Google, Apple, and Netflix Top List of Companies Generation Z Wants To Work For

The Rise of the Gen Z VC

“The barriers to entrepreneurship and investing have never been lower, and our generation is very aware of the opportunity we have.”

Generation Z is growing up and getting a tech job.

The oldest members of the world’s first truly digital native generation—folks born from the mid-1990s to 2010—are starting their careers, and they overwhelmingly want to work in tech.

Google, Apple, and Netflix top list of companies they want to work for, and 72% fancy the idea of becoming founders themselves.

Which raises a question: Who’s going to fund all those new startups?

According to a new report from AngelList, a new crop of Gen Z investors is emerging. They’re 10k strong and launching VC funds from their dorm rooms.

Click here to read the report

Netflix Needs More Nigerian Content To Attract More Nigerians

#nigeria #banks #network #movies #tvseries #entertainment #Nollywood

#subscriptions #millennials #acquisition #amazon #africa

Netflix Needs More Nigerian Content To Attract More Nigerians

Some of the best Nigerian movies and TV series are not on #Netflix.
They are on DStv, iROKOtv, StarTimes and on other OTT platforms run by two leading Nigerian banks and one multinational GSM network.

I watch more than 20 Nigerian movies and five different series weekly on DStv and many trailers of new Nigerian movies every day released on Showmax and iROKOtv.

Netflix needs to comprehend the demographics of the population of Nigerian lower and upper Middle Class and Upper Class, who are the largest subscribers of cable TV channels and they are from the largest dominant tribes of Igbo, Yoruba and Hausa Fulani. You have to show them movies and series they can relate with.

Netflix should balance the equation for the acquisition of Nigerian movies and series. Check out the #content on REDTV of UBA,  NdaniTV of GTBank and airtel TV of Nigeria. They have more exciting Nigerian movies and series with hundreds of thousands of subscribers.
Increase your Nigerian content and  your Nigerian subscribers will increase with more new movies and series by new outstanding Nigerian producers preferred by the Nigerian millennials who are from the Middle Class and Upper Class of Nigeria whose population is over 35 million.

- By Ekenyerengozi Michael Chima,
Publisher/Editor,
NOLLYWOOD MIRROR® Series,

247 Nigeria (@247nigeria) / Twitter

https://mobile.twitter.com/247nigeria

https://www.amazon.com/author/ekenyerengozimichaelchima

https://www.linkedin.com/in/michaelchimaeyerengozi

Mo Abudu and Chioma Ude Have the Best International PR for Nollywood

Mo Abudu and Chioma Ude Have the Best International PR for Nollywood

Mo Abudu, the Founder and CEO of the EbonyLife Group and Chioma Ude, the Founder and CEO of the annual Africa International Film Festival (AFRIFF) have the best international public relations profiles for Nollywood and the Nigerian film industry.

Both of them understand the importance and significance of international public relations for the promotion of Nollywood as a global brand of the Nigerian film industry. And that is why both of them are the  most recognised and have been attracting international partnerships with the leading film and TV entertainment companies in the world, including Netflix, Sony Pictures and Disney.

Mo was the first to gain international recognition with the influential Hollywood Reporter calling her Africa's answer to Oprah Winfrey and named her among Hollywood Reporter's MIPCOM's 25 Most Powerful Women in Global TV.

https://nigeriansreportng.blogspot.com/2013/10/mo-abudu-makes-25-most-powerful-women.html. 

Then the highly esteemed Forbes magazine named her Africa's Most Successful Woman. 

In 2021, She was selected to become a Voting Member of the Academy of Motion Picture Arts and Sciences (AMPAS) for the annual Academy Awards, popularly known as the Oscars.

Her international honours within 11 years have been really groundbreaking as a trailblazer for Nigerian women in the global entertainment industry.

