Showing posts with label screenwriting. Show all posts
Showing posts with label screenwriting. Show all posts

Tuesday, June 11, 2024

Content Development Strategy and Content Marketing Strategy for Film Production, Acquisition and Distribution for Nollywood

 


Content Development Strategy and Content Marketing Strategy for Film Production, Acquisition and Distribution for Nollywood

There is no film production without preproduction of which the most important components are research and development of the film project, script development and recce.
For example, I spent four years on the location for the script development of "Naked Beauty". I have completed the research and development during the recce on Bonny Island in Rivers State before the accomplished multiple awards winning Nollywood filmmaker and film studies scholar, Dr. Chika Christian Onu came to visit me where I was staying in the Residential Area 1 of the Nigeria LNG Limited. And we coauthored the screenplay which I published the book as a case study for screenwriting for film production in Nigeria. It was printed in Raleigh, North Carolina, United States of America.
The content development included development of the principal characters in the drama based on the people in Agaja village on Bonny Island.



Naked Beauty is available on 

Research and development of the screenplay comes first in preproduction of a film for television or the cinema.

What is Content Development Strategy?

Research on the kind of content you want to produce; the genre and the target audience.
Whether it is a movie, documentary or music video.
What kind of content will attract your target audience.
Your target audience should decide the kind of content you want to produce.

Do surveys for the needs assessment of your target audience.
What kind of entertainment they want.

Your content must connect with the target audience.
You cannot communicate with someone you cannot connect to or with.
There is no communication without connection.
You have to speak to the target audience in their own means of communication; in their most common language.
This is when you have to use content localization for the best interests of your target audience wherever they are located.
The details of the rest are common knowledge of the culture and haute couture of the target audience.
Beware of tribal and religious taboos.
Appreciate and respect the peculiarities of the personalities of the target audience.
Don't provoke them with what you have written in the screenplay as shown on the screen.
Common sense is enough to know that you don't show people eating pork with relish to Muslims.
Avoid heresy. 

You have to produce what appeals to them.
Your story and the characters must have characteristics they are familiar with; people they can relate with in their society.
Your content must resonate with them on their lives and lifestyles in the events and incidents in the story.
A good filmmaker should be a good storyteller.
The success of storytelling depends on planning.
You must have a plan.
What's the subject on?
What is the purpose?
The conclusion and resolution of conflict in your story.
Planning is like weaving in cloth making. 
You must know how to spin your yarn so that you don't spin your wheels in the long run.

Content Marketing Strategy

You must have a content marketing strategy.
The most successful filmmaker in Nollywood, Funke Akindele is the best case study in both content development strategy and content marketing strategy in the Nigerian film industry.

Funke Akindele

Funke's comic character of "Jenifa" was based on research and development of the personality of the semi literate Yoruba village girl who speaks her own peculiar form of Pidgin English in both coherent and incoherent speech. She is an impressionable and vulnerable naive young woman who is desperate to improve her life no matter the odds against her in the boisterous city of Lagos in order to get a proper education to fulfill her ambition in the highly competitive Nigerian society.





From the making of the iconic comic character of "Jenifa" for the cinema to the TV series of "Jenifa's Diary" and to the making of her Nollywood Blockbuster, "A Tribe Called Judah" (partly based on the true life experiences of her mother), Funke Akindele has shown the successful route of content development strategy and content marketing strategy. 
She is currently the highest grossing filmmaker in the Nigerian film industry with a total Gross of over ₦2.9 billion from the box office.




I told my younger sister who is one of the millions of her fans, that I can commission Funke Akindele to produce my proposed romantic comedy, "Omo Naija in London" and be rest assured of the box office success. 

- By Ekenyerengozi Michael Chima,
The Publisher/Editor,
NOLLYWOOD MIRROR® Series,
The first book series on Nollywood and the Nigerian film industry.






