Showing posts with label film industry. Show all posts
Showing posts with label film industry. Show all posts

Tuesday, February 22, 2022

Poor Reading Culture in NIgeria is Showing in the Poor Screenwriting in Nollywood

Poor Reading Culture in NIgeria is Showing in the Poor Screenwriting in Nollywood

You have to be a good reader before you can be a good writer and you have to be a good writer before you can be a good screenwriter.

You cannot be good in storytelling if you are not good in reading and writing.

I have written about the literature of motion picture.before, but I can bet  that majority of the people in Nollywood and the Nigerian film industry ignored it, because of their intellectual ignorance of the importance.

Majority of the screenplays of NIgerian movies are intellectually deficient in message development and dialogue. 

How can someone who doesn't read novels, plays, poems and essays be a good screenwriter?

You can see the evidence of poor intelligence in sentence structure of the dialogue. 

You can see the lack of intellectual comprehension in the poor characterization.

In most cases, what we have seen is garbage in and garbage out (GIGO)

You cannot give what you don't have.

Many of the screenwriters in Nollywood are lazy to do research on the historical personalities in the film adaptations of historical biographies such as on Queen Amina of Zaria, Mary Slessor and Madam Tinubu. They end up with poorly researched screenplays for the film and TV productions. But the filmmakers often use good casting, directing and cinematography to cover up the intellectual deficiencies of the screenplays.

Reading is essential for screenwriting in storytelling. 

I was the youngest professional scriptwriter in Africa when I started writing for the puppet drama series of the NIgerian Television Authority (NTA) when I was 18 years old and I wrote for four years. Before then, I was already a notable young writer interviewed by the Times International newsmagazine for my play, "The Prodigal".

Reading improved my intellectual comprehension and literary abilities in creative writing and scriptwriting.

- By Ekenyerengozi Michael Chima,
https://www.amazon.com/author/ekenyerengozimichaelchima



Thursday, January 6, 2022

Meritocratic and Topocratic Distribution of Content in Nollywood and the Nigerian Film Industry

Meritocratic and Topocratic Distribution of Content in Nollywood and the Nigerian Film Industry


A system is topocratic if the compensation and power available to an individual is determined primarily by her position in a network.
In the model, individuals produce and sell content, but also distribute the content produced by others when they belong to the shortest path connecting a buyer and a seller.

A system is said to be meritocratic if the compensation and power available to individuals is determined by their abilities and merits. 

In Nollywood and the Nigerian film industry, we have seen the monopoly of topocracy by certain powerful stakeholders, including the film distributors and exhibitors.
Filmmakers have pointed out that the film distributors and exhibitors have been giving the best showtimes at their cinemas to the movies they produced or co- produced which have become the highest grossing NIgerian movies since 2016 to date. They have also taken advantage of the acquisition of NIgerian movies by Netflix and Amazon by using the same topocratic model.

Only about 20 percent of the Nigerian movies accepted by NIgerian film distributors and exhibitors are based on meritocracy.

- By EKENYERENGOZI Michael Chima,
Publisher/Editor, 
NOLLYWOOD MIRROR®Series,
247 Nigeria (@247nigeria) / Twitter





Friday, December 31, 2021

2022 and the Big Picture of the Future of African Content

#happynewyear

#Newyear
#newyear2022
#2022
#happiness💕

"The future belongs to those who believe in the beauty of their dreams."
Eleanor Roosevelt.

Dreams are only for the living.
Dreams come true for only those who are alive to believe in their dreams; to run with their visions and to fulfill their destinies.

Our destinies are not in the stars.
Our destinies are in our hands.

I prayed all the way into the New Year 2022 with exaltations of praises and thanksgivings to Almighty God for the victory He has given us. Then I fell asleep and had a dream: my first dream of the Year.
I have been and I have seen the Big Picture of the Future of higher grounds of greater heights of success and victory.

The dream is about the globalization of the film industry and Lise Romanoff, the Managing Director/CEO of Vision Films of California.talked about what is the best content for the  continent of Africa and for the rest of the world; African content for Africans and African content for the world.
Have we done any survey of the audience in Africa?
What do Africans want to watch?
What are their choices and preferences?
Have we asked them or we have just been showing them what we assume that they want?
They say "Word of mouth is loudest in Africa" and how does that affect and reflect on the marketing of content in Africa?

