Friday, May 22, 2026
Carolina Maria de Jesus, At Your Service and The Daughters Triumph at Goes to Cannes
Thursday, May 21, 2026
African Filmmakers Who Have Won the Palme d'Or, Grand Prix, Jury Prize and other Prizes at the Cannes Film Festival
African Filmmakers Who Have Won the Palme d'Or, Grand Prix, Jury Prize and other Prizes at the Cannes Film Festival
The first and only African film so far to win the Palme d'Or was “Chronicle of the Years of Fire”, 1975 by Algerian Filmmaker, Mohammed Lakhdar-Hamina.
The film, a three-hour saga dramatized the socio-political conditions leading up to the 1954 Algerian War of Independence against French colonial rule. It remains a landmark moment as the only African and Arab production to win the prize.
Another African from Tunisia also won the Palme d'Or, Abdellatif Kechiche, regarded as Tunisian-French. His romantic drama "Blue Is the Warmest Colour" won the Palme d'Or at the 2013 Cannes Film Festival. But it is a French film and not an African film.
Mati Diop (Senegal/France): Made history in 2019 by becoming the first Black woman to have a film in the main competition, where she won the Grand Prix (the festival's second-most prestigious award) for her haunting drama Atlantics.
Idrissa Ouédraogo (Burkina Faso): Won the Grand Prix in 1990 for his critically acclaimed feature film Tilaï (The Law), which explores the clash between strict tribal traditions and personal desires.
Souleymane Cissé (Mali): Captured the Jury Prize (the third-highest honor) in 1987 for Yeelen (Brightness), a visually striking fantasy film rooted in Bambara mythology.
Mahamat-Saleh Haroun (Chad): Awarded the Jury Prize in 2010 for his moving father-son drama A Screaming Man (Un homme qui crie).
And his 2013 film "Grigris" was nominated for the Palme d'Or at the 2013 Cannes Film Festiva
South African films have also competed at the Cannes and Elaine Proctor's "Friends" won the Caméra d'Or at the1993 Cannes Film Festival.
The following African films have won the top prizes in the Un Certain Regard.
"A Thousand Months" (Mille mois) by Faouzi Bensaidi of Morocco won Prix le Premier Regard in 2003.
"Moolaadé" by the Father of African Cinema, Ousmane Sembène of Senegal won the Prix Un Certain Regard in 2004.
"Delwende" by S. Pierre Yameogo of Burkina Faso won the Prix de L'espoir in 2005.
See the African Filmmakers in the Diaspora who have won Palme d’Or and other prizes at the Cannes Film Festival on
https://lnkd.in/eDpzGY_Q
Photos:
Mohamed Lakhdar-Hamina, Palme d’or – Chronique des années de braise – Ann Margret
.https://lnkd.in/eyE5WamJ
Mati Diop (Senegal/France): Made history in 2019 became the first Black woman to have a film in the main competition, where she won the Grand Prix (the festival's second-most prestigious award) for her haunting drama "Atlantics".
#cannesfilmfestival
#africa
#cannes
#palmedor
#juryprize
#grandprix
#diop
#Hamina
#Haroun
#sembene
#bensaidi
#cisse
#ouedraogo
#yameogo
Tuesday, May 12, 2026
Clarissa: The Biggest Nigerian Film at the 2026 Annual Cannes Film Festival
Clarissa: The Biggest Nigerian Film at the 2026 Annual Cannes Film Festival
Clarissa is the second feature of the twin brothers,Arie and Chuko Esiri known for their award winning directorial feature, Eyimofe (This Is My Desire), of 2020 that was in official competition for the best feature at the 70th Berlin International Film Festival in Germany and other international film festivals.
Clarissa is the first Nigerian film to be selected for the annual Directors’ Fortnight and among the 19 international films selected for the 58th edition of the Directors’ Fortnight alongside the main 79th annual Cannes Film Festival taking place from 12 to 23 May 2026.
Clarissa was shot on 35mm across Lagos and Delta State in late 2025 with a budget of US$4 million. The film is an adaptation of Virginia Woolf’s 1925 romantic novel, “Mrs Dalloway” in Nigerian version about the drama unfolding as a society woman, Clarissa prepares to host a party at her home in Lagos city, where she will unexpectedly encounter once-intimate friends from her youth. As the group reflects on their shared past over the course of a single night, memories of their intricate relationships, passionate love, hidden desires, and lost aspirations give rise to bittersweet reckoning.
