Showing posts with label Director. Show all posts
Showing posts with label Director. Show all posts

Thursday, August 31, 2023

Women Should Not Be Considered Because We Fill a Quota, But that We Are Capable and Deliver

PRESS RELEASE

Women Should Not Be Considered Because We Fill a Quota, But that We Are Capable and Deliver, Says Mwanyengwa Ndapewoshali Shapwanale

Mwanyengwa Ndapewoshali Shapwanale is the Director: Communications and Stakeholders Relations at ReconEnergy in Namibia

JOHANNESBURG, South Africa, August 31, 2023/ -- Following five major oil and gas discoveries made between 2022 and 2023, Namibia’s upstream market has seen a strong wave of interest by global E&P players. Companies such as ReconAfrica, a Canadian-based explorer, have amplified their exploration efforts. The company’s Director of Communication and Stakeholder Relations Mwanyengwa Ndapewoshali Shapwanale plays an integral part in driving both ReconAfrica and Namibia’s energy narrative, serving as an inspiration for those in the field. Shapwanale is featured on the African Energy Chamber’s (AEC) (http://www.EnergyChamber.org) list of 25 Under 40 Energy Women Rising Stars.

Please share a brief overview of your journey in the energy industry that led to your current role? What are some key achievements or milestones that you are particularly proud of?

My journey in the energy sector started in April 2021 when I was approached to provide multimedia consulting, specifically social media services to my current employer ReconAfrica. I immediately realized I could provide much more to the company and engaged the company representative at the time to propose my additional skills and how I could assist the company. This included media relations, corporate communication, government relations, community relations, and brand crisis management. Fast forward a few months, I was appointed as the Director of Communication and Stakeholder Relations. A major part of my role is ensuring and maintaining social license.

I am particularly proud of the work our team has done in community relations. While maintaining a social license is an ongoing and continuous exercise, I am pleased with the work we have put in as a team, and I will continue to work towards progressing this responsibility.

Another proud achievement must be our work towards providing safe and secure access to potable water to the communities in our area of operations through the drilling, installing, and handing over of community water wells in our three years of operation. Apart from the communities, especially women and children, having to walk long distances to fetch water, this is an area where human-wildlife conflict is rampant because of the communities’ dependency on the Kavango River for water. Being able to provide an alternative water source, I believe, contributes to saving lives and meeting the government halfway in their aims to alleviate and even totally eradicate the human-wildlife conflict.

Further, the Namibian nation is quite new to the oil and gas industry, as the past few years have been the most visible action we have seen in the country. For the nation and the average Joe on the street to understand, welcome, and meaningfully participate in oil and gas activities, there must be efforts to educate and inform about the industry and the energy sector at large. As part of my communication role, we have done training with the media so that they can report from an educated, understanding, and informed position.

We have also collaborated with the University of Science and Technology to host bi-monthly public lectures on oil and gas activities in the country. These sessions have been extremely successful, with an audience of over 600 in person and a maximum of 900+ online. The audience included students, professionals from all fraternities, diplomats, academics, and government officials. The speakers included the Minister of Mines and Energy in Namibia, the Petroleum Commissioner, lawmakers, geologists, and educators, to name a few. Lastly, I am pleased to have teamed up with exceptional fellow women in the industry to establish the first ever Women in Oil, Gas, and Energy Association in Namibia, a body aimed at achieving the advancement of women in the energy sector.

Energy poverty is an African reality, and Namibia is not singled out from this reality. Further to that, my area of operation is one of the most socially challenged in our country, and I have started and will continue to use my role to innovatively tackle these challenges to ensure that my country and our continent as a whole benefit from its resources.

The energy industry is known for its complexities. What were some significant challenges you faced along the way, and how did you navigate through them to achieve your goals?

It definitely has to be the onslaught that accompanies the frowning upon of oil and gas exploration and development of this resource by African countries and the public's perception of oil and gas exploration and development. I was very lucky to, very early in my career, listen to the AEC chairperson speak on the just transition as well as really grasp the concept of African solutions for African challenges. This helped me focus on the matter at hand, which is to ensure that I carry out my role without listening to the unwarranted attacks.

