Peter Gregory Obi: Portrait of Visionary Leadership

Peter Gregory Obi: Portrait of Visionary Leadership

The Coming of a New Leader for the nation building of a New Nigeria 

Peter Gregory Obi,

The Nigerian Dream for Visionary Leadership 

It takes a visionary mind to appreciate, celebrate and promote a visionary leader for the nation building of a New Nigeria in the leadership of Africa among the comity of nations in the world.

- By Ekenyerengozi Michael Chima,
Author of "The Victory of Muhammadu Buhari and the Nigerian Dream" and other books distributed by Amazon, Barnes and Noble and other booksellers.

https://nigeriansreportng.blogspot.com
www.pinterest.com/nigeriansreport
https://www.amazon.com/author/ekenyerengozimichaelchima
https://www.linkedin.com/in/michaelchimaeyerengozi    

Buy my books to support my works.

#nigeria
#peterobi
#obi
#leadership
#democracy

The Aeneid 1

 

The Aeneid 1

Pictures from my storyboard for Virgil’s The Aeneid as an AI-generated historical epic that will be visually spectacular, deeply cinematic in 70mm format; blending myth and history.

Trojan hero Aeneas with Queen Dido of Carthage.

King Iarbas, the powerful North African king and fierce warrior ruling over local territories; the son of Jupiter Ammon, a fusion of the Roman king of gods and a North African deity as the suitor of Queen Dido.
Queen Dido setting herself ablaze and  cursing Aeneas for refusing to marry her.
This is pivotal moment in the epic, representing a final plea for vengeance against Aeneas.

"Nullus amor populis nec foedera sunto. / Exoriare aliquis nostris ex ossibus ultor...".

No love between our peoples, no pact between us... Rise up from my bones, avenger!

Aeneas in the underworld.

- By EKEYERENGOZI Michael Chima,
Wednesday, August 26, 2026.
Uyo, Akwa Ibom State, Nigeria.

#epic
#film
#theeneid
#virgil
#aeneas
#dido
#Iarbas
#africa
#carthage
#rome
#troy

The First Annual African AI Film Festival Live in Hollywood

The First Annual African AI Film Festival Live in Hollywood

 

The First Annual African AI Film Festival - live in Hollywood (Nov 21) & Kampala, Uganda (Dec 12) 

The annual African AI Film Festival is opening a new stage for African and African-diaspora storytellers using artificial intelligence.

Launching its inaugural edition in November 2026, the African AI Film Festival is the first global stage dedicated to African and African-diaspora filmmakers reimagining cinema with artificial intelligence. The festival brings together Africa’s storytelling traditions with the newest creative technologies, creating a platform where filmmakers can explore new ways of telling authentic African stories. By hosting live events in both Hollywood and Kampala, the festival creates a bridge between African storytelling and the global AI filmmaking community.

• Festival: African AI Film Festival - live in Hollywood (Nov 21) & Kampala, Uganda (Dec 12)
• Submit (free for Africa-based + emerging): filmfreeway.com/AfricanAIFilmFestival
• Trailer: https://vimeo.com/1210632566
• Website: africanaifilmfestival.org
• Recent feature (for reference/sharing): https://shaike.ai/the-african-ai-film-festival-opens-a-new-stage-for-african-storytelling/

#Africa

#AI

#Africanaifilmfestival

#filmfestival

#Hollywood

#November

AFRIFF, One of the Best International Film Festivals in Africa

 

AFRIFF, One of the Best International Film Festivals in Africa

The Africa International Film Festival (AFRIFF) is a premier annual event in Lagos, Nigeria, celebrating African and diasporic cinema. Founded in 2010 by Chioma Ude, it hosts high-profile film screenings, industry masterclasses, and talent development programs. It also features the AFRIFF Film & Content Market (AFCM) to boost content licensing, co-productions, and distribution.

The Africa International Film Festival (AFRIFF), in partnership with The Walt Disney Company and FilmOne Entertainment, hosted the historic African premiere of "Black Panther: Wakanda Forever" in Lagos, Nigeria. The highly anticipated Marvel Studios sequel debuted on the continent ahead of its global cinematic release in November 2022.

The star-studded event brought the film's cast, filmmakers, and global industry stakeholders to Lagos. It was widely celebrated as a monumental milestone for African entertainment, helping bridge the gap between global film industries.

In 2026, AFRIFF became the first African film festival selected for the Goes To Cannes of the Marché du Film (Cannes Film Market) program of the annual Cannes Film Festival in France.

