Showing posts with label Osogbo Art School. Show all posts
Showing posts with label Osogbo Art School. Show all posts

Tuesday, January 13, 2009

Nigeria: Mystical White Priestess of Black Goddess Buried in Sacred Shrine in Nigeria


Suzanne Wenger

Suzanne Wenger, 94, the legendary Austrian artist popularly known as "Adunni Olorisa", the White Priestess of the Ọsùn deity in the Osogbo, south-western Nigeria has been buried in her sacred shrine in Ọsùn Sacred Grove. She passed away at about 2.00 p.m. on Monday, January 12, 2009.

Ms. Wenger spent over half a century of her life to preserve the cultural heritage of the Yoruba goddess Ọsùn of the sacred Ọsùn river in Ọsùn state. She and her ex-husband Uli Bier inspired the Osogbo Art School, famous for the discovery of such successful artists as Twins SEVEN-SEVEN, Jimoh BURAIMOH, Nike OLANIYI DAVIES and other in the late 1950s. She would be remembered for making Ọsùn Sacred Grove Unesco World Heritage Centre.


A part of the Ọsùn Sacred Grove

She has been immortalized in many writings such as the poem Who Will Dare To Love A Witch published in Scarlet Tears of London and in the short story Boy Adam Floats Headless in The Thames and other publications.

Here is an extract from one of the publications with references on the legendary White Priestess of Osun Oshobgo in Nigeria.

Baba Orogbo was waiting for her as she descended from the wings of Agbe.
Susan Wenger was sitting in her lotus pose before the kérégbe calabash bowl of salt water. Baba Orogbo gazed at the white witch as she sat with her eyes closed. But he knew she was seeing everything before her.
“Kabo Òmó mi, my enchanted child,” Susan Wenger said as the toes of Òmó Iya Osùn touched the earth.
Òmó Iya Osùn bowed to salute her mother.
“Kabo, Òmó Iya Osùn Òrìsà.,” Baba Orogbo welcomed her.
“Baba mi, peace be with you my father,” Òmó Iya Osùn said.
“Gba, here is your èko tutu,”Iya Osùn said, giving her a calabash of cooked pap.
Then Baba Orogbo brought out some Ibùje leaves , ìjòkùn leaves, èlú leaves and osùn- cam wood. “Òmó dúdú, Òmó Iya Osùn, Aláse igbá kejì òrìsà, listen. I have a message for you,” Baba Orogbo said as he put the different leaves and camwood before the feet of Òmó Iya Osùn. Then he started chanting.

Eni sojú se mú
òrìsà ni máa sìn
Adá ni bó ti rí
Òrìsà ni maa sin”
Ó-s-enìkan-soso digba ènìyàn
So mí di rún
So mí digba
So mí di òtà-lé-légbèje ènìyàn
Òrìsà ni maa sin”
Olójú kára bíi ajere
Òrìsà ni maa sin”

Òjó kúrè, Alágada ogun
Òjó ò sí nílé, omo adìe dàgbà
Òjó wà nílé omo adìe kò kù kan
Òjó ún wè lódò
Gbogbo omoge yo wóse


Baba Orogbo swallowed two lumps of saliva and continued.

Ó mú’lé t’ará ojà
Ó so àgàn di alábiyamo,
àgàn tí ò rí’bí, ti ró sòó leyìn olúwa wà