Starring acclaimed Nigerian actress, Sophie Okonedo and actors,David Oyelowo, Ayo Edebiri, Toheeb Jimoh, and India Amarteifio, the English actress of Ghanaian and German ancestry.
The film has been acquired by Neon for global film distribution.
#nigerianmovie
#movies
#cannesfilmfestival
#directorsfortnight
#esiribrothers
#esiri
#nigeria
#america
#egypt
#neon
Tuesday, June 24, 2025
No Nigerian Filmmaker is Among the Best and Greatest African Filmmakers
No Nigerian Filmmaker is Among the Best and Greatest African Filmmakers
I am currently doing research on my article on "African Cinema in the Eyes of the World".
No Nigerian filmmaker is among the best and greatest filmmakers in African Cinema since 1925 to date. None of them is on the list of the to 10 African Filmmakers.
Only Newton Aduaka's multiple award winning film,"Ezra" that won the most prestigious award of the "Étalon d'or de Yennenga" (Golden Stallion of Yennenga) at the 2007 Panafrican Film and Television Festival of Ouagadougou or FESPACO) (held biennially in Ouagadougou, Burkina Faso. "Ezra" also other sspecial awards; including the Oumarou Ganda Prize, given for the best first film, and the Paul Robeson Prize for the best film by a director of the African diaspora named in honour of the major 20th-century American actor, singer and civil rights activist in the United States.) and C.J Obasi's cinematic masterpiece, "Mami Wata", the 2023 sci-fi drama based on the mythology of Nigerian marine spirits are included in the best 100 African films so far.
"Mami Wata"'s cinematographer Lílis Soares won the Special Jury Prize in the World Dramatic Competition and won three awards at FESPACO - Prix de la Critique Paulin S. Vieyra (African Critics Award), Meilleure Image (Cinematography Award) and Meilleur Décor (Set Design Award).
The first African film to win international recognition was Sembène Ousmane's "La Noire de (Black Girl). It won the Prix Jean Vigo in 1966. Ousmane is recognized as the Father of African Cinema.
Only one African film has won the highly coveted Palme d'Or at the Cannes Film Festival, "Chronicles of the Years of Fire" (1975) by Algerian director Mohammed Lakhdar-Hamina.
Then Mati Diop of Senegal became the only African woman to win the Grand Prix, the second-most prestigious award, for her film "Atlantics" in 2019.
"Tsotsi", a South African film is the first African film to win the Academy Award for Best Foreign Language Film in 2006 actually, the first non-French language film from Africa to achieve this honor. It was directed by Gavin Hood, based on a novel by Athol Fugard.
The first African film to win the Golden Bear at the Berlin International Film Festival was "U-Carmen eKhayelitsha", a South African drama directed by Mark Dornford-May, in 2005.
"Dahomey, directed by Mati Diop won the Golden Bear at the 74th Berlin International Film Festival in 2024, the first Black filmmaker to win the award.
No African films has won the Toronto International Film Festival's People's Choice Award. However, "Mother, Mother" by Somalian filmmaker K'naan Warsame did receive the FIPRESCI Jury Award in 2024.
The Golden Globes celebrated a century of Egyptian Cinema in 2021. I have been working on "A Century of Nigerian Cinema: from Palaver To Nollywood - 1926-2026".
The Publisher/Editor,
NOLLYWOOD MIRROR® Series, the first book series on Nollywood and the Nigerian film industry.
#africa
#africancinema
#nigeria
#nollywood
#filmmakers
#films
#academyawards
#filmfestival
#cannes
#berlin
#toronto
#Ousmane
#diop
#obasi
#aduaka
#blackgirl
#Tsotsi
#ezra
#mamiwata
#palmedor
#goldenbear
#goldenglobes
#fespaco
#movies
#series
#books
Wednesday, May 28, 2025
Complete List of Winners at the 78th Festival de Cannes
The 78th annual Cannes Film Festival held from May 13-24, 2025 in France opened with Leave One Day (French: Partir un jour), a 2025 French musical comedy drama film directed by Amélie Bonnin in her feature directorial debut. It was based on her 2021 short film Bye Bye, which won the César Award for Best Fiction Short Film at the 48th ceremony. It stars Juliette Armanet, Bastien Bouillon, François Rollin, Tewfik Jallab, Dominique Blanc, Mhamed Arezki, Pierre-Antoine Billon, and Amandine Dewasmes.
