How Many NOLLYWOOD Movies Have Been Shot on Canon?

How Many NOLLYWOOD Movies Have Been Shot on Canon?

How many Nollywood movies have been shot on Canon?

This is a very important question both for Nollywood and Canon.

Knowing how many people are using your products is critical to the growth of your company in Research and Development (R&D); Marketing and Sales Analysis of the products and services.

Nollywood is the largest film industry in Africa in the productions of movies and should be the largest market for cameras for both cinematography and photography. 

The Nigerian Film Corporation (NFC), Directors Guild of Nigeria (DGN) , Producers Guild of Nigeria (PGN) and Cinematographers Guild of Nigeria (CGN) or Association of Cinematographers in Nigeria (ACN) should know and have the data on the cameras and accessories used for film and TV productions in the Nigerian film industry.

These facts are included in the indices for the development and growth of the film industry.

What are models and specifications of the Canon cameras used for film and TV productions in the Nigerian film industry?

When did Canon cameras become the most popular cameras in the Nigerian film industry?

Does Canon know the film and TV productions shot with Canon cameras?

The most popular and the best Canon cameras used in Nollywood and Kannywood?

The best movies, documentaries and music videos shot on Canon?

The award winning film and TV productions shot with Canon cameras?

By the way, the third part of my on going documentary film, "Lagos in Motion" was shot on Canon.

- Ekenyerengozi Michael Chima,
Publisher/ Editor,
NOLLYWOOD MIRROR® Series,
Executive Director, Screen Naija YouTube Channel.

In Her Eyes Through Her Eyes Filmmaking Workshop For Women in Nigeria

For 100 women who want to become outstanding filmmakers in the Nigerian film industry.

Contact by WhatsApp:

Tel: +234 706 637 9246

Film Criticism and Film Journalism

Film Criticism and Film Journalism 

Anybody who can write and can study the Nigerian film industry can write on both Nollywood and Kannywood.

Don't mistake film journalism for film criticism.

Majority of those claiming to be film critics in Nigeria are either film journalists or commentators. 

You cannot be a film critic if you don't understand filmmaking. Because how can you do a critique of a subject you don't understand the concept, content and context?

You don't know about Lighting for Storytelling and you are a film critic?

You don't know how soundtracks are used in storytelling and you call yourself a film critic?

You don't know costume for storytelling and you call yourself a film critic?

What of histrionics in drama?

Should I go on?

You cannot be a good film critic if you don't know the history of filmmaking or motion picture.

Until reading what I have written now, 99 percent of the so called film critics in Nigeria don't know what is film noir.

In the study of fine arts, we study art history and criticism combined, because you cannot be a good art critic if you don't know art history.

There is widespread intellectual ignorance and posturing by those who claim to be film critics, but they don't even know that filmmaking is part of fine arts and film criticism is part of art history and criticism.

This must be news to them.

Can they discuss Abstract Art in Art History and Criticism with Ekenyerengozi Michael Chima?

Can they do a critique of my masterpiece, "The Metamorphosis of the HIV in the T-Cell" collected by Family Health International (FHI) or "The Eruption of the Love Virus" in private collection since 1993?

I don't even claim to be a film critic.

I am a film writer and historian on the history of Nollywood and the Nigerian film industry widely published, circulated and studied by scholars and students in different colleges and universities in Nigeria and other countries.

Why? Because of the importance, relevance and significance in film studies, African studies, art history and criticism.

- By Ekenyerengozi Michael Chima,
Publisher/Editor,
NOLLYWOOD MIRROR® Series,
The first book series on Nollywood and the Nigerian film industry since 2013.

Queens of Kannywood, Rahama Sadau and Maryam Booth Entangled in "The Two Aishas" Movie

Queens of Kannywood, Rahama Sadau and Maryam Booth Entangled in "The Two Aishas" Movie

Last Sunday, I was at the cinemas to watch "The Two Aishas" starring the two leading ladies and beauty queens of #Kannywood, Rahama Sadau and Maryam Booth .

