Six Successful Women in Nollywood I Have Written About- Ekenyerengozi Michael Chima

Adaugo of Nollywood, Mo Abudu.

Founder/CEO of EbonyLife Entertainment Group.

Six Successful Women in Nollywood I Have Written About- Ekenyerengozi Michael Chima 

Adaora of Nollywood, Mrs. Stephanie Linus.

I have written about several notable personalities in Nigeria; especially those in Nollywood and Kannywood of the Nigerian film industry published on my popular Nigerians Report Online, TALK OF THE TOWN By Orikinla and Kisses & Roses and on the Black Filmmaker of the UK, Face2Face, Shadow and ACT on Indiewire and Yahoo Voices of America, Nigeria Films, Modern Ghana and other publications. 

Queen of Islamic TV in Nigeria, Hajia Shareefah Abiola-Andu, Founder/CEO of Arabel Nigeria, Arabel Films and Aleef TV.

Adaeze of Nigerian Cinemas, Mrs. Joy Odiete, Founder/CEO of Blue Pictures Entertainment Group.

Eze Nwayi of Nollywood, Ms. Chioma Ude, Founder and Executive Director of Africa International Film Festival (AFRIFF).

I have been writing about six successful leading ladies in the Nigerian film industry, including Mrs. Stephanie Linus, who has been included in the 34 Beauty Queens of Nollywood and Kannywood in the second edition of the NOLLYWOOD MIRROR® Series printed in Raleigh, North Carolina, United States of America and circulated by Amazon, Barnes and Noble and other booksellers.

I have 100% success record of everyone of the six women of substance I have promoted becoming more celebrated and elevated in success and my best wishes for them coming to pass.

1. Mo Abudu since 2012

2. Chioma Ude since 2010

3. Mrs. Stephanie Linus since 2009

4. Linda Ikeji since 2005

5. Mrs. Joy Odiete since 2015

6. Hajia Shareefah Abiola Andu since 2019

The proofs are available online

Just put by Ekenyerengozi Michael Chima after their names and see all my reports on them.

To Almighty God be all the glory.

- By Ekenyerengozi Michael Chima,

The Publisher/Editor,

NOLLYWOOD MIRROR®  Series

The first book series on Nollywood and the Nigerian film industry

The Nigerian Creative Economy: Beyond Nollywood and the Entertainment Industry

The Nigerian Creative Economy: Beyond Nollywood and the Entertainment Industry

Overview

Nigeria - Media and Entertainment

According to PwC Global Entertainment and Media Outlook for 2022-2026, Nigeria’s media and entertainment industry is one of the fastest growing creative industries in the world. It has the potential to become one of the country’s exports, with projected annual consumer growth rate of 8.8% (CAGR). PwC indicates that in 2021, Nigeria’s film industry contributed 2.3% ($660 million (239 billion naira)) to GDP. They project that the industry will increase its export revenue earnings to over $1 billion. The motion picture and music combined contributed about $1.8 billion (730 billion naira) to the country’s GDP in 2020.

The country’s television and video market grew 7.49% to $806 million in 2020, up from $732 million in 2018. The industry is projected to earn about $900 million in 2023. The market is driven by subscription revenue, which accounted for 72.26% of total TV/video sector revenue in 2018. TV advertising accounts for 21.31% of total revenue, while physical home videos account for 5.33%. Subscription-based movie streaming are very popular in Nigeria, attracting players like Netflix, Iroko TV, and Startimes. Although Netflix subscription has long been available in Nigeria, they made their official debut in Nigeria in February 2020, joining several major distributors of filmed content in Nigeria. In August 2022, Amazon Prime Video announced the launch of the localized version of its streaming service in Nigeria. According to an IMF report, the industry is projected to generate an estimated revenue of $10.8 billion by 2023 and account for 1.4% of GDP. The report indicates that in 2020, Nigeria overtook South Africa in pay TV subscription as the country currently has over 6.9 million pay TV households as of 2021.  It is projected to grow to upwards of 7.4 million by 2023. A new study by Research and Markets, shows that Nigeria will contribute about 10 million, or 21.2%, of Africa’s pay television subscribers by 2025.

