Top 10 Most Powerful Women in Nollywood and the Nigerian Film Industry

Who are the top 10 most powerful women in Nollywood and the Nigerian film industry?

Do you know them?

The movers and shakers and the leading achievers in film production, distribution and exhibition.

They were twelve; two of them have passed on to eternal glory, but the milestones of their legacies have become testimonies of their outstanding achievements in the history of Nollywood and the Nigerian film industry.

I have already written on Mrs. Amaka Igwe, MFR that was  published in the Black Film Maker magazine in the UK in 2006. 

She was the numero uno of the women in Nollywood.

On 2 January 2020, Google celebrated her 57th birthday with a Google Doodle.

Mrs. Peace Anyiam-Osigwe, MFR has been celebrated locally and internationally and her Africa Movie Academy Awards (AMAA) was the cover feature of the first edition of the NOLLYWOOD MIRROR® Series in 2013 which has become a collector's edition by art collectors on Nollywood and the history of filmmaking in Nigeria. Madam Peace was the only filmmaker in Nollywood to become a TED Fellow.

(Please, if you know another one, let me know).

Both of them are profiled among the 40 Nigerian female filmmakers in the third edition of the NOLLYWOOD MIRROR® Series to be released this year.

The top 10 Most Powerful Women in Nollywood and the Nigerian film industry, who are currently among the most active and accomplished leading achievers and stakeholders will be featured in the third edition of the NOLLYWOOD MIRROR® Series.

One of them will be on the cover.

I will not reveal all the ten, because of those who will quickly copy the title and rush to publish the list and claim the credit for the authorship.

The following are the first top three.

Ms  Mo Abudu

Ms. Chioma Ude

Mrs. Stephanie Linus

- By Ekenyerengozi Michael Chima,

Publisher/Editor,

NOLLYWOOD MIRROR® Series

Nigeria Daily Twitter

https://twitter.com/nigeriadaily

New Nigeria on Pinterest

www.pinterest.com/nigeriansreport

https://www.amazon.com/author/ekenyerengozimichaelchima

https://www.linkedin.com/in/michaelchimaeyerengozi

Tel: +2347066379246

I Can Win the Oscar for The Best Picture

 

I see a Big Picture of myself winning the Oscar for the Best Picture, widely considered as the most prestigious honor of the annual Academy Awards of AMPAS.

Yes, I can win the Best Picture Oscar with my my first feature.
The original screenplay has been cowritten by me and by the accomplished multiple award winning filmmaker, Dr. Chika Christian Onu, director of "Living in Bondage" 2 and famous for directing "Glamour Girls", in 1994, the first romantic comedy in the history of the phenomenon of Nollywood.

I have shortlisted two cinematographers I believe have the experience and expertise for the cinematography. My preferred director remains classified.
Locations are in Port Harcourt and Bonny Island in Rivers State.
The research for the screenplay took four years, including the time that Dr. Chika Christian Onu came to the Nigeria LNG RA 1 on Bonny Island where I was staying from 2004 to 2008.
I published the screenplay as a book in Raleigh, North Carolina, USA.

#BestPicture
#Oscars
#academyawards
#nigeria
#experience
#research
#cinematography

https://www.instagram.com/p/CtKE98NtWdr/?igshid=NjZiM2M3MzIxNA==

Film Criticism and Film Journalism

Film Criticism and Film Journalism 

Anybody who can write and can study the Nigerian film industry can write on both Nollywood and Kannywood.

Don't mistake film journalism for film criticism.

Majority of those claiming to be film critics in Nigeria are either film journalists or commentators. 

You cannot be a film critic if you don't understand filmmaking. Because how can you do a critique of a subject you don't understand the concept, content and context?

You don't know about Lighting for Storytelling and you are a film critic?

You don't know how soundtracks are used in storytelling and you call yourself a film critic?

You don't know costume for storytelling and you call yourself a film critic?

What of histrionics in drama?

Should I go on?

You cannot be a good film critic if you don't know the history of filmmaking or motion picture.

Until reading what I have written now, 99 percent of the so called film critics in Nigeria don't know what is film noir.