This is my first time of seeing them together in a movie.

This is the directorial debut of Hajia Shareefah Abiola Andu of Arabel Productions and Aleef TV of Arabel Nigeria Limited.

After a bitter fallout with her best friend when her husband was handed the gubernatorial ticket which was taken from her best friend’s husband, Aisha Yusuf must reconcile with her best friend and unite their husbands who are now at loggerheads.

According to director, the movie is filled with intrigues that will keep fans glued to the box office screen till the end.

‘The Two Aishas’ are women of the same Islamic faith and status who are married to two best friends. But their loyalty and friendship got tested and no matter how they looked at it, one party felt robbed and betrayed by the other, threatening to tear apart an enduring friendship from childhood and test their faith as devout Muslims.

“It addresses relatable themes such as forgiveness, betrayal, love, rivalry and piousness,” she said.

"The Two Aishas" is showing daily at all the FilmHouse Cinemas in Nigeria and Ghana, Silverbird Cinemas, Genesis Cinemas, Ozone Cinemas, Blue Pictures Cinemas, Kada Cinemas, Platinum Cinemas, Exodus Cinemas, Magnificent Cinemas and other cinemas in every state in Nigeria.

#rahamasadau 

#maryambooth 

#aisha

#thetwoaishas

#kannywood

#Nollywood 

#romance 

#drama 

#movie

#Nigeria

Rahama Sadau, Beauty Queen of Kannywood in Nollywood

Rahama Sadau, who is the Queen of Kannywood is also an A-List actress in Nollywood has played major roles in many Nigerian movies in both Hausa and English and also speaks Hindi fluently. She is the winner of Best Actress (Kannywood) at the City People Entertainment Awards in 2014 and 2015. She also won Best African Actress at the 19th African Film Awards in 2015 by African Voice. In 2017. She became the first Hausa celebrity to appear in the top ten Hottest Female Nigeria Celebrities.

Throughout her career, Sadau has been a busy actress, appearing in both movies and music videos.

She is featured in the 34 Beauty Queens of Nollywood and Kannywood published in the NOLLYWOOD MIRROR® Series.

#Rahama

#Kannywood

#Nollywood

#beauty

#movies

#actress

#actor

Nigerian Film Corporation, Show Us the Money!

 The Nigerian Film Corporation (NFC). should be run by competent professional experts with proven knowledge of the film industry locally and globally and not by civil servants without any proven expertise and experience in the management of the Nigerian film industry.

As we speak, Nollywood and Kannywood are made up of independent film and TV studios, administratively challenged ad-hoc producers association; financially challenged guild of directors; administratively challenged actors guild; accredited and unaccredited film schools and film festivals doing their best without any competent government administration.
The NFC had a film festival two weeks ago and majority of Nigerians did not even know about it, because of the administrative incompetence of the corporation. The theme was "Show Us The Money" and there was no film market to attract international acquisition and distribution companies to show them the money.

 
- Ekenyerengozi Michael Chima,
The Publisher/Editor, NOLLYWOOD MIRROR® Series.
@247nigeria Twitter.

#film #Nigeria #Nollywood #Kannywood #actors #producers #directors #guild #accredited #government #management #experience #money #schools #administration #civil #corporation #filmmarket #studios #filmschool #filmindustry #filmfestivals

The Biggest Lies on Nollywood and the Nigerian Film Industry in Wikipedia

Gross box office (2014)
Total
US$5 Billion
https://en.wikipedia.org/wiki/Cinema_of_Nigeria

Fake news 

That the gross box office from Nollywood in 2014 was a total of US$5 Billion as written in the Wikipedia.

Fact

Nollywood has never made even up to US$1 Billion from the box office since 2010 to date.

The biggest film industry in Africa is South Africa and not NIgeria by numbers of cinemas and highest grossing films.

Nigeria is not among the top ten countries with biggest box offices in the world.  Nigeria does not even have one quarter of the number of screens in South Africa and South Africa is not among the top ten film industries in the world.

https://nigerianinfopedia.com.ng/largest-film-industries-in-the-world

Being the second largest producer of movies on video in the world after India does not make NIgeria one of the biggest film industries in the world according to the indices of the economics of the global film industry. 