Storytelling is the heart and soul of content.

We are telling our stories about our lives in Africa. For we are the best to tell our stories to the world and not by others. But how do we appreciate and evaluate ourselves? How we tell our stories will define who we are and how the rest of the world we see us as Hollywood has been telling the stories of America; as Bollywood has been telling the stories of India and as Nollywood has been telling the stories of NIgeria.

How we present our content will determine the value of the content.

- Ekenyerengozi Michael Chima,
Publisher/Editor of the NOLLYWOOD MIRROR® Series.


Film, Television Industry Booming in Xiamen

34th China Film Golden Rooster Awards

PRESS RELEASE
Film, Television Industry Thrives in Xiamen

Statistics show that in 2020, the operating revenue of Xiamen’s cultural industry totaled 116.36 billion yuan ($18.26 billion), growing by 7.3 percent year on year

Access Multimedia Content

XIAMEN, China, December 29, 2021/ -- The three-day 34th China Film Golden Rooster Awards is being held in Xiamen, East China's Fujian province from Dec 28 to 30, drawing a number of A-list stars and industry insiders.

The Golden Rooster Awards, which was launched in 1981 (the Year of the Rooster), is a national film awards event sponsored by the China Federation of Literary and Art Circles and the China Film Association. It has developed into China's most prestigious film awards event and has contributed significantly to the development of China's film industry.

As the host city of the Golden Rooster Awards, Xiamen has seen rapid development in the film and TV industry in recent years. Statistics show that in 2020, the operating revenue of Xiamen’s cultural industry totaled 116.36 billion yuan ($18.26 billion), growing by 7.3 percent year on year.

Xiamen, a coastal city with enchanting natural scenery and a pleasant climate, has been hailed as "a garden on the ocean,” and it also bears elements of Minnan (southern Fujian province) and Western cultures, both of which help the city win the reputation of "a natural studio" and is favored by many filmmakers and directors.

The city’s government has designated the film and TV industry as one of the engines to promote economic growth and has aimed to turn the city into a “film and TV capital” in China.

The city’s continuous efforts have proved successful. Official data show that as of the end of November, Xiamen had gathered 2,046 film and TV enterprises, of which 350 were newly established this year. More and more industry leaders are choosing Xiamen as their investment destination due to its healthy business environment for the film and TV industry. Xiamen has become a hotbed for film and TV production such as the hit TV series “Minning Town,” which was released earlier this year.

At the same time, the rapid development of the film and TV industry has in turn helped enhance the city’s cultural soft power and urban competitiveness, and the beautiful garden city continues to create perfect harmony between man and nature and has become a calling card for both tourists and investors.
Distributed by APO Group on behalf of 34th China Film Golden Rooster Awards.
 
Contact:
Lorraine Yuan
Email: lorraine@hehutech.cn
Tel: +86139 1113 0781

SOURCE
34th China Film Golden Rooster Awards

Thursday, November 18, 2021

The MultiChoice Talent Factory and other Film Schools in Nigeria

The MultiChoice Talent Factory and other Film Schools in Nigeria

I have waited long enough to assess the progress of the MultiChoice Talent Factory (MTF) before writing about it 

I was told that the primary purpose of the establishment is to train screenwriters and filmmakers that will produce regular content for the M-Net Channels on DStv. But it has done more than that, because the alumni are producing content for the global entertainment industry.

The MTF covers WEST AFRICA: Ghana & Nigeria; EAST AFRICA: Ethiopia, Kenya, Uganda & Tanzania and SOUTHERN AFRICA: Angola, Botswana, Malawi, Mozambique, Namibia, South Africa, Zambia & Zimbabwe.

The MultiChoice Talent Factory (MTF) Academy has achieved within three years of its establishment since 2018 what other older film schools in Nigeria have failed to achieve for the advancement of the Nigerian film industry. In fact, MTF has exposed the shortcomings of the film schools that have been existing since 2010 to date, but they are still having unaccredited courses and poorly trained graduates who have been rushed through ad-hoc courses in overcrowded classes without in-depth hands-on training on the most important components of filmmaking and film studies.