During the festival, two Honorary Palme d'Or were awarded: the first was awarded to Robert De Niro during the festival's opening ceremony and the second was awarded on short notice to Denzel Washington before the world premiere of Highest 2 Lowest.
Feature Films
Palme d’or
UN SIMPLE ACCIDENT
Jafar PANAHI
Grand Prix
AFFEKSJONSVERDI
(SENTIMENTAL VALUE)
Joachim TRIER
Joint Jury Prize
SIRÂT
Oliver LAXE
SOUND OF FALLING
Mascha SCHILINSKI
Best Director
Kleber MENDONÇA FILHO for O AGENTE SECRETO (THE SECRET AGENT)
Best Screenplay
Jean-Pierre DARDENNE & Luc DARDENNE for JEUNES MÈRES
Best performance by an actress
Nadia MELLITI in LA PETITE DERNIÈRE directed by Hafsia HERZI
Best performance by an actor
Wagner MOURA in O AGENTE SECRETO (THE SECRET AGENT) directed by Kleber MENDONÇA FILHO
Special Award
KUANG YE SHI DAI (RESURRECTION)
Bi GAN
Short Films
Palme d’or
I’M GLAD YOU’RE DEAD NOW
Tawfeek BARHOM
Special Mention
ALI
Adnan AL RAJEEV
Un Certain Regard
Un Certain Regard Prize
LA MISTERIOSA MIRADA DEL FLAMENCO (THE MYSTERIOUS GAZE OF THE FLAMINGO)
Diego CÉSPEDES
1st film
Jury Prize
UN POETA (A POET)
Simón MESA SOTO
Best Directing
Arab & Tarzan NASSER
for Once Upon a Time in Gaza
Best Actor
Frank DILLANE
in Urchin directed by Harris Dickinson
Best Actress
Cleo DIÁRA
in O Riso e a Faca (I Only Rest in the Storm) directed by Pedro Pinho
Best Screenplay
PILLION
Harry LIGHTON
1st film
Caméra d’or
Caméra d’or Prize
THE PRESIDENT’S CAKE
Hasan HADI
Directors’ Fortnight
Special Mention
MY FATHER’S SHADOW
Akinola DAVIES JR
Un Certain Regard
La Cinef
First Prize
FIRST SUMMER
Heo GAYOUNG
KAFA, South Korea
Second Prize
12 MOMENTS BEFORE THE FLAG-RAISING CEREMONY
QU Zhizheng
Beijing Film Academy, China
Joint Third Prize
GINGER BOY
Miki TANAKA
ENBU Seminar, Japan
WINTER IN MARCH
Natalia MIRZOYAN
Estonian Academy of Arts, Estonia
Superior Technical Commission
THE CST AWARD FOR BEST ARTIST-TECHNICIAN is presented to Ruben Impens, director of photography, and Stéphane Thiébaut, mixer of ALPHA, directed by Julia Ducournau
The 2025 jury of the CST Award for best Artist-Technician acknowledges the powerful creativity of sound and image in this film, achieved by Ruben Impens, director of photography and Stéphane Thiébaut, mixer, of Alpha directed by Julia Ducournau.
THE CST AWARD FOR BEST YOUNG FEMALE FILM TECHNICIAN is presented to Éponine Momenceau, Director of photography of
CONNEMARA, directed by Alex Lutz
The 2025 jury of the CST Award for best Young, Female Film Technician is proud to present this year’s prize to Éponine Momenceau, director of photography of Connemara directed by Alex Lutz, for the delicacy and subtlety of the work on the images that accompany the film’s story and direction
Source
https://www.festival-cannes.com/en/press/press-releases/the-78th-festival-de-cannes-winners-list/
Saturday, August 3, 2024
Don't View Nollywood with the Rose-Tinted Glasses of Hollywood
Don't View Nollywood with the Rose-Tinted Glasses of Hollywood
I have previewed a new Nigerian drama on the psychological consequences of rape in the life of a teenage girl sexually violated by a Roman Catholic priest at a convent in south- eastern Nigeria.