Curating a dedicated "Goes to Cannes" showcase, the festival highlighted the growing global influence of African cinema.

As the official representative for Lagos, Nigeria, AFRIFF secured a highly visible platform at the Palais des Festivals.

Key Information and Upcoming Dates

Event Dates: 

The festival typically takes place in early November.

Location: 

Lagos, Nigeria (with multiple venues across the city).

Core Activities:

Film Screenings: Showcasing feature films, documentaries, shorts, animations, and student works.

AFRIFF Globe Awards: 

The closing-week ceremony honoring artistic excellence across various cinematic categories.

AFRIFF Academy: 

A capacity-building initiative that trains young filmmakers and facilitates sponsorships to international film schools.

AFRIFF Film & Content Market (AFCM): 

A dedicated marketplace for creators, studios, and financiers to trade and collaborate.

Hollywood Style Classy Accommodation in Lagos City

 

Hollywood Style Classy Luxury 1-2 Bedroom Apartments on Victoria Island and Lekki in Lagos City, the business heartbeat of Nigeria and the soul and spirit of Nollywood, the largest film industry in Africa.

The exquisite apartments of high class and style offer more than the luxury of the five star hotels and suites in Lagos and other cities in Nigeria.

Highly recommended with the guaranty of privacy and security.

From US$100 daily.

View the photo gallery exclusively on TALK OF THE TOWN By Orikinla 

http://totnaija.blogspot.com/2026/05/classy-luxury-1-2-bedroom-apartments-on.html

African Filmmakers Who Have Won the Palme d'Or, Grand Prix, Jury Prize and other Prizes at the Cannes Film Festival

African Filmmakers Who Have Won the Palme d'Or, Grand Prix, Jury Prize and  other Prizes at the Cannes Film Festival

The first and only African film so far to win the Palme d'Or was “Chronicle of the Years of Fire”, 1975 by  Algerian Filmmaker, Mohammed Lakhdar-Hamina.
The film, a three-hour saga dramatized the socio-political conditions leading up to the 1954 Algerian War of Independence against French colonial rule. It remains a landmark moment as the only African and Arab production to win the prize.
Another African from Tunisia also won the Palme d'Or, Abdellatif Kechiche, regarded as Tunisian-French.  His romantic drama "Blue Is the Warmest Colour" won the Palme d'Or at the 2013 Cannes Film Festival. But it is a French film and not an African film.

Mati Diop (Senegal/France): Made history in 2019 by becoming the first Black woman to have a film in the main competition, where she won the Grand Prix (the festival's second-most prestigious award) for her haunting drama Atlantics.

Idrissa Ouédraogo (Burkina Faso): Won the Grand Prix in 1990 for his critically acclaimed feature film Tilaï (The Law), which explores the clash between strict tribal traditions and personal desires.

Souleymane Cissé (Mali): Captured the Jury Prize (the third-highest honor) in 1987 for Yeelen (Brightness), a visually striking fantasy film rooted in Bambara mythology.

Mahamat-Saleh Haroun (Chad): Awarded the Jury Prize in 2010 for his moving father-son drama A Screaming Man (Un homme qui crie).
And his 2013 film "Grigris" was nominated for the Palme d'Or at the 2013 Cannes Film Festiva

South African films have also competed at the Cannes and Elaine Proctor's "Friends" won the Caméra d'Or at the1993 Cannes Film Festival.

The following African films have won the top prizes in the Un Certain Regard.
"A Thousand Months" (Mille mois) by Faouzi Bensaidi of Morocco won Prix le Premier Regard in 2003.
"Moolaadé" by the Father of African Cinema, Ousmane Sembène of Senegal won the Prix Un Certain Regard in 2004.
"Delwende" by S. Pierre Yameogo of Burkina Faso won the Prix de L'espoir in 2005.

See the African Filmmakers in the Diaspora  who have won Palme d’Or and other prizes at the Cannes Film Festival on
https://lnkd.in/eDpzGY_Q

Photos:
Mohamed Lakhdar-Hamina, Palme d’or – Chronique des années de braise – Ann Margret
.https://lnkd.in/eyE5WamJ

Mati Diop (Senegal/France): Made history in 2019 became the first Black woman to have a film in the main competition, where she won the Grand Prix (the festival's second-most prestigious award) for her haunting drama "Atlantics".

