Who Owns Antiquity? Unraveling the Origins of Nok Sculptures of the Ancient Nok Kingdom in Nigeria

Have you read "Who Owns Antiquity?"

Museums and the Battle Over Our Ancient Heritage" by James Cuno, Princeton University Press, 2008.

How can the academic luminary Prof. Kwame Anthony Appiah, author of "Cosmopolitanism: Ethics in a World of Strangers"(Norton, 2006) ask "Whose Culture is it Anyway?" and query the origins of the sculptors of the famous Nok terracotta sculptures found in the middle belt region of Nigeria existed from around 500 B.C.E. to 200 C.E. 

He said the Nok sculptures were not made for the Nok  people.

I have to doubt his knowledge of the historical facts of Nigerian arts and culture. He should have done his research beyond the walls of Princeton University before the publication of his book.

Nok sculptures were made by the Nok people of the ancient Nok Kingdom on themselves for themselves over 2000 years. And the most recent excavations and the latest discoveries have proved that the sculptures were done by the people on different aspects of their lives like historians who wrote books on objects and subjects of different people and events in different places and times.

He should read about the latest discoveries on 

https://www.modernghana.com/news/499121/newly-discovered-nok-sculptures-exhibited-for-the-first-time.html

Kwame Akroma-Ampim Kusi Anthony Appiah FRSL (/ˈæpiɑː/ AP-ee-ah; born 8 May 1954) is a British-American philosopher and writer who has written about political philosophy, ethics, the philosophy of language and mind, and African intellectual history. Appiah is Professor of Philosophy and Law at New York University, where he joined the faculty in 2014.[2] He was previously the Laurance S. Rockefeller University Professor of Philosophy at Princeton University.[3] Appiah was elected President of the American Academy of Arts and Letters in January 2022.

https://appiah.net/

By Ekenyerengozi Michael Chima,

Publisher/Editor,
NOLLYWOOD MIRROR® Series
The first book series on Nollywood and the Nigerian film industry since 2013.
Affiliate Partner,
Cinewav of Singapore
https://www.amazon.com/author/ekenyerengozimichaelchima
https://www.linkedin.com/in/michaelchimaeyerengozi

My Red Apple Series and other Still Life Art Photography

 

The Chinese Agenda.

The Phenomenon of Yogi

The moon is a small bead and the moonlight done with my Torchlight.

The earring is the same small bead. 

The red apple with a gold ring for the still life photographs created by me.

My Red Apple Series Still Life Art Photography of conceptual and intellectual narratives and perspectives on life, economics, politics, culture, people, places and developments using books, magazines and other objects in my observations.
I created some of the objects I have used for the photographs.

The photographs were shot with my smartphone camera in a guest room during my visit to Uyo, Akwa Ibom State of Nigeria in 2024.
I created the unique red apple with a gold ring as a symbol of conquest and quest for an important possession, achievement, attainment, policy, ambition, mission and vision in the world showing important icons and locations of human developments in Africa, Asia, Europe and America.

Some have been posted on 
https://www.linkedin.com/in/michaelchimaeyerengozi

The photographs are on art canvas and are available for private and public collections, auctions and exhibitions.

My artworks have been exhibited locally in Nigeria and internationally in Japan since when I was 20 years old and co-curated the first Art Against AIDS exhibitions in Nigeria at the National Museum and National Theatre in 1993.
The works of my only mentor in fine arts, the famous Prof. Bruce Onobrakpeya were included in the sold out exhibitions.

The Nuances of Igbo Narrative Drama in Nollywood

The Nuances of Igbo Narrative Drama in Nollywood

There should be film studies on 

the nuances of Igbo Narrative Drama in Nollywood. Because the studies are important, relevant and significant in Nigerian Cinema, contemporary art of Igbo culture and history and African studies for both academic scholarship and public knowledge.

There is a study on "THE NUANCED FEMINISM IN GENEVIEVE NNAJI'S LIONHEART" by Uche Omar.

I have viewed the trailer of a new Nigerian drama in Igbo language with some dialogue in English sent to me from the UK.

From the intriguing and thrilling scenarios, I can tell that this would be one of the must see movies of the year in Nigeria.

A Chief Judge fails to mature from her experiences at a Covent as a murder case threatens to eclipse her.

I can see the genius of the director in the clips in the trailer.

The casting, acting by the accomplished actors, including the current most popular Nollywood actor at the cinemas in West Africa; the cinematography; sound; costume and makeup are impressive in the storytelling in motion picture comparable to the best dramas by accomplished filmmakers in the world.

I have been calling for Nigerian drama as good as the best Korean drama, English drama, American drama and Indian drama.

This Igbo drama most likely would be what I can call, "This is it!"

I have deliberately decided not to mention the names of the principal actors. The hint of the current most popular Nollywood actor in West Africa is enough for anyone who truly knows this outstanding actor of international repute.

This should be the best Igbo drama since Genevieve Nnaji's "Lionheart" released in 2018.

This one will attract more people in Nigeria and other countries, because crime thrillers pull more crowds to the cinemas and attract more viewers on TV and streaming channels, especially psychological drama with romance and intriguing characters.

The trailer is not yet available for public viewing.

- By Ekenyerengozi Michael Chima,

Publisher/Editor,

NOLLYWOOD MIRROR® Series,

The first book series on Nollywood and the Nigerian film industry.