If you replace the leading roles with the famous Hollywood icons, Nicole Kidman and John Travolta and have the location in America, the crime thriller will be nominated in the next Oscars for Best Picture, Best Directing, Best Original Screenplay and Best Actress in a leading role, because of the accomplishments of the cast and crew in the production of the movie. But many Nigerian and other African movies have been viewed with the rose-tinted glasses of the American film industry, popularly called, Hollywood and in most cases, viewed by White Americans who did not understand the nuances of the peculiarities of Black Africans in dialogues and mannerisms.
Are there racial biases in international film acquisition and distribution with the superiority complex of white curators who esteem white filmmakers highly in comparison to black African filmmakers without comprehensive analysis of the content and context of subject and without the broad-minded considerations for diversity and inclusion in the existential dramas of life on earth?
"Our films are good enough for you, but your movies are not good enough for us. "
Is Hollywood the global standard for the best storytelling on motion picture?
The Economist published a selection called, "The Best Films So Far in 2024" without any consideration for the best movies so far in Bollywood and Nollywood on Netflix, Amazon Prime Video, Showmax and other streaming platforms, cable TV networks and cinemas.
I have seen many crappy Hollywood movies repeatedly shown on M-NET Movies Channels without any consideration for the viewers who paid for the subscriptions.
Netflix and Amazon Prime Video have paid over 200 percent more for the acquisitions of American and Korean films than what they paid for African films.
Showmax of the MultiChoice Group pays more for South African productions than Nigerian productions.
Are these differences in the valuations based on the quality of the movies or racial bias against black African filmmakers by Western standards? But the French are an exception to the stereotypical views of Africa by Hollywood, because the French have a better understanding of African Cinema than Hollywood and the British which can be seen in their broad-minded Official Selections of the annual Cannes Film Festival where several African filmmakers have won coveted awards, including the most coveted, the Palme d'Or.
"The Black Book", the 2023 Nigerian crime thriller of Editi Effiong, starring Richard Mofe-Damijo, Sam Dede, Shaffy Bello, Femi Branch, Alex Usifo, Ade Laoye and Ireti Doyle, released to Netflix on September 22 was the number one on the global rankings and "Òlòtūré", the 2019 Nigerian crime drama on human trafficking by Kenneth Gyang starring Sharon Ooja, Beverly Osu, Ada Ameh and Blossom Chukwujekwu was on the top rankings in several countries and were better than several American and Korean films in accomplishments in filmmaking, but Netflix paid less for the acquisition.
I have always insisted that a great movie is a great movie no matter the location or race of the filmmaker. The quality of the content should determine the price for the acquisition and not the location or race of the producer.
Publisher/Editor,.
NOLLYWOOD MIRROR® Series,
The first book series on Nollywood and the Nigerian film industry.
Saturday, June 1, 2024
2024 Cannes Film Festival: Winner of the Palme d'Or the Other Winners
2024 Cannes Film Festival: Winner of the Palme d'Or the Other Winners
77th EDITION
May 14-25, 2024
Palme d’Or
ANORA
Directed by : Sean BAKER
Year of production: 2024
Country: United States
Duration: 138
"Anora, a young sex worker from
Brooklyn, gets her chance at a Cinderella story when she meets and impulsively marries the son of an oligarch. Once the news reaches Russia, her fairytale is threatened as the parents set out for New York to get the marriage annulled."
https://www.festival-cannes.com/f/anora/#
Grand Prix
ALL WE IMAGINE AS LIGHT
Payal Kapadia
Jury Prize
EMILIA PÉREZ
Jacques Audiard
Best Director
MIGUEL GOMES
for Grand Tour
Special Award
MOHAMMAD RASOULOF
for The Seed of the Sacred Fig
Exiled Iranian director Mohammad Rasoulof was given a Special Prize for The Seed of the Sacred Fig.
