Monday, August 28, 2023

Dear Nollywood, Compete with the Best Filmmakers in the World

 Filmmakers in Nollywood should compete with the best filmmakers in the world and stop their bragging rights for the competition for being on Netflix, Amazon Prime Video and Showmax.

Filmmakers in Hollywood and Bollywood don't brag about being on Netflix, Amazon Prime Video and other top streaming platforms, including HBO Max, Disney+ and Apple TV.







The best filmmakers want to be in the Official Selections of the Berlinale, Berlin International Film Festival in Germany, Toronto International Film Festival (TIFF) in Canada, Venice Film Festival in Italy and the biggest and most prestigious Cannes Film Festival in France and finally the ultimate pedestal, the nominations for the most coveted Academy Awards, popularly known as the Oscars.  Anything else is good, but not yet the best.

The Big Picture of the future of  Nollywood is seeing the movies competing for the Oscars, Palme D'or, Golden Lion (Leone d'Oro),Grolsch People's Choice Award and Golden Bear 

All the brouhaha and going gaga over Netflix, Amazon Prime Video and Showmax are not bragging rights for the best filmmakers and those who are more nuanced intellectually.

- Ekenyerengozi Michael Chima,
The Publisher/Editor,
NOLLYWOOD MIRROR® Series


Musa-Musawa, Nollywood and other Stories from Nigeria

Photo: Minister of Arts, Culture, and Creative Economy, Hannatu Musa- Musawa.

I read a report by The Punch newspaper of Nigeria, that "Nigeria’s entertainment industry is set to receive a boost with the recent appointment of Hannatu Musawa as the Special Adviser on Culture and Entertainment Economy to President Bola Tinubu."


The Punch did not tell us how Hannatu Musa-Musawa will boost the culture and creative industry, except quoting her academic and professional qualifications as a lawyer like Alhaji Lai Mohammed, the former Minister of Information and Culture under former President, Gen. Muhammadu Buhari,retd.

President of the Theatre Arts and Motion Pictures Practitioners Association of Nigeria, Bolaji Amusan, aka Mr Latin commended President Bola Ahmed Tinubu for her appointment. 
Why? 
I don't know.
Has she been an outstanding administrator before her appointment? 




I am more concerned with Nollywood and the Nigerian film industry,

The past Ministers for Information and Culture did not know about the administration of the film industry and were more focused on being spokespersons for the President; like Alhaji Lai Mohammed and his predecessors. 

Nigeria does not have a film policy, no single film commission and only recently talking about film treaties with France, Canada and  South Africa. 
Nollywood does not have any insurance policy and no structure in the Nigerian film industry.
There is more opportunism than professionalism in Nollywood and Kannywood.

The National Film and Videos Censors Board (NFVCB) sometimes crosses the line to do the work of the Nigerian Film Corporation (NFC). 
Have you noticed that many Nigerian movies don't have classifications for the restrictions of children under the ages of 13, 16 and 18. 
They just approve movies once you pay them the fees. 

I have been to their office for the approval of "Changing Faces" of Faruk Lasaki in 2012. They just approved it without any classification. Most likely, they didn't know how to classify the film.  
The office had no library. 
The qualifications of the staff are dubious. Are they trained and certified for their jobs?  

The Nigerian Film Corporation is meant to produce films. 
But have you seen films produced by the corporation since 1999 to date? And when you tell them to do their duties, they become angry and attack you. 

Civil servants and political appointees should not be given appointments which they will not know what to do, except having events, news media interviews and traveling to International conferences to make speeches. They will keep on wasting precious quality time and budgets without achievements. 
What did Alhaji Lai Mohammed achieve for the Nigerian film industry? 
What did he achieve for the music industry?
Show me the milestones of his office in the administration of former President Buhari.

- Ekenyerengozi Michael Chima,
Publisher/Editor,
NOLLYWOOD MIRROR® Series



Thursday, August 24, 2023

Sex, Netflix and Showmax

Sex, Netflix and Showmax 💕💋💥

Every Nigerian man who can afford to buy condoms monthly can afford paying for Netflix and Showmax

I have done marketing family planning methods, including selling condoms for two years when I did on the spot market surveys of all the major markets in Lagos State, including the Mile 12 market on the mainland.

Do you know that majority of Nigerian men spend more than N20, 000 monthly on condoms? 
I mean each one spends more than N20, 000 on condoms monthly.

How much is the monthly subscriptions for Netflix and Showmax in Nigeria?
Oh! I forgot, Nigerian men need more sex than watching Netflix or Showmax? 
Seriously?
Wrong.
Nigerian men watch more TV than having sex.
How many hours do they spend on sex every day?
Of course, majority of us spend more hours watching movies and series than having sex weekly.

Netflix, Showmax and Amazon Prime Video can have more than 40 million subscribers in Nigeria by 2025 if they use social marketing strategies for their advertising and marketing campaigns. 
Static billboards and banners on the streets are not the best methods of advertising in Nigeria. And using celebrities have failed in several cases for the promotion of movies at the box office. 
Several movies featuring Nollywood stars with millions of followers on Instagram have bombed. 
Netflix acquired a movie by a popular celebrity with over 50 million followers on Instagram, but I doubt if even 100, 000 of her followers subscribed to Netflix to watch her movie.

If you can sell condoms, then you can sell subscriptions for Netflix and Showmax.

