Hollywood Film Distributor, Vision Films Inc Refuses To Pay Commission on "Eagle Wings" To Nigerian Agent
Tuesday, August 22, 2023
Hollywood Film Distributor, Vision Films Inc Refuses To Pay Commission on "Eagle Wings" To Nigerian Agent
Tuesday, April 25, 2023
NTA Can Launch Cable TV Network within 12 Months
The Nigerian Television Authority (NTA) can launch a cable TV network within 12 months to compete with MultiChoice of South Africa and StarTimes of China.
Majority of Nigerians cannot afford the increasing subscriptions to the cable TV networks in Africa's most populous country of over 220 million people.
The solution is having a Nigerian owned cable TV network with subscriptions affordable to majority of people in Nigeria.
NOLLYWOOD MIRROR® Series
The first and the best book series on Nollywood and the Nigerian film industry published since 2013.
Thursday, January 19, 2023
High Cost of Data is Still a Big Challenge for Netflix, Amazon Prime Video and other Streaming Services in Africa
High Cost of Data is Still a Big Challenge for Netflix, Amazon Prime Video and other Streaming Services in Africa
The cost of 1GB of data, enough for one hour of video streaming, is between $1.50 and $30 in Africa.
Subscribers spend more on data than subscription fees for Netflix and Amazon Prime Video on the continent. Showmax of the MultiChoice Group is Available to all the millions of subscribers to DStv, but majority of the populations in African countries cannot afford DStv.
The cost of data can be reduced by all the telecoms in Africa with fast internet connection. 10GB should not cost more than $1 which is between N500 and N750 in the current exchange rate of the USD to the Naira in Nigeria, the largest market on the continent.
My suggestion is Netflix and Amazon Prime Video should also be available offline on cable TV channels to attract everyone who can afford to pay the subscription to the cable TV channels for only $2 monthly.
What matters most in entertainment are four things I call QAAA:
1. Quality of the content
2. Availability of the content
3. Accessibility to the content
4. Affordability of the content.
The content must be of good Quality; Available, Accessible and Affordable.
Publisher/Editor,
NOLLYWOOD MIRROR® Series,
International content development and marketing consultant.
@Vuulr Program Partner
@Cinewav Affiliate Partner
Tuesday, July 12, 2022
Nollywood Must Stop Producing Many Crappy Movies
Nollywood Must Stop Producing Many Crappy Movies
The popularity of the phenomenon of Nollywood was based on overproduction of cheap home videos widely distributed and pirated in Nigeria and neighbouring countries in West Africa from VHS tapes to DVDs on the streets before the launching of cable TV channels between 2001 and 2004 and then uploaded by several authorized and unauthtorized people on YouTube from 2005 ; followed by the launching of Ibaka TV and iROKOtv in 2011.
The proliferation of low budget home videos in Nigeria made Nollywood the second largest producer of movies in the world after the Bollywood of India; making news headlines all over the world and attracting both International vendors and investors.
The biggest video streaming services in the world led by Netflix and Amazon are now competing for the best of the film and TV productions in Nollywood which compelled the producers to improve the quality of their movies to satisfy the criteria for international acquisition and distribution. But quantity is still the focus of the majority of producers and the production of substandard movies is doing more harm than good to the sustainable development of Nollywood and the Nigerian film industry.
The productions of cheap movies have left the few cable TV channels and streaming services saturated with movies which subsequently reduced the market value of Nigerian movies in comparison to South African, South Korean, Mexican and Indian movies in international acquisition and distribution.
Did the highly esteemed actors read the screenplays before acting their idiotic roles? Or the temptations of being paid hundreds of thousands of naira made them to skip and waive professional standards?
We have submissions of hundreds of Nigerian movies and yet international buyers can only accept less than 20 movies every quarter.
Many producers are now selling their movies for less than the costs of the productions.
The local TV stations are now rejecting many movies, because they are saturated with dozens of movies and series submitted to them.
The local TV stations don't need to produce original movies and series, because they are cheaper to acquire from hundreds of unsolicited movies and series sent to them.
It is not good to produce more than 1, 000 movies every year, but we can only count the best on our fingertips.
Publisher/Editor,
Tuesday, July 12, 2022.
Buy books by Ekenyerengozi Michael Chima on
Sunday, May 22, 2022
Eagle Wings, The Best War Film on the War on Terrorists in Africa
Eagle Wings, The Best War Film on the War on Terrorists in Africa
The film from writer/director Paul Apel Papel was shot entirely on location in Nigeria and is one of Vision's emerging catalog from prolific filmmakers in the region. Eagle Wings depicts the on-going devastating regional conflicts of insurgents, their pervasive mistrust of the government, and the mission of those who try to diffuse the war against all odds. The production value of aerial fighter jet scenes as well as ground combat, add to the realistic and epic scope of the film.