In filmmaking, if you are good, your works will show that you are good from the script to the screen. In filmmaking, seeing is believing. You show more and talk less. A good film school is not judged by attractive curriculums or fine buildings, but by the quality of the faculty and the quality of the film and TV productions of the alumni in the film industry.

The alumni of MTF have won international awards and scholarships; including the Spotlight award at the 15th edition of the Mobile Film Festival held in Paris, France in 2019 and awards of scholarships from the New York Film Academy (NYFA)  among other notable achievements.

The other film schools in Nigeria should use the template of the MTF for the improvement of their curriculums in accordance with the international standards of the best film schools in the world and they should join the International Association of Film and Television Schools (Centre International de Liaison des Ecoles de Cinéma et de Télévision (CILECT)

https://www.cilect.org/

It is highly recommended to read the interview of MultiChoice Group CEO,  Yolisa Phahle .

TBI Spotlight On Africa: MultiChoice Group CEO Yolisa Phahle – TBI Vision
https://tbivision.com/2021/10/26/tbi-spotlight-on-africa-multichoice-group-ceo-yolisa-phahle/


- By Ekenyerengozi Michael China,
The Publisher/Editor,
NOLLYWOOD MIRROR® Series.


Wednesday, September 1, 2021

CASTING CALL For new film productions in Lagos


CASTING CALL
For new film productions in Lagos.

Preproductions for the part two of two new movies are in progress and this is an open casting call for actors and others who want to act in the movies and want a successful career in Nollywood.

We have been active in Nollywood and the Nigerian film industry since 1996 and now working with top filmmakers such as Leo Uche, Africa's leading action actor, stuntsman and director of  "Spiritual Revelation", the first Nollywood movie on Metempsychosis.

View the trailer on  https://youtu.be/u_dQ1EkGADs

View the new trailer of the first African Avatar film, "The Legend of Gatuso" on

"The Legend of Gatuso" is a new movie by Leo Uche completed in 2021.

For invitation to the auditions on September 10, 2021, the Registration Fee is N10, 000 (ten thousand naira).
Registration Fee should be paid to the GTBank current account number 0016426297
Account name of Ekeyerengozi Michael Chima.

Those outside Lagos will have their auditions by Google Meet.

Best regards,
EKENYERENGOZI Michael Chima,
Publisher/Editor, 
NOLLYWOOD MIRROR®Series 
Vuulr Program Partner,
Ambassador of Drylab R&D AS of Norway,
247 Nigeria (@247nigeria) / Twitter
Tel: +234 706 637 9246

Friday, July 30, 2021

Netflix is Improving the Quality of Nollywood To World Class Standards

Netflix is Improving the Quality of Nollywood To World Class Standards

#Netflix is actually helping #Nollywood to improve the quality of film and TV productions in the Nigerian film industry.

But MultiChoice is still accepting substandard movies from #Nollywood for the Africa Magic. They come cheap for as low as US$1200 per movie.

The producers say being seen on #DStv is an achievement and Netflix is their ultimate dream. Making it to Netflix is like winning an #Oscar to Nollywood filmmakers.

Netflix should only accept Nollywoood or #Kannywood movies with Dolby Atmos or DTS:X, because it would boost the quality of the sound in the film and TV productions. 

Your sound begins from writing the screenplay: from the first draft and not the copy and paste soundtracks during the post production which is the common practice in Nollywood.

Using Dolby Vision is not rocket science. 

If Nollywood wants to improve on the quality of productions to qualify for the official selections of top international film festivals and nominations for the Academy Awards, Nigerian filmmakers have to use the same benchmarks for international productions as their counterparts and peers in the leading film Industries in the world.

And I am still waiting for the first Nigerian movie with Dolby Vision.


- By Ekeyerengozi MichaeI Chima,

Publisher/Editor,

NOLLYWOOD MIRROR®Series,

@247nigeria Twitter

Sunday, July 18, 2021

Nigeria is Still Far Behind South Africa in Film and TV Productions

 


Nigeria is Still Far Behind South Africa in Film and TV Productions

South Africa has the biggest film industry in Africa, followed by Egypt and Morocco in terms revenues in international film distribution and acquisition.