Best Performance by an Actor
JESSE PLEMONS
in Kinds of Kindness directed by Yórgos Lánthimos
Best Performance by an Actress
ADRIANA PAZ
in Emilia Pérez directed by Jacques Audiard
ZOE SALDAÑA
in Emilia Pérez directed by Jacques Audiard
KARLA SOFÍA GASCÓN
in Emilia Pérez directed by Jacques Audiard
SELENA GOMEZ
in Emilia Pérez directed by Jacques Audiard
Best Screenplay
THE SUBSTANCE
Coralie Fargeat
Short Films
Palme d’or
THE MAN WHO COULD NOT REMAIN SILENT
Nebojša Slijepčević
Special Mention
BAD FOR A MOMENT
Daniel Soares
Un Certain Regard
Un Certain Regard Prize
BLACK DOG
by Guan Hu
Jury Prize
L’HISTOIRE DE SOULEYMANE
by Boris Lojkine
Best Director Prize ex-aequo
ROBERTO MINERVINI
for The Damned
RUNGANO NYONI
for On Becoming a Guinea Fowl
Best Performance by an Actress
ANASUYA SENGUPTA
in The Shameless
Best Performance by an Actor
ABOU SANGARÉ
in L’Histoire de Souleymane
Youth Award
HOLY COW
by Louise Courvoisier
1st film
Special Mention
NORAH
by Tawfik Alzaidi
1st film
Caméra d’or
ARMAND
Halfdan Ullmann Tøndel
Un Certain Regard
Special Mention
MONGREL
Wei Liang Chiang & You Qiao Yin
La Cinef
First Prize
SUNFLOWERS WERE THE FIRST ONES TO KNOW…
Chidananda S Naik
Joint Second Prize
OUT THE WINDOW THROUGH THE WALL
Asya Segalovich
THE CHAOS SHE LEFT BEHIND
Nikos Kolioukos
Third Prize
BUNNYHOOD
Mansi Maheshwari
Meet the 77th Festival winners - Festival de Cannes
https://www.festival-cannes.com/en/2024/a-la-rencontre-des-laureats-du-77e-festival/
See the films of the Official Selection 2024 - Festival de Cannes
https://www.festival-cannes.com/en/press/press-releases/the-films-of-the-official-selection-2024/
Sunday, May 28, 2023
The 76th Annual Cannes Film Festival: Complete List of Winners
Friday, April 14, 2023
2023 Cannes Film Festival: Official Selection
Official Selection 2023
Competition
- Jeanne du Barry, Maiwenn
- A Brighter Tomorrow, Nanni Moretti
- About Dry Grasses, Nuri Bilge Ceylan
- Anatomy Of A Fall, Justine Triet
- Asteroid City, Wes Anderson
- Banel Et Adama, Ramata-Toulaye Sy
- Club Zero, Jessica Hausner
- Fallen Leaves, Aki Kaurismaki
- Firebrand, Karim Aïnouz
- Four Daughters, Kaouther Ben Hania
- Jeunesse, Wang Bing
- Kidnapped, Marco Bellocchio
- La Chimera, Alice Rohrwacher
- La Passion De Dodin Bouffant, Tran Anh Hung
- Last Summer, Catherine Breillat
- May December, Todd Haynes
- Monster, Hirokazu Kore-eda
- The Old Oak, Ken Loach
- Perfect Days, Wim Wenders
- The Zone Of Interest, Jonathan Glazer
Out Of Competition
- Cobweb, Kim Jee-Woon
- The Idol, Sam Levinson
- Indiana Jones And The Dial Of Destiny, James Mangold
- Jeanne du Barry, Maiwenn (opening film)
- Killers Of The Flower Moon, Martin Scorsese
Midnight Screenings
- Acide, Just Philippot
- Kennedy, Anurag Kashyap
- Omar La Fraise, Elias Belkeddar
Cannes Premiere
- Bonnard, Pierre And Marthe, Martin Provost
- Cerrar Los Ojos (Fermer Les Yeux), Victor Erice
- Kubi, Takeshi Kitano
- Le Temps D’aimer, Katell Quillévéré
Special Screenings
- Le Bruit Du Temps, Anselm Kiefer, Wim Wenders
- Man In Black, Wang Bing
- Occupied City, Steve McQueen
- Pictures Of Ghosts, Kleber Mendonça Filho
Un Certain Regard
- The Breaking Ice, Anthony Chen
- The Buriti Flower, João Salaviza, Renée Nader Messora
- The Delinquents, Rodrigo Moreno
- Goodbye Julia, Mohamed Kordofani
- Hopeless, Kim Chang-hoon
- How To Have Sex, Molly Manning Walker
- If Only I Could Hibernate, Zoljargal Purevdash
- Le Regne Animal, Thomas Cailley (UCR opening film)
- Les Meutes, Kamal Lazraq
- The Mother Of All Lies, Asmae El Moudir
- The New Boy, Warwick Thornton
- Omen, Baloji Tshiani
- Rien À Perdre, Delphine Deloget
- Rosalie, Stephanie di Giusto
