attractions in Lagos city
showing a unique lifestyle of Nigerian Christians on the streets of
Lagos.
Every Sunday morning as thousands of devout church goers
troop to the MFM in Onike, Yaba; the Olumo Road and Olasimbo Street
leading to the church turn into a busy market as traders of foodstuffs ,
footwear, clothes, Christian publications of books, magazines,
pamphlets, CDs and DVDs of home videos of Christian movies and music and
other products display their wares by the sidewalks and shouting for
buyers. The churchgoers are the regular customers who go shopping after
their Sunday church services. But no Sunday is the same, because the
church goers and traders don’t wear the same dresses everyday and
something spectacular can occur on any Sunday as I have discovered
during the recce for my “Sights and Sounds of Lagos” and nobody has
captured the popular MFM Sunday Market before in any documentary on
Lagos. It’s awesome!
See more photographs and clips from the recce on Pinterest and Instagram.
https://www.pinterest.com/nigeriansreport/travel-and-tourism/
https://www.instagram.com/orikinla/
~ By Ekenyerengozi Michael Chima, Publisher/Editor of Nigerian Times Online and NOLLYWOOD MIRROR® series.
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