Elesin Oba, The King's Horseman, Anikulapo and the Obsession for Netflix in Nollywood

Elesin Oba, The King's Horseman, Anikulapo and the Obsession for Netflix in Nollywood

Planning is everything and everything is planning in achieving our goals in our occupations and professions.

Nobody is too big, too high or too old to learn.

The films, ‘Elesin Oba, The King's Horseman" by Biyi Bandele and   "Anikulapo" by Kunle Afolayan  should have been in the Official Selections of the  Cannes Film Festival, Venice Film Festival and Toronto International Film Festival (TIFF) in competition with the best new films by other filmmakers in the world. 

Both of them were produced for Netflix and the producers were fixated on seeing them in competition for the global Top 10 movies on Netflix.

The obsession of Nigerian filmmakers for Netflix deserves to be studied by psychologists.

Being on Netflix has become a status symbol for bragging rights by local filmmakers in Nollywood and their second obsession and status symbol is Amazon Prime Video SVOD.

To them being on either Netflix or Amazon Prime Video SVOD is like winning an Oscar at the annual Academy Awards of the Academy of Motion Picture Arts and Sciences (AMPAS). Once they are on Netflix or Amazon Prime Video SVOD, they have arrived, even though they are among the lowest paid filmmakers compared to the American, European, Australian and Asian filmmakers on Netflix and Amazon Prime Video SVOD.

Hundreds of the local filmmakers can stampede over themselves to be on either of the two leading streaming platforms for even US$20, 000. Yeah, they have become so cheap that many of them are giving their new movies to MultiChoice for less than US$1, 000 per movie! In fact, they fast and pray and do night vigils of praise and worship to be accepted by Netflix, Amazon Prime Video SVOD and MultiChoice.

They are doing more harm than good to the international reputation and valuation of Nollywoood and the Nigerian film industry.

If the focus of the producers of "Elesin Oba, The King's Horseman" and "Anikulapo" has been on making the Official Selections of the biggest international film festivals and the Academy Awards, there would not have been any controversial rejection of the films by the  Nigerian Official Selection Committee (NOSC) for the Best International Feature Film category of the 2023 annual Academy Awards. Their focus on Netflix distracted them from following the road map to the Oscars.

- By Ekenyerengozi Michael Chima.

The Publisher/Editor,

NOLLYWOOOD MIRROR® Series,

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Taking Nollywood to the next level

The most famous Nollywood star Genevieve Nnaji


Taking Nollywood to the next level

Recently stakeholders in the Nigerian film industry met at the last quarterly stampede of the Committee for Relevant Art (CORA) to discuss “The New Trend in Nollywood”. The event was held on Sunday May 22, 2011, at the Freedom Park on Broad Street, Lagos. The forum was convened by CORA and Mr. Femi Odugbemi’s iRepresent International Documentary Film Festival (iREP).

It was well coordinated and well attended by most of the notable personalities in Nollywood and related fields. Celebrated actors Richard Mofe-Damijo, Joke Silva-Jacobs, Francis Onwochei and other Nollywood stars sat quietly without any sort of fanfare or glamour in the audience.

The invited filmmakers identified as leaders of the new trend had an interactive session on their movies. Mahmood Ali-Balogun discussed his matrimonial drama “Tango With Me”, Kunle Afolayan spoke on his horror thriller “The Figurine 'araromire'”, Stephanie Okerereke on her romantic comedy “Through the Glass”, Chidi Nwokobia on his family drama “Champions Of Our Time”, Emem Isong said she is excited about the successes she has made screening her videos in cinemas, Lilian Amah-Aluko had more to address than her “Jungle Ride”, Vivian Ejike talked about the challenges of making her “Private Storm”, appreciating the local talents and professionals she found worthy in making good movies, but Chineze Anyaene was absent and the young man Kelechi Ikata she sent to represent her could not say much on her outstanding thriller “IJE - The Journey”.

The filmmakers, journalists and other contributors had a common resolution that with the provision of adequate resources by all the stakeholders and a conducive environment the Nigerian film industry will make more impact in the world.

