Showing posts with label Scotland. Show all posts
Showing posts with label Scotland. Show all posts

Tuesday, January 28, 2025

Nastassja Kinski Can Play Mary Slessor

 


Nastassja Kinski Can Play Mary Slessor




Since 1988, I have completed my comprehensive research for the historical film on Mary Slessor, the famous Scottish missionary and heroine and saviour of twins among the Efik and Ibibio tribes in now Cross River and Akwa Ibom States of south-south region of Nigeria.

I met with the Mr. Lai Arasanmi of blessed memory, who was the Manager, Programmes, Nigerian Television Authority (NTA) , Ahmadu Bello Way, Victoria Island, Lagos whose resume included B.Sc. Broadcast Journalism, Bowling Green State University, Ohio, USA, 1975; M.A. Speech Communication; Cert. Public Entreprise Management, ASCON. Member: Nigerian Guild of Producers/Directors with several awards. But I abandoned the project and became an evangelist on the streets and public transport buses in Lagos.

There have been attempts of both film and TV productions of the dramatic life of Many Slessor. But none has been successful, because of poor research, poor characterization of her personality and erroneous art direction and production design. Jeta Amata's "Mary Slessor" was not well done in casting and storytelling as can be seen in the video on https://youtu.be/ospsnFdqsck?si=CQIjzAHamcCaFhA8.

Any "Mary Slessor" without her Scottish accent is wrong characterization and should not have been done.

In my research, I had access to copies of the letters of Mary Slessor, especially the personal letters to her sister.

Presently, no Nollywood actress can play Mary Slessor, because none of them has attained that standard of intellectual acumen and professionalism in acting historical figures of such magnitude.

Nastassja Kinski can play the leading role in the film adaptation of Mary Slessor.

I was convinced by her role as "Tess", the 1979 epic drama film by Roman Polanski, the film adaptation of Thomas Hardy's 1891 classic novel, "Tess of the d'Urbervilles". that was nominated for six Academy Awards, including Best Picture and won the Oscars for Best Cinematography, Best Art Direction and Best Costume Design.

Nastassja Kinski met Roman Polanski at a party in 1976.e He urged her to study method acting with Lee Strasberg in the United States and she was offered the title role of Tess. 

In 1978, Kinski underwent extensive preparation for the portrayal of the  English peasant girl and she had to learn and acquire a Dorset accent through elocution studies:

"I was given the book almost a year prior to read, I then had to transform myself and lose my German accent completely. I worked with a coach from the National Theatre in London, Kate Fleming. It was almost an intellectual voyage. I went to live in the countryside of the deep part of England, on a farm, did everything they did, and learned it. When the time came in Paris to do my test, it was with our director and our producers Claude Berri and Timothy Burrill, I had done a screen test with Roman prior to that, for Dino DeLaurentis, but now this was for Tess. Preparation is an amazing thing. It, somehow, after all the work, carries you if you are fully present, it carries you through like a bird, like big inner and outer wings."

Nastassja Kinski can undergo the same preparations for the role of Mary Slessor and I am convinced that even at the age of 64 years, she will bring out the great personality of the iconic Scottish missionary and also learn to speak the native languages of the Efik and Ibibio tribes she loved and lived with till her breath in their midst on earth.

The awesome life of Many Slessor would be most appreciated in the historical film based on the facts she documented in her dairies and letters.

Mary Slessor stands just outside Ikotobong court house, which can be seen with its thatched roof on the right side of the photograph. 

Mary Slessor with her adopted children.

Mary Slessor stands with a number of villagers outside her house in Ekenge

Pots in which twin babies were exposed due to the superstitions of the natives (photo c. 1880)

In 1889 the British Government established a Protectorate in Calabar and, on account of her unique influence, she was invited to take up the office of Magistrate and Superintendent of the district court. It had already become customary for locals to refer their disputes to her for settlement.

During her forty-year ministry in Africa, Mary Slessor contracted malaria (which never left her), as well as other fevers and health-wracking illnesses. She ministered to head-hunters and cannibals.

She interceded in inter-tribal warfare and she saved countless babies who were left to die in the jungle due to the superstitions of the natives. The birth of twins among the Efiks had always resulted in infanticide because they believed it was the result of a great sin by the mother and evidence of a curse. They would be abandoned in the jungle to wild animals. Mary rescued a number of twins and raised them herself, saving numerous lives. On one occasion she nursed a chief back to health, to the great relief of his wives, all of whom would have been sacrificed if he had died. They gathered around her to ask about her wonderful powers and she replied:

“I have come to you because I love and worship Jesus Christ, the Great Physician and Saviour, the Son of the Father God who made all things. I want you to know this Father and to receive the eternal life which Jesus offers to all those with contrite and believing hearts. To know Jesus means to love Him, and with His love in our hearts we love everybody. Eternal life means peace and joy in this world and a wonderful home in the next world. My heart longs for you to believe in Jesus, to walk in His paths, and to know the blessings of eternal life through Him.”

The natives said Mma Mary Slessor was a mother, a teacher, a court President, and a Consul of the Southern Protectorate of Nigeria who traversed the area as far as Arochukwu in Abia State preaching the gospel.

“Mary Slessor came from Scotland to Calabar and then moved to Okoyong. She stayed at Calabar and even built a wooden storey building house there but now they are trying to renovate that place.

