EGA Announces Hermes Awards for Localization Excellence Media and Entertainment Industry’s 1st Peer-reviewed Awards Celebrate the “Art and Science” of Global Storytelling |
Los Angeles, CA, Sep. 29, 2022 – The Entertainment Globalization Association (EGA) has launched its “Hermes Awards for Entertainment Localization Excellence,” the first global peer-reviewed awards program in the media and entertainment industry. Created to celebrate the art and science of global storytelling among the worldwide creative community, the Hermes Awards demonstrate EGA’s commitment to supporting the heightened need for specialized media services as the global demand for content surges. The program will recognize the work done everyday by service providers to deliver content to an increasingly diverse customer base and a growing number of viewing platforms. “As new innovations in localization and access services continue to expand the borders of content consumption, our work is having more of an impact than ever before,” said Scott McCarthy, EGA’s Vice President and Global Head of Dubbing for DreamWorks Animation. “These awards are overdue recognition for the global excellence among our industry's artists and professionals.” The Hermes Award will accept submissions in each of its 14 categories from today until December 23, 2022. For more information about categories, submissions and requirements please visit https://www.egassociation.org/hermes-award. “There is an incredible depth of talented and creative professionals who are bringing joy to hundreds of millions of viewers through global storytelling,” said Cecile Hammelev-Wethje, EGA’s Managing Director. “The time was right for us to come together as an industry and celebrate our shared commitment to enriching people’s lives through targeted, dynamic and immersive content.” The full list of Hermes Award categories includes: Best Voice Performance for a Television Series, Best Voice Performance for a Feature, Best Voice Performance for an Animated Series, Best Voice Performance for an Animated Feature, Best Dub Audio Mixing for a Series, Best Dub Audio Mixing for a Feature, Best Localized Song, Best Audio Description for a Feature, Best Audio Description for a Series, Best Overall Dubbing for a Series, Best Overall Dubbing for a Feature, Best Overall Dubbing for Animation, Technical Achievement, and Lifetime Achievement. About EGA: EGA is a California-based trade association primarily focused on building a stronger connection with the creative talent that entrusts them to “retell” their stories for audiences in different cultures and languages. Their main areas of focus are creating standardization, conducting localization research, creating industry education opportunities and celebrating high-quality localization. The organization is narrowly focused on entertainment localization as defined by audio localization (dubbing), subtitling, audio description and graphic replacement for episodic, feature-length and gaming entertainment. |
Friday, September 30, 2022
EGA Announces Hermes Awards for Localization Excellence
Wednesday, May 25, 2022
Giving Africa a Creative Voice in the Digital Era
MultiChoice Group
OPINION PIECE
Giving Africa a Creative Voice in the Digital Era (By Georginah Machiridza)
A modern media company would likely use a combination of broadcast media, social media, written content, video clips, as well as animation and physical activations to share content and market their brand.
JOHANNESBURG, South Africa, May 25, 2022/ -- By Georginah Machiridza, Executive Head Content Strategy and 3rd Party Channels, MultiChoice Group (www.MultiChoice.com)
It’s crucial that the content, art and creative output of Africa’s content creators remains authentically African, even while we embrace the opportunities of the digital era, writes Georginah Machiridza, Executive Head Content Strategy and 3rd Party Channels, MultiChoice Group.
We’re all aware of how rapidly the media landscape is changing. Audiences have been migrating to digital and online channels for more than a decade, and even established media such as broadcast, film, and radio are using hybrid platforms that reach audiences across multiple channels.
A modern media company would likely use a combination of broadcast media, social media, written content, video clips, as well as animation and physical activations to share content and market their brand.
Digital skills
This constantly evolving media terrain requires a diverse range of skills. Storytelling lies at the heart of most media messaging, but specific technical knowledge is required to translate compelling stories for every channel.
Writing, cinematography, video editing, TV, radio and online presenting, animation, coding and content management are just some of the specialised skills of the modern media landscape – many of which are evolving in real time as their respective media fields develop.
Africa is at the coalface of these developments. New media provides enormous opportunities to reach more of our people, with more compelling content, and to do it more efficiently and cost-effectively.
African authenticity
The challenge, though, is that we must continue to tell African stories, even while many technology innovations and Big Tech companies originate outside Africa. Digital media evolution comes with a very real threat of cultural imperialism.
The solution to avoiding this Western cultural hegemony is twofold. Firstly, we must empower African content creators with the skills to tell African stories. Secondly, we must create viable, profitable markets for African content, and grow demand for that content.
Fortunately, Africa has long been a hub of creativity and innovation. We have “found our voice” in the digital economy, and there are many creators telling African stories for African, as well as global audiences.
These include people like Kenyan comedienne Elsa Majimbo, Ghanaian internet personality Wode Maya, Ghanaian visual artist Prince Gyasi, Kenyan journalist Brian Otieno, South African illustrator and artist Slaying Goliath, SA comic Donovan Goliath and others. These innovators are “Expressing Africa” through compelling content using digital and social-media platforms.