Forbes Africa recognised Mo Abudu as the first African woman to own a Pan-Africa TV channel in 2013; Entrepreneur of the Year award by Women Week in New York in 2014; appointed a Director of the International Academy of Television Arts and Sciences responsible for staging the annual International Emmy Awards.and later appointed her as the first African Chair of the 47th annual International Emmy Awards Gala, held in New York on Monday November 25, 2019; named on the Power list 2018 of UK's top 100 most influential people of African and Caribbean descent; the first African to be awarded the MIPTV's 2019 Médailles d'Honneur, in Cannes, France; named in the  Powerlist 2020 of the Top 100 most influential people in the UK of African/African-Caribbean descent and featured in the Greatest Blacks Ever: Top 100 Blacks Who Changed the World for (Peace: Progress: Prosperity).

Mo did not receive all the accolades of her outstanding achievements overnight. She started with her "Moments with Mo" on TV like the Oprah Winfrey Show that inspired her as she told the New York Times in her recent most comprehensive interview last week.

https://www.nytimes.com/2021/09/23/arts/television/mo-abudu-netflix-castle.html

She talked about her influential family backgrounds, childhood dreams, education and top flight professional career as brand ambassador for AVON Cosmetics for the African market; HR consultant with Atlas Recruitment Consultancy firm in the UK; the Starform Group; Head of HR for Arthur Andersen and HR & Training for ExxonMobil. She was the Founder of Vic Lawrence & Associates Limited.

Her passion for the film and TV entertainment industry is powered by her vision to excel, succeed  and triumph in spite of the economic and societal challenges of Nigeria in competition with the best in the world. 

Chioma Ude has paid her dues before she became the first Nigerian woman to be in Variety's Annual International Women’s Impact Report for 2020

https://nigeriansreportng.blogspot.com/2020/03/chioma-ude-makes-varietys-annual.html

Before, Chioma became a trailblazer for Nollywood, she has been an Amazon in Corporate Nigeria as the Managing Director and CEO of JATA Logistics Ltd. Then she invested in the blossoming Nollywood as she co-organised and co-hosted the successful 6th ION International Film Festival (IONIFF) (a touring festival originating from Hollywood) in 2009 in Port Harcourt, Rivers State with the organizing committee of experts, including Peace Anyiam-Osigwe the founder and CEO of the annual AMAA Awards, Caterina Bortolussi, the co-producer of ION International Film Festival, Soledad Grognett, Ilaria Chessa, June Givanni, Alessandra Speciale and Celine Loader. Then the following year, 2010, she founded and organised the first edition of the annual Africa International Film Festival (AFRIFF) in December and she has made it the numero uno of film festivals in Nigeria and West Africa.

She has invested her resources and quality time on the international profile of the film festival as I reported in my widely circulated "AFRIFF International Film Festival Brings Hollywood-Style Glitz and Glamour To Lagos"

https://nigeriansreportng.blogspot.com/2011/12/afriff-international-film-festival.

AFRIFF has awarded scholarships for international courses in filmmaking and film studies in America and France. 

In 2019, Chioma became the Co-Founder and Group CEO of Envivo Communications Limited, a multifaceted convergence of the entertainment industry, educational developments and technological applications for the fintech Industry.

Envivo launched the nVivo TV, a 

free video on demand streaming platform that offers diverse content from the best content providers in the world.

By their visionary leadership, Mo Abudu and Chioma Ude have shown us the Big Picture of Nollywood of the future as one of the most dynamic creative developments in the global entertainment industry of the 21st century.

- By Ekenyerengozi Michael Chima,

Publisher/Editor, 

NOLLYWOOD MIRROR®Series 

247 Nigeria (@247nigeria) / Twitter

https://mobile.twitter.com/247nigeria

https://www.amazon.com/author/ekenyerengozimichaelchima

https://www.linkedin.com/in/michaelchimaeyerengozi

Who is the #1 Action Hero in Nollywood?

Who is the #1 Action Hero in Nollywood?

1. Daniel Kanayo Daniel in "A Soldier's Story" 2015, for which he won the 2016 Africa Magic Viewers' Choice Awards (AMVCA) and the Africa Movie Academy Awards (AMAA) awards for Best Actor and in the sequel "A Soldier's Story 2" in 2021 acquired by Lionsgate.