The music sector of Nigeria’s entertainment industry also recorded significant growth over the years. Stakeholders include artists, musicians, producers, promoters, managers, distributors, and marketers. As of 2021, the music industry employed about a million people and generated over $8 billion for the economy. In the past six years, the growing numbers of new production studios and artists enabled a more vibrant and self-sustaining industry, producing globally recognized music. In this environment, Nigerian musicians have developed a vast spectrum of music genres. The industry has won prestigious awards with artists like Wizkid and Burnaboy claiming Grammy awards, attracting more and more investments..

https://www.trade.gov/country-commercial-guides/nigeria-media-and-entertainment

Which creative industries drive the creative economy of every country?

The industries are the following:

 Advertising, architecture, arts and crafts, design, fashion, film, video, photography, music, performing arts, publishing, research and development, software, computer games, electronic publishing and TV/radio.

As Dr. Reuben Abati said on The Morming Show of Arise TV on Thursday, November 23, 2023;

We cannot talk about growing the creative industry without a Cultural Policy.

Do we have a Cultural Policy?

Do we even have a Film Policy for Ñollywood and the Nigerian film industry?

Ñollywood is actually a dysfunctional film industry without a film market.

Without an insurance policy.

Without a single film commission.

Let me just go straight to my critical basics of the economics of the creative industry in Nigeria with an important query. And that's all. There is no need for a thesis on the economic crisis of Ñollywood and the Nigerian film industry.

Currently, the Nigerian film industry is a big canoe with holes and different sorts of characters with different agendas; including the real creative professionals, jobbers and of course the opportunists. 

They will make a big 

Kafkaesque and Soyinkasque drama.

Only the creatives with bankable assets and products can grow the creative economy. And not those who are expendable liabilities in the creative industry; that collected loans from the Bank of Industry of Nigeria and other banks and cannot account for the loans due to misappropriations and diversions of the millions of naira they collected. 

What happened to the N3 Billion Grant of the Project ACT Nollywood launched by the administration of former, President Goodluck Ebele Jonathan, GCFR?

Who were the benefitiaries?

Where are the assets and products of the beneficiaries?

Where are the 75 movies produced?

Where are the students trained in filmmaking?

Until there is a forensic report on the Project ACT Nollywood Grant, any establishment for an investment in the creative industry to grow the creative economy by the federal government lacks accountability.

Read the article on 

How The Project ACT Nollywood Grant Was Embezzled - by 

*Eyengho, is President, Association of Nollywood Producers, ANCOP, and Vice President, International Federation of Film Producers Associations, FIAPF.

http://www.metroparrot.net/2015/08/how-n3-billion-project-act-nollywood.html

The federal government should have a forensic report on the previous government investments in the creative industry before the establishment of a new initiative for the acceleration of creative economy.

- Ekenyerengozi MichaeI Chima,

Publisher/Editor,

NOLLYWOOD MIRROR® Series.

Founder/President,

ZENITH International Film Festival,

https://nigeriansreportng.blogspot.com/2023/11/zenith-international-film-festivals.html

Film Criticism and Film Journalism

Film Criticism and Film Journalism 

Anybody who can write and can study the Nigerian film industry can write on both Nollywood and Kannywood.

Don't mistake film journalism for film criticism.

Majority of those claiming to be film critics in Nigeria are either film journalists or commentators. 

You cannot be a film critic if you don't understand filmmaking. Because how can you do a critique of a subject you don't understand the concept, content and context?

You don't know about Lighting for Storytelling and you are a film critic?

You don't know how soundtracks are used in storytelling and you call yourself a film critic?

You don't know costume for storytelling and you call yourself a film critic?

What of histrionics in drama?

Should I go on?

You cannot be a good film critic if you don't know the history of filmmaking or motion picture.

Until reading what I have written now, 99 percent of the so called film critics in Nigeria don't know what is film noir.

In the study of fine arts, we study art history and criticism combined, because you cannot be a good art critic if you don't know art history.

There is widespread intellectual ignorance and posturing by those who claim to be film critics, but they don't even know that filmmaking is part of fine arts and film criticism is part of art history and criticism.

This must be news to them.

Can they discuss Abstract Art in Art History and Criticism with Ekenyerengozi Michael Chima?

Can they do a critique of my masterpiece, "The Metamorphosis of the HIV in the T-Cell" collected by Family Health International (FHI) or "The Eruption of the Love Virus" in private collection since 1993?