From the Academy Award winning "Tsotsi" of 2005 directed by Gavin Wood that grossed more than US$11 million from a budget of US$3 million to "District 9" of 2009 directed by Neill Blomkamp that had four nominations for the #Oscars. The film made more than  US$210 million from a budget of US$30 million.
There are several other outstanding South African films of global success.


In spite of the popularity of sociocultural phenomenon of Nollywood, the first indie film industry in Africa ranked as the second largest film industry in the world after the Bollywood of India and ahead of Hollywood in the quantity of movies produced annually, we are still waiting for a Nigerian film that can make up to US$5 million from the box office or qualify for nominations at the Academy Awards, Cannes Film Festival, Venice Film Festival, Toronto International Film Festival and Berlin International Film Festival.

 

When it comes to TV, of course the South African Broadcasting Corporation (SABC) is more advanced than the Nigerian Television Authority (NTA), both in content,  programming and administrative management in structure and manpower. Without Multichoice in Nigeria,  both the local public and private TV stations are lagging behind South African TV stations. The private TV stations in Nigeria don't produce enough programmes and the programmes are often running without any proper programming. And the programmes have discordant audio caused by bad audio boards or incompetent audio engineers.
No need to discuss the quality of the TV productions with bad sound.
They have badly produced local movies, documentaries and reality TV shows, because of low budgets and insufficient revenues to produce or buy premium content. So, they resort to having cheap content of low quality.

There are more entertainment on some Nigerian blogs than the local private TV  channels in Nigeria.  And they even  compete for bragging rights to winning local TV awards with programmes that cannot be sold internationally.


- By EKENYERENGOZI Michael Chima 

Publisher/Editor, 

NOLLYWOOD MIRROR®Series 

247 Nigeria (@247nigeria) / Twitter

https://mobile.twitter.com/247nigeria

https://www.amazon.com/author/ekenyerengozimichaelchima


-

Saturday, July 10, 2021

The Scarcity of Film Curators and Hairstylists in Nollywood

Elizabeth Banks (left, as Effie Trinket) and Ve Neill (right, makeup artist) on the set of The Hunger Games. Photo by Murray Close. Courtesy of Lionsgate.http://academyartunews.com/newspaper/2016/06/celebrity_makeupart.html.

"The study of film criticism comes before the study of film curation."

- Ekenyerengozi Michael Chima.

You cannot be a film curator without the knowledge, experience or expertise in film criticism. 

Film schools in Nigeria must teach film curation or programming, because of the scarcity of professional film curators or programmers in the Nigerian film industry.

The lack of this can be seen in the substandard selections of movies and TV series on cable TV channels and public TV channels in Nigeria, especially in the selection of Yoruba movies and series of low quality and the most annoying subtitles by half-educated translators or subtitlers whose poor knowledge of English grammar either makes you laugh or upsets you. 

Another widespread common erroneous practice in #Nolllywood and #Kannywood is the fact that many of the filmmakers don't know that a makeup artist is different from an hairstylist. And there must be an hairstylist as there must be a makeup artist for every film or TV production. There is a hairstyle for every character in a drama or comedy.


There is Film Hairstyling for Storytelling and should be included in the top courses in film schools in Nigeria.

 

- Ekenyerengozi Michael Chima,

Publisher/Editor,

NOLLYWOOD MIRROR®Series,

247 Nigeria @247nigeria on  #Twitter


Saturday, July 3, 2021

Hollywood, Bollywood and Nollywood Prefer Fair and Light Skinned Actresses

Hollywood Actresses.

If you have been bingewatching Nollywood movies, you would have seen that majority of the Actresses are competing to look like the actresses in Bollywood and Hollywood in makeup, hairstyles and haute couture on the red carpets. They want to be fair and light skinned and with wavy long hairs. They are the most influential models who have made a "staggering 77% of women in Nigeria to use skin-lightening products. The skincare and cosmetics industry is taking advantage of their craze for lighter skin according to a report by the United Nations published on https//www.un.org/africarenewal/magazine/april-2019-july-2019/paying-high-price-skin-bleaching


Many of the young women in Nollywood and the Nigerian society want to look as fair and pretty as the celebrated Nollywood actresses like Monalisa Chinda, Tonto Dikeh and Mercy Aigbe. And so they bleach the skin to boost their self-esteem and egos among their peers. 

