The Road To Mountain of Fire and Miracles Church in Onike in Lagos

The Road To Mountain of Fire and Miracles Church in Onike in Lagos

A scene from the first phase of the principal photography of my on going documentary film, "Lagos in Motion" in 2016.

The camera is the narrator of the documentary on the sights and sounds of the largest megacity in Africa.

I have shot more than 40 hours so far and now on the final phase to complete the production.

I have not borrowed and have not applied for any funds for the production since 2016 to date.

I have spent my personal incomes and I have paid my crew and all the young tourists featured in the documentary film, including Nollywood actresses, Nunnsi Ojong, Celina Ideh and campus beauty queen, Franca Aide who  are graduates of the University of Calabar in Cross River State; fast rising actress, Magdalena Masha and model Cynthia Agu who is now in Poland. My black and beautiful production assistant, Chibuzor Okoro, my younger brother, Franklin UcheChukwu Eke, my friend, Tony Godson Uche Okeke and my production manager, Felix Omokagbo Jegede featured in the documentary film.

The principal cameraman Adesina Mutiu-Okediran used Sony FS 100 and I also used my own Sony digital camera for some of the shots. I shot this scene alone.

- Ekenyerengozi Michael Chima

#lagos

#nollywood

#documentaryfilm

#documentary

#megacity

#nigeria

#africa

#storytelling

#filmmaking

#narrator

#camera

#sony

#photography

#miracles

#church

LINDA IKEJI: 50 Most Outstanding Women in Nollywood and the Nigerian Film Industry

LINDA IKEJI: 50 Most Outstanding Women in Nollywood and the Nigerian Film Industry.

Linda Ikeji is a prominent Nigerian blogger, writer, and entrepreneur, widely recognized as a pioneer of the digital media landscape in Nigeria. She is best known for her highly influential and popular platform, Linda Ikeji's Blog, which focuses on Nigerian news, entertainment, lifestyle, and gossip. 

Career Overview

Early Career: 

Ikeji started writing at the age of 10 and began her career as a model and waitress to support herself through the University of Lagos, where she earned a degree in English language.
Blogging Pioneer: She started blogging as a hobby in 2006, using cybercafés due to limited internet access in Nigeria at the time. Her blog gained significant popularity around 2011 and became one of the most visited sites in Nigeria, reshaping how the country consumes entertainment news.

Media Mogul: 

Ikeji expanded her brand into a media empire, launching ventures such as Linda Ikeji TV (LITV), an online radio station (Linda Ikeji Radio), and a social networking site (Linda Ikeji Social).

Filmmaking: 

She has also ventured into film production, with recent projects including the movie Dark October (2023) and Reverse (2025), with the latter inspired by her personal experience of being denied hospital treatment. 

Influence and Recognition
Impact: 

Her success has been cited as a case study for the business of blogging in Africa by Forbes Africa. She is recognized for demonstrating the potential of new media as a viable business.

Philanthropy: 

Through her project "I'd rather be self-made; No thanks," she supports young women aged 16-25 with entrepreneurial aspirations, having disbursed millions of naira to help them start their businesses. 

Linda Ikeji is considered an integral part of the Nigerian digital age, a figure who evokes both praise as a hardworking pioneer and criticism for her controversial publications. 

PS;

The 50 Most Outstanding Women in Nollywood and the Nigerian Film Industry is a special feature in the third edition is the NOLLYWOOD MIRROR® Series to be printed in Raleigh, North Carolina, USA and will be distributed by Amazon, Barnes and Noble and other booksellers.

The "NOLLYWOOD MIRROR® Series" is a book series by Michael Chima Ekenyerengozi that provides a comprehensive overview of Nollywood, Nigeria's film industry. Published in both print and digital formats, the series aims to capture the "big picture" of the industry and is targeted at a global audience interested in Nigerian cinema.  

Focus: The series is a celebration and documentation of the Nigerian film industry, covering current affairs and notable aspects of Nollywood. 

Formats: It is available in multiple formats, including paperback, hard-cover, and e-copy versions. 

Distribution: The books are distributed in Nigeria, the U.S., the UK, Canada, the Caribbean, and other parts of the world to reach its target audience.

 

Author: Michael Chima Ekenyerengozi is credited as the author of the series.

#nollywood 

#chima

#books 

#series 

#mirror 

#movies 

#filmmarket 

#filmstudies 

#filmmaking

#education

#information

#nigeria

#canada

#uk

#unitedstates

#america

#caribbean

The Lack of Visionary Leadership in Africa and the Solution

The Lack of Visionary Leadership in Africa and the Solution

I have heard, listened and watched outstanding motivational speakers in Africa blaming European colonial Government in Africa for the political failures of majority of African leaders. In most cases, I don't agree with them, because I always say that the suit does not make the man, but the man makes the suit.
What makes a monk holy is his character and not the hood and cassock of his monastery.

Africa would have been worse today without Western education and there would not have been Western education without colonialism and there would not have been colonialism without Christianity. 
The White man gave us the Holy Bible first before his colonial rule.
Colonialism and neocolonialism are not the cause of the bad political leadership in Africa.
The carrot and stick or the divide and rule political tactics of the colonial rulers ended with the political Independence of African countries.