In the study of fine arts, we study art history and criticism combined, because you cannot be a good art critic if you don't know art history.

There is widespread intellectual ignorance and posturing by those who claim to be film critics, but they don't even know that filmmaking is part of fine arts and film criticism is part of art history and criticism.

This must be news to them.

Can they discuss Abstract Art in Art History and Criticism with Ekenyerengozi Michael Chima?

Can they do a critique of my masterpiece, "The Metamorphosis of the HIV in the T-Cell" collected by Family Health International (FHI) or "The Eruption of the Love Virus" in private collection since 1993?

I don't even claim to be a film critic.

I am a film writer and historian on the history of Nollywood and the Nigerian film industry widely published, circulated and studied by scholars and students in different colleges and universities in Nigeria and other countries.

Why? Because of the importance, relevance and significance in film studies, African studies, art history and criticism.

- By Ekenyerengozi Michael Chima,
Publisher/Editor,
NOLLYWOOD MIRROR® Series,
The first book series on Nollywood and the Nigerian film industry since 2013.

Video and Photos from the 2023 Africa Magic Viewers Choice Awards (AMVCA) Cultural Day

Video and Photos from the 2023 Africa Magic Viewers Choice Awards (AMVCA) Cultural Day 

I was invited to the 2023 Africa Magic Viewers Choice Awards (AMVCA) Cultural Day at the Balmoral Convention Centre of the Federal Palace Hotel and Casino on Victoria Island, Lagos, Nigeria.

All the glitz and razzmatazz of the fanfare of colourful fashion and style of Nigerian haute couture were displayed on the red carpet of the well organized event.

I saw popular Nollywood actor Wole Ojo and other celebrities dressed in their traditional Yoruba, Igbo, Hausa and other tribal attires.

The AMVCA’s is the biggest Television and Film industry event of the year.

As part of its lineup, the AMVCA awards would benefit having a cultural day.

Nigeria Daily: There is No Life Insurance Policy in Nollywood

 https://twitter.com/nigeriadaily/status/1658099965514661890?t=1oEgRQxxtcd8rGZ5ipGPSw&s=09

The last time I signed a contract as an actor with insurance was in 1996 for a Nigerian action movie. Segun Arinze, Regina Askia, Emeka Ike and other top actors were in the cast.

I have written and published an article on the importance of insurance policy for Nollywood.

Ibinabo Fiberesima addressed it during her tenure as the President of Actors Guild of Nigeria (AGN). But I have not heard about it again.

There are no regulations for professional contracts for the cast and crew by both the AGN and Directors Guild of Nigeria (DGN). So, they don't have any insurance policy.

There is too much opportunism in Nollywood and disregard for professionalism. And the opportunists feel offended and upset when you ask for professional ethics in the Nigerian film industry.

-  Ekenyerengozi Michael Chima,
Publisher/Editor,
NOLLYWOOD MIRROR® Series,

International Branding of NOLLYWOOD for the Global Market

 That the phenomenon of Nollywood has gained global recognition is a fact. But Nollywood is still lacking the required structure for competition in the global film industry and lagging behind South Africa, Egypt and Morocco.

I have addressed the shortcomings of Nollywood and the Nigerian film industry measured with the criteria for the international development of a film industry. These shortcomings are why Nigeria is not among the top 10 countries with the biggest film industries in the world.

Top 10 Film Industries 

1. Hollywood Movie Industry

2. Bollywood Film Industry

3. Chinese Cinema

4. United Kingdom of Great Britain

5. Japanese Cinema 

6. Cinema in South Korea

7. France

8. German cinema

9. Australia

10. Mexico

The constant emphasis on the large volume of movies produced annually making Nollywood the second largest producer of movies in the world after the Bollywood of India and ahead of Hollywood of the United States of America is not enough without film commissions and film markets.

Having the largest market is different from having the biggest economy.

South Africa has the biggest film industry in Africa and not Nigeria based on the annual revenues of the film industry from the box office, international co-productions, TV networks, movie merchandise and film tourism.