Adopting the just transition and African solutions for African challenges has also helped me stay focused on the bigger responsibility, which is to ensure meaningful, impactful, and tangible contributions to eradicating energy poverty in Namibia and the continent, meaningful participation in the sector, and meaningful benefit from the energy sector.

What advice would you give to young females aspiring to excel in the energy sector? Are there any specific strategies or mindsets that helped you overcome obstacles and reach your current position?

Humility, listening to those who have been in the sector, put in the work, collaboration and willingness to learn learn learn!

I was very privileged to have been welcomed into the sector with open arms by so many, including the leadership in our oil and gas sector in the country. I specifically want to highlight the women including Maggy Shino, Victoria Sibeya, MME Dep Minister Kornelia Shilunga, and Taimi Itembu, to name a few. Leadership in my company is the true definition of meaningfully giving a young black woman a seat at the table and supporting her in the role.

It is important to note that it is not enough to be given a seat at the table; the work has to continue to maintain that seat at the table. To be considered at the table should not be to satisfy a quota but because one is capable of excelling, achieving, and delivering.

A career in energy can be demanding. Could you describe a typical day in your life?

Demanding indeed! I am typically up by 05:30 and start my day with reflection, praise, worship, or prayer—not every day as I would like to. Because our team works in different time zones, I use my mornings to attend to emails that may have come through in the night. Having planned my to-do list the night before, I start executing my items for the day.

My role involves a lot of writing; therefore, I am constantly writing or preparing messages. Our meetings normally take place in the late afternoon or early evening. I work well at night and therefore choose to action some of the deliverables right after our meetings, in the evening.

With stakeholder relations, I am also constantly working on monitoring our relations and finding ways to maintain or improve them. One must be innovative. A lot of moving pieces, all the time. The last two hours of my work day are dedicated to upskilling. I try as much as possible to take short courses to assist me in carrying out my role.

Looking ahead, what changes or advancements do you hope to see in the energy sector, and how do you envision your role in shaping that future?

Meaningful participation in the energy sector, advancement of women in the energy sector, community understanding, being informed and educated about the energy sector, meaningfully benefiting from the sector, and overall. I truly believe that local content and meaningful participation in the energy sector needs to start with an understanding and education of the sector. An example is understanding that there are certain skills and capital capabilities we do not have and how we are going to work with operators to achieve our goals in combating energy poverty and social challenges throughout the energy sector. I believe that I can use my role as a vehicle to educate the Namibian nation on the energy sector for the purpose of meaningful participation.

Additionally, being on the ground and understanding the social challenges means using my role as a vehicle to be innovative in tackling these challenges and ensuring meaningful impact. As a female executive in the energy sector, it is my duty to show other women that it is possible to be in the energy sector meaningfully. At the same time, I have the very important duty to show and prove that women in the sector are capable, deliver, and have the skills to contribute to the sector. Moreover, women should not, are not, and don’t just want to be considered because we are women and that we can fill a quota, but that we have capacity, put in the work, have the skills, are capable, and deliver.

Distributed by APO Group on behalf of African Energy Chamber.

SOURCE

African Energy Chamber



Tuesday, July 4, 2023

Shaka Ilembe is the Best, Biggest and Greatest African Epic Historical Drama Series


Shaka Ilembe is the Best, Biggest and Greatest African Epic Historical Drama Series




"Shaka Ilembe"is the best, biggest and greatest African epic historical drama series so far in the history of filmmaking and TV productions in Africa and one of the best epic drama series in the world.

In the content and context of the subject in production, and casting, directing, production design, set design, costume design and cinematography with naturalistic characters and realistic scenarios of the historical events, you can see the evidence of the professional excellence, experience and expertise of the producers. The series have been exciting and thrilling to watch on DStv.
The Directors, Academy Award-nominee Angus Gibson (Mandela) and Teboho Mahlatsi are geniuses with Desiree Markgraaff, the EP. 