We don't lack leaders in Africa.
There is only lack of visionary leadership for democracy and good governance.
Majority of those who became the founding fathers of Independence and the end of colonial rule in Africa were political title chasers without the principles of transformational visionary leadership.
They didn't prepare their people for the nation building of their respective countries.
They just wanted to step into the big shoes of their colonial masters who were rulers and not leaders.
The colonial masters didn't come to lead Africans for an African Renaissance to compete with their Western Civilization. They came to rule and exploit Africa to expand their Western Civilization by imperialism.
They came for the human and mineral resources in Africa.

There are four pillars of the credibility of a great human personality for visionary leadership; they are Dignity, Humility, Integrity and Nobility.
Without which you cannot be a good leader before you can even talk of becoming a great visionary leader.

Majority of Africans are selfish by nature and that is why they have corrupt leaders with greed for power and wealth without conscience and without shame.

As I always say that Nigeria is what Nigerians are from the street to the Office of the President.
We reap the harvest of the seeds we have sown.
You cannot sow weed and reap the harvest of wheat.
We reap what we sow.

Selfish interests from ethnic differences of tribalism overtook national interests after the exit of the colonial rulers.
Regionalism and religional sectarianism of Christianity and Islam became the order of the day and the sociopolitical consequences have done collateral damage to political leadership in Africa.
Africa is what Africans are.
From tribalism to neopatrimonialism.

Africa has been blessed with great visionary leaders from the late Osagyefo Kwame Nkrumah
of Ghana, Léopold Sédar Senghor of Senegal, António Agostinho Neto of Angola,Samora Moisés Machel of Mozambique, Jomo Kenyatta of Kenya, Patrice Émery Lumumba of the Democratic Republic of the  Congo,
Dr. Nnamdi Azikiwe,
Chief Obafemi Awolowo and Sir Abubakar Tafawa Balewa of Nigeria to Julius Nyerere of Tanzania, Kenneth Kaunda of Zambia and the great Madiba Nelson Mandela of South Africa who were nation builders. But they passed on to eternal glory without credible successors.
Were they political mentors without credible successors?
Yes.

We cannot have great leadership without any successorship plan.

You must have the foresight and insight into the future for visionary leadership.
Study the life and legacy of the great Lee Kuan Yew, the Father of Modern Singapore. And I recommend him as a role model for visionary leadership in Africa. 

The world is still waiting for the rise of the roaring African lions to rise up like the Asian Tigers.

The Big Picture of the Future of Africa will be defined by a new generation of visionaries in every sphere of human development and they must be ready to be nation builders and not title chasers.

- - By Ekenyerengozi Michael Chima,
The Author of "The Victory of Muhammadu Buhari and the Nigerian Dream", "The Prophet Lied", "In the House of Dogs" and other books distributed by Amazon, Barnes and Noble and other booksellers.
https://www.amazon.com/author/ekenyerengozimichaelchima

#africa
#nigeria
#ghana
#southafrica
#america
#europe
#singapore
#asia
#leadership
#leaders
#politics
#democracy
#colonialism
#neopatrimonialism
#government
#corruption
#econony
#future
#mandela
#yew
#visionary

Not Every Indian Film is Bollywood and Not Every Nigerian Movie is Nollywood

  

Not Every Indian Film is Bollywood and Not Every Nigerian Movie is Nollywood

Bollywood and Nollywood have been called the first and second largest film industries in the world for the production of the largest quantities of movies.

Bollywood is generally labelled as the Indian film industry. But it is not the overall representative of the film industry of India, because there is Tollywood, the popular Telugu film industry of Telugu language based in the states of Andhra Pradesh and Telangana in southeast India. Bollywood, the Hindi language Cinema is based in the city of Mumbai (formerly Bombay).

Tollywood was first coined before Bollywood and has a filmmaking history of over 100 years since 1909 when the Father of Telugu Cinema, Raghupathi Venkaiah Naidu produced short films and showed them in different regions of South Asia and he built the first Indian-owned cinema halls in South India in 1921.

Tollywood is the second largest film industry in India by box-office revenue after Bollywood. And Tollywood films sold 233 million tickets in 2022, the highest among all Indian film industries. As of 2023, Andhra Pradesh has the highest number of movie screens in India.

The boisterous Telugu film industry has several Guinness World Records such as the Ramoji Film City, which holds the Guinness World Record as the largest film studio complex in the world.

The second highest grossing Indian film so far, is "Baahubali 2: The Conclusion", a 2017 Tollywood epic action film directed by S. S. Rajamouli following the current highest grossing Indian film "Dangal"  a 2016 Bollywood biographical sports drama film directed by Nitesh Tiwari and produced by Aamir Khan and Kiran Rao.

I have written on the significance of the difference between Bollywood and Tollywood before on my Nigerians Report Online on Blogger.

Like Bollywood, Nollywood has been termed as the sobriquet of the Nigerian film industry since the name was coined by The New York Times in 2002. But the name Kannywood for the Hausa language film industry based in Kano was coined in 1999 before the The New York Times discovered Nollywood and said "it is like Hollywood" with starry-eyed guerilla filmmakers making dozens of movies daily from bootstraps budgets. All the movies were shot straight to video from handheld VHS cameras and sold in VHS tapes on the streets and stalls of Lagos and Onitsha before distribution to other countries across the borders to start the first indie film industry in Africa. 