I don't even claim to be a film critic.

I am a film writer and historian on the history of Nollywood and the Nigerian film industry widely published, circulated and studied by scholars and students in different colleges and universities in Nigeria and other countries.

Why? Because of the importance, relevance and significance in film studies, African studies, art history and criticism.

- By Ekenyerengozi Michael Chima,
Publisher/Editor,
NOLLYWOOD MIRROR® Series,
The first book series on Nollywood and the Nigerian film industry since 2013.

Who is the New Shining Star in Nollywood?

Who is the new shining star to watch out for in Nollywood?

Uti Nwachukwu, the handsome unique  style icon, TV personality, actor and the co-host of the Nigerian show Jara was the Shining Star to watch in the first edition of the NOLLYWOOD MIRROR® Series published in 2013. And he has become a true shining since then. 

In 2023, the New Shining Star in Nollywood is a black and beautiful young actress who featured in an international award winning film. 

Who is she? 

You will see her in the third edition of the NOLLYWOOD MIRROR® Series. Definitely a collector's edition.

#Nollywood

#star

#actor

#2013

#2023

#editor

#collector

#awards

#film

#series

 

A Copy of the NOLLYWOOD MIRROR® Sold for Over N1 Million

https://a.co/d/6swXgCI

The first edition of the NOLLYWOOD MIRROR® Series has become a collectors' item among art collectors of unique books and now selling for US$1, 882.91 which is equivalent to more than N1, 100, 000 with the current exchange rate of the US dollar to the naira 

Why is it a highly priced book?

* This is the first edition of the first book series on Nollywood and the Nigerian film industry.

* The articles and photographs document the genesis of the phenomenon of Nollywood and the history of filmmaking in Nigeria since the first feature, "Palaver" directed by Geoffrey Barkas in 1926. 

* The fonts are unconventional and  seen as art form.

* The prophetic cover of the photograph of Kenneth Gyang, whose film, "Confusion Na Wa" starring Ramsey Nouah, OC Ukeje, Ali Nuhu and Tunde Aladese won the coveted awards for the Best Film and the Best Nigerian Film at the 9th annual Africa Movie Academy Awards (AMAA) in 2013.  Kenneth Gyang has become the poster child of the Big Picture of the future of Nollywood and Nigerian cinema on Netflix and international film festivals.

#Nigeria #Nollywood #africa #future #art #art #filmmaking #AMAA #movies #awards #KennethGyang #filmfestivals
#netflix #books #collectors

Nollywood Mirror by Ekenyerengozi, Michael Chima (2013) Paperback https://a.co/d/6swXgCI

Kenneth Gyang and the First Edition of the NOLLYWOOD MIRROR®Series

Kenneth Gyang and the First Edition of the NOLLYWOOD MIRROR®Series

I never knew the now famous young filmmaker Kenneth Gyang, director of "Òlòtūré", the most popular Nigerian movie on #Netflix and "Sons of the Caliphate" series also on Netflix until I was told by Nigerian filmmaker, Adaora Nwandu to interview him for the Black Film Maker magazine published in the UK in 2006 and the profile feature article was published as "Young At Art". Kenneth Gyang at 18 was the youngest director in Nigeria in 2006.

The Black Film Maker published by Menelik Shabazz, from 1998 to 2008, was an internationally recognized print publication as the only voice for black filmmakers distributed in the UK, USA, and Europe.

Then in 2013, his debut feature film, "Confusion Na Wa" produced by Tom Rowland Rees won the Best Feature, Best Nigerian Film and Best Director at the 9th annual Africa Movie Academy Awards (AMAA) held on April 20 in Yenagoa, Bayelsa State.

I was so happy for Kenneth Gyang and celebrated him as the cover story of the first edition of the NOLLYWOOD MIRROR®Series, the first book series on Nollywood and the Nigerian film industry.

This maiden edition has become the most highly priced Nigerian book on Nollywood and a collector's item selling for US$1,636.91! That is over N621, 000 a copy at the current exchange rate of the US dollar to the naira.

You can see the highly priced edition on 

https://www.amazon.com.mx/Nollywood-Mirror-Ekenyerengozi-Michael-Paperback/dp/B00Z8FH4EM.

- By Ekenyerengozi Michael Chima, Publisher/Editor of the NOLLYWOOD MIRROR®Series.