#sex #Netflix #Showmax #movies #series #condoms #Instagram #boxoffice #celebrities #subscriptions #subscribers #advertising #marketing #socialmarketing #followers #billboards #Nollywood #Nigeria #Lagos #surveys #communication #education #banners #information #family #planning #promotion #campaigns #Nigerianmen #men #women

- By Ekenyerengozi Michael Chima,
Publisher/Editor,
NOLLYWOOD MIRROR® Series


82nd Academy Awards(R) Nominations Announced

82nd Academy Awards(R) Nominations Announced

MEDIA CONTACT
Teni Melidonian
tmelidonian@oscars.org

Toni Thompson
tthompson@oscars.org


February 2, 2010
FOR IMMEDIATE RELEASE


82ND ACADEMY AWARDS® NOMINATIONS ANNOUNCED


Beverly Hills, CA — Nominations for the 82nd Academy Awards were announced today (Tuesday, February 2) by Academy of Motion Picture Arts and Sciences President Tom Sherak and 2008 Oscar® nominee Anne Hathaway.

Sherak and Hathaway, who was nominated for an Academy Award® for her lead performance in “Rachel Getting Married,” announced the nominees in 10 of the 24 categories at a 5:38 a.m. PT live news conference attended by more than 400 international media representatives. Lists of nominations in all categories were then distributed to the media in attendance and online via the official Academy Awards Web site, www.oscar.com.

Academy members from each of the branches vote to determine the nominees in their respective categories – actors nominate actors, film editors nominate film editors, etc. In the Animated Feature Film and Foreign Language Film categories, nominations are selected by vote of multi-branch screening committees. All voting members are eligible to select the Best Picture nominees; this year that category features 10 nominees instead of 5, as has been the case since 1943.

Nominations ballots were mailed to the 5,777 voting members in late December and were returned directly to PricewaterhouseCoopers, the international accounting firm, for tabulation.

Official screenings of all motion pictures with one or more nominations will begin for members this weekend at the Academy’s Samuel Goldwyn Theater. Screenings also will be held at the Academy’s Linwood Dunn Theater in Hollywood and in London, New York and the San Francisco Bay Area.

All active and life members of the Academy are eligible to select the winners in all categories, although in five of them – Animated Short Film, Live Action Short Film, Documentary Feature, Documentary Short Subject and Foreign Language Film – members can vote only if they have seen all of the nominated films in those categories.

Academy Awards for outstanding film achievements of 2009 will be presented on Sunday, March 7, 2010, at the Kodak Theatre at Hollywood & Highland Center®, and televised live by the ABC Television Network beginning at 5 p.m. PT/8 p.m. ET. The Oscar presentation also will be televised live in more than 200 countries worldwide.


--------------------------------------------------------------------------------

Nominations for the 82nd Academy Awards

Performance by an actor in a leading role

Jeff Bridges in “Crazy Heart” (Fox Searchlight)
George Clooney in “Up in the Air” (Paramount in association with Cold Spring Pictures and DW Studios)
Colin Firth in “A Single Man” (The Weinstein Company)
Morgan Freeman in “Invictus” (Warner Bros.)
Jeremy Renner in “The Hurt Locker” (Summit Entertainment)
Performance by an actor in a supporting role

Matt Damon in “Invictus” (Warner Bros.)
Woody Harrelson in “The Messenger” (Oscilloscope Laboratories)
Christopher Plummer in “The Last Station” (Sony Pictures Classics)
Stanley Tucci in “The Lovely Bones” (DreamWorks in association with Film4, Distributed by Paramount)
Christoph Waltz in “Inglourious Basterds” (The Weinstein Company)
Performance by an actress in a leading role

Sandra Bullock in “The Blind Side” (Warner Bros.)
Helen Mirren in “The Last Station” (Sony Pictures Classics)
Carey Mulligan in “An Education” (Sony Pictures Classics)
Gabourey Sidibe in “Precious: Based on the Novel ‘Push’ by Sapphire” (Lionsgate)
Meryl Streep in “Julie & Julia” (Sony Pictures Releasing)
Performance by an actress in a supporting role

Penélope Cruz in “Nine” (The Weinstein Company)
Vera Farmiga in “Up in the Air” (Paramount in association with Cold Spring Pictures and DW Studios)
Maggie Gyllenhaal in “Crazy Heart” (Fox Searchlight)
Anna Kendrick in “Up in the Air” (Paramount in association with Cold Spring Pictures and DW Studios)
Mo’Nique in “Precious: Based on the Novel ‘Push’ by Sapphire” (Lionsgate)
Best animated feature film of the year

“Coraline” (Focus Features), Henry Selick
“Fantastic Mr. Fox” (20th Century Fox), Wes Anderson
“The Princess and the Frog” (Walt Disney), John Musker and Ron Clements
“The Secret of Kells” (GKIDS), Tomm Moore
“Up” (Walt Disney), Pete Docter
Achievement in art direction

“Avatar” (20th Century Fox), Art Direction: Rick Carter and Robert Stromberg, Set Decoration: Kim Sinclair
“The Imaginarium of Doctor Parnassus” (Sony Pictures Classics), Art Direction: Dave Warren and Anastasia Masaro, Set Decoration: Caroline Smith
“Nine” (The Weinstein Company), Art Direction: John Myhre, Set Decoration: Gordon Sim
“Sherlock Holmes” (Warner Bros.), Art Direction: Sarah Greenwood, Set Decoration: Katie Spencer
“The Young Victoria” (Apparition), Art Direction: Patrice Vermette, Set Decoration: Maggie Gray
Achievement in cinematography

“Avatar” (20th Century Fox), Mauro Fiore
“Harry Potter and the Half-Blood Prince” (Warner Bros.), Bruno Delbonnel
“The Hurt Locker” (Summit Entertainment), Barry Ackroyd
“Inglourious Basterds” (The Weinstein Company), Robert Richardson
“The White Ribbon” (Sony Pictures Classics), Christian Berger
Achievement in costume design