While Nollywood is largely based in the predominantly Christian

southern region of Nigeria, Kannywood is based in the predominantly Islamic northern region of Nigeria.

Adamu Halilu, the Father of Hausa language Cinema was the first Nigerian indigenous filmmaker with the documentaries, "It Pays to Care" (1955) and "Hausa Village" (1958) and later made the classic film, Shaihu Umar (1976), a story of African slavery based on the novel of the same name by Abubakar Tafawa Balewa, first Prime Minister of Nigeria.

The first Hausa language home video, "Tirmin Danya " was produced in 1990 in Kano.

 The National Film and Video Censorship Board, (NFVCB) Abuja, started recording and censoring video films in Nigeria from 1995, and a total of 1600 Hausa video films were officially documented between 1995 and 2005.

Majority of the foreign film critics, journalists and scholars who claimed to be experts ignored Kannywood in their reports, features and books on the Nigerian film industry.  Both Nigerian and foreign scholars have done comprehensive researches and published books on Kannywood. The most popular are Dr. Idi Adam; Dr. Abdulkareem Abdulrahman; Dr. Muhammad Muhsin Ibrahim;

Dr. Carmen McCain; Prof. Brian Larkin and Dr. Mahmoud Nourah Bamalli.

Queen of Nollywood, Genevieve Nnaji.

Joint Queen of Nollywood, Omotola Jalade-Ekeinde 

Queen of Kannywood, Rahama Sadau.

Alpha Male Nollywood actor, Enyinna Nwigwe.

My NOLLYWOOD MIRROR® Series is the first publication that has celebrated the beautiful queens of Kannywood on the same pedestal as the beautiful queens of Nollywood in the second edition published in 2014 and distributed by Amazon, Barnes and Noble and other booksellers in hardcover version, paperback version and Amazon Kindle version.

Ike Ude's photo book, "Nollywood: Radical Beauty" ignored the stars of Kannywood. 

The big problem of Kannywood is being under the dictatorship of the Islamic religion with majority of the actors, actresses and filmmakers being Muslims.

They are monitored by the Islamic police of Kano State and the other Sharia states in northern Nigeria with several cases of the violations of their fundamental human rights even in their private lives. 

Nollywood Alpha Male actor Enyinna Nwigwe can hug and kiss the Queens of Nollywood, Genevieve Nnaji and Omotola Jalade-Ekeinde in a romantic movie, but he cannot even dare to hug and kiss Rahama Sadau, the Queen of Kannywood on screen without incurring the wrath of the Islamic watchdogs of Kannywood.

-By Ekenyerengozi Michael Chima,
International Digital Post Network Limited,
King of Kings Books International,
Screen Outdoor Open Air Cinema (SOOAC)

Publisher/Editor,

NOLLYWOOD MIRROR® Series,

The first book series on Nollywood and the Nigerian film industry

https://www.amazon.com/author/ekenyerengozimichaelchima
https://www.linkedin.com/in/michaelchimaeyerengozi
New Nigeria
www.pinterest.com/nigeriansreport

COMING SOON

The First Annual Bollywood To Nollywood Filmmaking Workshops

#bollywood

#tollywood

#india

#nollywood

#kannywood

#hollywood

#nigeria

#asia

#africa

#cinema

#movies

#films

#videos

#filmindustry

#entertainment

#books

#scholars

#newyorktimes

#hindi

#telugu

#christian

#islam

#christians

#muslims

#religion

#filmmakers

#filmmaking

#cinema

#lagos

#onitsha

#mumbai

#pradesh

No Nigerian Filmmaker is Among the Best and Greatest African Filmmakers

No Nigerian Filmmaker is Among the Best and Greatest African Filmmakers

I am currently doing research on my article on "African Cinema in the Eyes of the World". 

No Nigerian filmmaker is among the best and greatest filmmakers in African Cinema since 1925 to date. None of them is on the list of the to 10 African Filmmakers.

Only Newton Aduaka's multiple award winning film,"Ezra" that won the most prestigious award of the "Étalon d'or de Yennenga" (Golden Stallion of Yennenga) at the 2007 Panafrican Film and Television Festival of Ouagadougou or FESPACO) (held biennially in Ouagadougou, Burkina Faso. "Ezra" also other sspecial awards; including the Oumarou Ganda Prize, given for the best first film, and the Paul Robeson Prize for the best film by a director of the African diaspora named in honour of the major 20th-century American actor, singer and civil rights activist in the United States.) and C.J Obasi's cinematic masterpiece, "Mami Wata", the  2023 sci-fi drama based on the mythology of Nigerian marine spirits  are included in the best 100 African films so far.

"Mami Wata"'s  cinematographer Lílis Soares won the Special Jury Prize in the World Dramatic Competition and won three awards at FESPACO - Prix de la Critique Paulin S. Vieyra (African Critics Award), Meilleure Image (Cinematography Award) and Meilleur Décor (Set Design Award).