#cannesfilmfestival
#africa
#cannes
#palmedor
#juryprize
#grandprix
#diop
#Hamina
#Haroun
#sembene
#bensaidi
#cisse
#ouedraogo
#yameogo

The Fake Atheism of Prof. Wole Soyinka, Yoruba Orisa, IFA Divination, My Philosophy and Christianity

Famous Nigerian Nobel Laureate, Prof . Wole Soyinka, has stated that he does not believe in the God of either Christianity or Islam, describing himself instead as an atheist with strong spiritual awareness.

He made the remark during an interview with Larry Madowo on CNN, where he spoke about his personal beliefs and religious background.

https://www.nairaland.com/8653352/islamic-christian-god-not-belief#

I wrote the following in response:

Dear Prof. Wole Soyinka,
You are not an atheist if you believe in Orisa like Ogun and Sango or any spiritual core.
Except you are confused.

Atheists do not believe in God. Atheism is defined by a lack of belief in any gods or deities, or the rejection of the assertion that they exist. It is not a belief system, religion, or a shared set of doctrines, but rather a lack of belief.

The so called atheists in Africa are fake atheists like the first black Nobel Laureate of Literature, Prof. Wole Soyinka who says he does not believe in God, but believes in the Yoruba Orisa gods and goddesses.

Like saying you don't believe in the existence of God, but you believe in the existence of demons and spirits.

Africans reject atheism, because it is a a contradiction of African belief in the existence of the origin of humans on earth.

Not believing that God exists does not mean He does not exist.

It only means you are ignorant of His existence within the scope of your knowledge.

I believe in the Almighty God, because to doubt the existence of God is to doubt your existence.

If God does not exist, then we cannot exist.

We are the evidence of the existence of God.

My belief in God is based on personal conviction from logical analysis of both traditional Yoruba beliefs in IFA from my father who was both a Babalawo and Ogun priest and a certificated metaphysician.

He wrote his IFA Divination on notebooks like mathematics.

Believe it or not, he had powers and spoke in the strange tongue of marine spirits and my mother testified of seeing a mermaid once.

My elder sister confirmed the existence.

A female friend confirmed their existence.

IFA Divination is more than 2,500 years old before the birth of JESUS Christ.

And IFA did not deny the existence of God and JESUS Christ.

The mathematics of Ifá is a sophisticated, ancient West African system of combinatorics and binary logic used in divination to navigate probability and decision-making. It consists of 256 fundamental patterns (Odu) generated through 4-bit binary variation—a 16x16 system of single or double marks that pre-dates European binary logic. This system forms a closed, exact logical universe mapping 16 major Odu and 240 derivative Odu.

Like computer algorithms, Ifá uses data encoding and retrieval, showing parallels to the computer science concept of 4-bit and 8-bit systems.

Obi Abata (Cola acuminata) is a four-lobed kola nut native to West Africa, crucial to Yoruba culture, tradition, and Ifá spirituality. It is used in prayers, offerings to Orisha/Ancestors, and divination, generally symbolizing hospitality, friendship, and the balance of masculine and feminine energies.

The number 4 is significant in both geometry and symmetry of mathematics in art and science and religion.

In physics, In physics, the number 4 is foundational, appearing prominently as the four fundamental forces (gravity, electromagnetism, strong nuclear, weak nuclear), the four dimensions of spacetime (

space +
time), and the four quantum numbers used to fully define an electron's state in an atom. 

Coming to Christian religion.

How can anyone explain how Prophet Isaiah who was a real historical person, widely believed by scholars to be a prophet who lived and ministered in Jerusalem during the 8th century BCE (approximately 742 BCE) accurately prophesied the birth, place of birth and death of JESUS Christ over 400 years before JESUS was born?" And the family tree of JESUS Christ is a historical fact.

The Road To Mountain of Fire and Miracles Church in Onike in Lagos

The Road To Mountain of Fire and Miracles Church in Onike in Lagos

A scene from the first phase of the principal photography of my on going documentary film, "Lagos in Motion" in 2016.

The camera is the narrator of the documentary on the sights and sounds of the largest megacity in Africa.

I have shot more than 40 hours so far and now on the final phase to complete the production.

I have not borrowed and have not applied for any funds for the production since 2016 to date.

I have spent my personal incomes and I have paid my crew and all the young tourists featured in the documentary film, including Nollywood actresses, Nunnsi Ojong, Celina Ideh and campus beauty queen, Franca Aide who  are graduates of the University of Calabar in Cross River State; fast rising actress, Magdalena Masha and model Cynthia Agu who is now in Poland. My black and beautiful production assistant, Chibuzor Okoro, my younger brother, Franklin UcheChukwu Eke, my friend, Tony Godson Uche Okeke and my production manager, Felix Omokagbo Jegede featured in the documentary film.