Sunday, November 27, 2022

Message Development For Screenwriting

Message Development For Screenwriting

Having a Message Development workshop is a must in screenwriting.
- Ekenyerengozi Michael Chima,
prize winning writer and Publisher/Editor of the NOLLYWOOD MIRROR® Series, the first book series on Nollywood and the Nigerian film industry published since 2013.

I see the ignorance of the knowledge of message development by the majority of screenwriters in Nigeria.
They don't understand characterisation before writing screenplays.

To remember the five elements of Characterisation, simply remember the acronym STEAL, which stands for speech, thoughts, effect on others, actions and looks.

Speech. Characters' personalities can be greatly defined by the words they say and how they say them. ...

Thoughts. ...

Effect On Others. ...

Actions. ...

Looks.

Everyone who wants to be a good screenwriter must understand message development in character development to depict the personality of every character in the screenplay for a movie or series.

As a professional scriptwriter for TV from when I was only 18 in Nigeria, there was no room for flippancy in the writing of the dialogue. And I wrote for three years before I left to work as a public health illustrator for the John's Hopkins University's Population Communication Services (JHU/PCS) when I was 21 to produce fully illustrated booklets on family planning methods in the different languages of Pidgin English, Igbo, Yoruba and Hausa for the Planned Parenthood Federation of Nigeria (PPFN) in the 1980s and later became a national program consultant for the UNICEF in Nigeria. I produced a fully illustrated booklet for nomadic education which would have been very effective in the primary education of the herdsmen and their families and would have been used for the prevention of conflicts between the herders and farmers in Nigeria.



Tuesday, February 22, 2022

Poor Reading Culture in NIgeria is Showing in the Poor Screenwriting in Nollywood

Poor Reading Culture in NIgeria is Showing in the Poor Screenwriting in Nollywood

You have to be a good reader before you can be a good writer and you have to be a good writer before you can be a good screenwriter.

You cannot be good in storytelling if you are not good in reading and writing.

I have written about the literature of motion picture.before, but I can bet  that majority of the people in Nollywood and the Nigerian film industry ignored it, because of their intellectual ignorance of the importance.

Majority of the screenplays of NIgerian movies are intellectually deficient in message development and dialogue. 

How can someone who doesn't read novels, plays, poems and essays be a good screenwriter?

You can see the evidence of poor intelligence in sentence structure of the dialogue. 

You can see the lack of intellectual comprehension in the poor characterization.

In most cases, what we have seen is garbage in and garbage out (GIGO)

You cannot give what you don't have.

Many of the screenwriters in Nollywood are lazy to do research on the historical personalities in the film adaptations of historical biographies such as on Queen Amina of Zaria, Mary Slessor and Madam Tinubu. They end up with poorly researched screenplays for the film and TV productions. But the filmmakers often use good casting, directing and cinematography to cover up the intellectual deficiencies of the screenplays.

Reading is essential for screenwriting in storytelling. 

I was the youngest professional scriptwriter in Africa when I started writing for the puppet drama series of the NIgerian Television Authority (NTA) when I was 18 years old and I wrote for four years. Before then, I was already a notable young writer interviewed by the Times International newsmagazine for my play, "The Prodigal".

Reading improved my intellectual comprehension and literary abilities in creative writing and scriptwriting.

- By Ekenyerengozi Michael Chima,
https://www.amazon.com/author/ekenyerengozimichaelchima



Friday, January 14, 2022

The Top 10 Best NIgerian Movies in 2021


The Top 10 Best NIgerian Movies in 2021

NIgerian filmmakers produced over twenty outstanding movies both on film and video, even though none fulfilled the criteria to qualify for the NIgerian entry for the Best International Feature category of the 94th annual Academy Awards coming up on March 27, 2022.

The following are my selection of the top ten best NIgerian movies in 2021 based on peer reviews, film criticisms, awards and nominations and thematic importance, relevance and significance on contemporary issues of current affairs and history of NIgeria in the screenwriting, directing and cinematography.