- The Settlers, Felipe Gálvez
- Simple Comme Sylvain, Monia Chokri
- Terrestrial Verses, Ali Asgari, Alireza Khatami
Sunday, September 11, 2022
From Mati Diop To Alice Diop: Two French Senagalese Female Filmmakers Who Have Made History
From Mati Diop To Alice Diop: Two French Senagalese Female Filmmakers Who Have Made History in Cannes and Venice
First it was Mati Diop, the French-Senegalese filmmaker whose first feature film "Atlantics" made her the first black female director to be in the Official Selection in competition for the Palme d'Or and won the Grand Prix equivalent of the silver prize at the 2019 annual Cannes Film Festival, making her the first black female director to win an award in Cannes' 72-year history. And another French Senegalese filmmaker, Alice Diop with the same surname has just made history as first black female filmmaker to win the Silver Lion Grand Jury Prize, for her first feature, "Saint Omer" and also the Lion of the Future LUIGI DE LAURENTIIS Venice Award for a debut film at the 79th annual Venice International Film Festival in 2022.
Mati Diop was born in Paris on June 22 in 1982 and Alice Diop was born in Aulnay-sous-Bois, France in 1979.
- By Ekenyerengozi Michael Chima, Publisher/Editor, NOLLYWOOD MIRROR® Series.
The following is from an interview with Alice Diop on the making of "Saint Omer".
What led you to develop it as a narrative feature?
A documentary was never the plan. At the time, I was too busy with research, plus we couldn’t shoot in the courtroom and I would never [make the real participants] reenact the proceedings. Anyway, I wanted to recreate my experience of listening to another woman’s story while interrogating myself, facing my own difficult truths. The narrative had to trace a series of emotional states that can lead to catharsis. It’s like accelerated psychotherapy.
https://variety.com/2022/film/festivals/venice-alice-diop-saint-omer-1235367521/
Thursday, June 30, 2022
Global Top 10 on Netflix Begins on Netflix and Ends on Netflix
Global Top 10 on Netflix Begins on Netflix and Ends on Netflix
FEATURE FILM & TV
THE GLAMOUR GIRLS REMAKE IS A FLAT TAKE ON A NOLLYWOOD CLASSIC
POSTED ONJUNE 30, 2022 BY THELMA IDEOZU
https://culturecustodian.com/the-glamour-girls-remake-is-a-flat-take-on-a-nollywood-classic/
Global Top 10 on Netflix begins on Netflix and ends on Netflix.
The popularity of a movie from the street to the internet is more about publicity than quality.
Yes, it is a basis for bragging rights, but if your movie makes the Global Top 10 of Netflix, but fails to qualify for the Official Selections of the Cannes Film Festival, Venice Film Festival, Berlinale, Toronto International Film Festival, Sundance Film Festival and fails to qualify for the nominations for the Academy Awards, you are still lagging behind the filmmakers who belong to that Ivy league of the best filmmakers in the world.
Moreover, Nollywood movies making the Global Top 10 have not stopped Netflix from losing hundreds of thousands of subscribers and not even up to 50, 000 of the millions of the followers and fans of the stars on Instagram have subscribed to Netflix to watch their movies, except clicks of Likes and Thumbs Up for movies they have only seen the trailers. Because if all of them subscribed, Netflix will be celebrating gaining millions of new subscribers in Nigeria and not lamenting over loss of millions of subscribers worldwide.
I rate and regard the outstanding filmmakers who have made official selections and nominations and won awards at major international film festivals above those who.have not done so, but competing for bragging rights, Likes and Views on Instagram.