The actors (both male and female) say there is a rule of thumb preference for fair and light skinned people in the entertainment industry for decades in Hollywood, Bollywood and Nollywood.

The controversial #OscarsSoWhite campaign years ago on the predominantly white nominees with the exclusion of filmmakers of colour made the Academy of Motion Picture Arts and Sciences (AMPAS) to come up with programs and rules to favour diversity in the film industry and campaign against racism. But colorism is in fact worse than racism, because "Colorism is the practice of favoring lighter skin over darker skin by people of the same race and tribe. The preference for lighter skin can be seen within any racial or ethnic background. Such as preference for  Asians and Africans of fair and light complexion in the film industry. You can see the preference in over 90 percent of the movies, TV series and music videos. 

Colourism is encouraging skin bleaching and the popularity of skin lightening creams, lotions and pills which the World Health Organization (WHO) is warning about the harmful side effects of dangerous consequences, including dermatitis (skin irritation), blue-black discolouration, skin cancer and even blindness.


- By Ekenyerengozi Michael Chima,

Publisher/Editor,

NOLLYWOOD MIRROR®Series.

Fair and White So White Skin Perfector Serum 30ml - For Face, Elbows Knees, Feet - with Kojic Acid and Castor Oil

#fairandwhite

#beauty


Fair and White So White Skin Perfector Serum 30ml - For Face, Elbows Knees, Feet - with Kojic Acid and Castor Oil

A complete range of Lightening and Brightening Skin care products for modern young women of all complexions. 

Friday, June 11, 2021

The Importance of Location Managers and Real Estate Agents in Nolllywood and the Film Industry

Photo credit:  http://www.tadejznidarcic.com/nollywood

The Importance of Location Managers and Real Estate Agents in Nolllywood and the Film Industry

There is no film or TV production without a location manager. And every location manager needs the service of real estate agents in locating the appropriate and suitable locations for a film or TV production.

As already known:"The location manager handles the creative side of finding appropriate locations, but they also handle the logistics needed to make that location work, like paying the property owners, securing permits, and alerting neighbors about the film shoot. The location manager reports to the production designer, but collaborates frequently with the director. The location manager oversees and hires the entire location department."


Real estate includes the land along with any permanent improvements attached to the land, whether natural or man-made—including water, trees, minerals, buildings, homes, fences, and bridges.  

Photo credit:  http://www.tadejznidarcic.com/nollywood.

R
eal estate agents in Nigeria have not realized that they are important to the production of movies, TV series, documentaries and music videos and they can contribute a lot to the advancement of Nollywood and the Nigerian film industry. They should have regular communication with location managers, production managers, production designers, producers and directors in film and TV productions.

Bankable stars in Nolllywood build or buy houses worth millions of naira.

The importance of real estate in Nolllywood and the Nigerian film industry can also be seen in gentrification. Gentrification in urban studies means the renovation and transformation of a neighborhood, previously occupied by the lower class to suit the tastes of the middle or upper class. (Atkinson and Bridge, 2005, smith 1996). It can also be seen as a lens through which to examine a variety of intersecting phenomena in a city or neighborhood context. (Lees et.al, 2008); which can be seen in various Nigerian movies and TV series showing the social class hierarchy of the Nigerian society with the actors playing personalities in the middle class and upper class either living in, building or acquiring palatial mansions and those in rags to riches stories shown relocating from the ghettos to upscale neighborhoods to keep up with the Joneses. In fact, several bankable stars in Nolllywood are often seen announcing acquiring new mansions or building houses on different locations in Nigeria and others have become brand ambassadors of popular real estate companies.


- By Jaiyesimi Olamide Yusuf,

Senior Features Editor, NOLLYWOOD MIRROR®Series.


Friday, April 16, 2021

#BOLLYWOOD To #NOLLYWOOD 2021

 


 #BOLLYWOOD To #NOLLYWOOD

"The Union of Bollywood and Nollywood will benefit World Cinema." 