The principal cameraman Adesina Mutiu-Okediran used Sony FS 100 and I also used my own Sony digital camera for some of the shots. I shot this scene alone.

- Ekenyerengozi Michael Chima

#lagos

#nollywood

#documentaryfilm

#documentary

#megacity

#nigeria

#africa

#storytelling

#filmmaking

#narrator

#camera

#sony

#photography

#miracles

#church

LINDA IKEJI: 50 Most Outstanding Women in Nollywood and the Nigerian Film Industry

LINDA IKEJI: 50 Most Outstanding Women in Nollywood and the Nigerian Film Industry.

Linda Ikeji is a prominent Nigerian blogger, writer, and entrepreneur, widely recognized as a pioneer of the digital media landscape in Nigeria. She is best known for her highly influential and popular platform, Linda Ikeji's Blog, which focuses on Nigerian news, entertainment, lifestyle, and gossip. 

Career Overview

Early Career: 

Ikeji started writing at the age of 10 and began her career as a model and waitress to support herself through the University of Lagos, where she earned a degree in English language.
Blogging Pioneer: She started blogging as a hobby in 2006, using cybercafés due to limited internet access in Nigeria at the time. Her blog gained significant popularity around 2011 and became one of the most visited sites in Nigeria, reshaping how the country consumes entertainment news.

Media Mogul: 

Ikeji expanded her brand into a media empire, launching ventures such as Linda Ikeji TV (LITV), an online radio station (Linda Ikeji Radio), and a social networking site (Linda Ikeji Social).

Filmmaking: 

She has also ventured into film production, with recent projects including the movie Dark October (2023) and Reverse (2025), with the latter inspired by her personal experience of being denied hospital treatment. 

Influence and Recognition
Impact: 

Her success has been cited as a case study for the business of blogging in Africa by Forbes Africa. She is recognized for demonstrating the potential of new media as a viable business.

Philanthropy: 

Through her project "I'd rather be self-made; No thanks," she supports young women aged 16-25 with entrepreneurial aspirations, having disbursed millions of naira to help them start their businesses. 

Linda Ikeji is considered an integral part of the Nigerian digital age, a figure who evokes both praise as a hardworking pioneer and criticism for her controversial publications. 

PS;

The 50 Most Outstanding Women in Nollywood and the Nigerian Film Industry is a special feature in the third edition is the NOLLYWOOD MIRROR® Series to be printed in Raleigh, North Carolina, USA and will be distributed by Amazon, Barnes and Noble and other booksellers.

The "NOLLYWOOD MIRROR® Series" is a book series by Michael Chima Ekenyerengozi that provides a comprehensive overview of Nollywood, Nigeria's film industry. Published in both print and digital formats, the series aims to capture the "big picture" of the industry and is targeted at a global audience interested in Nigerian cinema.  

Focus: The series is a celebration and documentation of the Nigerian film industry, covering current affairs and notable aspects of Nollywood. 

Formats: It is available in multiple formats, including paperback, hard-cover, and e-copy versions. 

Distribution: The books are distributed in Nigeria, the U.S., the UK, Canada, the Caribbean, and other parts of the world to reach its target audience.

 

Author: Michael Chima Ekenyerengozi is credited as the author of the series.

#nollywood 

#chima

#books 

#series 

#mirror 

#movies 

#filmmarket 

#filmstudies 

#filmmaking

#education

#information

#nigeria

#canada

#uk

#unitedstates

#america

#caribbean

The Lack of Visionary Leadership in Africa and the Solution

The Lack of Visionary Leadership in Africa and the Solution

I have heard, listened and watched outstanding motivational speakers in Africa blaming European colonial Government in Africa for the political failures of majority of African leaders. In most cases, I don't agree with them, because I always say that the suit does not make the man, but the man makes the suit.
What makes a monk holy is his character and not the hood and cassock of his monastery.

Africa would have been worse today without Western education and there would not have been Western education without colonialism and there would not have been colonialism without Christianity. 
The White man gave us the Holy Bible first before his colonial rule.
Colonialism and neocolonialism are not the cause of the bad political leadership in Africa.
The carrot and stick or the divide and rule political tactics of the colonial rulers ended with the political Independence of African countries.