“Bright Star” (Apparition), Janet Patterson
“Coco before Chanel” (Sony Pictures Classics), Catherine Leterrier
“The Imaginarium of Doctor Parnassus” (Sony Pictures Classics), Monique Prudhomme
“Nine” (The Weinstein Company), Colleen Atwood
“The Young Victoria” (Apparition), Sandy Powell
Achievement in directing

“Avatar” (20th Century Fox), James Cameron
“The Hurt Locker” (Summit Entertainment), Kathryn Bigelow
“Inglourious Basterds” (The Weinstein Company), Quentin Tarantino
“Precious: Based on the Novel ‘Push’ by Sapphire” (Lionsgate), Lee Daniels
“Up in the Air” (Paramount in association with Cold Spring Pictures and DW Studios), Jason Reitman
Best documentary feature

“Burma VJ” (Oscilloscope Laboratories), A Magic Hour Films Production, Anders østergaard and Lise Lense-Møller
“The Cove” (Roadside Attractions), An Oceanic Preservation Society Production, Nominees to be determined
“Food, Inc.” (Magnolia Pictures), A Robert Kenner Films Production, Robert Kenner and Elise Pearlstein
“The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers”, A Kovno Communications Production, Judith Ehrlich and Rick Goldsmith
“Which Way Home”, A Mr. Mudd Production, Rebecca Cammisa
Best documentary short subject

“China’s Unnatural Disaster: The Tears of Sichuan, Province”, A Downtown Community Television Center Production, Jon Alpert and Matthew O’Neill
“The Last Campaign of Governor Booth Gardner”, A Just Media Production, Daniel Junge and Henry Ansbacher
“The Last Truck: Closing of a GM Plant”, A Community Media Production, Steven Bognar and Julia Reichert
“Music by Prudence”, An iThemba Production, Roger Ross Williams and Elinor Burkett
“Rabbit à la Berlin” (Deckert Distribution), An MS Films Production, Bartek Konopka and Anna Wydra
Achievement in film editing

“Avatar” (20th Century Fox), Stephen Rivkin, John Refoua and James Cameron
“District 9” (Sony Pictures Releasing), Julian Clarke
“The Hurt Locker” (Summit Entertainment), Bob Murawski and Chris Innis
“Inglourious Basterds” (The Weinstein Company), Sally Menke
“Precious: Based on the Novel ‘Push’ by Sapphire” (Lionsgate), Joe Klotz
Best foreign language film of the year

“Ajami” (Kino International), An Inosan Production, Israel
“El Secreto de Sus Ojos” (Sony Pictures Classics), A Haddock Films Production, Argentina
“The Milk of Sorrow”, A Wanda Visión/Oberon Cinematogrà/Vela Production, Peru
“Un Prophète” (Sony Pictures Classics), A Why Not/Page 114/Chic Films Production, France
“The White Ribbon” (Sony Pictures Classics), An X Filme Creative Pool/Wega Film/Les Films du Losange/Lucky Red Production, Germany
Achievement in makeup

“Il Divo” (MPI Media Group through Music Box), Aldo Signoretti and Vittorio Sodano
“Star Trek” (Paramount and Spyglass Entertainment), Barney Burman, Mindy Hall and Joel Harlow
“The Young Victoria” (Apparition), Jon Henry Gordon and Jenny Shircore
Achievement in music written for motion pictures (Original score)

“Avatar” (20th Century Fox), James Horner
“Fantastic Mr. Fox” (20th Century Fox), Alexandre Desplat
“The Hurt Locker” (Summit Entertainment), Marco Beltrami and Buck Sanders
“Sherlock Holmes” (Warner Bros.), Hans Zimmer
“Up” (Walt Disney), Michael Giacchino
Achievement in music written for motion pictures (Original song)

“Almost There” from “The Princess and the Frog” (Walt Disney), Music and Lyric by Randy Newman
“Down in New Orleans” from “The Princess and the Frog” (Walt Disney), Music and Lyric by Randy Newman
“Loin de Paname” from “Paris 36” (Sony Pictures Classics), Music by Reinhardt Wagner, Lyric by Frank Thomas
“Take It All” from “Nine” (The Weinstein Company), Music and Lyric by Maury Yeston
“The Weary Kind (Theme from Crazy Heart)” from “Crazy Heart” (Fox Searchlight), Music and Lyric by Ryan Bingham and T Bone Burnett
Best motion picture of the year

“Avatar” (20th Century Fox), A Lightstorm Entertainment Production, James Cameron and Jon Landau, Producers
“The Blind Side” (Warner Bros.), An Alcon Entertainment Production, Nominees to be determined
“District 9” (Sony Pictures Releasing), A Block/Hanson Production, Peter Jackson and Carolynne Cunningham, Producers
“An Education” (Sony Pictures Classics), A Finola Dwyer/Wildgaze Films Production, Finola Dwyer and Amanda Posey, Producers
“The Hurt Locker” (Summit Entertainment), A Voltage Pictures Production, Nominees to be determined
“Inglourious Basterds” (The Weinstein Company), A Weinstein Company/Universal Pictures/A Band Apart/Zehnte Babelsberg Production, Lawrence Bender, Producer
“Precious: Based on the Novel ‘Push’ by Sapphire” (Lionsgate), A Lee Daniels Entertainment/Smokewood Entertainment Production, Lee Daniels, Sarah Siegel-Magness and Gary Magness, Producers
“A Serious Man” (Focus Features), A Working Title Films Production, Joel Coen and Ethan Coen, Producers
“Up” (Walt Disney), A Pixar Production, Jonas Rivera, Producer
“Up in the Air” (Paramount in association with Cold Spring Pictures and DW Studios), A Montecito Picture Company Production, Daniel Dubiecki, Ivan Reitman and Jason Reitman, Producers
Best animated short film