Nigeria produces hundreds of movies on video annually, but only about ten percent of them are good enough for theatrical release in the cinemas in Nigeria. The rest end up on YouTube channels, cable TV and websites of movie pirates.

No NIgerian movie has made up to US$3million at the box office in the history of the Nigerian film industry.

All these fictitious fables and fake news on Nollywood must stop.

Facts don't lie. 

All liars, including the ignorant self acclaimed experts on Nollywood teaching their so called Masterclasses in America and Europe must stop teaching inaccurate reports on Nollywood and the Nigerian film industry. Even Jodie Foster is ignorant of the facts on Nollywood and she is teaching a Masterclass? What does she know about the history of the Yoruba traveling theatre, NIgerian Television Authority (NTA) and Onitsha Market Literature in the development of Nollywood? Does she know about the relationship between Nollywood of the southern region of Nigeria and the Kannywood of the northern region of Nigeria?

- By EKENYERENGOZI Michael Chima 
Publisher/Editor, 
NOLLYWOOD MIRROR®Series 
247 Nigeria (@247nigeria) / Twitter
https://mobile.twitter.com/247nigeria
https://www.amazon.com/author/ekenyerengozimichaelchima
https://www.linkedin.com/in/michaelchimaeyerengozi

Sound and Screenwriting in Nollywood and Kannywood

Sound and Screenwriting in 

Nollywood and Kannywood

Majority of screenwriters in #Nollywood and #Kannywood need to learn how to include sound cues during screenwriting and not during post production.

If we ask even those who claim to know a simple question about sound in screenwriting, they may not know, because they have not shown that they know in several of their film and TV productions.

Seeing is believing.

Many people listen, but only few learn in Nigeria. That's why we hear and see repetitions of the same mistakes in film and TV productions in Africa's largest film industry.

They still don't know how to use sound for characterisation in screenplays before the principal photography.

They just copy and paste soundtracks during post production without creating and composing any original score.  

Sound in a movie includes the music, leitmotifs, dialogues, sound effects, ambient noise, and/or background noise and soundtracks. 

There is what I call the "Ambience of Romance" in filmmaking and it can only be achieved with sound.

And what is the ambience of romance in screenwriting and in the atmosphere of a scene?

I am still waiting for the cinematic experience of Dolby Vision in Nollywood and Kannywood.

To me, any Nigerian filmmaker whose movies have not qualified for the Official Selections of the Cannes Film Festival, Venice Film Festival, Toronto International Film Festival and Berlin Film Festival is not qualified to teach any  Masterclass. 

How can you teach a Masterclass without the proof of being a master of the subject?

How can someone who is still having issues with the nuances of sound in storytelling teach a Masterclass on directing or screenwriting? 

Do you know that majority of the filmmakers in Nollywood and Kannywood are clueless about spherical and anamorphic lenses? And they are teaching Filmmaking in some so called film and TV academies in Lagos, Asaba, Calabar and Kannywood without any certification or accreditation.

- By Ekenyerengozi Michael Chima,

Publisher/Editor,

NOLLYWOOD MIRROR® Series

distributed by Amazon, Barnes and Noble and other booksellers.

Experience Last Night in Soho in Dolby

In acclaimed director Edgar Wright’s psychological thriller, Eloise, an aspiring fashion designer, is mysteriously able to enter the 1960s where she encounters a dazzling wannabe singer, Sandie. But the glamour is not all it appears to be and the dreams of the past start to crack and splinter into something far darker.

 https://www.dolby.com/experience/cinema

First Bollywood Film Adaptation of a Nigerian Novel: Sin is a Puppy that Follows You Home

First Bollywood Film Adaptation of a Nigerian Novel: Sin is a Puppy that Follows You Home

Only a couple of the Hausa novels have been translated into English. “Sin is a Puppy that Follows You Home” was translated by Indian publishers and subsequently made into a Bollywood movie. The book is available on amazon.com, which describes it as “an Islamic soap opera complete with polygamous households, virtuous women, scheming harlots, and black magic.” Author Balaraba Ramat Yakubu, a veteran founder of the movement, was herself a child bride twice, after her first husband returned her to her family, and she only learned to read and write as an adult. https://apnews.com/article/entertainment-ap-top-news-religion-international-news-marriage-3fc0caa13a8646908219306c3e08225b

###

Sin is a Puppy That Follows You Home: Publishers: Blaft, 

126 pages.