The first African film to win international recognition was Sembène Ousmane's "La Noire de (Black Girl). It won the Prix Jean Vigo in 1966. Ousmane is recognized as the Father of African Cinema.

Only one African film has won the highly coveted Palme d'Or at the Cannes Film Festival, "Chronicles of the Years of Fire" (1975) by Algerian director Mohammed Lakhdar-Hamina. 

Then Mati Diop of Senegal became the only African woman to win the Grand Prix, the second-most prestigious award, for her film "Atlantics" in 2019.

"Tsotsi", a South African film is the first African film to win  the Academy Award for Best Foreign Language Film in 2006 actually,  the first non-French language film from Africa to achieve this honor.  It was directed by Gavin Hood, based on a novel by Athol Fugard.

The first African film to win the Golden Bear at the Berlin International Film Festival was "U-Carmen eKhayelitsha", a South African drama directed by Mark Dornford-May, in 2005.

"Dahomey, directed by Mati Diop won the Golden Bear at the 74th Berlin International Film Festival in 2024, the first Black filmmaker to win the award. 

No African films has won the Toronto International Film Festival's People's Choice Award. However, "Mother, Mother" by Somalian filmmaker K'naan Warsame did receive the FIPRESCI Jury Award in 2024.

The Golden Globes celebrated a century of Egyptian Cinema in 2021. I have been working on "A Century of Nigerian Cinema: from Palaver To Nollywood - 1926-2026".

- by Ekenyerengozi Michael Chima,
The Publisher/Editor,
NOLLYWOOD MIRROR® Series, the first book series on Nollywood and the Nigerian film industry.

#africa
#africancinema
#nigeria
#nollywood
#filmmakers
#films
#academyawards
#filmfestival
#cannes
#berlin
#toronto
#Ousmane
#diop
#obasi
#aduaka
#blackgirl
#Tsotsi
#ezra
#mamiwata
#palmedor

#goldenlion
#goldenbear
#goldenglobes
#fespaco
#movies
#series
#books

Empowering Female Farmers in Nigeria

Women in Agriculture in Nigeria

Empowering Female Farmers in Nigeria

The largest labour force in Africa

This is the first time there will be a national community mobilization and sensitization of female farmers in Nigeria for the realization and utilization of their full potential for the sustainable development of agriculture and food security in the country.

Female farmers are the largest labour force in Nigeria.

More than 70 percent of the working population of Nigeria are farmers in the rural areas of the most populous country in Africa .

An estimated 70 percent of them are female farmers working on farms in different villages in the 774 local government areas of Nigeria.

Majority of them are poor and without complete formal education.

They need empowerment for the sustainable development of agriculture for food security and economic stability for the eradication of extreme poverty in Nigeria.

Food security is important to national security, because without food security there will be no national security.

A hungry man is an angry man.

No hungry man can defend his family, community and country.

Only a well fed man can have the strength to fight for his survival and welfare.

An army of hungry soldiers will not have the strength to defend their country in the battlefield.

No food, no power.

Starvation can cause the collapse and destruction of a nation.

Scarcity of food has caused widespread riots and looting on the streets that caused the downfall of a government administration.

Africa has 65 percent of the uncultivated arable land left in the world, to feed 9.5 billion people by 2050. Therefore, what Africa does with agriculture will determine the future of food in the world. “Essentially, food is money. The size of the food and agriculture market in Africa will reach $1 trillion by 2030.

USD $106bn finance gap in sub-Saharan Africa and Southeast Asia agricultural business - CABI.org

The Commercial Agriculture for Smallholders and Agribusiness (CASA) programme has published ‘The state of the agri-SME sector – Bridging the finance gap.’

A recent report estimates demand for financing, from around 220,000 agri-business SMEs in sub Saharan Africa and Southeast Asia at USD $160bn with banks, impact investors and other financial intermediaries providing only USD $54bn. Furthermore, almost all climate funding is targeted at mitigation measures, rather than supporting ways to for agriculture to adapt to the climate crisis with less than 2% of global climate finance – or USD $10bn – being channelled to small-scale agriculture.

Nigeria has the largest arable land in Africa.
Women make up about 70% of the agricultural workforce in Nigeria. 
They contribute to about 70% of the country's food production.

In Nigeria, according to the World Bank, closing the gender productivity gap could increase GDP by US$2.3 billion and decrease global food insecurity by two percentage points, thereby putting nutritious food on the tables of another 45 million people.

https://www.thecable.ng/nigerian-women-in-agriculture-a-catalyst-for-food-security-economic-growth-and-family-well-being/

Eliciting the Gender Income Influences on Household’s Food Security in West Africa: 

Heliyon

https://www.cell.com/heliyon/fulltext/S2405-8440(23)04616-9?_returnURL=https%3A%2F%2Flinkinghub.elsevier.com%2Fretrieve%2Fpii%2FS2405844023046169%3Fshowall%3Dtrue

Women in Agriculture in Nigeria is a public forum for the empowerment and upliftment of female farmers in Nigeria for the sustainable development of agriculture to increase the cultivation and production of both food crops and cash crops for local consumption and export to other countries.

We are going to launch a national directory and website for all the female farmers in Nigeria who estimated to be over 30 million working on farmlands in the rural areas.

