Tuesday, October 25, 2022

Something Happened Upstairs

You can never guess what happened upstairs during a stormy night when four robbers came to rob a family in a house in Ikeja on the mainland of Lagos in western Nigeria.

You can read this short story on 

https://www.nairaland.com/808407/something-happened-upstairs

New Nigeria on Pinterest 

www.pinterest.com/nigeriansreport

Booming African Mobile Markets To Get Boost from Nordic Expertise

PRESS RELEASE
Booming African Mobile Markets To Get Boost from Nordic Expertise
Africa is poised to leap forward, unencumbered by legacy technologies and processes, and empowered by youthful demographics
STOCKHOLM, Sweden, October 25, 2022/ -- SUBTONOMY (https://www.Subtonomy.com/), the leading Network Experience Platform provider in the Nordics, has announced that it will be attending AfricaCom in South Africa (8-10 November 2022) to bring its world-class digital customer support offering to Africa.

The African digital revolution

It’s time to reappraise Africa’s place in the global digital market. Long held back by affordability and availability issues, the advent of cheaper smartphones and ubiquitous, higher capacity mobile networks have provided a huge springboard for growth. Young, internet-savvy Africans are optimistic and opportunistic about tech, utilizing it as a platform for their creativity, entrepreneurial spirit, and thirst for education. Already the world leader in mobile money[1], Africa is poised to leap forward, unencumbered by legacy technologies and processes, and empowered by youthful demographics[2]. The continent’s rapid transition to a mobile-first, digital economy means that it already has more smartphone users than North America and by 2025 Sub-Saharan Africa will have 474 million internet users (39% of the population[3]).

New demands on the network, new customer expectations

Whether it’s using their phones for banking, finding work, shopping, creating, listening to music or watching their favorite shows, young Africans have moved far beyond their parents’ expectations of mobile services. While the future of the African mobile market may look rosy, it’s not without challenges, however. In the next few years, African operators will have to cope with onboarding large numbers of new customers[4] and find cost-effective ways to support them while they transition from 3G to 4G, from feature phones to smartphones, and from simple to complex service offerings.

As if all of this were not enough, the expectations of African Gen Z customers are also rising rapidly. Like their social media friends around the world, they expect high-quality uninterrupted services backed by world-class, 24/7 customer support when things go wrong. If they don’t get it, they’re more willing than ever to simply walk away[5].

And this is precisely where African operators can benefit from the experience of other mobile-first markets such as the Nordics. Operators in the Nordics have pioneered efficient and cost-effective digital customer care for years. Subtonomy’s customers, for example, are already able to automate 75% of customer support in digital channels, and increase contact center efficiency to deliver 60% fewer escalations and 47% faster call handling.

Future proofing support

With things moving so rapidly in Africa, it’s hard for operators to manage change cost-effectively or predict what their support operations will look like in a few years. Will future African customers have virtual reality-based support, or get help via their digital assistants? Whatever happens, operators must squeeze the maximum value out of their existing equipment to keep costs down and reduce disruption, while at the same time innovating their customer support offerings and preparing for what’s coming. Fortunately, there’s a win-win here as well. Subtonomy’s Network Equipment Platform takes data from any existing source – including legacy probes (eg Amdocs, Anritsu, Commprove, Empirix, Exfo, Polystar, Radcom, Tektronix, Teoco or Viavi), BSS and OSS, cell data and device data – to deliver a 360o real-time view of actual customer experience, empowering 24/7 holistic support.

“As the African mobile market matures, customers will expect better support from operators. As researcher Herring Shava[6] recently pointed out, two of the biggest causes of dissatisfaction with support are operators’ reliability (not doing things when they said they would) and responsiveness (not informing customers when they intend to fix problems). We’re proud to have helped our clients fix both these issues in the Nordics and look forward to helping African operators revolutionize the way they support their customers in future – giving them both happier customers and a competitive edge.” Andreas Jörbeck, CEO, Subtonomy 

To find out more about Subtonomy’s offering, operators are invited to meet with Subtonomy at AfricaCom 2022, Telcos of Tomorrow booth A52. Book a meeting here: APO Group rep (malika.bouayad@apo-opa.com).


[1] According to the GSMA, Africa accounts for 70% of the world’s $1 trillion mobile money transactions.

[2] Africa has the largest number of Gen Zers (also called ‘Zoomers’) in the world, and more than a billion people under the age of 35.

[3] Forecasts from GSMA.

[4] By 2025 the GSMA forecasts Africa will have 120 million new subscribers and 170 million new mobile internet users, taking the proportion of the population using mobile internet to 40%.

[5] According to a BrandsEye study (2019), 47.2% of the complaints raised by customers in South Africa were about the quality of customer service. Approximately 37% complained about the mobile network provider’s turnaround time, and 44.4% of the respondents complained about the network provider’s failure to attend to queries posted on social media. But in cases where the network provider did respond, 61% of consumers ended up being dissatisfied with the quality of service provided.

[6] See: H. Shava. Service Quality and Customer Satisfaction Experience Among South African Mobile Telecommunications Consumers. Walter Sisulu University. Published in Eurasian Journal of Business and Management, 9(3), 2021, 217-232.
Distributed by APO Group on behalf of Subtonomy.
 