Dear reader, I was rather charmed by it. Comparing the plot to Ekta Kapoor’s soaps or Karan Johar’s family dramas misrepresents the scale of the story because, for all the theatrics indulged in it, the plot is uncompromisingly stark about how patriarchy, society and religion interfere in women’s desires and autonomy. I found far more resonances with the pragmatic tragedies of Mahasweta Devi’s stories, or the deceptively mundane female worlds of Ismat Chughtai’s work. Women tear each other down, draw dramatic lines between sluttiness and respectability, rely on brothers and extended family while suffering spousal abuse and abandonment. Romance and courtship are abbreviated to a few fast-moving dialogues because the author wants to spend time on the minutiae of how a selfish second wife neglects her kitchen duties. Yakubu’s matriarchal lead Rabi—with her culinary enterprise born of desperation, her baffled rage at her husband’s mistress, her fierce determination to promote her children—is soul sister to Parvati from Kiran Nagarkar’s Ravan and Eddie. Rabi’s daughter Saudatu—dignified, dutiful, happily desirous—resembles Sita in her deference to narrative fiat.

The main reason I would recommend reading this book is because of how much it made me feel at home. It is not heartwarming in the treacly manner of popular films, but instead, like the family histories your aunties tell you, full of compromises and small justices, and the “life goes on” approach to domestic tragedy. This is not a story of exotic Africa, nor of epochal moments in histories of colonialism and its aftermath, nor yet about the fetishized tensions of being Muslim. Instead, it is shopkeepers falling in love with women stopping to buy dress material, and mothers vacillating between the street being unsafe and being a good place to meet eligible men, and bored wives eyeing comely electricians summoned to fix the wiring. Let other books talk about purdah and polygamy; this is a book that concerns itself with soap.

- The Review of The "Sin is a Puppy That Follows You Home" of Balaraba Ramat Yakubu by Deepa Dharmadhikari.

Balaraba Ramat Yakubu is a Nigerian author who writes in Hausa. She is a leader in the genre of littattafan soyayya or "love literature", and one of the very few Hausa-language writers whose work has been translated into English. She has also worked as a screenwriter, producer, and director of Kannywood films. Her stories have focused on issues such as forced marriages and women's education.

Netflix is Improving the Quality of Nollywood To World Class Standards

Netflix is Improving the Quality of Nollywood To World Class Standards

#Netflix is actually helping #Nollywood to improve the quality of film and TV productions in the Nigerian film industry.

But MultiChoice is still accepting substandard movies from #Nollywood for the Africa Magic. They come cheap for as low as US$1200 per movie.

The producers say being seen on #DStv is an achievement and Netflix is their ultimate dream. Making it to Netflix is like winning an #Oscar to Nollywood filmmakers.

Netflix should only accept Nollywoood or #Kannywood movies with Dolby Atmos or DTS:X, because it would boost the quality of the sound in the film and TV productions. 

Your sound begins from writing the screenplay: from the first draft and not the copy and paste soundtracks during the post production which is the common practice in Nollywood.

Using Dolby Vision is not rocket science. 

If Nollywood wants to improve on the quality of productions to qualify for the official selections of top international film festivals and nominations for the Academy Awards, Nigerian filmmakers have to use the same benchmarks for international productions as their counterparts and peers in the leading film Industries in the world.

And I am still waiting for the first Nigerian movie with Dolby Vision.