- By Ekenyerengozi Michael Chima,
Founder/Producer,
Screen Naija YouTube Channel,
Publisher/Editor,
NOLLYWOOD MIRROR® Series,
the first book series on Nollywood and the Nigerian film industry,
247 Nigeria (@247nigeria) / Twitter
https://mobile.twitter.com/247nigeria
https://www.amazon.com/author/ekenyerengozimichaelchima
https://shadowandact.com/author/MichaelChima
#film #filmmakers #Netflix #filmmakers #filmmaking #Cannes #Toronto #Berlin #Sundance #Venice #Venice #Instagram #Likes #Views #braggingrights #subscribers #movies #Nigeria #instagram #quality #globaltop10 #awards #officialselection #nominations
Saturday, May 28, 2022
"Triangle of Sadness" Wins the Palme d'Or of 75th Annual Cannes Film Festival
The 75th annual Cannes Film Festival of France ended Saturday night with all the glitz and razzmatazz of the most prestigious international film festival in the world.
Swedish filmmaker Ruben Östlund won the coveted Palme d'Or at the 75th annual Cannes Film for his satirical drama, "Triangle of Sadness".
Östlund won the Palme d'Or at Cannes in 2017 with "The Square".
List of All the Winners
Palme d’Or: “Triangle of Sadness” by Ruben Östlund
Grand Prix: “Close” by Lukas Dhont and “Stars at Noon” by Claire Denis
Special Prize for Cannes’ 75th anniversary: Jean-Pierre and Luc Dardennes, “Tori and Lokita”
Jury Prize: “Eo” and “Le Otto Montagne”
Best Actress: Zar Amir Ebrahimi, “Holy Spider”
Best Actor: Song Kang Ho, “Broker”
Best Director: Park Chan-wook, “Decision to Leave”
Best Screenplay: “Boy from Heaven”
Camera d’Or: “War Pony,” directed by Gina Gammell and Riley Keough
Short Film Palme d’Or: “The Water Murmurs”
Tuesday, May 17, 2022
2022 Annual Cannes Film Festival : Live Updates
#CannesFilmFestival
#Cannes
#France
View daily updates on the 75th annual Cannes Film Festival streaming live from 17 to 28 May, 2022 at the Palais des Festivals et des Congres.
Vincent Lindon is the President of the jury, and the winners will be announced on 28th May 2022.
CANNES 2022 OFFICIAL SELECTION
COMPETITION
Les Amandiers, dir: Valeria Bruni Tedeschi
Holy Spider, dir: Ali Abbasi
Crimes Of The Future, dir: David Cronenberg
Stars At Noon, dir: Claire Denis
Frère Et Soeur, dir: Arnaud Desplechin
Tori And Lokita, dirs: Jean-Pierre and Luc Dardenne
Armageddon Time, dir: James Gray
Close, dir: Lukas Dhont
Broker, dir: Hirokazu Kore-eda
RMN, dir: Cristian Mungiu
Triangle Of Sadness, dir: Ruben Ostlund
Showing Up, dir: Kelly Reichardt
Decision To Leave, dir: Park Chan-wook
Nostalgia, dir: Mario Martone
Tchaikovski’s Wife, dir: Kirill Serebrennikov
Boy From Heaven, dir: Tarik Saleh
Leila’s Brothers, dir: Saeed Roustaee
Eo, dir: Jerzy Skolimowski
UN CERTAIN REGARD
*Les Pires, dirs: Lisa Akoka, Romane Gueret
Burning Days, dir: Emin Alper
*Metronom, dir: Alexandru Belc
All The People I’ll Never Be, dir: Davy Chou
Sick Of Myself, dir: Kristoffer Borgli
Domingo And The Mist, dir: Ariel Escalante Meza
*Plan 75, dir: Hayakawa Chie
*Beast, dirs: Riley Keough, Gina Gammell
Corsage, dir: Marie Kreutzer
*Butterfly Vision, dir: Maksim Nakonechnyi
The Silent Twins, dir: Agnieszka Smocynska
The Stranger, dir: Thomas M Wright
*Joyland, dir: Saim Sadiq
*Rodeo, dir: Lola Quivoron
Godland, dir: Hlynur Palmason
CANNES PREMIERE
Nos Frangins, dir: Rachid Bouchareb
Nightfall, dir: Marco Bellocchio
Dodo, dir: Panos H Koutras
Irma Vep (series), dir: Olivier Assayas
OUT OF COMPETITION
Z (Comme Z), dir: Michel Hazanavicius
Top Gun: Maverick, dir: Joseph Kosinski
Elvis, dir: Baz Luhrmann
Novembre, dir: Cédric Jimenez
Three Thousand Years Of Longing, dir: George Miller
Mascarade, dir: Nicolas Bedos
MIDNIGHT SCREENINGS
Hunt, dir: Lee Jung-Jae
Moonage Daydream, dir: Brett Morgen
Fumer Fait Tousser, dir: Quentin Dupieux
SPECIAL SCREENINGS
All That Breathes, dir: Shaunak Sen
The Natural History Of Destruction, dir: Sergei Loznitsa
Jerry Lee Lewis: Trouble In Mind, dir: Ethan Coen
*Denotes first film, eligible for the Camera d’Or
2022 Short films and La Cinef Selections
The Short Film Palme d'or will be awarded on Saturday, May 28 during the closing ceremony of Cannes Film Festival.
