Showing posts with label Authors. Show all posts
Showing posts with label Authors. Show all posts

Sunday, June 18, 2023

Are African Writers And Readers Ready For The eBook Revolution?

Are African Writers And Readers Ready For The eBook Revolution?

March, 2013.

This week, the "father of African literature' Chinua Achebe died, leaving behind a legacy for Nigerian authors. Today I welcome another Nigerian author Ekenyerengozi Michael Chima to discuss the …

Joanna Penn writes non-fiction for authors and is an award-nominated, New York Times and USA Today bestselling thriller author as J.F.Penn. She’s an award-winning podcaster and creative entrepreneur.

Read the important interview on

https://www.thecreativepenn.com/tag/africa/

Sunday, September 12, 2021

Camouflage: Best of Contemporary Writing from Nigeria

Camouflage: Best of Contemporary Writing from Nigeria


“…an agenda-setting collection and a major milestone in the history of Nigerian literature only comparable to what Wole Soyinka’s Poems of Black Africa is to students and critics of African literature.”

Weekly Trust

“…a large-scale anthology… Camouflage spots the work of [71]…writers. Some have already made their name internationally…What is remarkable, though, is how many fine and startling contributions there are from writers who—unlike Adichie and Habila—are still hardly known.”
The Sunday Independent of South Africa

“…an intricate literary nest woven with straws plucked from Nigeria’s large universe of artistic talents, scattered across the earth.”
— Sunday Sun

“[An] explosive confluence of contemporary voices deployed in various guises and tones to express individual perceptions of the Nigerian situation…a monumental achievement for Nigerian literature.”
— Daily Independent

“[ Camouflage] proves…the depth and richness of contemporary writing by post-Independence generation of Nigerian writers.”
— The Guardian

“…a ground-breaking anthology.”
— National Mirror

“Nigeria’s new writers, delicate and declamatory, intimate and political, immediate and global, imagine themselves into voice in this rich volume. The words are tender, agitated, beautiful, shapely—and breathed directly into the ear. Read this collection to grasp the scope and sophistication of contemporary Nigerian literature, yes, but read it firstly for its pleasures."
— Gabeba Baderoon, recipient of Daimler Chrysler Award for South African Poetry.

CONTRIBUTORS

* Afam Akeh * Adeiza Atureta * Ekene Atusiubah* Omale Allen Abdul-jab bar* Denja Abdullahi * Al-kasim Abdulkadir * Bolaji Adekeye * Wisdom Anierobi * Toyin Alli * Maryam Ali Ali * Felix Obi Abrahams * Pius Adesanmi * Nike Adesuyi * Chimanada Ngozi Adichie * Adolphus II Amasiatu * Amu Nnadi * Seyi Akinlolu * Ekenyerengozi Michael Chima* B. M. Dzukogi* David Diai * Amatoritsero Ede * Victor Ehikhamenor* James Eze * Chiedu Ezeanah* Ismail Bala Garba* Helon Habila* Kamar Hamza* Ogaga lfowodo * Nengi Josef Ilagha * Bina Nengi-Ilagha * Uduma Kalu * Victoria Sylvia Kankara * Toni Kan * Akeem Lasisi * Halima Lawal * Ahmed Maiwada * Mu'azu Maiwada * Razinat T. Mohammed * David Odinaka Nwamadi * Obi Nwakanma* Simeon Chibiko Nwakaudu * Uche Nduka* Angela Nwosu* Maik Nwosu * Nkechi Nwosu-igbo * Onyebuchi Nwosu *Uchechukwu G. Nwosu * Chinyere Obiobasi * Nonye Bethel Obiukwu * Sunday Enessi Ododo * Crispin Oduobok * Patrick Tagbo Oguejiofor * Tolu Gbenga Ogunlesi * Chux Okei Ohai * Sylvester Urdeen Omosun * Ernest Onuoha" Promise Okekwe * Onookome Okome * Ike Okonta * Pita Okute * Bolaji St Ramos* Lola Shoneyin * E. E. Sule * Sumaila lsah Umaisha * Uche Peter Umez * Chika Unigwe * Uzor Maxim Uzoatu * Emmanuel Onyedi Wingate *


ABOUT THE EDITORS

NDUKA OTIONO is an Associate Professor and Graduate Program Supervisor at the Institute of African Studies, Carleton University, in Ottawa, Canada. He is the author and co-editor of several books of creative writing and academic research including Oral Literary Performance in Africa: Beyond Text (2021). Prior to turning to academia, he was for many years a journalist in Nigeria and General Secretary of the Association of Nigerian Authors.