- By Ekeyerengozi MichaeI Chima,

Publisher/Editor,

NOLLYWOOD MIRROR®Series,

@247nigeria Twitter

The Scarcity of Film Curators and Hairstylists in Nollywood

Elizabeth Banks (left, as Effie Trinket) and Ve Neill (right, makeup artist) on the set of The Hunger Games. Photo by Murray Close. Courtesy of Lionsgate.http://academyartunews.com/newspaper/2016/06/celebrity_makeupart.html.

"The study of film criticism comes before the study of film curation."

- Ekenyerengozi Michael Chima.

You cannot be a film curator without the knowledge, experience or expertise in film criticism. 

Film schools in Nigeria must teach film curation or programming, because of the scarcity of professional film curators or programmers in the Nigerian film industry.

The lack of this can be seen in the substandard selections of movies and TV series on cable TV channels and public TV channels in Nigeria, especially in the selection of Yoruba movies and series of low quality and the most annoying subtitles by half-educated translators or subtitlers whose poor knowledge of English grammar either makes you laugh or upsets you. 

Another widespread common erroneous practice in #Nolllywood and #Kannywood is the fact that many of the filmmakers don't know that a makeup artist is different from an hairstylist. And there must be an hairstylist as there must be a makeup artist for every film or TV production. There is a hairstyle for every character in a drama or comedy.

There is Film Hairstyling for Storytelling and should be included in the top courses in film schools in Nigeria.

 

- Ekenyerengozi Michael Chima,

Publisher/Editor,

NOLLYWOOD MIRROR®Series,

247 Nigeria @247nigeria on  #Twitter

The New Beauty Queens of Nollywood and Kannywood

Dorcas Shola Fapson.

In the second edition of the 

NOLLYWOOD MIRROR®Series published in 2014, I featured 34 beauty queens of Nollywood and Kannywood. Since 2014 to date, new outstanding female actors have emerged and among them are the most beautiful women on the silver screen who should be recognised and published as the new beauty queens of the Nigerian film industry. Nancy Isime is red hot in romantic roles. She is hotter than summer. 

From Nollywood to Kannywood I selected some of them and the complete list will be published in the third edition of the NOLLYWOOD MIRROR®Series focusing on the leading Nigerian female filmmakers in Nigeria and the Diaspora. The photos that will be published will be in high resolution images.

Adesua Etomi- Wellington

Adunni Ade

Nancy Isime

Sharon Ooja Egwurube

Lilian Esoro

Halima Yusuf Ateteh 

Aisha Aliyu Tsamiya

Hafsat Idris

Fati Shu’uma

Fatima Abdullahi Washa

The NOLLYWOOD MIRROR®Series is the first book series on Nollywood and the Nigerian film industry published since 2013. It is printed in Raleigh, North Carolina in the United States of America and distributed in Amazon Kindle version, paperback and hardcover versions in full colour. 

- By Ekenyerengozi Michael Chima, Publisher/Editor, NOLLYWOOD MIRROR®Series.

WAKAATI - The Best Entertainment Cable TV in Nigeria 24/7!

So, What is NOLLYWOOD?

Dame Taiwo Ajai-Lycett, famous Nigerian actress trained in the UK and  featured in "A Warm December" directed by Sidney Poitier.

The first groundbreaking Nigerian home video was Jimi Odumosu's "Evil Encounter", a 1980 horror movie for the Nigerian Television Authority (NTA) that was pirated on video cassettes at the Alaba International Market on the outskirts of Lagos. 

The first Nigerian movie, shot directly on video was  "Soso Meji" of 1988 by Ade Ajiboye, followed by Alade Aromire's "Ekun" (1989), 

"Turmin Danya" (The Draw")/in 1990,  was the first commercially successful Kannywood home video; Jide Kosoko's "Asiri Nla" 1992 and "Asewo To Re Mecca" of 1992 by Adebayo Salami, popularly known as "Oga Bello".

Prince Jide Kosoko

Jimi Odumosu

Adebayo Salami

Chris Obi-Rapu

Dr. Christian Chika Onu

Any documentary film on the history of Nollywood without them is not the conmplete true history of Nollywood and the Nigerian film industry.