Synopsis: As insurgents overtake territories and kill civilians, the Nigerian Air Force is called in to bring peace to the area. When a recently married commander is lost behind enemy lines, his brothers-in-arms swear to his wife they will bring him home safely. The rescue mission leads them into a war-torn area and directly into a terrorist stronghold where loyalties are put to the test.
Eagle Wings on the following ONLINE VOD PLATFORMS:
iTunes: https://itunes.apple.com/us/movie/eagle-wings/id1614927647?ls=1
Shortened link: https://apple.co/3LotpP7
Amazon (VOD): https://www.amazon.com/Eagle-Wings-Enyinna-Nwigwe/dp/B09XFHGCVJ/ref=sr_1_15?crid=3UM6V458SPKJ5&keywords=eagle+wings+movie&qid=1652804146&sprefix=eagle%2Caps%2C1974&sr=8-15
Shortened link: https://amzn.to/3G0NLwL
Vudu: https://www.vudu.com/content/movies/details/Eagle-Wings/2005431
Shortened link: https://bit.ly/3Njob8z
GooglePlay: https://play.google.com/store/movies/details/Eagle_Wings?id=12411645C10325CAMV (will be live soon!)
Shortened link: https://bit.ly/3FRiQ64
YouTube:
Shortened link:
Hoopla: https://www.hoopladigital.com/title/14964760
Shortened link: https://bit.ly/3wkbKnk
Vimeo: https://vimeo.com/ondemand/eaglewings
Shortened link: https://bit.ly/3FXeuKz
Also showing on cable TV channels in America.
Monday, March 7, 2022
Mary Remmy Njoku, The African Queen of Content
The African Queen of Content
Mrs. Mary Remmy Njoku’s creative work so far has led ROK to produce more than 540 movies and 25 original TV series.
She founded ROK Studios, a leading African film and television studio and production house based in Lagos, Nigeria. It has produced over 540 films and 25 original TV series, including Festac Town, Single Ladies, Body language, Losing Control and Husbands of Lagos since its launch.
Njoku launched ROK on Sky, a network airing across the UK in 2016. She also launched ROK on DSTV, a network airing across Africa, in the same year.
She was nominated for The Futures Awards and EbonyLife Prize for Screen Producer in 2017.
In April 2018, ROK Studios launched two new channels, ROK2 and ROK3, to meet the growing demand of ROK on DSTV.
She produced the movie Nwanyioma in 2018, where her role required her to completely shave her head.
In 2019, Njoku oversaw the acquisition of ROK to CANAL+, the largest international deal to-date for a Nollywood brand.
Sunday, July 25, 2021
Netflix Needs To Partner with MTN andd Airtel To Increase Subscribers in Nigeria
Netflix Needs To Partner with MTN andd Airtel To Increase Subscribers in Nigeria
Tuesday, July 20, 2021
Nollywood is Not Hollywood
#movietheaters
#cinema
#movies
#moviegoers
#Hollywood
@theacademy
@amctheatres
Having a cinema is one thing; attracting moviegoers to the cinema is another thing.
- Ekenyerengozi Michael Chima
Nigerian film distributors and exhibitors banking on the followers of the A-List actors on Instagram and Facebook has not attracted majority of them.to the movies they featured in. Because, many the actors buy followers, views and likes and majority of the followers are not going to the cinemas to spend N4000 to watch a movie that they can watch later on #Netflix with a subscription that is not up to N3000 monthly, including hundreds of other movies and series.
70% of the #Nollywood movies playing in the cinemas in Nigeria are actually teleplays without cinematic quality.
Dramatic scenes are often mistaken for cinematic scenes in Nollywood. And actors having a shouting match in a scene is not an #Oscar performance, but may be good enough for an #emmy . Nollywood is not Hollywood.🤩
Frankly speaking, Nollywood movies are best viewed on @netflix, @showmaxonline and cable TV channels.
- Ekenyerengozi Michael Chima.
Saturday, July 10, 2021
The Scarcity of Film Curators and Hairstylists in Nollywood
"The study of film criticism comes before the study of film curation."
- Ekenyerengozi Michael Chima.
You cannot be a film curator without the knowledge, experience or expertise in film criticism.
Film schools in Nigeria must teach film curation or programming, because of the scarcity of professional film curators or programmers in the Nigerian film industry.