- Ashok Tyagi, 

Secretary General, 

International Chamber of Media And Entertainment Industry (ICMEI),, India. 

The International Chamber of Media & Entertainment 8ndustry (ICMEI) has formed the Indo-Nigeria Film & Cultural Forum with the High Commission of Nigeria in India. 

The High Commission of India in Nigeria is supporting a partnership between Nollywood (Nigeria’s movie industry) and Bollywood (India’s movie industry): that “India can use its more than 100 years of experience in Bollywood to assist Nigeria” and to promote cultural bilateral relations of the two countries and international co-productions in the global entertainment industry.

The first Bollywood To Nollywood Filmmaking Workshop by the Asian Academy of Film and Television (AAFT) is coming up in 2021 in Lagos State.

It is in partnership with the High Commission of India, AAFT of India and Wakaati Network of Nigeria It is supported by Dolby and SecurityRisk Brokers. NTA2 is the official news media partner.

It is for three days on Directing; Costume for Storytelling in motion picture, Film Score,  Soundtrack and Sound Design for film production.

The workshop will be directed by Ashok Tyagi, the Secretary General of ICMEI.

The workshop will cover the methodology of converting an interesting story into a gripping screenplay and the conversation of that screenplay into an entertaining film with the help of visual and sound design. 

The filmmaking workshop will be concluded with the production of a short film for international film festivals, cable TV and OTT streaming video channels.

Registration is by a letter of application for participation.

The participation fee is N100, 000 per participant for the three days duration of the workshop (including buffet and workshop kit).


ICMEI is an organisation belonging to Asian Education Group which owns, controls and manages the day to day activities of AAFT. ICMEI was formed in 2014 to fulfil the dream of the Respected Prime Minister Narendra Modi to establish friendly relations with all the countries of the world through art, culture and cinema.



Wednesday, February 3, 2021

The Best Nigerian Female Filmmakers and the NOLLYWOOD MIRROR®Series

The Best Nigerian Female Filmmakers and the NOLLYWOOD MIRROR®Series.

Researching for and profiling the best Nigerian female filmmakers for the third edition of the NOLLYWOOD MIRROR®Series have been more tasking than selecting the best Nigerian filmmakers. I started with 10 accomplished Nigerian female filmmakers in Nigeria and the Diaspora and now I have 33 notable ones.

The publication of the NOLLYWOOD MIRROR®Series has been totally financed by me and the 10 complimentary copies of the second edition I gave out gratis cost me US$300, because I am the Publisher and Editor. But the international distributors sell a copy from US$40- US$70. The first edition with the young accomplished award winning filmmaker, Kenneth Gyang on the cover sells from US$40 to over US$900 on Amazon. Book traders have made it a collector's item. 

The third edition has more features and photographs, including rare photographs of the great Nigerian novelist, Chinua Achebe on the location of the making of the film adaptation of two of his novels, "Things Fall Apart" and "No Longer at Ease" as "Bullfrog in the Sun" directed by German filmmaker, Jason Hansjürgen Pohland and produced by Francis Oladele, the "Father of Nigerian Cinema".  Other features include the highest grossing Nollywood movies so far, the world premiere of Femi Odugbemi's "Gidi Blues", one of the best romantic dramas in Nigerian movies; the making of "Lagos in Motion" romantic documentary; profiles of some of the top Nigerian actors and actresses; Sam Zebba's"Fincho" (1957), the first film to be made in colour in Nigeria; Adamu Halilu, the first filmmaker to have made a film in Hausa and his other films; including "Baban Larai" (1954), "It Pays to Care" (1955), "Hausa Village" (1958), "Mama Learn a Lesson" (1963), "Child bride" (1971) and "Shehu Umar" (1979); 2019 Africa International Film Festival (AFRIFF) and 2019 Nigerian International Film Summit (NIFS).

This is going to be a highly priced collector's item and if book traders sell a copy for more than US$1000, I will not be surprised.

Publishing such an important publication on contemporary art of filmmaking in a society where the majority of the people are intellectually challenged has been a herculean task, because many of the Nigerian filmmakers in Nigeria don't even know the importance and significance of the literature of motion picture and the appreciation of literary culture. Philistinism is widespread among majority of people in Nigeria. But I have to continue documenting and publishing the history of Nollywood and the Nigerian film industry for the benefit of Nigeria and the rest of the world.