2. JLeo Uche in "Rough Chase", 2015 and *A Trip To Libya", 2020.

JLeo Uche comes top of the league of action heroes for his outstanding expertise in martial arts and choreography of unarmed combat in duels.

3. Abbey Abimbola, aka Crackydon, in "BlackOut", 2021, his first Nollywood blockbuster action movie opening at the cinemas next month.

One of the three action thrillers will be the Best Nigerian Action Movie of the Year.

These three actors are currently the best Nigerian action heroes in Nollywood, the phenomenal first indie film industry in Africa that is rated the second largest in the world after the Bollywood of India in the annual quantity of movies. And has attracted Netflix, the #1 streaming video service in the world with more than 209 million subscribers so far.

- By EKENYERENGOZI Michael Chima 

Publisher/Editor, 

NOLLYWOOD MIRROR®Series 

247 Nigeria (@247nigeria) / Twitter

https://mobile.twitter.com/247nigeria

https://www.amazon.com/author/ekenyerengozimichaelchima

https://www.linkedin.com/in/michaelchimaeyerengozi.

Film Distribution is No Longer the Problem of Nollywood

Film Distribution is No Longer the Problem of Nollywood

Widespread piracy and international film distribution were the recurrent problems of Nollywood and the Nigerian film industry before the attraction of the leading companies in acquisition and distribution in the global film industry through the participation of Nigerian filmmakers in international film festivals and markets in America and Europe.

The international exposure improved the quality of Nigerian movies in accordance with the criteria for international acquisition and distribution of film and TV productions with the use of the best digital cinema cameras and accessories from Canon, Sony, Blackmagic Design, Christie Digital and ARRI.

With the attractions of the MultiChoice Group, StarTimes, 

Canal+, Sky TV, Amazon Prime Video, Netflix, Disney, Lionsgate and others, Nigerian filmmakers cannot complain about the lack of access for the international acquisition and distribution of their movies. The only challenge to them is to produce very good movies to meet the growing demand for global content of top quality of international standards.

Nollywood has attracted Dolby for the best sound quality in film and TV productions, Hiventy for the best dubbing in different international languages of movies, TV dramas, comedies and series and Drylab R&D AS of Norway for the best set reports and workflows for film and TV productions.

 

Nollywood has also attracted the IMAX Corporation of Canada for mega cinemas and CanalOlympia of France. 

"It is very important for us to be close to Nollywood," Simon Minkowski, development director at Canal Olympia, told AFP.  

Another IMAX cinema is going to be built within the next five years.

There are other leading global companies with big budgets for international acquisition and distribution and are willing to acquire the film and TV rights to Nigerian content of which I have recommended two new movies by two outstanding Nigerian filmmakers. One of the movies is scheduled for theatrical release in local cinemas in Nigeria. They are also looking for new movies that can have international theatrical release.  

Success Iyoha, one of the actors for the "Naked Beauty".

My Big Picture of Nollywood is to see Nigerian movies grossing up to US$100 million globally in the next five years and to see Nollywood actors (both female and male) earning up to US$5 million for playing leading roles in big budget movies. The leading actor in my proposed first feature, "Naked Beauty" will earn US$500, 000 for her role alongside the African American A-List Hollywood actor. And she will still be under 30 years at the world premiere of the film in Europe. 

The final statement is international acquisition and distribution companies are available for the best film and TV productions from Nollywood.

And only the best is good enough for us. So, don't settle for less.

- By Ekenyerengozi Michael Chima,

The CEO,

International Digital Post Network Limited,

Publisher/Editor,

NOLLYWOOD MIRROR® Series,

@247nigeria Twitter,

Vuulr Program Partner,

International Acquisition and Distribution.

Drylab Ambassador for international productions,

Member, Digital Cinema Society.

Netflix is Improving the Quality of Nollywood To World Class Standards

Netflix is Improving the Quality of Nollywood To World Class Standards

#Netflix is actually helping #Nollywood to improve the quality of film and TV productions in the Nigerian film industry.