TSUTSUE Amartei Armar
Ghana/France - 15'
PO SUI TAI YANG ZHI XIN (A SHORT STORY) Bi Gan
China - 15'
LORI (MELANCHOLY OF MY MOTHER'S LULLABIES) Abinash Bikram Shah
Nepal/Hong Kong - 14'
HAI BIAN SHENG QI YI ZUO XUAN YA (THE WATER MURMURS) Story Chen/China - 14'
UOGOS (CHERRIES) Vytautas Katkus
Lithuania/Italy - 15'
SAME OLD Lloyd Lee Choi
United States - 15'
LE FEU AU LAC (FIRE AT THE LAKE) Pierre Menahem
France - 15'
GAKJIL (PERSONA) Sujin Moon
South Korea - 6'
LUZ NOCTURNA (NIGHT LIGHT) Kim Torres
Costa Rica/Mexico - 14'
For its 25th edition, La Cinef has selected 13 live-action and 3 animated shorts directed by 6 male directors and 10 women directors, from among the 1,528 submitted by film schools all over the world.
The 3 La Cinef prizes will be handed at a ceremony preceding the screening of the awarded films on Thursday 26 May, in the Buñuel Theatre.
CHLIEB NÁŠ KAŽDODENNÝ (LIQUID BREAD) Alica Bednáriková
FTF VŠMU-Film and Television Faculty - Slovakia - 26'
MUMLIFE Ruby Challenger
AFTRS - Australia - 15'
TOUT CECI VOUS REVIENDRA (ALL OF THIS BELONGS TO YOU) Lilian Fanara
La Fémis - France - 29'
LES HUMAINS SONT CONS QUAND ILS S'EMPILENT (HUMANS ARE DUMBER WHEN CRAMMED UP TOGETHER) Laurène Fernandez
La CinéFabrique - France - 4'
IL BARBIERE COMPLOTTISTA (A CONSPIRACY MAN) Valerio Ferrara
Centro Sperimentale di Cinematografia - Italy - 19'
THE PASS Pepi Ginsberg
NYU - United States - 15'
SHEHERUT (KINSHIP) Orin Kadoori
The Steve Tisch School of Film & Television Tel Aviv University - Israel - 24'
NAUHA Pratham Khurana
Whistling Woods International - India - 26'
JUTRO NAS TAM NIE MA (WE ARE NOT THERE TOMORROW) Olga Kłyszewicz
The Polish National Film School in Łódź - Poland - 8'
DI ER (SOMEWHERE) Li Jiahe
Hebei University of Science and Technology School of Film and Television - China - 23'
FENG ZHENG (THE SILENT WHISTLE) Li Yingtong
Emerson College - United States - 18'
MISTIDA Falcão Nhaga
ESTC - Portugal - 30'
GLORIOUS REVOLUTION Masha Novikova
London Film School - United Kingdom - 20'
100% FLÅET KÆRLIGHED (THAT'S AMORE) Malthe Saxer
Den Danske Filmskole - Denmark - 49'
HAJSZÁLREPEDÉS (CRAZE) Bianka Szelestey
Eötvös Loránd University Department of Film Studies - Hungary - 22'
SPRING ROLL DREAM Mai Vu
NFTS - United Kingdom - 9'
https://www.festival-cannes.com/en/infos-communiques/communique/articles/2022-short-films-and-la-cinef-selections











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