How Many NOLLYWOOD Movies Have Been Shot on Canon?
How many Nollywood movies have been shot on Canon?
This is a very important question both for Nollywood and Canon.
Knowing how many people are using your products is critical to the growth of your company in Research and Development (R&D); Marketing and Sales Analysis of the products and services.
Nollywood is the largest film industry in Africa in the productions of movies and should be the largest market for cameras for both cinematography and photography.
The Nigerian Film Corporation (NFC), Directors Guild of Nigeria (DGN) , Producers Guild of Nigeria (PGN) and Cinematographers Guild of Nigeria (CGN) or Association of Cinematographers in Nigeria (ACN) should know and have the data on the cameras and accessories used for film and TV productions in the Nigerian film industry.
These facts are included in the indices for the development and growth of the film industry.
What are models and specifications of the Canon cameras used for film and TV productions in the Nigerian film industry?
When did Canon cameras become the most popular cameras in the Nigerian film industry?
Does Canon know the film and TV productions shot with Canon cameras?
The most popular and the best Canon cameras used in Nollywood and Kannywood?
The best movies, documentaries and music videos shot on Canon?
The award winning film and TV productions shot with Canon cameras?
By the way, the third part of my on going documentary film, "Lagos in Motion" was shot on Canon.
Reading in Motion" showing #Nollywood actress,, Celina James reading, "Conspiracy of Lagos" by Bisi Daniels in my documentary film, "Lagos in Motion".
Small Camera with Big Dreams Versus Big Camera with Small Imagination
It is better to have a small camera with big dreams than to have a big camera with small Imagination.
What makes a great filmmaker and photographer is not the size of the camera, but the size of the Imagination.
Without cinematography, there is no cinema.
What has really affected the quality of film productions in Nollywood is the lack of enough professional cinematographers.
From the first 60 seconds of a movie, you can see if the cinematography is good or bad.
What will guarantee the picture quality of a movie are the technical quality of the camera; the professional expertise of the cameraman or camerawoman and the expertise of the cinematographer.
Years ago, as a member of the Digital Cinema Society founded by James Mathers, I started the Nollywood Digital blog to announce and introduce new digital cinema cameras to Nigerian filmmakers to keep them updated on the best cameras for the best film and TV productions. I also proposed a quarterly Nollywood Digital Cinema Exhibition for hands-on demonstrations of the cameras and screenings of award winning movies shot with the cameras.
The most popular cameras in Nollywood are from Sony, BlackMagic Design and Canon.
It is important for these manufacturers to have regular demonstrations of their cameras like Sony Middle East and Africa in collaboration with Kontakt Pro Nigeria Ltd had in Nigeria last September, 2022, showcasing the Cinema Line FX3, FX6 and the FX9 full-frame digital cameras.
Sony has recommended the new FX30 as an ideal choice for filmmakers actively working on or considering entering the Sony Future Filmmaker Awards, a major new annual awards program for short films. www.sonyfuturefilmmakerawards.com
Canon will Launch Two of its Revolutionary Products - EOS R3, EOS R5C to Further Highlight the Company’s Commitment to Introduce a Much Wider Array of Technology Solutions in Africa
Canon Central and North Africa announced today of its highly awaited debut R-tour to commence from May 12th in Morocco
DUBAI, United Arab Emirates, May 12, 2022/ -- In alignment with the company’s philosophy of ‘Kyosei’, that stands for ‘Living and working together for the common good’, Canon (www.Canon-CNA.com) continues to reaffirm its commitment to Africa by operating closer to its customers thereby commencing its much anticipated debut R-tour for Morocco from May 12th, 2022. Canon will launch two of its revolutionary products - EOS R3, EOS R5 C to further highlight the company’s commitment to introduce a much wider array of technology solutions in Africa.
Amine Djouahra Canon’s Sales and Marketing Director (CCNA) at today’s R – Tour in Morocco (Source: Canon Central and North Africa (CCNA)
Canon Central and North Africa announced today of its highly awaited debut R-tour to commence from May 12th in Morocco, in line with the company’s continued commitment to Morocco, a key country representing one of the important economies in the region. The launch event will witness the official kick-off of Canon’s much-awaited R-tour in Africa and will have Lorenzo Salami - Multitalented Lifestyle and Fashion Photographer, Saab Abid, Morocco’s leading Instagram influencer along with Canon’s Sales and Marketing Director (CCNA) – Amine Djouahra.