But MultiChoice is still accepting substandard movies from #Nollywood for the Africa Magic. They come cheap for as low as US$1200 per movie.

The producers say being seen on #DStv is an achievement and Netflix is their ultimate dream. Making it to Netflix is like winning an #Oscar to Nollywood filmmakers.

Netflix should only accept Nollywoood or #Kannywood movies with Dolby Atmos or DTS:X, because it would boost the quality of the sound in the film and TV productions. 

Your sound begins from writing the screenplay: from the first draft and not the copy and paste soundtracks during the post production which is the common practice in Nollywood.

Using Dolby Vision is not rocket science. 

If Nollywood wants to improve on the quality of productions to qualify for the official selections of top international film festivals and nominations for the Academy Awards, Nigerian filmmakers have to use the same benchmarks for international productions as their counterparts and peers in the leading film Industries in the world.

And I am still waiting for the first Nigerian movie with Dolby Vision.

- By Ekeyerengozi MichaeI Chima,

Publisher/Editor,

NOLLYWOOD MIRROR®Series,

@247nigeria Twitter

Netflix Needs To Partner with MTN andd Airtel To Increase Subscribers in Nigeria

Netflix Needs To Partner with MTN andd Airtel To Increase Subscribers in Nigeria

Nigeria has about 101 million mobile internet users on the GSM networks in Africa's most populous country with the largest economy. But the high cost of data for viewing videos online is making the leading video streaming services to be out of reach for majority of the teeming population who prefer to subscribe to cable TV services. 

There are an estimated 15 million subscribers of cable TV networks in Nigeria with 10 millon of them shared by Multichoice and StarTimes.

MultiChoice streams satellite TV to between 4.5 million and 6 million Nigerian subscribers from the database reports of the cable TV subscribers in the country.

In Nigeria, satellite TV reception was the choice for 11.8 million households in 2019, a 23% increase compared to 2017, and a further 4.7 million in Ghana, up by 19% from 2017.

The study also highlighted that High Definition (HD) TV sets are becoming increasingly popular, already present in approximately 50% of Ghanaian and Nigerian TV homes.

Paying less than N3, 000 to subscribe to Netflix is not expensive, but including the costs for internet data have discouraged majority of people in Nigeria.

The following analysis on data usage is useful.

"Data consumption is different from speed. If you have a fast connection, that doesn't necessarily mean you use a lot of data per month. However, services like video streaming adapt to the available speed, so having a fast connection often does increase your data usage (and video quality), even if your habits don't change.

Streaming video:

Video uploads and downloads:

If you download a movie rather than streaming it or if you upload one to YouTube or Vimeo, the data consumption is similar, and it's always based on the full quality of the movie. If you make a video on your phone, you probably aren't creating HD quality or running for streaming video. The data consumption will depend on the quality of the video you receive. If you have a slow connection, most providers will adjust the quality so you won't have to pause for buffering too often. High-definition video can run as high in bandwidth consumption as 8 megabits (1 megabyte) a second. That's 60 megabytes a minute, if your connection is fast enough to handle it. A two-hour movie, at that rate, will consume 7.2 gigabytes. That's an upper bound, and usually it will be less, but a feature movie is a lot of data no matter what.

Video uploads and downloads:

If you download a movie rather than streaming it, or if you upload one to YouTube or Vimeo, the data consumption is similar, and it's always based on the full quality of the movie. If you make a video on your phone, you probably aren't creating HD quality or running for hours. Still, if you upload a lot, it will add up hours. Still, if you upload a lot, it will add up."

https://www.buckeyebroadband.com/support/internet/what-exactly-is-internet-data-and-data-usage

Netflix has partnerships with Telkom and Vodacom in South Africa and these deals have increased the subscriptions to the video streaming service. A similar partnership with MTN and Airtel in Nigeria will attract the millions of the middle class subscribers of the GSM networks in the country so include subscription to Netflix in their monthly budget.