South Africa has the largest cinemas of the biggest film distribution and exhibition companies in Africa.

South Africa has film commissions which Nigeria does not have.

South Africa has a film market which Nigeria does not have.

South Africa has the biggest cable TV industry in Africa with MultiChoice which Nigeria does not have. 

The Nigerian Television Authority (NTA) is hyped as the largest TV network in Africa, but running a deficit annually and cannot even pay salaries without revenue allocations from the Nigerian government. 

In terms of quality of TV productions, the NTA does not have local content of international standards compared to the South African Broadcasting Corporation (SABC) that has been producing content attracting international acquisition and distribution.

The criteria for the international branding of Nollywood for the highly competitive global film industry include the top priorities of having world class international film festivals to attract the participation of the best filmmakers; international co-producers; film acquisition and distribution companies and for the promotions of movie merchandise and film tourism.

Presently among the few film festivals in Nigeria, only the annual Africa International Film Festival (AFRIFF) is rated as the best international film festival attracting some of the best filmmakers in the world with the potentials of having an international film market like the Durban FilmMart of the Durban International Film Festival in South Africa. 

AFRIFF made international news headlines in November, 2022 for cohosting the African premiere of "Black Panther: Wakanda Forever",  the 2022 American superhero film produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures.

My articles on how Nollywood can make the Nigerian film industry a multibillion dollar film industry through the opportunities for movie merchandise and film tourism have been published and widely circulated online. But the Nigerian government and the private sector are ignorant of the huge economic benefits.

The Global TV and Movie Merchandise Market is forecast to grow by $90.53 Billion during 2022-2027, accelerating at a CAGR of 9.04% during the forecast period.

https://www.globenewswire.com/news-release/2023/02/06/2601901/0/en/The-Global-TV-and-Movie-Merchandise-Market-is-forecast-to-grow-by-90-53-bn-during-2022-2027-accelerating-at-a-CAGR-of-9-04-during-the-forecast-period.html

Sony Pictures, Paramount Pictures, Warner Bros, Huayi Brothers, Enlight Media, Lionsgate Films, NBC Universal, Nickelodeon, TOEI COMPANY, Alpha Group, The Walt Disney Company, Twentieth Century Fox and Toho Company are the key copyright owners in the global Movie Merchandise market. The top 5 took up about 66 Percent of the global market. USA is the largest consumption regions of Movie Merchandise in the world in the past few years and it will keep increasing in the next few years. USA market took up about 50 Percent the global market, while Europe was 25 Percent, and China is followed with the share about 6 Percent.

https://www.marketwatch.com/press-release/movie-merchandise-market-research-2023-2030-2023-04-13

Nigeria has awesome attractions for film tourism which I have been promoting with the publication of the NOLLYWOOD MIRROR® Series since 2013 to show the beauty of Nollywood in family friendly books to attract people worldwide. 

My popular article, "The Best Film Locations in Nigeria" has attracted thousands of readers with over 17, 000 readers on TripAdvisor.

http://totnaija.blogspot.com/2014/01/the-best-film-locations-in-nigeria.html?m=1

Nollywood has attracted Netflix, Amazon Prime Video, Disney and other leading international American film and TV production and streaming companies.

The best film locations in Nigeria should be developed as international tourist attractions like the Obudu Ranch in Cross River State. Holiday resorts and hotels should be built on the locations for filmmakers and tourists.

What is the value of the global film tourism market?

As per a recent market analysis by Future Market Insights (FMI), the film tourism market is poised to reach a valuation of US$ 66.7 Billion in 2022. Sales are projected to increase at a 6.8% CAGR, with the market size reaching US$ 128.78 Billion by 2032.https://www.accesswire.com/717595/Film-Tourism-Market-is-anticipated-to-increase-at-a-high-CAGR-of-68-during-2022--2032-Future-Market-Insights-Inc

There are models for templates for the international branding of Nollywood for the global film industry which I have shown with the references to South Africa. 