We don't lack leaders in Africa.
There is only lack of visionary leadership for democracy and good governance.
Majority of those who became the founding fathers of Independence and the end of colonial rule in Africa were political title chasers without the principles of transformational visionary leadership.
They didn't prepare their people for the nation building of their respective countries.
They just wanted to step into the big shoes of their colonial masters who were rulers and not leaders.
The colonial masters didn't come to lead Africans for an African Renaissance to compete with their Western Civilization. They came to rule and exploit Africa to expand their Western Civilization by imperialism.
They came for the human and mineral resources in Africa.

There are four pillars of the credibility of a great human personality for visionary leadership; they are Dignity, Humility, Integrity and Nobility.
Without which you cannot be a good leader before you can even talk of becoming a great visionary leader.

Majority of Africans are selfish by nature and that is why they have corrupt leaders with greed for power and wealth without conscience and without shame.

As I always say that Nigeria is what Nigerians are from the street to the Office of the President.
We reap the harvest of the seeds we have sown.
You cannot sow weed and reap the harvest of wheat.
We reap what we sow.

Selfish interests from ethnic differences of tribalism overtook national interests after the exit of the colonial rulers.
Regionalism and religional sectarianism of Christianity and Islam became the order of the day and the sociopolitical consequences have done collateral damage to political leadership in Africa.
Africa is what Africans are.
From tribalism to neopatrimonialism.

Africa has been blessed with great visionary leaders from the late Osagyefo Kwame Nkrumah
of Ghana, Léopold Sédar Senghor of Senegal, António Agostinho Neto of Angola,Samora Moisés Machel of Mozambique, Jomo Kenyatta of Kenya, Patrice Émery Lumumba of the Democratic Republic of the  Congo,
Dr. Nnamdi Azikiwe,
Chief Obafemi Awolowo and Sir Abubakar Tafawa Balewa of Nigeria to Julius Nyerere of Tanzania, Kenneth Kaunda of Zambia and the great Madiba Nelson Mandela of South Africa who were nation builders. But they passed on to eternal glory without credible successors.
Were they political mentors without credible successors?
Yes.

We cannot have great leadership without any successorship plan.

You must have the foresight and insight into the future for visionary leadership.
Study the life and legacy of the great Lee Kuan Yew, the Father of Modern Singapore. And I recommend him as a role model for visionary leadership in Africa. 

The world is still waiting for the rise of the roaring African lions to rise up like the Asian Tigers.

The Big Picture of the Future of Africa will be defined by a new generation of visionaries in every sphere of human development and they must be ready to be nation builders and not title chasers.

- - By Ekenyerengozi Michael Chima,
The Author of "The Victory of Muhammadu Buhari and the Nigerian Dream", "The Prophet Lied", "In the House of Dogs" and other books distributed by Amazon, Barnes and Noble and other booksellers.
https://www.amazon.com/author/ekenyerengozimichaelchima

#africa
#nigeria
#ghana
#southafrica
#america
#europe
#singapore
#asia
#leadership
#leaders
#politics
#democracy
#colonialism
#neopatrimonialism
#government
#corruption
#econony
#future
#mandela
#yew
#visionary

Not Every Indian Film is Bollywood and Not Every Nigerian Movie is Nollywood

  

Not Every Indian Film is Bollywood and Not Every Nigerian Movie is Nollywood

Bollywood and Nollywood have been called the first and second largest film industries in the world for the production of the largest quantities of movies.

Bollywood is generally labelled as the Indian film industry. But it is not the overall representative of the film industry of India, because there is Tollywood, the popular Telugu film industry of Telugu language based in the states of Andhra Pradesh and Telangana in southeast India. Bollywood, the Hindi language Cinema is based in the city of Mumbai (formerly Bombay).

Tollywood was first coined before Bollywood and has a filmmaking history of over 100 years since 1909 when the Father of Telugu Cinema, Raghupathi Venkaiah Naidu produced short films and showed them in different regions of South Asia and he built the first Indian-owned cinema halls in South India in 1921.

Tollywood is the second largest film industry in India by box-office revenue after Bollywood. And Tollywood films sold 233 million tickets in 2022, the highest among all Indian film industries. As of 2023, Andhra Pradesh has the highest number of movie screens in India.

The boisterous Telugu film industry has several Guinness World Records such as the Ramoji Film City, which holds the Guinness World Record as the largest film studio complex in the world.