As a testament to Canon’s dedication to on-going research and development in ensuring a continuous stream of new products and solutions to meeting evolving needs, Canon’s R-tour will kick-off by introducing two of its ground-breaking products – EOS R3, EOS R5 C and the newly introduced Powershot Zoom to customers and fans in Morocco. The R Tour in Morocco will bring together Pro Specialist Partners, selected professional Photographers, SI-Var Partners, Social media influencers and media, among others to create a truly inspirational platform for its consumers to engage and interact. Post the tour, Canon envisions to continue engaging with end-users through a series of events including Photo walks, Masterclasses, Competitions, and Generation R Community events among others. The tour will also provide Canon fans to test-drive Canon products by physically touching and trying them on the spot.
Closer to Customer
“Morocco is a key market for us, and we are committed to bring innovative digital technologies to the country in a bid to underpin its digital transformation journey. The R-tour is a series of special events that enables us to put our consumers and fans in the driving seat, they get to test and try our products, participate in events, engage with industry professionals and more. We foresee the R-tour as a strong channel for us to get another step closer to our customers in Morocco by driving meaningful conversations across various touchpoints. As an ode to our commitment to the people in Morocco, we are also launching our best of the breed products to enable photographers and filmmakers in bringing their stories to life in the most versatile manner possible. We are thrilled for the R-tour to kick-off in Morocco and directly engage with our valuable customers and fan-base there,” said Amine Djouahra, Director of Sales and Marketing, Canon Central and North Africa.
Canon has been represented in Morocco since 2009 through distributors and partners that have successfully built a solid customer base in the country. Through the launch of its new products incorporating cutting-edge and world-class technology, Canon aims to be part of Morocco’s digital transformation journey by elevating the imaging technology sector in the country. Canon’s relentless pursuits in enhancing the local distribution network in Morocco, supported by partners as well local Canon employees in-country, has been the driving force in successfully implementing the company’s closer to customer strategy.
Interact and Engage
To further encourage interaction and engagement amongst consumers and attendees of Canon’s R-tour, the company has gone one step ahead and created experiential booths to maximize the learning opportunities. A total of five different booth set-ups will be installed at the event namely Generation R, Postproduction Set-up, Home zone, Photo studio and Outdoor Aerial act performance with each of these focusing on a particular area of interest. The Generation R booth will highlight the entire lineup of the Full frame mirrorless series along with an experiential set up to allow customers to touch and try the product. Canon’s Generation R community brings EOS R System users together with other creative photographers and experts to pursue and share their passion while exchanging knowledge. The Generation R booth will embody the spirit of this community taking it a notch higher and making the entire experience more personal with the on-ground presence.
The booth for Postproduction Set up will provide cinematographers as well as enthusiasts with a complete line-up of extraordinary products that can dramatically upscale the quality of the video content. Focusing on the essentials of a modern home, the home booth set up will put on display Canon’s stellar line of printers including the famous G-series and megatank printers. The photo studio set-up will take this display of printers a level higher by highlighting the company’s Pro 1000 and Pro 300 and Pixma 640 and other input to output solutions. On the other hand, the Outdoor Aerial Act Performance booth will provide invitees with the exclusive experience of getting their hands on Canon’s EOS R3 to test and try on the spot.
Additionally, the event will also feature a panel discussion amongst the key speakers i.e., Amine Djouahra, Lorenzo Salami and Saab Abid reflecting thoughts and opinions on the significance of content creation in today’s day and age, its contribution to the imaging industry, impact of upcoming content consumption trends on photography and products. The discussion will also touch upon the impact on business as a result of emerging content trends, changes in consumer habits of target audience along with the positive effects of driving higher engagement with consumers through cutting-edge and quality content production. Canon’s Sales and Marketing Director will also take this opportunity to detail out company’s efforts in Africa to generate awareness, education as well as growth opportunities for both business and consumers through its myriad initiatives such as Miraisha programme, Canon Academy workshops, mentorships and more.