“French Roast” , A Pumpkin Factory/Bibo Films Production, Fabrice O. Joubert
“Granny O’Grimm’s Sleeping Beauty” (Brown Bag Films), A Brown Bag Films Production, Nicky Phelan and Darragh O’Connell
“The Lady and the Reaper (La Dama y la Muerte)”, A Kandor Graphics and Green Moon Production, Javier Recio Gracia
“Logorama” (Autour de Minuit), An Autour de Minuit Production, Nicolas Schmerkin
“A Matter of Loaf and Death” (Aardman Animations), An Aardman Animations Production, Nick Park
Best live action short film

“The Door” (Network Ireland Television), An Octagon Films Production, Juanita Wilson and James Flynn
“Instead of Abracadabra”, (The Swedish Film Institute), A Directörn & Fabrikörn Production, Patrik Eklund and Mathias Fjellström
“Kavi”, A Gregg Helvey Production, Gregg Helvey
“Miracle Fish”, (Premium Films), A Druid Films Production, Luke Doolan and Drew Bailey
“The New Tenants”, A Park Pictures and M & M Production, Joachim Back and Tivi Magnusson
Achievement in sound editing

“Avatar” (20th Century Fox), Christopher Boyes and Gwendolyn Yates Whittle
“The Hurt Locker” (Summit Entertainment), Paul N.J. Ottosson
“Inglourious Basterds” (The Weinstein Company), Wylie Stateman
“Star Trek” (Paramount and Spyglass Entertainment), Mark Stoeckinger and Alan Rankin
“Up” (Walt Disney), Michael Silvers and Tom Myers
Achievement in sound mixing

“Avatar” (20th Century Fox), Christopher Boyes, Gary Summers, Andy Nelson and Tony Johnson
“The Hurt Locker” (Summit Entertainment), Paul N.J. Ottosson and Ray Beckett
“Inglourious Basterds” (The Weinstein Company), Michael Minkler, Tony Lamberti and Mark Ulano
“Star Trek” (Paramount and Spyglass Entertainment), Anna Behlmer, Andy Nelson and Peter J. Devlin
“Transformers: Revenge of the Fallen” (DreamWorks and Paramount in association with Hasbro, Distributed by Paramount), Greg P. Russell, Gary Summers and Geoffrey Patterson
Achievement in visual effects

“Avatar” (20th Century Fox), Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones
“District 9” (Sony Pictures Releasing) , Dan Kaufman, Peter Muyzers, Robert Habros and Matt Aitken
“Star Trek” (Paramount and Spyglass Entertainment), Roger Guyett, Russell Earl, Paul Kavanagh and Burt Dalton
Adapted screenplay

“District 9” (Sony Pictures Releasing), Written by Neill Blomkamp and Terri Tatchell
“An Education” (Sony Pictures Classics), Screenplay by Nick Hornby
“In the Loop” (IFC Films), Screenplay by Jesse Armstrong, Simon Blackwell, Armando Iannucci, Tony Roche
“Precious: Based on the Novel ‘Push’ by Sapphire” (Lionsgate), Screenplay by Geoffrey Fletcher
“Up in the Air” (Paramount in association with Cold Spring Pictures and DW Studios) , Screenplay by Jason Reitman and Sheldon Turner
Original screenplay

“The Hurt Locker” (Summit Entertainment), Written by Mark Boal
“Inglourious Basterds” (The Weinstein Company), Written by Quentin Tarantino
“The Messenger” (Oscilloscope Laboratories), Written by Alessandro Camon & Oren Moverman
“A Serious Man” (Focus Features), Written by Joel Coen & Ethan Coen
“Up” (Walt Disney), Screenplay by Bob Peterson, Pete Docter, Story by Pete Docter, Bob Peterson, Tom McCarthy
# # #

ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is the world’s preeminent movie-related organization, with a membership of more than 6,000 of the most accomplished men and women working in cinema. In addition to the annual Academy Awards – in which the members vote to select the nominees and winners – the Academy presents a diverse year-round slate of public programs, exhibitions and events; provides financial support to a wide range of other movie-related organizations and endeavors; acts as a neutral advocate in the advancement of motion picture technology; and, through its Margaret Herrick Library and Academy Film Archive, collects, preserves, restores and provides access to movies and items related to their history. Through these and other activities the Academy serves students, historians, the entertainment industry and people everywhere who love movies.

FOLLOW THE ACADEMY
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Tuesday, August 22, 2023

3 Important Achievements of Netflix in South Africa, Kenya and Nigeria

3 Important Achievements of Netflix in South Africa, Kenya and Nigeria

Netflix has supported the creation of over 12,000 jobs and generated $218 million to the GDPs of South Africa, Kenya, and Nigeria, where they are operational.

Netflix has funded economic activity which created over $44 million in tax revenue and an increase of over $200 million in household income.

Netflix is investing more in Nollywood and the Nigerian film industry than Amazon.

#Netflix
#SounthAfrica
#Kenya
#Nigeria
#Nollywood
#investment
#Amazon
#filmindustry 

Hollywood Film Distributor, Vision Films Inc Refuses To Pay Commission on "Eagle Wings" To Nigerian Agent

Hollywood Film Distributor, Vision Films Inc Refuses To Pay Commission on "Eagle Wings" To Nigerian Agent


Lise Romanoff, the Managing Director and CEO of Vision Films Inc, California, USA is presently in dispute with Ekenyerengozi Michael Chima, an international agent for film and TV acquisition and distribution over her refusal to pay him the finder's fees and commission on the multiple award winning, Nigerian war film, "Eagle Wings" she acquired through him in 2022.
"She acquired the film after I pitched the film to her for acquisition."