By Ekenyerengozi Michael Chima,

Publisher/Editor,

NOLLYWOOD MIRROR® Series,

Executive Producer,

Screen Naija YouTube Channel,

Vuulr Program Partner

Cinewav Partner

Nigerian Igbo Movies Started the Phenomenon of NOLLYWOOD

"Chukwuabiama Na Ezedibia" (God and the King of Wizards) Coming Soon on NOLLYWOOD MAGIC Channel on CINETIE 

Igbo dramas started the phenomenon of Nollywood with the first Igbo blockbuster movie, "Living in Bondage" in 1992. 

NOLLYWOOD MAGIC Channel is bringing the captivating movies of Nigerian dramas on CINETIE of Rwanda streaming to millions of people online, including over 50 million Igbos in the world with over 45 million Igbos in Nigeria and over 4 million Igbos in the Diaspora.r Hundreds of thousands of Igbos are in America and the UK.

"God and the King of Wizards" is an Igbo epic drama of supernatural battles and encounters with powers of darkness and principalities never shown before in any Nigerian movie.

Director: Evans Orji

Major Cast: Prince Emeka Ani, Agbaogidi Clement Cornel, Camilla Mberikwe

Language: Igbo (subtitled in English)

#God
#witchcraft 
#wizards 
#igbos
#language 
#igbo 
#nollywood 
#nigeria
#rwanda 
#epic
#movies
#drama
#power
#supernatural 

View the trailer only on 

https://nigeriansreportng.blogspot.com/2021/11/prince-emeka-ani-in-chukwuabiama-na.html

Who is the New Shining Star in Nollywood?

Who is the new shining star to watch out for in Nollywood?

Uti Nwachukwu, the handsome unique  style icon, TV personality, actor and the co-host of the Nigerian show Jara was the Shining Star to watch in the first edition of the NOLLYWOOD MIRROR® Series published in 2013. And he has become a true shining since then. 

In 2023, the New Shining Star in Nollywood is a black and beautiful young actress who featured in an international award winning film. 

Who is she? 

You will see her in the third edition of the NOLLYWOOD MIRROR® Series. Definitely a collector's edition.

#Nollywood

#star

#actor

#2013

#2023

#editor

#collector

#awards

#film

#series

 

Chinonye Chukwu: From Nigeria To Alaska

Chinonye Chukwu was born in Port Harcourt in Nigeria is an Alaskan-raised screenwriter, producer and director. A recipient of the prestigious Princess Grace Award, Chinonye’s short, The Dance Lesson, premiered at the Ritz Theater of Philadelphia and was later acquired by MindTV for regional network distribution. The film was also a Regional Finalist for the 2010 Academy of Motion Picture Arts and Sciences Student Academy Awards and an Honorary Mention at the Los Angeles International Film Festival. Chinonye’s other work includes Igbo Kwenu!, a recipient of the PIFVA Subsidy Grant from the independent film community and both the “Best Motion Picture Award” and “Best Screenplay Award” at the 2009 Diamond Screen Festival. In 2012 she completed her first feature narrative, Alaskaland, the story of an estranged Nigerian-American brother and sister who reunite in their Alaskan hometown. Her 2019 death row drama, Clemency, starring Alfre Woodard and Aldis Hodge, which she wrote and directed, received the U.S. Dramatic Grand Jury Prize at Sundance 2019. She is a director on the TV series, Americanah, based on the novel of the same name by Chimamanda Ngozi Adichie. Her 2022, critically acclaimed, biographical drama, Till, based on the true story of Mamie Till-Bradley, received numerous awards and nominations.

FILMOGRAPHY

Igbo Kwenu! (2009)

The Dance Lesson (2010)

Bottom (2012)

alaskaLand (2012)

A Long Walk (2013)

Clemency (2019)

Sorry for Your Loss - Episode: I'm Here (2019)

Till (2022)

NOLLYWOOD MIRROR : The Celebration of The Legacy of Peace Anyiam-Osigwe in Nollywood and African Cinema

The name of Peace Anyiam-Osigwe, MFR; will be written in gold in the history of Nollywood and African Cinema. 