Majority of the farmers in Nigeria are women

Nigerian female farmers are among the most underpaid low income workers in Nigeria, because majority of them are not privileged to own farmlands.

Majority of them are farming on the farmlands of their husbands, brothers or uncles, because daughters are not entitled to any inheritance of lands from their fathers by custom and tradition of majority of the tribes.

Only sons are entitled to be shareholders in the inheritance of lands

Women in Agriculture in Nigeria will empower underprivileged female farmers to unite and form cooperatives for the join-ownership of farmlands and to become joint-venture partners in agroallied ventures such as having silos and factories for processing of crops for the production of flours, cereals and drinks for local consumption and export to other countries.

We are going to introduce Nano drones for farming in Nigeria as female farmers are doing in India.
https://www.facebook.com/share/p/1FnG3TE2qM/

The productions of flours from cassava,maizes, tiger nuts, oranges, mangoes, coconuts, groundnuts, dates, etc have become very profitable agroallied ventures in many developing countries.

We will help in increasing the economic growth of Nigerian women in agriculture with significant contribution to the GDP of Nigeria.

Africa Food Trade & Resilience Initiative
Food Security Monitor - AGRA
https://agra.org/publications/food-security-monitor-3/


- by Mrs. Stella Unah,
National Coordinator,
Women in Agriculture in Nigeria (WAN)

About Female Farmers in Nigeria

"Women play a crucial role in Nigerian agriculture, accounting for a significant portion of the farming population and contributing heavily to food production. They are involved in various aspects of the agricultural value chain, from planting and harvesting to processing and marketing. Despite their vital contributions, women often face challenges like limited access to land, finance, and technology, which hinder their ability to fully realize their potential.

Key Roles of Women in Nigerian Agriculture:

Farm Management and Labor:
Women are actively involved in managing farms and providing labor, often performing tasks like planting, weeding, harvesting, and processing crops.

Food Crop Production:
Nigerian women are primarily involved in the production of food crops such as maize, cowpea, melon, pepper, cassava, and vegetables.
Livestock Production:
In some cases, women also participate in small-scale animal production, including small ruminants, poultry, and aquaculture.
Processing and Marketing:
Women are heavily involved in processing and marketing farm produce, contributing to the food value chain.

Challenges Faced by Women in Nigerian Agriculture:

Limited Access to Land:
Traditional land tenure systems and cultural norms often limit women's access to land ownership and control, hindering their ability to participate in agriculture.
Financial Constraints:
Women often lack access to finance, making it difficult for them to purchase inputs, hire labor, or scale up production.

Gender Inequality:
Social norms and gender-based divisions of labor can restrict women's decision-making power and limit their ability to manage farms independently.
Knowledge and Training Gaps:
Limited access to information and training can affect women's ability to adopt modern farming techniques and best practices.

Efforts to Empower Women Farmers:
Government Initiatives:
The Nigerian government and various organizations are implementing programs to empower women farmers, such as the National Women in Agriculture Programme (NWAP) according to Rural 21.

Capacity Building:
Training and capacity-building programs are being offered to equip women farmers with the skills and knowledge they need to improve their productivity and income according to Rural 21.

Financial Inclusion:
Efforts are being made to improve women's access to finance through microfinance institutions and other financial services.
Advocacy and Awareness:
Advocacy groups and NGOs are working to raise awareness about the contributions of women in agriculture and to advocate for policies that support their empowerment. "

IEC Applications Can End Extreme Poverty in the World

IEC Applications Can End Extreme Poverty in the World

I am one of those involved in the concerted efforts for the eradication of extreme poverty in the world. And I have reached the advanced final stage in the development of the applications that can reduce poverty by 80 percent with IEC, Information, Education and Communication methods which I have seen during my years of working as an IEC field officer for the Center for Education, Population, AIDS and Drug Abuse (CEPADA), an NGO founded by Mrs. Hadiyat O. Shitta-Bey, a former award winning Program Specialist in the United States Agency for International Development (USAID) when I did Market Based Distribution (MBD) surveys of the largest markets in Lagos, the most populous state in Nigeria and the largest megacity in Africa and when I was contracted as a public health illustrator and translator for the production and publication of family planning methods booklets in Pidgin English, Igbo, Yoruba and Hausa for semi literates distributed by the Planned Parenthood Federation of Nigeria (PPFN) and as a national Program Consultant for the Child Survival and Development (CSD) projects of the UNICEF in Nigeria.

The first mobile app for all the users to GSM phones has been in development since 2014 and I have also completed the layout for a SaaS e-commerce and fintech app for interactive IEC through social network for wealth creation and distribution among all the users of mobile phones in Nigeria and other countries.

Imagine an app with X Amazon and Paypal combined.

My advocacy for the education of the millions of girls out of school in Nigeria is fundamental in the eradication of extreme poverty in developing countries, because surveys have shown that majority of the people living in poverty come from families with mothers who did not go to school or dropped out of school.

In Nigeria, we found out that almost 90 percent of the bandits and terrorists on rampage in northern Nigeria were born by mothers who did not go to school and without any formal education and thousands of their children were destitutes. Their rebellion against law and order was caused by lack of parenting and poverty with uneducated parents who did not have the information on family planning and family welfare. 