Michael Chima, who is the Publisher and Editor of the NOLLYWOOD MIRROR® Series, a publication on Nollywood and the Nigerian film industry said that Lise Romanoff threatened to terminate the global distribution contract with the filmmaker, Paul Apel Papel if he insisted on requesting for his finder's fee and commission for the film widely  distributed on VODs and cable TV channels. 
The "Eagle Wings" on the war on the Boko Haram and ISWAP terrorists in northern Nigeria has been showing on M-NET cable TV channels on DStv and streaming on Showmax of the MultiChoice Group, Africa's biggest multimedia entertainment company.

Lise Romanoff said there was no  agreement between Vision Films and Michael Chima. But he dismissed her statement.
"If she did not have any agreement with me, then why did she send me the contract agreement before it was signed by the filmmaker, Paul Apel Papel in the first quarter of 2022 and later sent me the updates on the global distribution of the film she acquired through me? And Vision Films sent me the latest update by email yesterday."

All discussions and transactions between Lise Romanoff and Michael Chima have been by emails without any formal contracts; from the theatrical release of "The American King" in Nigeria by the Silverbird Film Distribution through the recommendation of Michael Chima and she paid him for the publicity and also paid him commission on the box office revenue in July, 2022. She also paid him a minimum guarantee for recommending her to Wiflix, a VOD streaming service based in the Netherlands that is currently streaming several movies distributed by Vision Films Inc.
Therefore, Michael Chima has insisted that his finder's fee and commission on the global distribution of the "Eagle Wings" must be paid as Vision Films paid him for getting them the theatrical release of "The American King" in Nigeria and acquisition of the  rights for the streaming of a catalog of their content by Wiflix. 

Lise Romanoff, the Managing Director and CEO of Vision Films Inc,  California, United States of America, is a member of The Independent Film & Television Alliance (IFTA).



25 Under 40 Energy Women Rising Stars: Rekik Bekele

PRESS RELEASE
25 Under 40 Energy Women Rising Stars: Rekik Bekele
Rekik Bekele is the CEO and Founder of Green Scene Energy

Access Multimedia Content

JOHANNESBURG, South Africa, August 22, 2023/ - The 25 Under 40 Energy Women Rising Stars is a list celebrating the remarkable achievements of a select group of women across Africa’s energy sector, such as Rekik Bekele. With the objective of providing access to electricity to Ethiopia’s population, Bekele founded Green Scene Energy, and serves as a source of inspiration for many across the industry. The African Energy Chamber (http://www.EnergyChamber.org) spoke to Bekele about her success and future aspirations.

Please share a brief overview of your journey in the energy industry that led to your current role? What are some key achievements or milestones that you are particularly proud of?

With a Bachelor of Science (BSc) degree in Electrical Engineering from Addis Ababa University, I have been actively engaged in the sector since 2010. My commitment to professional development and industry engagement is demonstrated by my role as a board member of the Ethiopian-Solar Energy Development Association and her participation as an Acumen East Africa fellow.

In 2016, I founded Green Scene Energy PLC, where I currently serve as the CEO and co-founder. The company has made remarkable achievements in expanding access to clean energy, creating job opportunities, and driving positive change within the industry. I take pride in providing solar home lighting solutions to over 9000 households, installing over 85 pumps, and implementing productive use solutions, thereby improving the lives of numerous individuals and communities.

My dedication to creating a sustainable energy future is further exemplified by my active participation as a keynote speaker in major off-grid energy events. Through these engagements, I share valuable insights and promote sustainable solutions, inspiring others and fostering dialogue within the renewable energy sector. I also take part in speaking engagements at universities and other events, where I aim to motivate and empower young women engineers.

The energy industry is known for its complexities. What were some significant challenges you faced along the way, and how did you navigate through them to achieve your goals?

In the renewable energy industry, I have indeed faced several significant challenges along the way. The complexities within the energy industry have required careful navigation and innovative strategies to overcome.

Limited Access to Funding: One of the major challenges has been the limited availability of funding and financial resources. Building and scaling renewable energy projects require significant investments, and securing adequate funding can be a daunting task. To overcome this challenge, I actively sought out partnerships with investors, financial institutions, and international organizations that share our vision of sustainable energy solutions.

Regulatory Environment: Policies and regulations in the energy industry sometimes do not adequately support the growth and development of renewable energy projects. This creates hurdles for implementation and slows down market growth. To address this challenge, we actively engage with government agencies, policymakers, and industry associations to advocate for favorable policies and regulations.

Availability of Foreign Currency: Another challenge we encountered was the availability of foreign currency. This affected the importation of necessary equipment, materials, and components required for renewable energy projects. To navigate through this challenge, we worked closely with financial institutions and partners to explore alternative financing options and strategies for sourcing essential resources locally. This helped us overcome the limitations posed by currency availability.

Impact of the COVID-19 Pandemic: The COVID-19 pandemic had a significant impact on the renewable energy industry. It disrupted supply chains, leading to delays in project implementations and hindering access to necessary materials and resources. Additionally, the closure of construction sites and limitations on international travel also affected progress. To navigate through this challenge, we adapted our operations by implementing remote working arrangements, exploring local supply chains, and prioritizing the safety and well-being of our employees.