I made the 2013 edition of the annual Africa Movie Academy Awards, (AMAA) the cover story of the first edition of the NOLLYWOOD MIRROR® Series to celebrate the unprecedented legacy of her visionary leadership in Nollywood and the Nigerian film industry. 

 

The first edition of the NOLLYWOOD MIRROR® Series documented the phenomenal first indie film industry in Africa producing thousands of home videos telling stories of Nigerians from the past to the present that caught the attention of the rest of the world to say WOW! African magic! That made Ivorian rebels in the bush to stop fighting during their civil war when a shipment of Nollywood DVDs arrived from Lagos. That Zambian mothers said their children were now talking with accents copied from Nollywood movies. That when a President of Sierra Leone asked Genevieve Nnaji to join him on the campaign trail he attracted record crowds at rallies, because of her. 

Yes, Nollywood is our African magic that hooked the world. 

The maiden edition of NOLLYWOOD MIRROR® SERIES is a celebration of the best of Nollywood with a full coverage of AMAA of 2013 with the theme, AFRICA ONE that epitomized the pan African Spirit of African Cinema. 

The following feature on the 20 years of the naming of "Nollywood" is dedicated to the legacy of Peace Anyiam-Osigwe. It will be published in the third edition of the NOLLYWOOD MIRROR® Series celebrating 40 Nigerian female filmmakers in Nigeria and the Diaspora.

20 Years Since The New York Times Named #Nollywood

Norimitsu Onishi was the Chief of The New York Times’s southern Africa bureau, based in Johannesburg when he discovered the phenomenon of the first indie film industry in Africa in 2002 in the hustle and bustle of Lagos city, the heart and soul of the guerilla filmmakers of Nigeria.

How The Times Named ‘Nollywood’ in 2002

"It’s like Hollywood or Bollywood but in Nigeria — Nollywood!I told my editor."

- Norimitsu Onishi.

https://www.nytimes.com/2016/02/11/insider/how-the-times-named-nollywood.html

The name of Nollywood has become the identity of the Nigerian film industry even though the making of the genre started in the 1980s which I have chronicled in my widely read and shared article, 

The Nollywood Phenomenon: From Analog to Digital - SHADOW & ACT
https://shadowandact.com/the-nollywood-phenomenon-from-analog-to-digital-2

The article shows the evolution of Nollywood over the years and how the digital cinema revolution has made a critical impact in the advancement of Nollywood since 2002.

It is now 30 years since the production of the first Nollywood blockbuster, "Living in Bondage" by Chris Obi Rapu in 1992 written and produced by Kenneth Nnebue and Okechukwu Ogunjiofor. And as we say in Lagos, many waters have passed under the Eko Bridge from 1992 to 2022.

Traditional filmmakers of the old school of filmmaking on celluloid still say Nollywood is video and not cinema. But top people in the global film industry said: Every region has unique stories to tell. And we should encourage them to tell their stories first and not be hindered by the technical requirements for professional film production. That the first thing is to supply on demand, because it was the overwhelming quantity of Nollywood home videos in the 1990s that attracted the rest of the world before the improvements in the quality. 

There have been significant improvements in the quality of the movies as Nollywood filmmakers have been adapting to current developments in filmmaking by using the same digital cinema cameras used by their counterparts in Bollywood and Hollywood following international standards in film and TV productions.

The improvement in the quality of the content has attracted the leading International acquisition and distribution companies, major studios and OTT video streaming services from America and Europe. Netflix, Disney and Amazon are now demanding for the best content in Nollywood and well produced movies have been acquired. 