————•❀✼❀•————

ODOH DIEGO OKENYODO is a poet and literary journalist whose collection titled From A Poem to Its Creator was shortlisted for The Nigeria Prize for Literature in 2008. Okenyodo coordinates the World Poetry Movement in Nigeria under the platform of the Splendors of Dawn Poetry Foundation, an NGO that uses poetry to engage development issues for awareness and sustainable behaviour change.


Tuesday, December 8, 2020

The Nigeria Prize for Literature Has Not Improved the Literary Culture of Nigeria

The Nigeria Prize for Literature is the biggest prize in African literature worth US$100,000 to the winner. It is fully sponsored by the Nigeria LNG Limited, that founded it in 2004 for outstanding literary works  by Nigerian authors in Nigeria. 

The prize rotates among four genres; fiction, poetry, drama and children’s literature: repeating the cycle every four years.

I was opportuned to be with the inaugural members of the organising committee during their meeting in 2004, at the Federal Palace Hotel & Casino on Victoria Island, Lagos. I went there to meet with the famous Nigerian novelist, Eddie Iroh and Ms. Siene Allwell-Brown, the famous broadcaster at the Nigeria Television Authority (NTA) who was now, the General Manager for External Affairs of the Nigeria Liquefied Natural Gas (LNG) Limited. The Chairman of the Advisory Board of the Nigeria Prize for Literature, Emeritus Professor Ayo Banjo was there. His beautiful daughter, Elizabeth Banjo came second to me when I won the first prize in a national essay competition sponsored by the Pop Magazine for children and teens in 1976.

The Nigeria Prize for Literature is laudable for improving the welfare of the winners. But it has not improved the literary culture of Nigeria. It has failed to achieve what other coveted literary prizes have achieved in America, Europe, Asia and Australia where winning a major prize for literature makes the winner a bestselling author by boosting the celebrity status, increasing the popularity and increasing the demand for the winning author and the winning book like the Pulitzer Prize in America and the Booker Prize in the UK. The news will make local and international headlines and will increase the public appreciation and sales of the books among readers. But contrary to our expectations, majority of literate people in Nigeria don't even know the titles of the winning books of the Nigeria Prize for Literature. If you doubt me, do a public opinion on radio and TV on the streets of Lagos, Abuja and other cities in the country, and you will see how clueless and ignorant majority of Nigerians are about the so called most prestigious literary prize in Africa and the winning books.

What makes it prestigious? The prestige of the worth of the cash prize of US$100, 000 or the intellectual esteem of the winning authors?

The sponsor of the Nigeria Prize for Literature and their public relations company have failed to use the prize for the appreciation of the reading culture which is most vital to the improvement of the literary culture of Nigeria where majority of Nigerians don't read books, except for the  recommended text books for pupils and students. Majority of Nigerians stop reading after graduation and after their professional examinations.

Just handing out US$100, 000 to the author of the book selected as best entry in the national competition is not enough to improve the lives of Nigerian authors and improve the literary culture of Nigeria without making sure that Nigerians read their books and celebrate their literary achievements as examplary role models worthy of emulation in the inspiration for outstanding success in human development and the  advancement of modern civilisation in Nigeria.

Nobel laureate Prof. Wole Soyinka sitting with Adeleke Adeyemi and his wife Wosilat Adeyemi at the event of The Nigeria Prize for Literature award ceremony on February 6, 2012, at the Nigerian Institute of International Affairs (NIIA) on Victoria Island, Lagos, Nigeria. 

The Federal Ministry of Education and ministries of education in the 36 states and Abuja should be involved in the appreciation of the Nigeria Prize for Literature to make recommendations for the winning books to be included in the selections for reading booklists of primary and secondary schools and tertiary institutions. For example, I recommended that Adeleke Adeyemi's Children's story book, "The Missing Clock", that won the Nigeria Prize for Literature in 2011 should be on the reading list for primary schools in Nigeria and in particularly in Ekiti state, the state of origin of the author. And the Federal Ministry of Education should purchase as many copies as possible for distribution to all the public schools in the country. The prize winning authors should have interviews on radio and TV and the governors of their states should celebrate them. 

There should be reading and book signing tours for the winning authors to selected schools and tertiary institutions; to clubs like the Ikoyi Club, Metropolitan Club, Capital Club, Ikeja Country Club and other locations that will increase the appreciation and cultivation of literary culture in the Nigerian society.


- By  Ekenyerengozi Michael Chima,

Founder/CEO, WEREAD💕💋

https://bookshop.org/shop/Weread.

Publisher/Editor,

NOLLYWOOD MIRROR®Series

247 Nigeriia) / Twitter

https://mobile.twitter.com/247nigeria

https://www.amazon.com/author/ekenyerengozimichaelchima







Tuesday, September 13, 2011

The Dirty Little Secrets of Self Publishing Companies






The Print On Demand Industry’s Dirty Little Secret

The dirty little secret of the Print On Demand (POD) industry is that most of us use the same service to do the printing, and we all distribute our books through Ingram. So the quality of our books and the places to which we sell them are identical. The only real differences are the prices we charge, the quality of our customer service, and our business models.