They continue to breed children they cannot feed and they cannot afford to send to school. 

Extreme poverty is largely due to ignorance and illiteracy.

With the use of IEC applications through mobile phones, millions of the people in poverty will be taken out of poverty.

The first MVP of the mobile app was among the top finalists for tech innovation awards in Africa in 2014 and the pitch for the SaaS e-commerce and fintech app was shortlisted for the a tech startups hackathon in Africa in 2022.

Both mobile apps will advance the decentralization of e-commerce and fintech platforms in all communities in Nigeria and other countries and downloaded without any payment by all those who can use mobile phones and the IEC applications will be in their own languages. 

- by Ekenyerengozi Michael Chima,

The CEO, 

International Digital Post Network Limited

Mati Diop's "Dahomey" Shortlisted for Two Academy Awards

Multiple award winning Senegalese  filmmaker, Mati Diop has made history by becoming the first filmmaker from Senegal and Africa to have a film shortlisted in two different categories for the highly coveted annual 97th Academy Awards, popularly known as the Oscars.

Her critically acclaimed documentary film,  "Dahomey" has been shortlisted for both the Documentary Feature Category and Best International Feature Film Category,  making Diop the first African filmmaker to have a film shortlisted for two Oscars.

 "Dahomey" won the Golden Bear at the 2024 Berlin International Film Festival.

Oscar Shortlist 2025: 

International Feature Film

I'm Still Here, Brazil

Universal Language, Canada

Waves, Czech Republic

The Girl with the Needle, Denmark

Emilia Pérez, France

The Seed of the Sacred Fig, Germany

Touch, Iceland

Kneecap, Ireland

Vermiglio, Italy

Flow, Latvia

Armand, Norway

From Ground Zero, Palestine

Dahomey, Senegal

How to Make Millions before Grandma Dies, Thailand

Santosh, United Kingdom

Documentary Feature Film

The Bibi Files

Black Box Diaries

Dahomey

Daughters

Eno

Frida

Hollywoodgate

No Other Land

Porcelain War

Queendom

The Remarkable life of Ibelin

Soundtrack to a Coup d'Etat

Sugarcane

Union

Will & Harper

WOLE SOYINKA - ENI OGUN, An Accomplished Biopic on the First African Nobel Laureate of Literature

WOLE SOYINKA - ENI OGUN, An Accomplished Biopic on the First African Nobel Laureate of Literature

Joshua Ojo with Prof. Wole Soyinka.

Joshua Ojo's vivid biopic, "WOLE SOYINKA - ENI OGUN"is an outstanding historical film on the phenomenal life of the most lionized African writer, Prof. Wole Soyinka, the first African winner of the highly coveted Nobel Prize for Literature. 

This is the only one of the few films on the life of Soyinka to capture the essence of the spirit of the art and persona of his iconic genius in motion picture. And the first to be produced in his beloved mother tongue of the Yoruba language. The biopic produced to celebrate his 90th birthday is a must see and the film has been authorized by the Nobel laureate.

Official trailer

https://drive.google.com/file/d/1m_nA7r4CH50FjxHdNlvaixNv5F44GQI3/view?usp=drivesdk

It chronicled his trials as a fearless sociopolitical human rights activist and triumphs as an intellectual luminary of the literary world with critically acclaimed books of poetry, drama and prose for which he became famous and awarded the Nobel Prize in  Literature in 1986 for with his writings, Soyinka "in a wide cultural perspective and with poetic overtones fashions the drama of existence."

The cinematic beauty of the film with outstanding portrayal of Soyinka by the award winning Nigerian actor, Lateef Adedimeji and other accomplished actors, including Jide Kosoko, Femi Branch, Segun Arinze, Dele Odule, Funky Mallam, Haffiz Oyetoro, Bimbo Oshin, Joke Muyiwa and Olaiya Igwe showed the accomplishments of the director in the art direction with the production design, casting, characterisation, cinematography and soundtracks based on the historical facts of the celebrated author with important emphasis on Ibadan and other locations of his life and the political circumstances of his imprisonment in the Kirikiri Prison for 22 months during the Nigerian-Biafran war from 1967-1970.

"This is my most challenging film production so far. Because of the historical importance and significance of the legacy of Prof. Wole Soyinka, I have to make sure of the accuracy of the sets used for the period in the history of Nigeria. KIRI-KIRI PRISON was built from the scratch in the studios. Soyinka's house was equally built with over 98 percent of the set built by the crew, except for the scenes of the roads and the other scenes shot outside Nigeria," the director said.

"I did the casting myself, because I really wanted actors to look like the real characters in his life. For the production design, I took my time as well to draw and sketch out how I wanted them to look and the guys in that department brought life to it.

I've been to Soyinka's house, so it was easy for me to recreate it."

"I had an accident two days to shoot. I was given two options: either to cut off my right leg or I do an emergency surgery, which I did. And I went back to location a week after the surgery, with an ambulance on stand by everyday. I'll shoot for 2 to 3 days and rush back to the hospital for check-up. That was how we shot for two months to complete the principal photography."