The moderator was the notable film critic and journalist Steve Ayorinde who is now the Managing Editor of The National Mirror Newspaper. The coordinators Shaibu Husseini and his senior colleague Jahman Anikulapo, Editor of The Guardian on Sunday Nespaper and Programme Chairman of CORA deserve commendation for making sure that the event went well and recognizing the presence of Mr. Hope Obioma Opara, the Publisher/Editor-in-Chief of Supple magazine and President of Eko International Film Festival and Chike Ibekwe whose movie “Eternal” was a co-winner of the Golden Screen Best Film award with “An Unusual Woman” by Burkinabe director Abdoulaye Dao at the 14th annual Ecrans noirs Film Festival in Yaounde, Cameroon, last year. And thanks to Toyin Akinosho, Secretary-General of CORA and Femi Odugbemi and their organizing committee for hosting the laudable forum.


~ By Ekenyerengozi Michael Chima

Nollywood Reloaded

IJE movie Poster


Nollywood Reloaded

Nollywood actually crashed, but Nollywood is now reloaded with the resurgence of the trailer-blazers and the emergence of new kids on the block such as Chineze Anyaene whose film IJE, the Journey has redefined Nollywood and if she had submitted it for the African Movie Academy Awards (AMAA), Kunle Afolayan would have been second best with his movie The Figurine.

Chineze Anyaene’s IJE has taken Nollywood to places Nollywood has never been before with official selection in 18 international film festivals and winning five major awards, including a coveted award for Best Picture and another one for Excellence in film making.

Mahmood Ali-Balogun's 35mm film Tango with Me is an ambitious psychoanalytical film with the major crew from Los Angeles, Hollywood; and over N80 million budget without sponsors.

Chico Ejiro, the Mr. prolific in Nollywood is about to shoot the most challenging movie in his career, Sunset in Darfur.
Zik Zulu Okafor is doing new movies of outstanding quality.

Then some Nigerian young Turks of the film industry Faruk Lasaki, Didi Chika, Chike Ibekwe and others have been selected for the Babylon International film workshop and they were at the International Film Festival Berlin (February 16th-20th) and now preparing to show the clips of their film projects at the Zuma film festival in Abuja from tomorrow Sunday May 2, 2010, in Abuja.
The two filmmakers I have interviewed are Faruk Lasaki who is making a film on the Niger Delta, with the working title of Port Harcourt and Chike Ibekwe, whose film Letter to the Professor is featuring the lionized first African Nobel Laureate in Literature, Prof. Wole Soyinka. The budget for one of the films is over two million euros.


A Young Nigerian director has done thrilling film where the lovers were engaged in real live sexual intercourse. But it not indecency.

The real films are coming to take the Nigerian film industry to the next level in competition with the best in the world.
Not in quantity, but in professional quality.

This is it, Nollywood Reloaded.
CUT!

~ By Ekenyerengozi Michael Chima

Through the Glass and The Figurine Raised the Bar in Nollywood

Stephanie Okereke’s romantic comedy, Through the Glass and Kunle Afolayan’s horror movie, The Figurine: (Araromire) raised the bar for movies in Nollywood movies in 2009.
These movies were accomplishments of young Nigerian directors who are not afraid to compete with the best in the world.

Through the Glass which was shot in America has made Stephanie a bankable filmmaker in Nollywood since the world premiere at the Pacific Design Center on Melrose Avenue, West Hollywood, CA, on October 18th, 2008 in US and screenings in Nigeria.

Stephanie said her movie was a sort of autobiography, because she used it to express the trials of her own turbulent romance.

Garrett McKechnie who is Stephanie;s gambit plays Jeffery who is stuck with an unknown baby and he must find the mother before his life is completely ruined.

The Figurine: (Araromire) is Kunle Afolayan’s most daring movie since he stepped into the big shoes of his late father, Ade Love who was an accomplished Nigerian filmmaker in the 1970s and early 1980s.



The Figurine (Araromire) tells the melodramatic story of two buddies and their love for the same girl. Their lives take a dramatic turn when one of them discovers the accursed “Araromire”, a mysterious figurine in an abandoned shrine in a Nigerian village, which, according to legend bestows seven years of good luck, but they are ignorant of the next seven years of unforeseen circumstances. The movie has Nollywood star Ramsey Nouah and the filmmaker himself playing the lead roles of the two buddies with Funlola Aofiyebi-Raimi, Tosin Sido, Omoni Oboli and Muraina Oyelami who did not disappoint in their challenging roles.

Using good professionals in the cast and crew made the productions of the two movies more accomplished than previous Nollywood movies.