- By EKENYERENGOZI Michael Chima,

Publisher/Editor, 

NOLLYWOOD MIRROR®Series 

247 Nigeria (@247nigeria) / Twitter

https://mobile.twitter.com/247nigeria

https://www.amazon.com/author/ekenyerengozimichaelchima

Nollywood is Not Hollywood

#movietheaters

#cinema

#movies

#moviegoers

#Hollywood

@theacademy

@amctheatres

Having a cinema is one thing; attracting moviegoers to the cinema is another thing.

- Ekenyerengozi Michael Chima

Nigerian film distributors and exhibitors banking on the followers of the A-List actors on Instagram and Facebook has not attracted majority of them.to the movies they featured in. Because, many the actors buy followers, views and likes and majority of the  followers are not going to the cinemas to spend N4000 to watch a movie that they can watch later on #Netflix with a subscription that is not up to N3000 monthly, including hundreds of other movies and series.

70% of the #Nollywood movies playing in the cinemas in Nigeria are actually teleplays without cinematic quality. 

Dramatic scenes are often mistaken for cinematic scenes in Nollywood. And actors having a  shouting match in a scene is not an #Oscar performance, but may be good enough for an #emmy . Nollywood is not Hollywood.🤩

Frankly speaking, Nollywood movies are best viewed on @netflix, @showmaxonline and cable TV channels.

- Ekenyerengozi Michael Chima.

HAPPY BIRTHDAY PROF. WOLE SOYINKA The Lion of African Literature

HAPPY BIRTHDAY PROF. WOLE SOYINKA

The Lion of African Literature.

Akinwande Oluwole Babatunde Soyinka(Yoruba: Akínwándé Olúwo̩lé Babátúndé S̩óyíinká; born 13 July 1934), known as Wole Soyinka (pronounced [wɔlé ʃójĩnká]), is a Nigerian playwright, novelist, poet, essayist, human rights activist, actor and filmmaker in the English language and Yoruba. He was awarded the 1986 Nobel Prize in Literature.

A #Netflix documentary film on SOYINKA will be a hit from OTT platforms to the cinema. He is the Big Picture of African Literature.
I am the best for the production design of the documentary film.
Netfix, HBO or Amazon should not miss this great opportunity.

There is No Scarcity of Content

"There is no scarcity of content.

But there is scarcity of content of premium quality."

- EKENYERENGOZI Michael Chima.

Thousands of movies, series, documentaries, music videos and shows are produced every day. And majority are offered free to view online and offline. But millions of people are still willing to pay for the subscriptions to watch the best content for their entertainment 24/7.

What is the secret of the success of ABC, Disney, HBO, Netflix, Amazon Prime Video and other top content producers and distributors in the world?

UNiQUE CONTENT!

We are always anxious and curious to see what is unique and exciting.

Excitement is the joy of Entertainment.

Any content that does not excite us cannot attract us.

- By Ekenyerengozi Michael Chima,

Publisher/Editor,

NOLLLYWOOD MIRROR® So,

247 Nigeria,

Nigerians Report Online,

TALK OF THE TOWN By Orikinla

Africa Pay TV Forecasts Report 2020 Featuring Airtel, Amazon, Canal Plus Afrique, DStv, Globacom, GOtv, MTN, Netflix, Showmax,

Africa Pay TV Forecasts Report 2020 Featuring Airtel, Amazon, Canal Plus Afrique, DStv, Globacom, GOtv, MTN, Netflix, Showmax, StarSat, Tigo & Vodafone

Nearly 17 million pay TV subscribers will be added in Africa between 2020 and 2026 to take the total to 51 million. Nigeria will be close to 11 million, with South Africa bringing in another 9 million.
https://www.prnewswire.com/news-releases/africa-pay-tv-forecasts-report-2020-featuring-airtel-amazon-canal-plus-afrique-dstv-globacom-gotv-mtn-netflix-showmax-starsat-tigo--vodafone-301209252.htm

Kenneth Gyang and the First Edition of the NOLLYWOOD MIRROR®Series

Kenneth Gyang and the First Edition of the NOLLYWOOD MIRROR®Series

I never knew the now famous young filmmaker Kenneth Gyang, director of "Òlòtūré", the most popular Nigerian movie on #Netflix and "Sons of the Caliphate" series also on Netflix until I was told by Nigerian filmmaker, Adaora Nwandu to interview him for the Black Film Maker magazine published in the UK in 2006 and the profile feature article was published as "Young At Art". Kenneth Gyang at 18 was the youngest director in Nigeria in 2006.