1 Eyimofe by Chuko and Arie Esiri

2. Eagle Wings by Paul Apel Papel.

3. Ayinla by Tunde Kelani.

4. Juju Stories by C.J. Obasi, Abba Makama and Michael Omonua.

5. La Femme Anjola by Mildred Okwo.

6. Swallow by Kunle Afolayan.

7. Amina by Izu Ojukwu.

8. Black Mail by Obi Emelonye.

9.  Gone by Daniel Ademinokan.

10. Collision Course by Mrs. Bolanle Austen-Peters.

Notable Mentions

Prophetess by Niyi Akinmolayan.

Blackout by Abbey Abimbola, aka Crackydon.

A Soldier's Story 2 by Frankie Ogar.


Best Actor
OC Ukeje as "Chinda" in Blackmail
Best Actress
Rita Dominic as Anjola in La Femme Anjola.

 Rita Dominic is one of the best actors not only in NIgeria, but the rest of Africa and the world. She is one of the few actors I know who can turn a bad screenplay into a masterpiece.

The cinematic experience of "La Femme Anjola" will be more romantic when dubbed in the French language and Spanish language. Mildred Okwo should have the theatrical release of the French language copy in French speaking countries and the Spanish language copy in Spanish speaking countries.

- By Ekenyerengozi Michael Chima,
Publisher/Editor,
NOLLYWOOD MIRROR® Serie,
The first book series on Nollywood and the Nigerian film industry since 2013,, printed in Raleigh, North Carolina, USA.
Art and book design by Juvelin Aripal in the Philippines.
Published by International Digital Post Network Limited.


Friday, November 5, 2021

Sound and Screenwriting in Nollywood and Kannywood

Sound and Screenwriting in 
Nollywood and Kannywood

Majority of screenwriters in #Nollywood and #Kannywood need to learn how to include sound cues during screenwriting and not during post production.
If we ask even those who claim to know a simple question about sound in screenwriting, they may not know, because they have not shown that they know in several of their film and TV productions.
Seeing is believing.
Many people listen, but only few learn in Nigeria. That's why we hear and see repetitions of the same mistakes in film and TV productions in Africa's largest film industry.

They still don't know how to use sound for characterisation in screenplays before the principal photography.
They just copy and paste soundtracks during post production without creating and composing any original score.  
Sound in a movie includes the music, leitmotifs, dialogues, sound effects, ambient noise, and/or background noise and soundtracks. 
There is what I call the "Ambience of Romance" in filmmaking and it can only be achieved with sound.
And what is the ambience of romance in screenwriting and in the atmosphere of a scene?

I am still waiting for the cinematic experience of Dolby Vision in Nollywood and Kannywood.

To me, any Nigerian filmmaker whose movies have not qualified for the Official Selections of the Cannes Film Festival, Venice Film Festival, Toronto International Film Festival and Berlin Film Festival is not qualified to teach any  Masterclass. 
How can you teach a Masterclass without the proof of being a master of the subject?
How can someone who is still having issues with the nuances of sound in storytelling teach a Masterclass on directing or screenwriting? 

Do you know that majority of the filmmakers in Nollywood and Kannywood are clueless about spherical and anamorphic lenses? And they are teaching Filmmaking in some so called film and TV academies in Lagos, Asaba, Calabar and Kannywood without any certification or accreditation.

- By Ekenyerengozi Michael Chima,
Publisher/Editor,
NOLLYWOOD MIRROR® Series
distributed by Amazon, Barnes and Noble and other booksellers.

Experience Last Night in Soho in Dolby

In acclaimed director Edgar Wright’s psychological thriller, Eloise, an aspiring fashion designer, is mysteriously able to enter the 1960s where she encounters a dazzling wannabe singer, Sandie. But the glamour is not all it appears to be and the dreams of the past start to crack and splinter into something far darker.