- EKENYERENGOZI Michael Chima,

https://amazon.com/author/ekenyerengozimichaelchima


Thursday, December 24, 2020

Does Our National Assembly Know Anything About the Nigerian Entertainment Industry?


The American entertainment industry is getting $15 billion from U. S Congress, which adds in new copyright laws against illegal streaming.

Does our National Assembly know anything about the Nigerian entertainment industry?

2020 has been the most challenging year for the global entertainment industry, including #Hollywood,  #Bollywood and our #Nollywood  with the unprecedented shutdowns of film and TV productions and cinemas due to COVID-19 pandemic lockdown and hazards of the #Coronavirus  in workplaces.  And the. American government has been very responsive to the economic shortfalls in Hollywood, but the Nigerian government seems either clueless about how to respond to the deficits in Nollywood or confused. I have heard more about government concerns over #fakenews in the social media than government concerns about shortfalls in Nollywood that is the second biggest and largest employer of labour after agriculture. 


The negligence of the economic challenges in the entertainment industry caused by the COVID-19 pandemic is due to the administrative incompetence of the government officials appointed to oversee the Nigerian entertainment industry from Lagos to Abuja.

The Nigerian Film Corporation (NFC) recently hosted the Zuma Film Festival, but not a single call to action on the shortfalls caused by the COVID-19 pandemic on the Nigerian film industry. I watched the Director-General of NFC in a live TV interview on the Nigerian Television Authority (NTA) on the Nigerian film industry, he did  not address the economic crisis iin Nollywood or Kannywood. It was unbelievable and that was why I ignored their film festival that has not even improved over the years.  They cannot even learn from the Academy of Motion Picture Arts and Sciences (AMPAS), except only to submit a Nigerian movie for the annual #Oscars.

Hello DG of NFC, a working visit or study of AMPAS will be great for your knowledge and the benefit of the NFC.
The hands of the Honourable Federal Minister of Information and Culture (FMIC), Alhaji Lai Mohammed are full, so he cannot carry the whole "Wahala" of the Nigerian entertainment industry on his head. The DG of the NFC can be more pragmatic and responsive by addressing the critical situation of the Nigerian film industry to the Nigerian government; especially the National Assembly.


- By Ekenyerengozi Michael Chima,

Publisher/Editor of the NOLLYWOOD MIRROR®Series.

https://www.amazon.com/author/ekenyerengozimichaelchima.

NOLLYWOOD: The Past, Present and the Future

I am working on a documentary film on "Nollywood Rising: The New Generation".

NOLLYWOOD MIRROR® Series,
The first book series on Nollywood and the Nigerian film industry published since 2013.
https://www.amazon.com/author/ekenyerengozimichaelchima
Special hardcover editions are available for purchase from Raleigh, North Carolina, USA.

 

Tuesday, November 3, 2020

The Highest Paid Nollywood Actors in Asaba


Asaba, the capital city of Delta State in the South-South region of Nigeria is the new hub of Nollywood, the first and largest indie film industry in Africa known for the productions of thousands of home videos. 

In Nollywood Rising: Welcome To Asaba, I said that the city has overtaken Lagos in the production of movies. And the highest paid actors (both male and female) in Asaba are among the highest paid and richest actors in Nollywood and the Nigerian film industry.  

The highest paid actors in Asaba, include Jerry Amilo, Yul Edochie, Zubby Michael, Mercy Johnson Okojie, Ebele Okaro, Ngozi Ezeonu, Patience Ozokwor, Chika Ike, Tonto Dikeh, Destiny Etiko, Mike Ezuruonye, Ken Erics Ugo, Stephen Emeka Odimgbe, Chacha Eke and Regina Daniels.















These actors are being paid between N1 million and N5 million per movie. And they are earning more money than several of the A-List actors in Lagos city.

- By Ekenyerengozi Michael Chima,
Publisher/Editor,
NOLLYWOOD MIRROR®Series
247 Nigeria (@247nigeria) / Twitter
https://mobile.twitter.com/247nigeria
https://www.amazon.com/author/ekenyerengozimichaelchima