Technology that Transforms
Canon offers a comprehensive range of input-to-output solutions, from world-renowned cameras to innovative printers and multi-function printers in Morocco. However, the R-tour will act as a springboard for the company to introduce EOS R3 and EOS R5 C in a manner where people can directly pilot the products on-site. The EOS R3 offers all the familiarity and speed of Canon’s renowned EOS-1 series, with the innovation and versatility of the pioneering EOS R System. With a brand new, innovative 24.1megapixel sensor, the EOS R3 gives an optimal balance of performance, resolution and speed to offer news and sports photographers a camera to outperform and outpace the competition. Likewise, The EOS R5 C is a powerful, hybrid cinema camera which combines the professional filmmaking features of the Cinema EOS range with the EOS R System’s photo capabilities. A high-resolution, full frame CMOS sensor, DIGIC X processor and the RF Mount, are the crucial three elements that enable high fidelity 8K capture, and 45 megapixels still photo capture at burst speeds up to 20 frames per second, all in a single body of the EOS R5 C.
Canon's R-tour in Morocco will kick off today, May 12th, 2022, in Casablanca. The company's next R-tour is scheduled to begin in Egypt on May 23rd, followed by Kenya on June 2nd, 2022, and many more to come in the upcoming months covering the wide African continent. Stay tuned!
Click here (https://bit.ly/3LaGUSe) for more details to join the Generation R Hub community!
Click here to know more about the products- EOS R3 (https://bit.ly/39dngb5), EOS R5 C (https://bit.ly/3ywsbOY) & Powershot Zoom (https://bit.ly/3PsFypA)!
Distributed by APO Group on behalf of Canon Central and North Africa (CCNA).
Media enquiries, please contact: Canon Central and North Africa Mai Youssef E-mail: Mai.youssef@canon-me.com
APO Group - PR Agency Rania ElRafie E-mail: Rania.ElRafie@apo-opa.com
About Canon Central and North Africa:
Canon Central and North Africa (CCNA) (Canon-CNA.com) is a division within Canon Middle East FZ LLC (CME), a subsidiary of Canon Europe. The formation of CCNA in 2015 was a strategic step that aimed to enhance Canon’s business within the Africa region - by strengthening Canon’s in-country presence and focus. CCNA also demonstrates Canon’s commitment to operating closer to its customers and meeting their demands in the rapidly evolving African market.
Canon has been represented in the African continent for more than 15 years through distributors and partners that have successfully built a solid customer base in the region. CCNA ensures the provision of high quality, technologically advanced products that meet the requirements of Africa’s rapidly evolving marketplace. With over 100 employees, CCNA manages sales and marketing activities across 44 countries in Africa.
Canon’s corporate philosophy is Kyosei (https://bit.ly/3M8Nrhz) – ‘living and working together for the common good’. CCNA pursues sustainable business growth, focusing on reducing its own environmental impact and supporting customers to reduce theirs using Canon’s products, solutions and services. At Canon, we are pioneers, constantly redefining the world of imaging for the greater good. Through our technology and our spirit of innovation, we push the bounds of what is possible – helping us to see our world in ways we never have before. We help bring creativity to life, one image at a time. Because when we can see our world, we can transform it for the better. For more information: Canon-CNA.com
"My mentor said what you need most to make a great movie are not big cameras, not big budget, not big cast, not big crew and not a big story. But a Big Imagination."
- Success Iyoha, from Benin City, Edo State, NIGERIA.
Case Study:
The Blair Witch Project is a 1999 American supernatural horror film written, directed and edited by Daniel Myrick and Eduardo Sánchez. It is a fictional story of three student filmmakers—Heather Donahue, Michael C. Williams, and Joshua Leonard—who hike into the Black Hills near Burkittsville, Maryland in 1994 to film a documentary about a local legend known as the Blair Witch. The three disappear, but their equipment and footage are discovered a year later. The purportedly "recovered footage" is the film the viewer sees. Myrick and Sánchez conceived of a fictional legend of the Blair Witch in 1993. They developed a 35-page screenplay with the dialogue to be improvised. A casting call advertisement in Backstage magazine was prepared by the directors; Donahue, Williams and Leonard were cast. The film entered production in October 1997, with the principal photography taking place in Maryland for eight days. About 20 hours of footage was shot, which was edited down to 82 minutes. Shot on an original budget of $35,000–60,000, the film had a final cost of $200,000–750,000 after post-production edits.
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