Internal Conflict: The internal unrest between the Ethiopian government and the Tigray People's Liberation Front further added to the challenges faced in the industry. This conflict disrupted operations, hindered project progress, and impacted stability in the region. To navigate through this challenge, we closely monitored developments and made necessary adjustments to ensure the safety of our staff and projects.

Despite these challenges, we remain committed to our goals of promoting sustainable energy solutions.

What advice would you give to young females aspiring to excel in the energy sector? Are there any specific strategies or mindsets that helped you overcome obstacles and reach your current position?

As a young female aspiring to excel in the energy sector, I would advise you to:
  • Embrace Challenges: Be open to stepping out of your comfort zone and taking on challenging roles or projects. Sometimes, it's in these unfamiliar territories that you discover your true passion and purpose.
  • Seek Opportunities to Learn: Look for opportunities to gain knowledge and skills in the energy sector. Attend workshops, webinars, and conferences, and stay updated with the latest advancements in the industry. Continuous learning will help you stay ahead and excel in your field.
  • Build a Strong Network: Connect with professionals in the energy sector, both male and female. Networking can provide you with mentorship, guidance, and valuable connections that can help you overcome obstacles and reach your goals.
  • Be Resilient: Overcoming obstacles is a part of any career journey. Develop a mindset of resilience, tenacity, and determination. Learn from failures, adapt and keep moving forward towards your goals.
  • Find Your Passion and Purpose: Identify what truly motivates and inspires you in the energy sector. Whether it's finding solutions to community problems, like energy poverty, or innovating in the field of sustainable farming, align your work with your passion and become a driving force for positive change.
Remember, success is a journey, and perseverance, continuous learning, and passion will be your guiding lights along the way.

A career in energy can be demanding. Could you describe a typical day in your life?

A career in the energy sector is indeed demanding, and I can relate to the challenges you are facing. Here is a glimpse into a typical day in my life:

6:00 am: I start my day with exercise, either by going for a run or hitting the gym. Physical activity helps me stay energized and focused throughout the day.

8:00 am: I begin my workday by checking emails and reviewing my schedule for the day. This allows me to prioritize tasks and address any urgent matters.

9:00 am: I usually have meetings with my team to discuss ongoing projects, review progress, and address any challenges or opportunities. These discussions involve brainstorming solutions, making strategic decisions, and coordinating resources effectively.

11:00 am: I dedicate this time to collaborating with partners and stakeholders in the energy industry. This may include attending online conferences or meetings to explore potential collaborations, partnerships, or funding opportunities. Building strong relationships and networking are vital for success in this industry.

1:00 pm: I usually bring my lunch or breakfast to the office and have it around this time. Taking a break to nourish myself is important for maintaining focus and productivity.

6:00 pm: My work typically continues until this time, but it may sometimes extend to 8:00 pm or later, depending on the demands of the day. I prioritize completing pending tasks, following up on important matters, and preparing for the next day.

I understand the challenges of balancing work and family life. I am fortunate to have the support of my understanding and supportive family, especially my husband who is also my business partner. His sacrifice and dedication to our shared vision have been instrumental in establishing Green Scene Energy UK. While it can be demanding, I try to find a balance and make time for my family and personal interests like running and dancing.

Looking ahead, what changes or advancements do you hope to see in the energy sector, and how do you envision your role in shaping that future?

Looking ahead, I have several hopes for changes and advancements in the energy sector:
  • Energy Access for All: I hope to see a significant shift to ensure universal access to clean and affordable energy. I hope to see advancements in technology and innovative business models that can bring energy access to underserved communities, both in rural and urban areas.
  • Green Scene's vision is to contribute to the national electrification plan. Manufacturing solar appliances for rural households and generating energy with Power Purchase Agreements (PPA) are promising approaches.
  • Manufacturing Solar Appliances: By manufacturing solar appliances specifically designed for rural households, Green Scene can help bridge the electricity gap in Ethiopia. This initiative will provide access to clean and affordable energy for millions of households, improving their quality of life, and supporting socio-economic development.
  • Generating Energy with PPAs: PPAs can play a crucial role in increasing renewable energy generation capacity. By partnering with private investors, government entities, or utilities, Green Scene can establish renewable energy power plants and sell the generated electricity through long-term agreements.
Distributed by APO Group on behalf of African Energy Chamber.

SOURCE
African Energy Chamber



25 Under 40 Energy Women Rising Stars: Ibilola Akinnola

PRESS RELEASE
25 Under 40 Energy Women Rising Stars: Ibilola Akinnola
Ibilola Akinnola is the LNG Shipbroker at Maersk

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JOHANNESBURG, South Africa, August 22, 2023/ -- As Africa’s energy sector expands, innovative approaches to exploring, developing and distributing energy are required. Featured on Africa’s 25 Under 40 Energy Women Rising Stars list is Ibilola Akinnola, who currently serves as an LNG Shipbroker at Maersk. Akinnola spoke with the African Energy Chamber (www.EnergyChamber.org) about the industry, some of the challenges she faced and what message she has for young females aspiring to excel in the energy sector.

Please share a brief overview of your journey in the energy industry that led to your current role? What are some key achievements or milestones that you are particularly proud of?

My journey in the energy sector started as a young lawyer in Lagos, Nigeria. After finishing my undergraduate degree in the UK and returning to Nigeria for law school, my interest in corporate law shifted to oil and gas law. As Nigeria remains predominantly an exporting country, oil and gas law ultimately led me to shipping law. My interest in the energy industry was sparked by my work at ACAS-Law (now Dentons ACAS-Law) as an oil and gas solicitor and shipping barrister. Due to the global nature of the shipping business, my experience as both a maritime barrister and oil and gas solicitor involved working on transactions for notable entities such as APM Terminals and NNPC on matters ranging from an arrest of a vessel in Nigerian waters to oil field acquisitions in the Niger Delta region for regional companies such as Seplat Nigeria.