The Black Film Maker published by Menelik Shabazz, from 1998 to 2008, was an internationally recognized print publication as the only voice for black filmmakers distributed in the UK, USA, and Europe.

Then in 2013, his debut feature film, "Confusion Na Wa" produced by Tom Rowland Rees won the Best Feature, Best Nigerian Film and Best Director at the 9th annual Africa Movie Academy Awards (AMAA) held on April 20 in Yenagoa, Bayelsa State.

I was so happy for Kenneth Gyang and celebrated him as the cover story of the first edition of the NOLLYWOOD MIRROR®Series, the first book series on Nollywood and the Nigerian film industry.

This maiden edition has become the most highly priced Nigerian book on Nollywood and a collector's item selling for US$1,636.91! That is over N621, 000 a copy at the current exchange rate of the US dollar to the naira.

You can see the highly priced edition on 

https://www.amazon.com.mx/Nollywood-Mirror-Ekenyerengozi-Michael-Paperback/dp/B00Z8FH4EM.

- By Ekenyerengozi Michael Chima, Publisher/Editor of the NOLLYWOOD MIRROR®Series.

 

So, What is NOLLYWOOD?

Dame Taiwo Ajai-Lycett, famous Nigerian actress trained in the UK and  featured in "A Warm December" directed by Sidney Poitier.

The first groundbreaking Nigerian home video was Jimi Odumosu's "Evil Encounter", a 1980 horror movie for the Nigerian Television Authority (NTA) that was pirated on video cassettes at the Alaba International Market on the outskirts of Lagos. 

The first Nigerian movie, shot directly on video was  "Soso Meji" of 1988 by Ade Ajiboye, followed by Alade Aromire's "Ekun" (1989), 

"Turmin Danya" (The Draw")/in 1990,  was the first commercially successful Kannywood home video; Jide Kosoko's "Asiri Nla" 1992 and "Asewo To Re Mecca" of 1992 by Adebayo Salami, popularly known as "Oga Bello".

Prince Jide Kosoko

Jimi Odumosu

Adebayo Salami

Chris Obi-Rapu

Dr. Christian Chika Onu

Any documentary film on the history of Nollywood without them is not the conmplete true history of Nollywood and the Nigerian film industry.

The first Nollywood blockbuster home vodeo movie in the Igbo language was "Living in Bondage" 1 of 1992 by Chris Obi Raou and the sequel, "Living in Bondage" 2 of 1993 by Chika Christian Onu of the Nigerian Television Authority (NTA). 

How Nollywood Redefined Conversations on African Cinema and Culture 

https://shadowandact.com/how-nollywood-redefined-conversations-on-african-cinema-and-culture 

From Analog To Digital

https://shadowandact.com/the-nollywood-phenomenon-from-analog-to-digital-2

Is Nollywood a child of necessity or a phenomenon of ingenuity?

The guerrilla filmmakers in Nigeria who started the phenomenon of the first indie film industry in Africa were driven by necessity, ingenuity and opportunity.