Upselling Authors – Slowly Milking Your Pocketbook

The large POD services – Authorhouse, iUniverse, XLibris, and Trafford, (now all owned by the same parent company, Author Solutions, which is a creation of venture capital firm Bertram Capital) – and many of the smaller POD companies have a business model built around selling a base publishing package, and then upselling you on additional services. Whether you sell a copy of your book to anyone or not doesn’t really matter because their profit comes from upselling authors on products and services. This is why they take any book submitted to them, regardless of quality. They care more about how many of you they can squeeze through their doors than they care about quality. If they truly cared about quality, they wouldn’t be putting so much garbage on the market, which actually hurts our entire industry.

BookLocker Is About Selling Books

Unlike the other POD firms, BookLocker is not into upselling you on products and services. We’re not going to sell you bookmarks and coffee mugs with your book’s cover on them because it would be a waste of your money. Our goal is to get a quality book quickly into the market (usually in a month or less) with the lowest out-of-pocket cost to you. We then try to create an environment that favors book sales.

We feel our approach is a better way to do business. It is a sustainable model for both us and you because it aligns our business interests. When a sale happens, you make money and we make money. Both of us win.

And our model works. The majority of BookLocker’s revenue comes from public book sales, not service fees.

BookLocker’s Costs Compared To The Competition

Some of the other POD companies appear to charge low upfront fees, and even no upfront fees. But those prices don’t include everything you need to get the book into the market. Later, after you’ve signed the contract, they hit you with hidden charges – fees for distribution, graphics, ebook creation, barcodes, expedited service…the list goes on and on. By the time your book is actually ready for sale, you’ve probably paid over $1000 – sometimes much, much more – to get your book in print, greatly increasing the time it takes to make back your investment through sales.

At BookLocker, our published setup fee price includes everything to get the book out into the market, period. No runaround. No surprises. No hidden fees. And BookLocker keeps the setup charge low so you can make back the investment as quickly as possible through book sales. Here is what we charge for a standard paperback:

BOOKLOCKER: $517 (deduct $200 if submitting your own cover)

For that price you get…

  • Formatting, print proof copy, custom cover design (which you then own all rights to), barcode, ISBN, distribution, and sales fufillment. No hidden fees. Includes everything to get the book into the market.
  • Quick turnaround. Books are usually on the market in less than a month.
  • No rights grab – you keep all rights to your book, and the cover design we create. (We even hand over all the cover and formatted text files if you want them. No questions asked, and no charge.)
  • Distribution through Ingram (the world’s largest book distributor), Amazon.com, BarnesandNoble.com, and many other online stores.
  • No long-term contracts. Cancel by email with just 24 hours notice.
  • No extra charge for graphics/charts/photos.
  • No extra charge for the ebook version.
  • No tacky company logos printed on your book. Unlike the “other guys”, we don’t use your book to advertise our company.
  • Use your own ISBN, or use one of ours. It is your choice.
  • Deeper discount for authors buying copies of their book in bulk. (Makes it actually profitable to sell your book directly to the public, if you want to do that.)
  • List prices that are competitive with traditionally published books of the same size, length and quality.
  • Print books – 35% royalties based on the list price for public sales; 15% royalties based on the list price on wholesale/bookstore orders. 70% royalties on ebook versions. Royalties over $20 are paid out monthly.
  • Full access to the practical knowledge gained from years of experience selling POD and ebooks to the public. (We’ve been selling POD books since 1999 and ebooks since 1998.)
  • Personal attention from and direct access to the company owners (all authors work directly with Angela Hoy) – no revolving customer service reps, no layers of bureaucracy to navigate, and absolutely no outsourcing to third-world countries.

Other BookLocker features:


  • BookLocker authors who return to use the service for subsequent books get a special $149 setup fee rate. No limit.

  • BookLocker now distributes ebooks to Apple’s iBookstore, Barnes &Noble’s NOOKBook store, and soon Amazon’s Kindle store.
  • BookLocker is rated “Outstanding” by Mark Levine, attorney and author of The Fine Print of Self-Publishing.

Compare that with the cost of other POD firms:

NOTE: All publishers below currently offer distribution through Ingram (the largest book distributor), as well as inclusion of their titles in the major online (amazon.com, barnesandnoble.com, etc.) and physical bookstore systems.

>> iUniverse: $999.00 (includes 5 “free” copies) <<
Rated "Publisher to Avoid” by Mark Levine, attorney and author of The Fine Print of Self-Publishing.