The second highest grossing Indian film so far, is "Baahubali 2: The Conclusion", a 2017 Tollywood epic action film directed by S. S. Rajamouli following the current highest grossing Indian film "Dangal"  a 2016 Bollywood biographical sports drama film directed by Nitesh Tiwari and produced by Aamir Khan and Kiran Rao.

I have written on the significance of the difference between Bollywood and Tollywood before on my Nigerians Report Online on Blogger.

Like Bollywood, Nollywood has been termed as the sobriquet of the Nigerian film industry since the name was coined by The New York Times in 2002. But the name Kannywood for the Hausa language film industry based in Kano was coined in 1999 before the The New York Times discovered Nollywood and said "it is like Hollywood" with starry-eyed guerilla filmmakers making dozens of movies daily from bootstraps budgets. All the movies were shot straight to video from handheld VHS cameras and sold in VHS tapes on the streets and stalls of Lagos and Onitsha before distribution to other countries across the borders to start the first indie film industry in Africa. 

While Nollywood is largely based in the predominantly Christian

southern region of Nigeria, Kannywood is based in the predominantly Islamic northern region of Nigeria.

Adamu Halilu, the Father of Hausa language Cinema was the first Nigerian indigenous filmmaker with the documentaries, "It Pays to Care" (1955) and "Hausa Village" (1958) and later made the classic film, Shaihu Umar (1976), a story of African slavery based on the novel of the same name by Abubakar Tafawa Balewa, first Prime Minister of Nigeria.

The first Hausa language home video, "Tirmin Danya " was produced in 1990 in Kano.

 The National Film and Video Censorship Board, (NFVCB) Abuja, started recording and censoring video films in Nigeria from 1995, and a total of 1600 Hausa video films were officially documented between 1995 and 2005.

Majority of the foreign film critics, journalists and scholars who claimed to be experts ignored Kannywood in their reports, features and books on the Nigerian film industry.  Both Nigerian and foreign scholars have done comprehensive researches and published books on Kannywood. The most popular are Dr. Idi Adam; Dr. Abdulkareem Abdulrahman; Dr. Muhammad Muhsin Ibrahim;

Dr. Carmen McCain; Prof. Brian Larkin and Dr. Mahmoud Nourah Bamalli.

Queen of Nollywood, Genevieve Nnaji.

Joint Queen of Nollywood, Omotola Jalade-Ekeinde 

Queen of Kannywood, Rahama Sadau.

Alpha Male Nollywood actor, Enyinna Nwigwe.

My NOLLYWOOD MIRROR® Series is the first publication that has celebrated the beautiful queens of Kannywood on the same pedestal as the beautiful queens of Nollywood in the second edition published in 2014 and distributed by Amazon, Barnes and Noble and other booksellers in hardcover version, paperback version and Amazon Kindle version.

Ike Ude's photo book, "Nollywood: Radical Beauty" ignored the stars of Kannywood. 

The big problem of Kannywood is being under the dictatorship of the Islamic religion with majority of the actors, actresses and filmmakers being Muslims.

They are monitored by the Islamic police of Kano State and the other Sharia states in northern Nigeria with several cases of the violations of their fundamental human rights even in their private lives. 

Nollywood Alpha Male actor Enyinna Nwigwe can hug and kiss the Queens of Nollywood, Genevieve Nnaji and Omotola Jalade-Ekeinde in a romantic movie, but he cannot even dare to hug and kiss Rahama Sadau, the Queen of Kannywood on screen without incurring the wrath of the Islamic watchdogs of Kannywood.

-By Ekenyerengozi Michael Chima,
International Digital Post Network Limited,
King of Kings Books International,
Screen Outdoor Open Air Cinema (SOOAC)

Publisher/Editor,

NOLLYWOOD MIRROR® Series,

The first book series on Nollywood and the Nigerian film industry

https://www.amazon.com/author/ekenyerengozimichaelchima
https://www.linkedin.com/in/michaelchimaeyerengozi
New Nigeria
www.pinterest.com/nigeriansreport

COMING SOON

The First Annual Bollywood To Nollywood Filmmaking Workshops

#bollywood

#tollywood

#india

#nollywood

#kannywood

#hollywood

#nigeria

#asia

#africa

#cinema

#movies

#films

#videos

#filmindustry

#entertainment

#books

#scholars

#newyorktimes

#hindi

#telugu

#christian

#islam

#christians

#muslims

#religion

#filmmakers

#filmmaking

#cinema

#lagos

#onitsha

#mumbai

#pradesh