How I Fell in Love with the Cinema

My great father of blessed memory, Sunday "Sunny" Eke loved going to cinemas almost daily, because he loved movies; especially #Hollywood western cowboys movies of Clint Eastwood and John Wayne, war films and #Bollywood movies such as "Sholay" and "Seeta aur Geeta" and I loved the Bollywood legends; Amitabh Bachchan, Hema Malini,, Dharmendra Singh Deol , Sanjeev Kumar and lest I forget the most celebrated nautch dancer in Hindi romantic films, Helen Anne Richardson Khan.  My father never sat down to watch any movie on TV. He would just glance at the popular Bonanza western cowboys series and Combat series on World War 2.

https://nigeriansreportng.blogspot.com/2020/09/how-i-fell-in-love-with-cinema.html

The Most Appreciated Film Writer in Nigeria
https://nigeriansreportng.blogspot.com/2020/08/the-most-appreciated-film-writer-in.html
Do you know that the Alpha Man, EKENYERENGOZI Michael Chima is the most appreciated film writer on #Nollywood and the film industry by filmmakers and other major stakeholders in the Nigerian film industry since 2012. He has written on the Academy Awards and Cannes Film Festival since 2008 to date and accurately predicted the winner of the Oscars for the Best Picture and Best Director in 2017 won by Guillermo del Toro for "The Shape of Water". He has also written definitive articles on Nollywood and history of the Nigerian cinema published on Indiewire and by SHADOW&ACT Author Post List 

https://shadowandact.com/author/MichaelChima.

Nigeria: #Nollywood, #Kannywood and the Academy Award for Best International Feature Film

https://nigeriansreportng.blogspot.com/2020/11/nigeria-nollywood-kannywood-and-academy.html

Fincho: The Making of the First Nigerian Film in Colour By Sam Zebba

https://nigeriansreportng.blogspot.com/2020/10/fincho-making-of-first-nigerian-film-in.html

Photo of Chinua Achebe and Hansjürgen Pohland on the Location of "Bullfrog in the Sun" in Ibadan
https://nigeriansreportng.blogspot.com/2020/12/photo-of-chinua-achebe-and-hansjurgen.html

GIOVANNI ROSMAN: The First Canadian Actor in Nollywood

http://totnaija.blogspot.com/2020/08/the-first-canadian-actor-in-nollywood.html?m=1

Why Nollywood Filmmakers Have Failed To Qualify for the Oscars and Cannes
https://nigeriansreportng.blogspot.com/2019/04/why-nollywood-filmmakers-have-failed-to.html

When Will Nollywood Movies Make the Official Selection of the Cannes Film Festival?
https://nigeriansreportng.blogspot.com/2020/10/when-will-nollywood-movies-make.html

TOP 20 Nigerian Filmmakers From 2012-2020

https://nigeriansreportng.blogspot.com/2020/05/top-20-nigerian-filmmakers-from-2012.html

Bankrolling Nollywood: The Challenges and Benefits of Film Finance
https://nigeriansreportng.blogspot.com/2019/03/bankrolling-nollywood-challenges-and.html

über Nollywood
https://nigeriansreportng.blogspot.com/2020/10/uber-nollywood.html

Anachronisms in #Nollywood Igbo Epic Movies and Ṇ́dị́ Ìgbò History
https://nigeriansreportng.blogspot.com/2020/10/anachronisms-in-nollywood-igbo-epic.html

The Importance of a Database, Library and Museum for the Nigerian Film Industry
https://nigeriansreportng.blogspot.com/2020/10/the-importance-of-database-library-and.html

Does Our National Assembly Know Anything About the Nigerian Entertainment Industry?
https://nigeriansreportng.blogspot.com/2020/12/does-our-national-assembly-know.html

NOLLYWOOD is the National Treasure of Nigeria
https://nigeriansreportng.blogspot.com/2020/12/nollywood-is-national-treasure-of.html

#Nollywood Rising: Welcome To Asaba!
https://nigeriansreportng.blogspot.com/2020/11/nollywood-rising-welcome-to-asaba.html

Netflix Needs Cinemas and Cinemas Need Netflix
https://nigeriansreportng.blogspot.com/2020/09/netflix-needs-cinemas-and-cinemas-need.html

The Encyclopaedia of Nollywood and the Nigerian Film Industry
https://nigeriansreportng.blogspot.com/2020/03/the-encyclopaedia-of-nollywood-and.html

- By Ekenyerengozi Michael Chima,

Publisher/Editor

NOLLYWOOD MIRROR®Series