Showing posts with label Screenplays. Show all posts
Showing posts with label Screenplays. Show all posts

Tuesday, February 22, 2022

Poor Reading Culture in NIgeria is Showing in the Poor Screenwriting in Nollywood

Poor Reading Culture in NIgeria is Showing in the Poor Screenwriting in Nollywood

You have to be a good reader before you can be a good writer and you have to be a good writer before you can be a good screenwriter.

You cannot be good in storytelling if you are not good in reading and writing.

I have written about the literature of motion picture.before, but I can bet  that majority of the people in Nollywood and the Nigerian film industry ignored it, because of their intellectual ignorance of the importance.

Majority of the screenplays of NIgerian movies are intellectually deficient in message development and dialogue. 

How can someone who doesn't read novels, plays, poems and essays be a good screenwriter?

You can see the evidence of poor intelligence in sentence structure of the dialogue. 

You can see the lack of intellectual comprehension in the poor characterization.

In most cases, what we have seen is garbage in and garbage out (GIGO)

You cannot give what you don't have.

Many of the screenwriters in Nollywood are lazy to do research on the historical personalities in the film adaptations of historical biographies such as on Queen Amina of Zaria, Mary Slessor and Madam Tinubu. They end up with poorly researched screenplays for the film and TV productions. But the filmmakers often use good casting, directing and cinematography to cover up the intellectual deficiencies of the screenplays.

Reading is essential for screenwriting in storytelling. 

I was the youngest professional scriptwriter in Africa when I started writing for the puppet drama series of the NIgerian Television Authority (NTA) when I was 18 years old and I wrote for four years. Before then, I was already a notable young writer interviewed by the Times International newsmagazine for my play, "The Prodigal".

Reading improved my intellectual comprehension and literary abilities in creative writing and scriptwriting.

- By Ekenyerengozi Michael Chima,
https://www.amazon.com/author/ekenyerengozimichaelchima



Friday, November 5, 2021

Sound and Screenwriting in Nollywood and Kannywood

Sound and Screenwriting in 
Nollywood and Kannywood

Majority of screenwriters in #Nollywood and #Kannywood need to learn how to include sound cues during screenwriting and not during post production.
If we ask even those who claim to know a simple question about sound in screenwriting, they may not know, because they have not shown that they know in several of their film and TV productions.
Seeing is believing.
Many people listen, but only few learn in Nigeria. That's why we hear and see repetitions of the same mistakes in film and TV productions in Africa's largest film industry.

They still don't know how to use sound for characterisation in screenplays before the principal photography.
They just copy and paste soundtracks during post production without creating and composing any original score.  
Sound in a movie includes the music, leitmotifs, dialogues, sound effects, ambient noise, and/or background noise and soundtracks. 
There is what I call the "Ambience of Romance" in filmmaking and it can only be achieved with sound.
And what is the ambience of romance in screenwriting and in the atmosphere of a scene?

I am still waiting for the cinematic experience of Dolby Vision in Nollywood and Kannywood.

To me, any Nigerian filmmaker whose movies have not qualified for the Official Selections of the Cannes Film Festival, Venice Film Festival, Toronto International Film Festival and Berlin Film Festival is not qualified to teach any  Masterclass. 
How can you teach a Masterclass without the proof of being a master of the subject?
How can someone who is still having issues with the nuances of sound in storytelling teach a Masterclass on directing or screenwriting? 

Do you know that majority of the filmmakers in Nollywood and Kannywood are clueless about spherical and anamorphic lenses? And they are teaching Filmmaking in some so called film and TV academies in Lagos, Asaba, Calabar and Kannywood without any certification or accreditation.

- By Ekenyerengozi Michael Chima,
Publisher/Editor,
NOLLYWOOD MIRROR® Series
distributed by Amazon, Barnes and Noble and other booksellers.

Experience Last Night in Soho in Dolby

In acclaimed director Edgar Wright’s psychological thriller, Eloise, an aspiring fashion designer, is mysteriously able to enter the 1960s where she encounters a dazzling wannabe singer, Sandie. But the glamour is not all it appears to be and the dreams of the past start to crack and splinter into something far darker.