Subsequently, I decide to return to the United Kingdom to further my understanding of the industry, by embarking on a master’s degree in International Shipping Law with a focus on trade disparities in the application of international shipping conventions in developing countries vs developed countries and the goal of specializing in shipping as a commodity. My master's degree highlighted the need for energy development in developing nations, particularly in African countries. I completed my master’s degree in 2020 and began working as an energy trainee for Energias de Portugal (EDP), a Lisbon-based Portuguese energy company, further expanding my network into European energy. This elevated me into price reporting at S&P Global, where I emerged as the sole market specialist for LNG freight markets in the Atlantic basin. It was here I saw the consolidation of all my contacts in Africa, Europe, and other locations as I analyzed and priced LNG shipping deals done west of the Suez Canal, covering Europe, Africa, and the Americas. This journey paved the way for my current role as an LNG Shipbroker at Maersk Broker.

Over the course of my career, which has covered three major continents, I have achieved a multitude of outstanding feats and pivotal milestones, these achievements include, but are not limited to:
  • Dentons Acas-Law legal team due diligence the oil field acquisition of OPL 276, situated in the eastern Niger Delta region.
  • Pioneering the conceptualization and launch of two first-to-market price assessments during my tenure at S&P Global. The first price assessment for two-stroke ships in the spot market to be assessed and published.
  • Elevated the role of LNG freight market specialist at S&P Global by amplifying visibility and fostering critical engagement on trade flow shifts. Notably, I was invited to present at the 44th Annual Caribbean Energy Conference in Santo Domingo, Dominican Republic, January 2023.  Engaging with regional stakeholders to analyse the effect of freight markets and trade dynamics within the Caribbean context.
  • Driving over 30% increase in engagement with African stakeholders in the LNG industry at Maersk Broker, looking to both small-scale LNG and larger scale shipping to ease entry into the global LNG shipping market of African entities.
The energy industry is known for its complexities. What were some significant challenges you faced along the way, and how did you navigate through them to achieve your goals?

Navigating my journey, I encountered pivotal challenges that underscored the importance of access and opportunity. Foremost among these challenges was the perpetual struggle of gaining entry. Whether grappling with visa complexities as an international student seeking work in the UK during the pandemic's peak or contending with visa delays inherent to my Nigerian passport, my pursuit as an African in a global industry was marked by shut doors. A notable instance materialized in October 2020 when the onset of the COVID-19 pandemic not only shuttered international borders but also stagnated economies and hiring processes. This compelled me to depart from my role at EDP, returning to Nigeria and effectively commencing from square one at a juncture when I anticipated my career to flourish.

At the core of my approach lies the fundamental tenet, "Where there's a will, there's a way." Confronting such challenges has honed my capacity to pivot and adapt. During the subsequent four months spent in my parents' Nigeria home, I dedicated myself to applying for international opportunities in shipping and energy that transcended geographical confines and offered visa sponsorships. I harnessed the power of LinkedIn to cultivate my online network, compensating for my inability to be physically present in London or Lisbon for industry engagement. It was during this phase that and soon thereafter the opportunity at S&P Global came and I was back on a flight to London in February 2021.

Through persistence, adaptability, and a tenacious spirit, I've embraced the philosophy that challenges are not barriers but rather pathways to novel opportunities. My journey has reiterated the significance of resourcefulness in carving one's way forward and leveraging my unique blend of cultures from working and living in different environments as a strength.

What advice would you give to young females aspiring to excel in the energy sector? Are there any specific strategies or mindsets that helped you overcome obstacles and reach your current position?

For young women with aspirations to excel in the dynamic energy sector, I offer the following guidance: embrace the courage to stand out, for it is often in those moments of distinctiveness that we carve our path to success. Allow your curiosity to guide you across diverse industries, as every experience will contribute to your growth and versatility. Don't be hesitant to welcome new challenges, for it is within these uncharted territories that your greatest innovation and capabilities can flourish. In a traditionally male-dominated field, it's essential to recognize the power of your uniqueness. Your different perspective, insights, and approaches can yield solutions that may not have been considered before. The energy sector is continuously evolving, demanding fresh perspectives to address complex challenges and drive innovation. By daring to stand out, you not only bring your own voice to the table but also contribute to the transformation of an industry that would only ever thrive on diversity of thought.

A career in energy can be demanding. Could you describe a typical day in your life?

In my role as a shipbroker, my days are a blend of diverse activities. I kickstart with emails, follow up on any ongoing discussions or shipping requirements from the days before and stay updated on the latest market developments. Engaging with clients in chartering discussions and opportunities, ensuring all viable opportunities are maximized. I delve into market research to provide accurate insights while continuously seeking networking opportunities enhances my industry connections.

Guiding clients through decisions and creatively solving problems are fundamental components to the role. As the day winds down, I ensure updates are shared with clients and colleagues alike. It's a fast-paced, rewarding role that relies on effective communication, thorough research, and adaptability to navigate the dynamic world of LNG shipping.

Looking ahead, what changes or advancements do you hope to see in the energy sector, and how do you envision your role in shaping that future?

Looking ahead, I envision a shift towards sustainable energy sources, driven by renewable technologies and innovative solutions to foster a greener future. In this landscape, I hope to bring a diverse perspective whereby I can merge my cultural insights with global industry trends and foster truly global trade in energy markets- particularly with the goal of maximizing Africa’s full energy potential.
Distributed by APO Group on behalf of African Energy Chamber.