The lack of this can be seen in the substandard selections of movies and TV series on cable TV channels and public TV channels in Nigeria, especially in the selection of Yoruba movies and series of low quality and the most annoying subtitles by half-educated translators or subtitlers whose poor knowledge of English grammar either makes you laugh or upsets you.
Another widespread common erroneous practice in #Nolllywood and #Kannywood is the fact that many of the filmmakers don't know that a makeup artist is different from an hairstylist. And there must be an hairstylist as there must be a makeup artist for every film or TV production. There is a hairstyle for every character in a drama or comedy.
- Ekenyerengozi Michael Chima,
Publisher/Editor,
NOLLYWOOD MIRROR®Series,
247 Nigeria @247nigeria on #Twitter
Sunday, December 6, 2020
INSIDE DOCUMENTARY: A New Channel For Documentary Films
Inside Documentary: A New Channel For Documentary Films with special preference for documentaries of undocumented incidents, events, people, places, wildlife, and untold stories of natural and unnatural occurrences and true life experiences on earth and in outer space.
Tuesday, January 25, 2011
Pay-TV Subscriptions to Triple to 4 Million by Year-End 2015
Infinity TV is a popular Pay-TV service in Nigeria.
24 Jan 2011 22:30 Africa/Lagos
AME Pay-TV Subscriptions to Triple to 4 Million by Year-End 2015, Pyramid Finds
PR Newswire
CAMBRIDGE, Mass., Jan. 24, 2011
CAMBRIDGE, Mass., Jan. 24, 2011 /PRNewswire/ -- As operators find ways to circumvent current barriers in AME's pay-TV market, subscriptions are expected to triple over the next five years, reaching 4 million. This represents an 11 percent CAGR in pay-TV subscriptions through 2015, the highest in the world, according to a new report from Pyramid Research (www.pyr.com).
New Market Dynamics Bode Well for Spike in Pay-TV Adoption analyzes the growth potential for pay-TV services in AME, highlighting the main obstacles to pay-TV adoption in the region and pointing out the key market developments that would enable more aggressive growth than we are currently projecting. The report then looks in detail at pay-TV markets in Nigeria, Saudi Arabia, and South Africa, each representing different stages of pay-TV market development, and at efforts in each market to overcome obstacles.
Download an excerpt of this report: http://www.pyramidresearch.com/downloads.htm?id=5&sc=PRN012411_INSAME2.10
Purchase this report online: http://www.pyramidresearch.com/store/ins_ame_101220.htm?sc=PRN012411_INSAME2.10
AME's market dynamics are changing and the picture of pay-TV in the region in the coming years leaves room for optimism. "Over the next five years, as regulatory changes introduce more competition into the sector and technology platforms advance, Pyramid expects the region to begin to overcome the many obstacles that have inhibited its growth in the past, specifically the high cost and limited reach of pay-TV platforms," says Mehdi Ben Said, Senior Analyst at Pyramid.
Currently, there are several barriers preventing even greater growth than Pyramid projects. "These include limited competition, lack of content, and a weak platform on which to provide pay-TV services over existing last-mile infrastructure. The adoption of new alternatives in certain countries is a sign that the market is trying follow new paths for growth," notes Ben Said. The rise in per-capita GDP will have an immediate and positive impact on the pay-TV market in the region, helped along by the success and pan-regional expansion of the AME's largest mobile operators.
Furthermore, with strong growth in mobile subscriptions, many mobile operators will enter the market through alliances with DTH providers, marking a significant and positive change in the pay-TV landscape. "The lack of fixed infrastructure and the dominance of mobile access in most African countries constitute a huge opportunity for mobile operators to become the main pay-TV providers in Africa in the long term," he indicates. "Although mobile networks in many countries may not be video-ready, we recommend that mobile operators look carefully at launching packages in conjunction with DTH operators in the near term in order to develop brand recognition in the segment."
New Market Dynamics Bode Well for Spike in Pay-TV Adoption is part of Pyramid Research's Global Telecom Insider report series. Download an excerpt of this report here: http://www.pyramidresearch.com/downloads.htm?id=5&sc=PRN012411_INSAME2.10. This report is priced at $595 and can be purchased online (http://www.pyramidresearch.com/store/ins_ame_101220.htm?sc=PRN012411_INSAME2.10)or by contacting info@pyr.com.
CONTACT: Jennifer Baker, +1-617-871-1910, jbaker@pyr.com
SOURCE Pyramid Research
CONTACT: Jennifer Baker, +1-617-871-1910, jbaker@pyr.com
Web Site: http://www.pyr.com/