“After that, She left Okoyong to Use Ikot Oku. From Ikot Obong village where you have the district court sign board to Use Ikot Oku where you have the bridge, that bounds Ibiono Ibom and Itu local government areas, her tombstone is about half a kilometre from here. 

“I have had her oral history from one of our longest Chiefs, Chief Etim Udoudo who reigned over 30 years. That man even sang the song the woman sang before she died. I have gotten the history from my grand father’s second wife, Adiaha Akpan Usung (nee Adiaha Akpan Ekarika). She told me stories about her. I have also gotten oral evidence from one of the twins that she nurtured, late Elder Mrs Ceecee Akpaninyang who happened to be my aunt.

“The woman stayed here and worked. She built her house on that hill, that was her base. According to Chief Udoudo, she used to move and she was carried on what was called ‘amake’, a sort of swing, where young men would put her on their shoulders and travel across this bridge through Arochukwu. The bridge links Atan, Onoyom to Arochukwu to Ikpe Ikot Nkon; that was the route she used to travel,” he said.

According to Elder Usungurua, it was during one of such trips that Mma stumbled on the Long juju shrine where people were used for sacrifice. Mma Slessor was said to have informed the British government of the activity there which led to the destruction of the shrine.

Her advance into Ibibios territory was aided by the fact that the British government was building roads in that region. “Get a bicycle, Ma,” government officials said, pointing to the road, “and come as far as you can. We will soon have a motor car service for you.” At fifty-seven years of age Mary gamely learned to ride a bicycle after a government official presented her with a brand new model from England.

The early months of 1909 found Mary covered with painful boils from head to foot. “Only sleeping draughts keep me from going off my head,” she related. She later became severely ill from blood poisoning. She was taken to Duke Town near the coast where members of the mission attentively nursed her back to heal. But after five weeks of such care she was eager to resume her ministry responsibilities inland, and did so before some officials and doctors thought it fully advisable.

Eventually her health declined to the point that the Mission’s doctor forbad her to travel by bicycle. Hearing of her need for an alternative means of transportation, a group of ladies in Scotland sent her a Cape cart, a basket-chair on wheels capable of being maneuvered along quite easily by two boys or girls.

In the closing years of her life Mary established churches and schools in the villages of Ikpe, Odoro Ikpe and Nkanga further up Enyong Creek. She carried out ministry at those locations unaided by fellow missionaries. To her deep disappointment, the Mission had already concluded that health conditions were not safe enough in that region to place other missionaries there. To the end, however, she continued to be assisted by several African girls who lived with her as foster daughters.









Saturday, July 13, 2024

Would Soyinka Want The National Arts Theatre Renamed After Him?

 


Would Soyinka Want The National Theatre Renamed After Him?

Would Soyinka want the National Theatre renamed after him?
No.


Prof. Wole Soyinka, the first African Nobel Laureate in Literature would not want the National Theatre of Nigeria to be renamed as the Wole Soyinka Centre for Culture and the Creative Arts by the Federal Government.  

It was the breaking news on Friday, July 13,  to celebrate the 90th birthday of Soyinka.

The National Theatre is the epicentre for the performing arts in Nigeria;  the national monument  located in Lagos was constructed by the military administration of Gen. Olusegun Obasanjo in 1976 for the first Black Festival of Arts and Culture (FESTAC) in 1977.

The administration of President Bola Ahmed Tinubu, GCFR, must understand that the status of a national monument is higher than the status of any citizen of the nation.

The British government has not renamed their national monument, The Royal Opera House (ROH), the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House after any of the British Nobel laureates or great actors and authors knighted for their achievements in the literary arts, motion picture and theatre arts no matter the magnitude of their status in the world. The same national status of national monument is accorded the British Museum.

There are national theatres in different countries in the world, including the National Theatre of Scotland and the famous Abbey Theatre, founded by WB Yeats is the national theatre of Ireland and has not been renamed after the great George Bernard Shaw or WB Yeats, the founder who were both Nobel laureates in literature.

The National Theatre and the National Museum should remain what they are as national monuments of Nigerian arts, culture and history.

The Nigerian government should establish the Wole Soyinka Centre for Culture and the Creative Arts at the National Theatre. And Soyinka will not disagree with me. He knows the symbolic importance of the national monument and was outspoken against the scandalous sale of the National  Theatre to a United Arab Emirates conglomerate in 2014 by the Federal Government.

"You can liken this to a horrendous fate suffered by the black race, pauperised and victimised by public office holders who transform power into an instrument of repression and oppression," he said.
"Privatisation of the theatre can go haywire and I'm totally against it."

Soyinka is a national treasure of indisputable international status for his great achievements as a creative genius in contemporary art and human rights activism and a lionized scholar who is the author of critically acclaimed books for public enlightenment and academic scholarship. He deserves to be celebrated as President Tinubu said:
“We do not only celebrate Soyinka’s remarkable literary achievements but also his unwavering dedication to the values of human dignity and justice. Professor Soyinka, the first African to win the Nobel Literature Prize in 1986, deserves all the accolades as he marks the milestone of 90 years on earth”.

The federal government can also establish a new university in the name of Prof. Wole Soyinka.

- By Ekenyerengozi Michael Chima,
Author of "The Prophet Lied" and other books distributed by Amazon, Barnes and Noble and other booksellers.