The Academy Awards, Nollywood and the Submission of Nigeria's Entry for the Best International Feature Film

The Academy of Motion Pictures, Arts and Sciences (AMPAS) is not responsible for the selections of the members of the Nigerian Official Selection Committee (NOSC) for the International Feature Film (IFF) category of the annual Academy Awards (Oscars).

The brouhaha over the lack of honesty and transparency in the rejection of any of the two acclaimed Nigerian films as the country’s official submission for the IFF Award last year caused the resignation of Mildred Okwo and Shaibu Husseini from the selection committee and I don't know if they have returned. But there should be a defined criteria for the membership of the Nigerian Official Selection Committee (NOSC) based on international professional achievements and accomplishments in filmmaking and being on the jury of highly rated international film festivals and awards. So, some members of the NOSC are not qualified to be members of the committee. And I mean every word in my statement. 

I was dragged into the mess of the NOSC last year that caused the local and international embarrassment of Nollywood, because after my investigation I discovered that Nigeria should have submitted an entry for the International Feature Film (IFF) category of the last Oscars. But personal antagonisms and not professional criticisms caused the rejection of the two films from which one should have been submitted. 

The two major contenders for the submission as Nigeria's entry were "Elesin Oba, The King's Horseman" , Yoruba-language historical drama film directed by Biyi Bandele based on Nobel Laureate, Prof. Wole Soyinka's "Death and the King's Horseman", a stage play he wrote while in Cambridge and "Aníkúlápó", a Yoruba epic fantasy film by Kunle Afolayan. Both of them were good enough; therefore one of them should have been submitted for the International Feature Film (IFF) category of the annual Academy Awards (Oscars). But the antagonism between those who wanted "Aníkúlápó" and those who wanted "Elesin Oba, The King's Horseman" resulted in the rejection of the films. 

Selfish opportunism has done more harm than good to professionalism in Nollywood and the Nigerian film industry.

To me, any Nigerian film that fails to be accepted for the Official Selections of any of the following annual international film festivals: Sundance Film Festival; Berlin International Film Festival: Cannes Film Festival, Venice International Film Festival and Toronto International Film Festival (TIFF) should not be in the consideration for the submission by the NOSC.

 - Ekenyerengozi Michael Chima,
The Publisher/Editor,
NOLLYWOOD MIRROR® Series,
Nigeria Daily
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#Oscars
#Academyawards
#BestInternationalFeatureFilm
#OfficialSelections
#nominations
#nominees
#films
#committee
#Nollywood

Why Bollywood and Nollywood Have Not Won the Oscar for the Best International Feature Film

Why #Bollywood and #Nollywood Have Not Won the #Oscar for the Best International Feature Film

#Oscars 
 #academyawards
#movies

In nearly 75 years, the Oscar for best international film has only gone to an African production three times and a Bollywood production has never won. Europe dominates the category. Why?

Bollywood also snubbed by Hollywood

Half of the Asian-winning films are Japanese productions. Despite the size of Bollywood's film industry, India has never won the best international film award.

Another reason is the lack of financial means to promote Indian films to the Academy, says Namrata Joshi, an Indian film critic and author who has served on international film festivals juries in Toronto, Moscow and Cluj.

Even though Nigeria's internationally renowned Nollywood industry produces around 2,500 films a year, it hasn't won a single foreign film Academy Award.

Nollywood productions often do not meet the technical requirements of a cinema film since the focus is on home television. According to Ayorinde, streaming services like Netflix could change the situation significantly. Netflix is raising the bar, he says, by requiring cinematic standards even for films made for home viewing.

Read the report on 

https://amp.dw.com/en/oscars-where-are-the-african-films/a-61187154

Highly recommended: Nigerians Report Online: Why Nollywood Filmmakers Have Failed To Qualify for the Oscars and Cannes

"Héliopolis" is a Masterpiece in Motion Picture

In 1970, Algeria became the first country in the Arab world to win an #Oscar in the Best Foreign Film category with the Algerian-French production “Z” directed by Costa Gavras.

“Héliopolis", Algeria's entry for the Best International Feature Film category of the 94th Annual Academy Awards is a very powerful historical drama about
the Algerian revolution, directed by Djaafar Gacem.

Synopsis:

In Guelma, Victory in Europe Day is a life-altering event for one Algerian family: French troops are about to commit a massacre against Algerian civilians.

In Guelma, which was once called Heliopolis in ancient times, the daily life of an Algerian family takes its usual course. But on May 8, 1945, the day the end of World War II was announced, demonstrations by the Algerian people against the French colonial power and for the country’s independence took place, which were bloodily suppressed by the French army and French settler militias. The event went down in history as the Sétif and Guelma massacre. 

"Héliopolis" is a masterpiece in motion picture and will end up a classic in the history of filmmaking in Algeria and the rest of the Arab world.

French is the best language of motion picture. 

I predict "Héliopolis" making it to the final nominees for the Best International Feature Film, Best Picture and the Best Original Screenplay.. But I don't know if it can win the second Oscar for Algeria, because of the outstanding films by the other countries competing for the Best International Feature Film award.

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Heliopolis is also the title of an Egyptian film produced in 2009 directed by Ahmad Abdalla.

- By Ekenyerengozi Michael Chima,

Publisher/Editor, 

NOLLYWOOD MIRROR® Series
@247 NIGERIA @247nigrria on Twitter