The movie set will be good for international art and architecture exhibition at the BIENNALE ARTE 2024 of the 60th International Art Exhibition that will take place from Saturday 20 April to Sunday 24 November, 2024 in Venice, Italy.

https://www.labiennale.org/en/art/2024

I published the news release from the MultiChoice Group since 2022 on my Nigerians Report on https://nigeriansreportng.blogspot.com/2022/05/africa-epic-historical-drama-series.html.

Set in the 1700s, "Shaka iLembe" tells the story of the making of the iconic African king, with iterations from his early childhood through to adulthood.

The awesome King of Zulus, Shaka kaSenzangakhona  (c. 1787 – 22 September 1828) has inspired writers and producers and was the inspiration for my own short story in 2020, "Shaka The Great: The Rise and Fall of the Greatest African King"
https://nigeriansreportng.blogspot.com/2020/09/shaka-great-rise-and-fall-of-greatest.html

"Shaka Ilembe" should be a must watch for every filmmaker, storyteller and other creatives in Africa, especially in Nollywood and Kannywood of the Nigerian film industry.

As I have always emphasized that South Africa has the best and biggest film industry in Africa.
What makes a film industry is more than the mass production of movies in thousands annually, but includes having film and TV markets, film commissions and movie merchandise as shown in the awesome production of "Shaka Ilembe" that is worth more than US$2 billion in the market valuations of the film tourism boosting the hospitality industry of South Africa and the movie merchandise of the fashion designs and accessories of the rich culture and lifestyles of Zulu people. A celebration of the culture of the haute couture and architecture Zulu Kingdom.
I will really love to visit the movie set.

"Shaka Ilembe' is a case study for sociocultural, socioeconomic and sociopolitical studies and anthropology of South Africa in African Studies and the history of filmmaking in Africa.

Producer: Multichoice Studios of the MultiChoice Group.

See more details on https://www.dstv.com/mzansimagic/en-ng/show/shaka-ilembe/season/1

- By Ekenyerengozi Michael Chima,
Publisher/Editor,
NOLLYWOOD MIRROR® Series
Nigeria Daily Twitter
https://twitter.com/nigeriadaily
New Nigeria on Pinterest
www.pinterest.com/nigeriansreport
https://www.amazon.com/author/ekenyerengozimichaelchima
https://www.linkedin.com/in/michaelchimaeyerengozi


Thursday, December 1, 2022

Introduction of Drylab's ROUGH CUTS Featuring Comet

 


Rough Cuts


A view of Rough Cuts featuring The Comet

A revolutionary new extension tool within Drylab Viewer, Rough Cuts enables you to easily edit your rushes in a dailies platform. It is simplistically and intuitively designed to allow for effortless and immediate edits, giving you instant visibility of whether your takes will play out as intended.

While we are constantly refining and updating our platform, Drylab's latest Rough Cuts development is a ground-breaking technical transformation; not only within Drylab, but within the global production software industry

See all on https://www.drylab.io/products/creator


Friday, November 25, 2022

Video: Nightfall in Lagos


Nightfall in Lagos


Jibowu on the Lagos Mainland in Nigeria on Tuesday night of November 22, 2022.

- By Ekenyerengozi Michael Chima, author of "Lagos in Motion: Sights and Sounds of Africa"s Largest Megacity" distributed by Amazon and producer/director of the documentary film in progress since 2016 with more than 40 hours of footage so far. Final principal photography to start before Christmas.

#Lagos

#Mainland

#Nigeria

#Jibowu

#Africa

#Megacity

#documentary

#film

#photography

#Amazon

#publish

#producer

#director

#nightfall

#November

#Tuesday

#Christmas




Friday, October 29, 2021

FESPACO 2021: The List of the Winners

 27th edition of the biennial Pan-African Film and Television Festival of Ouagadougou (FESPACO), the largest African film festival in the world took place from 16 to 23 October 2021 in Burkina Faso

"The Gravedigger’s Wife" premiered in #Cannes Critics’ Week in July and has  been selected as Somalia’s  first-ever Oscar submission for the 2022 Academy Awards.