The film certainly is an outstanding achievement in filmmaking in Nollywood and African Cinema. It will attract millions of Yorubas in Nigeria and the Diaspora; especially in Brazil where hundreds of thousands of people are devotees of the Yoruba OGUN traditional religion which Soyinka has celebrated in his life and works. Millions of others who have read his popular plays, novels and essays will be anxious and curious to watch the film subtitled in English and should be widely available in other popular languages for the global distribution.

- By Ekenyerengozi Michael Chima,

The Publisher/Editor,

NOLLYWOOD MIRROR® Series,

The first book series on Nollywood and the Nigerian film industry.

#soyinka

#biopic

#life

#birthday

#wolesoyinka

#nobellaureate

#nobelprize

#literature

#writer

#author

#joshuaojo

#joshua

#filmmaker

#filmmaking

#yoruba

#brazil

#ogun

#religion

#art

#books

#travel

#history

#drama

#nollywood

#nigeria

#biafra

#war

#prison

#ibadan

#humanrights

#africa

Effective Content Marketing in Nigeria Must Target the Gen Z

Effective Content Marketing in Nigeria Must Target the Gen Z

You cannot do effective content marketing if you are ignorant of the demographics of your target audience.

The target audience for online entertainment, e-commerce and fintech industry are the Generation Z, or Gen Z of people born between 1995 and 2010. The 'Z' in the name means "zoomer", as this is the first generation known to 'zoom' the internet.

Majority of them make up the population of 65 million Nigerians using social media platforms.

They spend $975m daily on online betting.

Data from the National Lottery Trust Fund (NLTF) has revealed that over 65 million Nigerians actively engage in betting, spending an average of $15 daily. This is just as it disclosed that everyday, 14 million bet takes and payments are made online in the country.

According to one of the fast rising upwardly mobile Nigerian Gen Z techies, Benjamin Unah, Co-Founder & Chairman - Primeries

https://primeries.com/, the #1

 streetwear marketplace that connecting shoppers to the hardest streetwear brands and creatives in Africa, "they are the most active shoppers online and subscribers of entertainment providers for streaming music and movies."

According to the report on Understanding the Gen Z in Nigeria: Trends and Insights - Sagaci Research

"Trends among the Gen Z in Nigeria: more likely to go to physical shops and use cash
Male Nigerian consumers aged 18-25 exhibit different shopping behaviours compared to older ones. A significant 58% of them would rather go to a shop than buying products online versus 47% of the older group. This result stems from young people’s preference for a physical experience; they want to visit stores, see the product firsthand, and make their choice in person. Additionally, 26% of these younger consumers prefer using cash, a higher percentage than the 16% observed in the 26+ demographic.

In contrast, older consumers are more inclined to use debit cards, with 41% opting for this payment method compared to 29% of the younger age group. Following recent banking issues in Nigeria, younger people now prefer to keep physical cash on hand for added security and to avoid potential problems.

Read the complete report on 
https://sagaciresearch.com/gen-z-nigeria-insights/
"
.

The Problem with Made in China?

Photo illustration by Ekenyerengozi Michael Chima. ©All rights reserved. 2024.

The Problem with Made in China

Briefing Manufacturing in Asia

The Economist, January 13th, 2007.

Page 68-70

It is worth reading if you missed the issue.

Can Nigeria become the China of Africa?

Why did the American firms ignore Nigeria, the most populous country in Africa with the largest market on the continent for the location of their factories?

Nigeria does not have the required utilities for the mass production of their products?

Can Nigeria become in Africa what China has become in Asia?

Labour is cheaper in Nigeria than China.

Transportation by railway is also cheaper.

The major hindrance is lack of regular power supply?

CIG Motors of China has an assembly plant in Lagos in spite of the challenges of doing business in Nigeria.

The Capitalism of Made in China should be a good title for a book on how American capitalism dines and wines with communism in China.

This should be a case study on the international politics of the economics of Made in China factories of blue chip American firms.

Big American Companies with factories in China include the following:

General Motors
Nike Store
Boeing
Coca Cola
KFC

Microsoft
Procter & Gamble
Starbucks
Intel
Walmart

Like the phenomenal Asian Tigers, can we see the emergence of the African Lions in global trade led by Nigeria?

- Ekenyerengozi Michael Chima
 The CEO,
International Digital Post Network Limited

Video: Dangote Refinery: Seeing is Believing!

 

The Dangote Petroleum Refinery
Dangote Oil Refinery is a 650,000 barrels per day (BPD) integrated refinery project under construction in the Lekki Free Zone near Lagos, Nigeria. It is expected to be Africa’s biggest oil refinery and the world’s biggest single-train facility.

Art photography by Ekenyerengozi Michael Chima. September 22024.

The Pipeline Infrastructure at the Dangote Petroleum Refinery is the largest anywhere in the world, with 1,100 kilometers to handle 3 Billion Standard Cubic Foot of gas per day. The Refinery alone has a 435MW Power Plant that is able to meet the total power requirement of Ibadan DisCo.

The Refinery will meet 100% of the Nigerian requirement of all refined products and also have a surplus of each of these products for export. Dangote Petroleum Refinery is a multi-billion dollar project that will create a market for $21 Billion per annum of Nigerian Crude. It is designed to process Nigerian crude with the ability to also process other crudes."

