Showing posts with label Korea. Show all posts
Showing posts with label Korea. Show all posts

Friday, September 11, 2026

The Lumière Declaration on the Future of Cinema and the Moving Image


The Lumière Declaration on the Future of Cinema and the Moving Image is a global framework of 15 principles adopted on September 7, 2026, at the Lumière Summit in Saint-Paul-de-Vence, France.


Core Overview
Initiative and Leadership: Jointly presented by France and South Korea, the summit was co-chaired by French President Emmanuel Macron and South Korean President Lee Jae Myung.
Global Governance: Designed to establish a new "multilateralism of the moving image," providing a baseline of global governance 130 years after the Lumière brothers' first public screening.

Key Participants: Signed by international organizations, governments, and industry leaders—including the Motion Picture Association (MPA)—with support from a council of prominent filmmakers like Wim Wenders, Denis Villeneuve, and Juliette Binoche.

Core Principles
Works at the Center: Reaffirms that moving images are a shared cultural common good and that ambitious, intentional works remain irreplaceable.

Audience Attention: 
States that audience attention is "a trust to be honoured, not a resource to be captured" in an era of digital and algorithmic saturation.

Creation and Renewal
Stresses investment in next-generation talent, experimentation, and public-private financial support.

Diversity and Growth
Defends cultural diversity across formats, languages, and budgets while recognizing the audiovisual sector as a core driver of economic growth.
 
The Saint-Paul-de-Vence Declaration on Artificial Intelligence is one of five thematic frameworks adopted on September 7, 2026, during the Lumière Summit at the Fondation Maeght in France. Rather than debating if artificial intelligence should be integrated into film, TV, and gaming, the declaration sets out to establish on what terms AI is used and who gets to decide.

The Six Core Principles
The framework outlines six principles intended to guide future legislation, cross-border industry conduct, and copyright enforcement:

Cultural Diversity & UNESCO Protection: 
The first principle firmly places AI systems—whether they produce, disseminate, transform, or are trained on cultural works—within the regulatory scope of the 2005 UNESCO Convention on Cultural Diversity.

Human Foundation & Fair Remuneration: It affirms that human-created works are the fundamental bedrock of generative systems. Crucially, any use of copyrighted material to train AI models must respect intellectual property laws and guarantee fair payment to rights holders.

Reclaiming Creative Control: Reaffirming statements made by French President Emmanuel Macron at the summit, the declaration states that AI should be a tool that strengthens human creativity and innovation, ensuring human creation always remains the irreplaceable heart of any work.

Mitigating "Agentic AI" Disruption: The text flags an unprecedented multilateral warning regarding the rise of autonomous, agentic AI, expressing deep concern over a future where audience access to artistic works is entirely filtered or mediated by automated agents.
 
Signatories & Enforcement Nuance
While the broader Lumière Declaration saw a massive wave of industry backing, the targeted, legally sensitive AI text carried a much narrower, highly specific list of initial signees:

Sovereign States: Signed by France and the Republic of Korea.

Rights Organizations: Signed by SACEM (which manages rights for music authors, composers, and publishers) and Adami (which collects and distributes revenue for performers like actors and musicians).

The "Studio" Gap: Observers noted that while these four institutions wield immense regulatory and licensing power in Europe, no major AI developers, streaming platforms, or Hollywood studios were part of the initial signatures. However, the declaration remains open for future signatories as international frameworks evolve.

Read more on 
https://lumieresummit.org/en/news/ 



African AI Film Festival 2026 | Submit Your AI Film
https://africanaifilmfestival.org/ 



Defining Cinema in the Age of AI

Website: www.globalaicinema.org

View original content to download multimedia:https://www.prnewswire.com/news-releases/global-ai-cinema-launches-global-initiative-to-define-cinema-in-the-age-of-ai-302825690.html"
https://finance.yahoo.com/technology/ai/articles/global-ai-cinema-launches-global-223300414.html



Saturday, April 17, 2021

A Dream of Meeting Bong Joon-ho

A Dream of Meeting Bong Joon-ho

I had an usual dream before dawn in which I saw documents like a brochure and passport on my bed in the room of a hotel or a guest house. I saw "Bong" written on the brochure slightly overlapping the passport. The scene faded in a flash. Then another scene appeared and I was meeting with Bong Joon-ho in the lobby of a venue for an event. 

Bong is the famous South Korean filmmaker of critically acclaimed films, including his directorial debut film, "Barking Dogs Never Bite" (2000), "Memories of Murder (2003), and the record making "Parasite" (2019), the highest-grossing South Korean film in history; the first South Korean film to win the highly coveted Palme d'Or of the 2019 annual Cannes Film Festival, @festivaldecannes in France and the first South Korean film to receive nominations for the #Oscars; and at the 92nd Academy Awards won the: Best Picture, Best Director, Best Original Screenplay, and Best International Feature Film. "Parasite" is the first non-English language film to win the Academy Award for Best Picture.

It won the Golden Globe Award for Best Foreign Language Film and the BAFTA Award for Best Film Not in the English Language, and became the first non-English language film to win the Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture. 

Why did I dream of travelling and meeting Bong Joon-ho?Are we going to meet for international awards or international co-production?

One of my unusual stories which I think Bong can direct the film adaptation is "Hysterics" about sin, insanity and redemption. A surrealistic drama of unforeseen circumstances that resulted in the encounter of a monk with an insane prostitute in a brothel. But how did a Roman Catholic monk end up in a brothel of drunkards, gamblers and prostitutes?

-  ByEkenyerengozi Michael Chima 

https://www.amazon.com/author/ekenyerengozimichaelchima