Warning: Has a variety of “extra” charges like $2 per page if your manuscript is submitted with incorrect headers/footers, page breaks, line and paragraph formatting, more than 25 photos/graphics, more than 2 images on your cover, tables, etc. They own your files after creation and you have to pay $150-$750 to get them if you leave their service! No expedite service. Turnaround is 3-4 months. NOTE: AuthorHouse is owned by Author Solutions, a holding company that also owns Xlibris, iUniverse and Trafford. See those companies above and below.

>> CreateSpace: $1022.00 (Deduct $299 if submitting your own cover) <<
Rated "Just OK” by Mark Levine, attorney and author of The Fine Print of Self-Publishing.

Add $500 to price above if you want more than one color and image featured on your cover. Limit of 10 interior images; charges $15 per image and $25 per chart/table/graph thereafter. Does NOT publish hardcover books (all others here do). IMPORTANT: BookSurge was rolled into CreateSpace in November, 2009 but they kept employees, equipment, etc. Read more about BookSurge’s problems HERE. We ordered some BookSurge books and one looked so bad they inserted an apology note inside, saying it was the best they could get from their supplier. They ARE their supplier! Another one arrived with the interior pages appearing upside-down. Read numerous complaints about CreateSpace, posted to their own forum, HERE.

>> Lulu: $1131.00 (Deduct $450 if submitting your own cover) <<
Rated "Pretty Good” by Mark Levine, attorney and author of The Fine Print of Self-Publishing.

Lulu now charges directly for many services they previously farmed out to other companies. Lulu appears to be having customer service problems and authors are upset about their high shipping costs. Read THIS to learn more.

>> Trafford: $1324.00 <<
Rated "Publisher to Avoid” by Mark Levine, attorney and author of The Fine Print of Self-Publishing.

Warning: Has a variety of “extra” charges like $2 per page if your manuscript is submitted with incorrect headers/footers, page breaks, line and paragraph formatting, etc. Charges $5 extra per image. Expedite service available for the $2199 “Elite” package. NOTE: AuthorHouse is owned by Author Solutions, a holding company that also owns Xlibris, iUniverse and Trafford. See those companies above and below.

>> AuthorHouse: $1517.00 <<
Rated "Publisher to Avoid” by Mark Levine, attorney and author of The Fine Print of Self-Publishing.

Charges extra for photos/graphics ($5 per image after first 10 – included in cost above). Expedite fee ($500) is for publication in 30 days instead of 6 months (included above). Claims ownership of files you pay them to create…meaning you can’t use the edited/formatted files if you want to move your book later. NOTE: AuthorHouse is owned by Author Solutions, a holding company that also owns Xlibris, iUniverse and Trafford. See those companies above and below.

>> Xlibris: $1972.00 – (includes 5 “free” copies) <<
Rated "Publisher to Avoid” by Mark Levine, attorney and author of The Fine Print of Self-Publishing.

Charges expedite fee of $349 (included above) for publication in 2 months instead of 4-6 months. Charges $10 per image (included above); $20 per table. Limit of 1 cover image. NOTE: AuthorHouse is owned by Author Solutions, a holding company that also owns Xlibris, iUniverse and Trafford. See those companies above.

***Prices above based on least expensive package offered by each publisher on similar offers targeting U.S. authors. Fees include interior formatting (based on a 200-page book), original cover design with up to 5 images, print proof, ebook creation, up to 25 interior photos/graphics, an ISBN, barcode, a listing on the publisher’s website and distribution by Ingram, all within 6 weeks.

NOTE: Many companies offer perks that others don’t, some try to upsell authors on extraneous services, and a few even claim ownership of files the author has paid them to create. Study each publisher and contract carefully before making your choice.


Read Angela Hoy’s industry insider series POD SECRETS REVEALED:



Click here to read moe details from the BookLocker.






Monday, May 31, 2010

Some Facts About Nigerians, the Nigeria LNG Prize, Nigerian Readers, Authors And Publishers

Ben Okri


Do you know that more Nigerians in Nigeria are no longer excited about reading and even writing?

Do you know that majority of the members of the Association of Nigerian Authors (ANA) do not buy or read the books written by fellow members?

Do you know that majority of the Nigerian publishers of magazines do not buy or read the magazines published by other Nigerian publishers?

Do you know that none of the authors who won the much coveted Nigeria LNG Prize or other local prizes has become bestselling authors in Nigeria?

Do you know that Nigerians spend millions of dollars monthly on sms and most of the SMS/TXT messages are unprofitable gossip?

Do you know that poverty is not the cause of poor reading culture in Nigeria but intellectual illiteracy and intellectual hypocrisy?

Do you know that majority of youths in Nigeria do not know who is Ben Okri, the youngest winner of the Booker Prize in 1991 at 32?


~ By Orikinla Osinachi


CLICK HERE TO WIN PENELOPE LIVELY BOOKS