The filmmaking was delayed as Khadar Ahmed wrote the story 10 years ago, but wanted to direct it himself and so took time to learn how to direct movies.

Newton Aduaka is the only Nigerian filmmaker who has won the grand prize, the Golden Stallion of Yennenga for his 2007 film,"Ezra’" on the civil war in Sierra Leone.

The US$36,000 Golden Stallion of Yennenga prize is named after the legendary warrior Princess Yennenga, who is called the mother of the Mossi people of Burkina Faso.

The first Nigerian to win a prize at FESPACO, is Clarion Chukwurah, the  Best Actress prize in 1985 for her role in Dr. Ola Balogun’s film, "Owo L’agba" (Money Power). 

The List of the Winners

– Golden Stallion of Yennenga: “The gravedigger’s wife” by Ahmed Khadar (Somalia)

– Silver Stallion: “Freda” from Gessica Geneus (Haiti)

– Bronze Stallion: “A story of love and desire” by Leyla Bouzid (Tunisia)

– Best Actor Award: Alassane Sy for “Baamum Nafi” (Senegal)

– Best Actress Award: Zainab Jah for “Farewell Amor” by Ekwa Msangi (Tanzania)

– Best decor: “La Nuit des Rois” (Night Of The Kings) by Philippe Lacote (Ivory Coast)

– Best Editing: “Souad” by Amin Ayten (Egypt)

– Prize for the screenplay: “Nameless” Mutiganda Wa Nkunda (Rwanda)

– Image prize: “This is not a burial, it is a resurrection” by Jeremiah Lemohang Mosese (Lesotho)

– Sound Award: “Freda” by Gessica Geneus (Haiti)

– Best Music: “The Gravedigger’s Wife” by Ahmed Khadar (Somalia)

– Gold standard documentary feature film: “Garderie Nocturne” by Moumouni Sanou (Burkina Faso)

– Silver standard documentary feature film: “Marcher sur l’eau” by Aissa Maiga (Senegal-Mali)

– Bronze standard documentary feature film: “Makongo” by Elvis Sabin Ngaibino (Central African Republic)

– Poulain d’or short film: “Serbi” (Les Tissus blancs) by Moly Kane (Senegal)

– Silver foal fiction short film: “Amani” by Alliah Fafin (Rwanda)

– Short film fiction bronze foal: “Zalissa” by Carine Bado (Burkina Faso)

– Poulain d’Or documentary short film: “Ethereality” by Kantarama Gahigiri (Rwanda)

– Silver foal short film: “I bit my tongue” by Nina Khada (Algeria)

– Bronze foal short film: “Nuit Debout” by Nelson Makengo (DRCongo)

SPECIAL MENTIONS

– Special mention to “Tabaski” by Laurence Attali (Senegal)

– Special mention from the jury: “La traversée” by Irène Tassembedo (Burkina Faso)

OUTLOOK SECTION

– Paul Robson Prize: “Traverser” by Joël Akafou (Ivory Coast)

– Oumarou Ganda Prize: “Tug of War” Amil Shivji (Tanzania)

BURKINA FASO SECTION

– Best Burkinabè film: “In the footsteps of a migrant” by Delphine Yerbanga

– Best Burkinabè hope: “After your revolt, your vote” by Kiswendsida Parfait Kaboré


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Monday, February 15, 2021

The Unique Music Videos of Davido and the Power of Storytelling



"JOWO" by Davido.

David Adedeji Adeleke, popularly known as Davido is one of the best young musicians of  the new generation in Africa and the rest of the world.

"A Better Time" is his best LP so far and he has made unique music videos of the songs in the LP.   

"JOWO" is a cinematic music video featuring Nollywood icon Richard Mofe-Damijo, popularly known as RMD and the sultry reality TV beauty,  Rebecca Nengi Hampson of Big Brother Nigeria reality TV show. The video shows the conflict resolution to a gang war.

A good music video tells a unique story in captivating motion picture of vivid imagery.

The director of these videos,  Apampa Oluwadamilola, aka Dammy Twitch is a genius.