There have been international productions of Nigerian movies featuring top Hollywood actors such as "The Amazing Grace" of 2006 directed by Jeta Amata, written by Jeta Amata and Nick Moran and produced by Jeta Amata and Alicia Arce with top roles by Joke Silva, Nick Moran and Scott Cleverdon; "Black November" directed by Jeta Amata in 2012, starring Hakeem Kae-Kazim, Mickey Rourke, Kim Basinger, Fred Amata, Sarah Wayne Callies, Nse Ikpe Etim, OC Ukeje, Vivica Fox, Anne Heche, Persia White, Akon, Wyclef Jean and Mbong Amata; "30 Days in Atlanta" directed by Robert O' Peters and produced by AY Makun in 2014 starring Starring AY Makun, Ramsey Nouah, Richard Mofe Damijo (RMD), Desmond Elliot, Vivica A. Fox, Lynn Whitfield, Karlie Redd, Majid Michel, Omoni Oboli, Racheal Oniga, Yemi Blaq and Juliet Ibrahim; "A Trip To Jamaica" directed by Robert O' Peters and produced by AY Makun in 2016 starring AY Makun,Funke Akindele, Nse Ikpe Etim, Dan Davies, Eric Roberts and others; "Esohe" directed by Charles Uwagbai and Robert O' Peters in 2018 starring Jimmy Jean Louis, Misty Lockheart, Desmond Elliot, Chris Attoh, Bimbo Manuel, Ufuoma McDermott, Toyin Aimakhu, Jemima Osunde and Monica Omorodion Swaida; "A Soldier's Story 2" of 2020 directed by Frankie Ogar and produced by Martin Gbados, starring  Eric Roberts, John J Vogel Jr, Alex Usifo, Akin Lewis, Segun Arinze, Linda Ejiofor, Somkele Idhalama, Michelle Dede, Daniel K. Daniel, Tope Tedela, Baaj Adebule, Samabasa Nzeribe and others; "Christmas in Miami" of 2021 directed by Robert O'Peters and produced by AY Makun starring Ayo Makun, Osita Iheme, Richard Mofe-Damijo, IK Ogbonna, Kent Morita, Raquel Lamanna, Manoj Chandra, Malcolm Burtchett, Nadya Marie, Tanya Price, Barry Piacente and Catherine Olsen and Adah Obekpa's "The American King" of 2021 starring Enyinna Nwigwe, Nse Ikpe-Etim, Andrew Howard and Nick Moran who has been playing prominent roles in the international productions of Nollywood movies since the 2000s to date. 
"The American King" directed and produced by Dr. Adah Obekpa, a Nigerian medical doctor in America. The romantic comedy featured famous African American singer, Akon with top Hollywood and Nollywood stars.

It is importan we document the new developments in Nollywood since 2002 to date for film history and film studies. That is why I working on a documentary film on "Nollywood Rising: The New Generation".

- By Ekenyerengozi Michael Chima,
Publisher/Editor,
NOLLYWOOD MIRROR® Series,
The first book series on Nollywood and the Nigerian film industry published since 2013.

https://www.amazon.com/author/ekenyerengozimichaelchima

Special hardcover editions are available for purchase from Raleigh, North Carolina, USA.

 

#Peace #Peaceanyiamosigwe #Nollywood #Nigeria #Africa #movies #cinema #TV #series #filmmaking #filmmaker #legacy #film #building 

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Why Netflix is the First Choice of Filmmakers in Nigeria

Why Netflix is the First Choice of Filmmakers in Nigeria

At a meeting with one of the biggest film companies in Africa in February, they told me that Netflix is the first choice of Nigerian Filmmakers, because Netflix pays more for their content than Amazon Prime Video and other major competitors in the  streaming industry.

To be on Netflix is the dream of every Nigerian filmmaker for more money, more prestige and more privilege in the global film industry.

I was told that the filmmakers are willing to wait for even a year to be acquired by Netflix instead of being acquired by other streaming platforms within six months.

Netflix has over 230 million subscribers worldwide, including 74.3 million in the United States and Canada; 76.7 million in Europe, the Middle East and Africa, 41.7 million in Latin America and 38 million in the Asia-Pacific region.

Filmmakers in Nigeria have improved the quality of their film and TV productions to meet the international criteria for Netflix, Amazon Prime Video and other leading foreign streaming services.

Nigeria produces over 1, 000 movies annually, but only few of them are acquired by Netflix. 

The Nigerian film industry popularly known as Nollywood has been a sociocultural and economic phenomenon in filmmaking in Africa and according to UNESCO, the  "Nollywood Model' could help unlock 20 million African film jobs.