Facts about Dangote Refinery

1. It is located in Ibeju-Lekki, Lagos, covering a land area of approximately 2,635 hectares.

2. The refinery is the world’s largest single train with a capacity of 650,000 barrels per day with a 900 KTPA Polypropylene plant.

3. The refinery is powered by a 435-megawatt (MW) power plant.

4  At full capacity, it can meet 100% of the Nigerian requirement of all refined products and also have surplus for exports.

5. Designed for 100% Nigerian crude with flexibility to process other crudes.

6. Self-sufficient marine facility with ability for freight optimization. Largest single order of 5 single-point mooring (SPMs) anywhere in the world.

7. Diesel and gasoline from the refinery will conform to Euro V specifications.

8. The refinery design complies with World Bank, US EPA, European emission norms and Department of Petroleum Resources (DPR) emission/effluent norms.
Incorporates state-of-the-art technology.

9. Designed to process large variety of crudes, including many of the African crudes, some of the middle eastern crudes and the US Light Tight Oil.

10. 65 million cubic meters of sand dredged, costing approximately €300 million, using the world’s largest dredgers.

11  Bought over 1,200 units of various equipment to enhance the local capacity for site works.

12. Bought 332 cranes to build up equipment installation capacity.

13. Built the world’s largest granite quarry to supply coarse aggregate, stone column material, stone base, stone dust and material for breakwater (10 million tons per year production capacity).

14.  Developed a port and constructed two quays with a load bearing capacity of 25 tons/square meter to bring over dimensional cargoes close to the site directly.

15. Constructed two more quays in the port with a capacity to handle up to Panamax vessels to export, two quays to handle liquid cargoes. The port will have six quays, including a roll on/roll off quay.

16. In the course of the civil works, 700 piles were drilled on some days, with total number of piles up to 250,000.

17.  It has 177 tanks of up 4.742 billion liters capacity.

18. Dangote is one of the few companies in the world executing a Petroleum refinery and a Petrochemical complex directly as an Engineering, Procurement and Construction (EPC) contractor.

19. Trained 900 young engineers in refinery operations abroad. Mechanical Engineers trained in the GE University in Italy. Process Engineers trained by Honeywell/Universal Oil Products (UOP) for six months.

https://dangote.com/our-business/oil-and-gas/

The Global Target Audience For Nollywood Movies and Series in Igbo and other African Content

The Global Target Audience For Nollywood Movies and Series in Igbo and other African Content in International Film Acquisition and Distribution

Using Culture and Strategy:

My market survey for a new Nigerian Igbo movie, "Infant at Heart" directed by Aguyi Ikeobi ND, a graduate of the London Film School and produced by Vera Kanu, a seasoned producer in Nollywood with famous Nollywood actor, Nkem Owoh and one of the most beautiful Nollywood divas, Monalisa Chinda in the leading roles has an estimated target audience of more than 100, 000 Igbos who will like to watch Igbo movies and can afford to pay for the tickets at the cinemas in Nigeria. 

There are also thousands of Igbos in Ghana, Cameroon and Gabon who are fans of Nkem Owoh who will be excited to watch it.

The Cultural Web 

There are more than 45 million Igbos in Africa and the Diaspora.
Nollywood movies still command hundreds and thousands of fans in West Africa and Central Africa.
The first Nollywood videos were actually videos of the popular Igbo TV series, "Masquerade" on the Nigeria Television Authority (NTA) in the 1980s recorded on VHS tapes and watched on TV in Cameroon and Gabon.

See also Nigerian Home Videos - Festival des 3 Continents
https://www.3continents.com/en/programme/2003/home-videos-nigerianes/

The significance of cultural web is important for marketing strategy in the distribution of products and services, especially movies and TV series. 
Audiences first and foremost prefer content they can identify with and then are anxious and curious about content of other cultures.

Majority of the over 11 million viewers of "The Black Book", the 2023 Nollywood crime thriller film by Editi Effiong on Netflix were South Koreans who were anxious and curious to know what is "The Black Book".

The largest market for African movies and series are the Afro-Latinos: comprising some 150 million in the Americas.
https://www.everycrsreport.com/reports/RL32713.html#:~:text=Afro%2DLatinos%20comprise%20some%20150,marginalized%20groups%20in%20the%20region.

Unknown to Canal Plus and other multinational entertainment providers, FRANCE 24 Español has already unlocked the market, but yet to provide the African movies and series they (Afro-Latinos) will be excited to see.

The Igbo were dispersed to colonies such as Jamaica, Cuba, Saint-Domingue, Barbados, Colonial America, Belize and Trinidad and Tobago, among others.
The Igbo language is still spoken in Cuba, along with the Efik language, but in a creolized version. In ceremonies of the Abakuá culture, you can see traces of the Igbo Culture.
These are populations waiting for  Igbo movies and series and other African content.

- By Ekenyerengozi Michael Chima,

Publisher/Editor,

NOLLYWOOD MIRROR® Series,

The first book series on Nollywood and the Nigerian film industry.

The books have been printed in Raleigh, North Carolina, United States of America and distributed by Amazon, Barnes and Noble and other booksellers.

They are the highest priced book series by an African author and publisher.