The first Nollywood blockbuster home vodeo movie in the Igbo language was "Living in Bondage" 1 of 1992 by Chris Obi Raou and the sequel, "Living in Bondage" 2 of 1993 by Chika Christian Onu of the Nigerian Television Authority (NTA). 

How Nollywood Redefined Conversations on African Cinema and Culture 

https://shadowandact.com/how-nollywood-redefined-conversations-on-african-cinema-and-culture 

From Analog To Digital

https://shadowandact.com/the-nollywood-phenomenon-from-analog-to-digital-2

Is Nollywood a child of necessity or a phenomenon of ingenuity?

The guerrilla filmmakers in Nigeria who started the phenomenon of the first indie film industry in Africa were driven by necessity, ingenuity and opportunity.

How I Fell in Love with the Cinema

My great father of blessed memory, Sunday "Sunny" Eke loved going to cinemas almost daily, because he loved movies; especially #Hollywood western cowboys movies of Clint Eastwood and John Wayne, war films and #Bollywood movies such as "Sholay" and "Seeta aur Geeta" and I loved the Bollywood legends; Amitabh Bachchan, Hema Malini,, Dharmendra Singh Deol , Sanjeev Kumar and lest I forget the most celebrated nautch dancer in Hindi romantic films, Helen Anne Richardson Khan.  My father never sat down to watch any movie on TV. He would just glance at the popular Bonanza western cowboys series and Combat series on World War 2.

https://nigeriansreportng.blogspot.com/2020/09/how-i-fell-in-love-with-cinema.html

The Most Appreciated Film Writer in Nigeria
https://nigeriansreportng.blogspot.com/2020/08/the-most-appreciated-film-writer-in.html
Do you know that the Alpha Man, EKENYERENGOZI Michael Chima is the most appreciated film writer on #Nollywood and the film industry by filmmakers and other major stakeholders in the Nigerian film industry since 2012. He has written on the Academy Awards and Cannes Film Festival since 2008 to date and accurately predicted the winner of the Oscars for the Best Picture and Best Director in 2017 won by Guillermo del Toro for "The Shape of Water". He has also written definitive articles on Nollywood and history of the Nigerian cinema published on Indiewire and by SHADOW&ACT Author Post List 

https://shadowandact.com/author/MichaelChima.

Nigeria: #Nollywood, #Kannywood and the Academy Award for Best International Feature Film

https://nigeriansreportng.blogspot.com/2020/11/nigeria-nollywood-kannywood-and-academy.html

Fincho: The Making of the First Nigerian Film in Colour By Sam Zebba

https://nigeriansreportng.blogspot.com/2020/10/fincho-making-of-first-nigerian-film-in.html

Photo of Chinua Achebe and Hansjürgen Pohland on the Location of "Bullfrog in the Sun" in Ibadan
https://nigeriansreportng.blogspot.com/2020/12/photo-of-chinua-achebe-and-hansjurgen.html

GIOVANNI ROSMAN: The First Canadian Actor in Nollywood

http://totnaija.blogspot.com/2020/08/the-first-canadian-actor-in-nollywood.html?m=1

Why Nollywood Filmmakers Have Failed To Qualify for the Oscars and Cannes
https://nigeriansreportng.blogspot.com/2019/04/why-nollywood-filmmakers-have-failed-to.html

When Will Nollywood Movies Make the Official Selection of the Cannes Film Festival?
https://nigeriansreportng.blogspot.com/2020/10/when-will-nollywood-movies-make.html

TOP 20 Nigerian Filmmakers From 2012-2020

https://nigeriansreportng.blogspot.com/2020/05/top-20-nigerian-filmmakers-from-2012.html

Bankrolling Nollywood: The Challenges and Benefits of Film Finance
https://nigeriansreportng.blogspot.com/2019/03/bankrolling-nollywood-challenges-and.html

über Nollywood
https://nigeriansreportng.blogspot.com/2020/10/uber-nollywood.html