SOURCE
African Energy Chamber


Saturday, August 19, 2023

Oppenheimer: So, You’ve Watched the Film – Now Find Out How It Was Made


Hoyte van Hoytema ASC NSC FSF on Oppenheimer

WEAPONS OF MASS DESTRUCTION


The latest collaboration between Hoyte van Hoytema ASC NSC FSF and Christopher Nolan sees them take on their most groundbreaking creative project yet, bringing the fascinating true story of “father of the atomic bomb”, theoretical physicist J. Robert Oppenheimer, to the screen
So, you’ve watched the film – now find out how it was made in our latest Long Read, available for 48 hours only!
 
Along with its pink-hued peer Barbie, Oppenheimer has been one of the cinematic stars of the summer. Christopher Nolan’s latest epic, a biopic of physicist J. Robert Oppenheimer, saw the director team up once again with visionary DP Hoyte van Hoytema ASC NSC FSF on their most groundbreaking creative project yet.
 
Find out more about van Hoytema’s lensing choices, including his “magic mix” of IMAX and more “workhorse” 65mm cameras, the challenges of shooting black-and-white on big format, and developing custom optics with Panavision’s Dan Sasaki.
 
“I love building things,” the DP says of his creative cinematography. “I always get a big kick out of enabling shots or enabling ways of storytelling that you haven’t seen before, and especially in these times where people think they can do whatever they can come up with in CGI…I always like to challenge myself and find the equivalent of a good CGI [shot] in the physical world, because I think the physical world brings a certain level of tangibility that is unobtainable in CGI.”
 
Available to read for free for just one weekend only – don’t miss out!
https://britishcinematographer.co.uk/hoyte-van-hoytema-asc-nsc-fsf-oppenheimer/


Friday, August 18, 2023

Former Nigerian Minister of State Professor Ibe Kachikwu to Participate at African Energy Week (AEW) 2023 as Keynote Speaker


African Energy Chamber

PRESS RELEASE
Former Nigerian Minister of State Professor Ibe Kachikwu to Participate at African Energy Week (AEW) 2023 as Keynote Speaker

The African Energy Chamber is pleased to announce the participation of Prof. Ibe Kachikwu, Former Honorable Minister of State, Petroleum Resources of Nigeria at African Energy Week 2023

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JOHANNESBURG, South Africa, August 17, 2023/ -- African Energy Week (AEW) 2023 – Africa’s premier event for the energy sector – taking place from 16 – 20 October in Cape Town will feature Prof. Ibe Kachikwu, Former Minister of State, Petroleum Resources of Nigeria, as a keynote speaker. During the event, Kachikwu will shape crucial conversations around best practices to accelerate the African energy renaissance for energy security, economic growth and sustainable development.

A seasoned industry executive with extensive expertise and a well-established presence in the global energy sector, Kachikwu is well positioned to drive serious AEW 2023 dialogue on investment and partnership opportunities available within the Nigerian and African energy landscapes. During his career in energy which spans over 31 years, Kachikwu served as General Managing Director of now diversified global energy firm, Nigerian National Petroleum Corporation (NNPC), and as President of the Organization of the Petroleum Exporting Countries (OPEC), the Gas Exporting Countries Forum (GECF) and the African Petroleum Producers Organization (APPO).

Kachikwu’s dedication to revolutionizing the global energy sector has been nothing short of monumental. As Minister of State, Petroleum Resources, Kachikwu orchestrated the transformation of Nigeria’s oil and gas sector through a series of policy reforms, partnerships with global players and the implementation of several significant projects. These endeavors were designed to enhance energy production, infrastructure, and overall industry development.

Among these projects are TotalEnergies’ initiation of the development of the Egina and Ikike oil fields, Chevron’s milestone accomplishment of producing clean diesel from natural gas feedstock at the Escravos Gas-to-Liquids plant, the expansion of the Uquo Gas Processing plant, the proactive launch of Eni’s Zabazaba-Etan field development, and the commencement of a series of exploration activities.

In his roles within GECF, APPO, and GECF, Kachikwu’s impact on elevating energy production and monetization across African nations for bolstering local, regional, and global energy market resilience, as well as fostering robust gross domestic product growth, has been profound.

At NNPC, he played a leadership role in strategically cultivating new investments, forging new partnerships, and maximizing infrastructure development to ensure optimal exploration, utilization, and monetization of Nigeria’s vast reserves for energy security and a sustainable economic growth. Owing to the accomplishments realized and the enduring groundwork established during Kachikwu’s tenure at NNPC, the company persists in attaining even more remarkable milestones. Today, it stands among Africa’s foremost energy enterprises and ranks as one of the continent’s most successful national oil corporations.

“Prof. Ibe Kachikwu has played a crucial role in maximizing the development and exploitation of Nigeria and Africa’s energy resources for economic, social and environmental benefits in a sustainable manner. His leadership role has unlocked a series of investments and partnerships aimed at boosting energy access and the growth of African economies. Now that Africa is seeking to maximize the sustainable growth of the energy sector for a just and inclusive energy transition, guidance from leaders and experienced industry executives like Kachikwu is vital,” states NJ Ayuk, the Executive Chairman of the African Energy Chamber.

AEW is the AEC’s interactive exhibition and networking event that seeks to unite African energy stakeholders, drive industry growth and development, and promote Africa as the destination for African-focused events. For more information, visit www.AECWeek.com.
Distributed by APO Group on behalf of African Energy Chamber.

SOURCE
African Energy Chamber