Chinonye Chukwu: From Nigeria To Alaska

Chinonye Chukwu was born in Port Harcourt in Nigeria is an Alaskan-raised screenwriter, producer and director. A recipient of the prestigious Princess Grace Award, Chinonye’s short, The Dance Lesson, premiered at the Ritz Theater of Philadelphia and was later acquired by MindTV for regional network distribution. The film was also a Regional Finalist for the 2010 Academy of Motion Picture Arts and Sciences Student Academy Awards and an Honorary Mention at the Los Angeles International Film Festival. Chinonye’s other work includes Igbo Kwenu!, a recipient of the PIFVA Subsidy Grant from the independent film community and both the “Best Motion Picture Award” and “Best Screenplay Award” at the 2009 Diamond Screen Festival. In 2012 she completed her first feature narrative, Alaskaland, the story of an estranged Nigerian-American brother and sister who reunite in their Alaskan hometown. Her 2019 death row drama, Clemency, starring Alfre Woodard and Aldis Hodge, which she wrote and directed, received the U.S. Dramatic Grand Jury Prize at Sundance 2019. She is a director on the TV series, Americanah, based on the novel of the same name by Chimamanda Ngozi Adichie. Her 2022, critically acclaimed, biographical drama, Till, based on the true story of Mamie Till-Bradley, received numerous awards and nominations.

FILMOGRAPHY

Igbo Kwenu! (2009)

The Dance Lesson (2010)

Bottom (2012)

alaskaLand (2012)

A Long Walk (2013)

Clemency (2019)

Sorry for Your Loss - Episode: I'm Here (2019)

Till (2022)

Chinonye Chukwu, One of the Most Daring NIgerian Born Filmmakers

Chinonye Chukwu is one of the most daring African American filmmakers and one of the three most accomplished NIgerian born female filmmakers with Ngozi Onwurah and Branwen Okpako. 

Chinonye will be on the cover of the third edition of the NOLLYWOOD MIRROR® Series, the first book series on Nollywood and the Nigerian film industry published since 2013. 

She directed "Igbo Kwenu!" (2009),"The Dance Lesson" (2010) about a young black girl who struggles to become a ballerina in an increasingly gentrified community and "Bottom" in 2012.

Her first feature film "Alaska-Land"
(2012), told the story of two estranged Nigerian-American brother and sister who eventually reunite in their hometown of Fairbanks, Alaska. In 2013 she directed "A Long Walk" (2013), a short film about a child who is publicly ridiculed by his father.
Her critically acclaimed "Clemency"
 (2019), a death row drama stars Alfre Woodard as a prison warden coming to terms with the demands of her profession and Aldis Hodge as one of her inmates bound for execution. Her inspiration for the film came from the case of Troy Davis, a prisoner executed in 2011. She moved to Los Angeles in 2017 to shoot the film. She received the U.S. Dramatic Grand Jury Prize at 2019 Sundance, the first black woman to do so.

Chinonye is slated to direct "A Taste Of Power", a film based on the memoir of Elaine Brown.
Chinonye's new feature, Orion Pictures' 
"Till" is about Emmett Louis Till.
"Till" tells the story of Mamie Till-Mobley whose pursuit of justice for her 14-year-old son Emmett Louis Till  became a galvanizing moment that helped lead to the creation of the civil rights movement. As Time Magazine reported, “…thanks to a mother’s determination to expose the barbarousness of the crime, the public could no longer pretend to ignore what they couldn’t see.” Mamie’s decision to have an open casket at Emmett’s funeral, and to have Jet magazine publish David Jackson’s funeral photos, was driven by her motivation to ensure people everywhere knew what had happened to her son. The famous multiple award winning iconic actress, Whoopi Goldberg is playing Emmett’s grandmother.

The Challenges of Ava DuVernay, Chinonye Chukwu and Mati Diop To Nigerian Female Filmmakers

 The Challenges of Ava DuVernay, Chinonye Chukwu and Mati Diop To Nigerian Female Filmmakers

The most accomplished black female filmmaker is without dispute, Ava Marie DuVernay, the outstanding award winning African American film director, producer and screenwriter. She won the directing award in the U.S. Dramatic Competition at the 2012 Sundance Film Festival for her second feature film "Middle of Nowhere", becoming the first black woman to win the award. For her work on "Selma" (2014), DuVernay became the first black woman to be nominated for a Golden Globe Award for Best Director and also the first black female director to have her film nominated for the Academy Award for Best Picture. In 2017, she was nominated for the Academy Award for Best Documentary Feature for her film, "13th" (2016).

Following in her trail blazers' status are NIgerian born Chinonye Chukwu, the first black woman to win the Grand Jury Prize for U.S. Dramatic Competition, on January 27, 2019 at Sundance and the French Senegalese Filmmaker, Mati Diop who became the first black woman to make the Official Selection of the 2019 annual Cannes Film Festival in the competition for the Palme d'Or for her directorial debut feature "Atlantics" that won the Grand Prix.

DuVernay, Chukwu and Diop are highly intellectual and philosophical filmmakers who are psychologically nuanced.
They are as good as the best male directors in cinema and a big challenge to other black female filmmakers. But do we have Nigerian female filmmakers of the same intellectual calibre with them in Nigeria and the Diaspora?
Yes, we have. But they are few; including the most accomplished, Ngozi Onwurah, whose "Welcome II the Terrordome" in 1995 became the first film directed by a Black British woman to receive a UK theatrical release; Branwen Okpako; Chika Anadu; Michelle Bello; Mildred Okwo and Tope Oshin.

Ngozi Onwurah

Branwen Okpako

Mildred Okwo

Tope Oshin.

The challenges of those I mentioned who work in Nollywood are several, including the scarcity of good production designers and good actors who understand English grammar for enunciation and interpretation of characters. Majority of the actors in Nollywood and Kannywood cannot act. They just want to belong to the glitz and razzmatazz of the popularity of movie stars. These fundamental challenges have negatively impacted on the overall ratings of Nigerian movies. I have seen many examples of amateurish actors in Nigerian movies by very good filmmakers.

I look forward to seeing these ambitious Nigerian female filmmakers making groundbreaking films with cheers all the way to the top from Cannes to the Oscars.

~ By Ekenyerengozi Michael Chima
Publisher/Editor,
NOLLYWOOD MIRROR®Series
https://www.amazon.com/author/ekenyerengozimichaelchima.