Anachronisms in #Nollywood Igbo Epic Movies and Ṇ́dị́ Ìgbò History
https://nigeriansreportng.blogspot.com/2020/10/anachronisms-in-nollywood-igbo-epic.html

The Importance of a Database, Library and Museum for the Nigerian Film Industry
https://nigeriansreportng.blogspot.com/2020/10/the-importance-of-database-library-and.html

Does Our National Assembly Know Anything About the Nigerian Entertainment Industry?
https://nigeriansreportng.blogspot.com/2020/12/does-our-national-assembly-know.html

NOLLYWOOD is the National Treasure of Nigeria
https://nigeriansreportng.blogspot.com/2020/12/nollywood-is-national-treasure-of.html

#Nollywood Rising: Welcome To Asaba!
https://nigeriansreportng.blogspot.com/2020/11/nollywood-rising-welcome-to-asaba.html

Netflix Needs Cinemas and Cinemas Need Netflix
https://nigeriansreportng.blogspot.com/2020/09/netflix-needs-cinemas-and-cinemas-need.html

The Encyclopaedia of Nollywood and the Nigerian Film Industry
https://nigeriansreportng.blogspot.com/2020/03/the-encyclopaedia-of-nollywood-and.html

- By Ekenyerengozi Michael Chima,

Publisher/Editor

NOLLYWOOD MIRROR®Series

Does Our National Assembly Know Anything About the Nigerian Entertainment Industry?

The American entertainment industry is getting $15 billion from U. S Congress, which adds in new copyright laws against illegal streaming.

Does our National Assembly know anything about the Nigerian entertainment industry?

2020 has been the most challenging year for the global entertainment industry, including #Hollywood,  #Bollywood and our #Nollywood  with the unprecedented shutdowns of film and TV productions and cinemas due to COVID-19 pandemic lockdown and hazards of the #Coronavirus  in workplaces.  And the. American government has been very responsive to the economic shortfalls in Hollywood, but the Nigerian government seems either clueless about how to respond to the deficits in Nollywood or confused. I have heard more about government concerns over #fakenews in the social media than government concerns about shortfalls in Nollywood that is the second biggest and largest employer of labour after agriculture. 

The negligence of the economic challenges in the entertainment industry caused by the COVID-19 pandemic is due to the administrative incompetence of the government officials appointed to oversee the Nigerian entertainment industry from Lagos to Abuja.

The Nigerian Film Corporation (NFC) recently hosted the Zuma Film Festival, but not a single call to action on the shortfalls caused by the COVID-19 pandemic on the Nigerian film industry. I watched the Director-General of NFC in a live TV interview on the Nigerian Television Authority (NTA) on the Nigerian film industry, he did  not address the economic crisis iin Nollywood or Kannywood. It was unbelievable and that was why I ignored their film festival that has not even improved over the years.  They cannot even learn from the Academy of Motion Picture Arts and Sciences (AMPAS), except only to submit a Nigerian movie for the annual #Oscars.

Hello DG of NFC, a working visit or study of AMPAS will be great for your knowledge and the benefit of the NFC.
The hands of the Honourable Federal Minister of Information and Culture (FMIC), Alhaji Lai Mohammed are full, so he cannot carry the whole "Wahala" of the Nigerian entertainment industry on his head. The DG of the NFC can be more pragmatic and responsive by addressing the critical situation of the Nigerian film industry to the Nigerian government; especially the National Assembly.

- By Ekenyerengozi Michael Chima,

Publisher/Editor of the NOLLYWOOD MIRROR®Series.

https://www.amazon.com/author/ekenyerengozimichaelchima.

NOLLYWOOD: The Past, Present and the Future

I am working on a documentary film on "Nollywood Rising: The New Generation".

NOLLYWOOD MIRROR® Series,
The first book series on Nollywood and the Nigerian film industry published since 2013.

https://www.amazon.com/author/ekenyerengozimichaelchima

Special hardcover editions are available for purchase from Raleigh, North Carolina, USA.