African media platforms such as DStv and Showmax are also enabling this trend, creating platforms across the continent tailor-made to showcase African stories for audiences hungry for stories about themselves and their culture.
In 2018, M-Net and MultiChoice spent R2,5bn developing local movies and series and bringing them to screens across Africa.
By investing in original productions of authentic stories and talent across the continent, M-Net is helping to launch acting, writing and filmmaking careers, both locally and internationally.
Hyperlocal platforms
In Ethiopia, MultiChoice channel Abol TV provides premium 100% Ethiopian general entertainment 24 hours a day. In Uganda, Pearl Magic provides a similar offering, telling stories by Ugandans for Ugandans. In Nigeria, Africa Magic provides channels in Igbo, Yoruba and Hausa. Customised hyperlocal MultiChoice offerings are also available in Ghana, Angola, Mozambique and Kenya and 3rd party channel launching in Zimbabwe recently.
The group reaches a total of 50 African countries. The Showmax streaming service has also emerged as a powerful platform for African content, through its movie and series offerings. Its Colours Of Africa series of homegrown African short films by MultiChoice Talent Factory (MTF) students celebrates African culture and the effects of modernisation on some cultural practices.
Skills pipeline
All of these emerging platforms – whether broadcast, streaming or digital – have created enormous opportunities for African media workers and content creators. Creating the skills that enable young creatives to grasp these opportunities is the other way Africa will find its voice in the digital era.
Helping to provide this, by building a pipeline of skilled African content professionals is the MultiChoice Talent Factory.
MTF plays a critical role in building and strengthening the TV & film industry across Africa, and was born out of a need to solve for representation, local content, and higher production quality and value. MTF is a shared-value platform and strives to be Africa’s leading training ground for content creators, by providing an enhanced training programme through partnering with local and global experts. The initiative takes a multi-tiered approach, incorporating the MTF Portal, the MTF Academies and MTF Industry Masterclasses.
Every year, the MTF academies select 74 talented African individuals to participate in a 12-month academic and practical immersion programme including both theory and hands-on experience in cinematography, editing, audio production and storytelling to name a few.
The year-long, fully sponsored programme is offered through regional MTF academies in Kenya, Nigeria, Zambia and South Africa, in partnership with local tertiary education institutions. Students and interns learn filmmaking by making films – developing their film and TV production skills alongside industry greats.
In addition, MTF Masterclasses give working film and television professionals and those who aspire to be content creators exclusive access to practical, industry expert-led skills workshops, where they interact and learn from the best in Africa and the world. The online portal has more than 40 000 registered users who have access to a growing library of masterclass content.
The MTF Masterclasses, the Academies and the MTF Portal (a profiling and networking platform) – support MultiChoice’s commitment to enhancing accessibility, opportunity, and quality in local productions.
These initiatives are all part of Africa’s cultural and technological resurgence, creating opportunities and building capacity, allowing Africa’s creative output to stand proud on the world stage.
Distributed by APO Group on behalf of MultiChoice Group.
SOURCE
MultiChoice Group
Friday, December 31, 2021
2022 and the Big Picture of the Future of African Content
#happynewyear
#Newyear
#newyear2022
#2022
#happinessđź’•
"The future belongs to those who believe in the beauty of their dreams."
- Eleanor Roosevelt.
Dreams are only for the living.
Dreams come true for only those who are alive to believe in their dreams; to run with their visions and to fulfill their destinies.
Our destinies are not in the stars.
Our destinies are in our hands.
I prayed all the way into the New Year 2022 with exaltations of praises and thanksgivings to Almighty God for the victory He has given us. Then I fell asleep and had a dream: my first dream of the Year.
I have been and I have seen the Big Picture of the Future of higher grounds of greater heights of success and victory.
The dream is about the globalization of the film industry and Lise Romanoff, the Managing Director/CEO of Vision Films of California.talked about what is the best content for the continent of Africa and for the rest of the world; African content for Africans and African content for the world.
Have we done any survey of the audience in Africa?
What do Africans want to watch?
What are their choices and preferences?
Have we asked them or we have just been showing them what we assume that they want?
They say "Word of mouth is loudest in Africa" and how does that affect and reflect on the marketing of content in Africa?
Storytelling is the heart and soul of content.
We are telling our stories about our lives in Africa. For we are the best to tell our stories to the world and not by others. But how do we appreciate and evaluate ourselves? How we tell our stories will define who we are and how the rest of the world we see us as Hollywood has been telling the stories of America; as Bollywood has been telling the stories of India and as Nollywood has been telling the stories of NIgeria.
How we present our content will determine the value of the content.
- Ekenyerengozi Michael Chima,
Publisher/Editor of the NOLLYWOOD MIRROR® Series.