For more information or to set up an interview, please contact:
Tina Rosén
tina.rosen@subtonomy.com

About Subtonomy:
Subtonomy’s ML-driven Network Experience Platform provides unprecedented real-time insight into the experience of customers on any network (2G, 3G, 4G, 5G NSA, 5G SA, broadband and gigabit fiber). Its easy-to-use applications utilize this rich data to enable customer support teams to isolate and resolve problems faster; operational teams to prioritize fault fixing and network build according to actual customer need; business teams to up-sell to both business customers and consumers; and wholesale teams to understand the service they’re delivering to MVNO clients. Founded in Sweden in 2012, Subtonomy’s technology helps network operators deliver more personalized support and more proactive care to help its clients deliver a premium network experience.  We’re proud to have a 100% satisfied client base and to be finalists in the 2022 World Communications Awards for Customer Experience. Also see: Subtonomy’s website (https://www.Subtonomy.com/).

SOURCE
Subtonomy



Monday, October 24, 2022

The Best Nollywood Movies Not On Netflix - Part 1


The Best Nollywood Movies Not On Netflix


I will present the best Nollywood movies from 2011 to date that are not currently on Netflix and which can still attract hundreds of thousands of lovers of Nollywood movies who have not seen them and will be anxious and excited to see them on Netflix, Amazon Prime Video SVOD or Showmax.
 
My first selections were the top three must watch Nollywood movies in 2011.
1. Two Brides and A Baby by Teco Benson 
2. Changing Faces by Faruk Lasaki. 3. Imala by Andy Amenechi. 

Two Brides and A Baby is one of best new movies out of Nollywood and done professionally. The thrilling story focuses on keche and Bankole, on what they thought was a perfect union. They planned for a beautiful wedding ceremony and hoped for a blissful life thereafter,until the unexpected happens. Now they must together fight for what they believe in or forever lose their hope of a happy life together.



Changing Faces was the first Nigerian movie dubbed in French to be shown in France and at the Cannes Film Festival, Cairo International Film Festival, Africa Diaspora Film Festival in New York, Ecrans Noirs Film Festival in Cameroon, Zuma Film Festival in Abuja and at the Eko International Film Festival in Lagos.

Nollywood diva Alex Lopez as Franca and Marc Baylis as Dale in "Changing Faces". 

The romantic thriller features popular Nigerian and British stars like Alex Lopez, Keppy Ekpenyong, Marc Baylis rated as the hottest foreign actor in a Nigerian movie and Rachael Young the black and sexy actress. Imagine how you would feel if you caught your darling born-again Christian husband having raunchy sex with your housemaid.

Marc Baylis and Rachael Young in "Changing Faces". 

You can see how the whole romantic drama played out when Changing Faces opens at the Silverbrd Cinemas and other cinemas on December 16, 2011.


Imala has been rated as one of the best movies to come out of Nigeria after premiering in London and Dublin. The movie centres on the story of Segilola a teenager who fell in love with Bankole, a 27-year old undergraduate. Segilola's naivety and lack of sex education put her in a life and career threatening situation. She was rejected and had to chart a new course for herself completely impervious of life's challenges. 
The movie tackles the issues of unplanned pregnancy, unsafe abortion, and HIV/AIDS. While addressing these serious topics, the movie uses comic relief, popular music, and a strong story line to draw teens' interest. Filmed in Yoruba and subtitled in flawless English, IMALA would be dubbed into Hausa, Igbo and French.

HIGHLY RECOMMENDED ARTICLE:
FilmOne has had Nollywood in a stranglehold. It maintains a particular brand of content: slapstick comedies, maudlin rom-coms and stilted dramas with a brittle icing of cinematography to please a more high-brow audience.

Source
💋 Kisses &🌹Roses
Strictly for Adults
Since 2005..


Sunday, October 23, 2022

Books By Ekenyerengozi Michael Chima on Amazon

Ekenyerengozi Michael Chima, aka Orikinla Osinachi, is a prize winning Nigerian writer, most prolific African blogger and the Publisher/Editor ...
https://www.amazon.com/author/ekenyerengozimichaelchima



Saturday, October 22, 2022

Elesin Oba, The King's Horseman, Anikulapo and the Obsession for Netflix in Nollywood

Elesin Oba, The King's Horseman, Anikulapo and the Obsession for Netflix in Nollywood

Planning is everything and everything is planning in achieving our goals in our occupations and professions.

Nobody is too big, too high or too old to learn.

The films, ‘Elesin Oba, The King's Horseman" by Biyi Bandele and   "Anikulapo" by Kunle Afolayan  should have been in the Official Selections of the  Cannes Film Festival, Venice Film Festival and Toronto International Film Festival (TIFF) in competition with the best new films by other filmmakers in the world. 
Both of them were produced for Netflix and the producers were fixated on seeing them in competition for the global Top 10 movies on Netflix.

The obsession of Nigerian filmmakers for Netflix deserves to be studied by psychologists.
Being on Netflix has become a status symbol for bragging rights by local filmmakers in Nollywood and their second obsession and status symbol is Amazon Prime Video SVOD.
To them being on either Netflix or Amazon Prime Video SVOD is like winning an Oscar at the annual Academy Awards of the Academy of Motion Picture Arts and Sciences (AMPAS). Once they are on Netflix or Amazon Prime Video SVOD, they have arrived, even though they are among the lowest paid filmmakers compared to the American, European, Australian and Asian filmmakers on Netflix and Amazon Prime Video SVOD.
Hundreds of the local filmmakers can stampede over themselves to be on either of the two leading streaming platforms for even US$20, 000. Yeah, they have become so cheap that many of them are giving their new movies to MultiChoice for less than US$1, 000 per movie! In fact, they fast and pray and do night vigils of praise and worship to be accepted by Netflix, Amazon Prime Video SVOD and MultiChoice.
They are doing more harm than good to the international reputation and valuation of Nollywoood and the Nigerian film industry.

If the focus of the producers of "Elesin Oba, The King's Horseman" and "Anikulapo" has been on making the Official Selections of the biggest international film festivals and the Academy Awards, there would not have been any controversial rejection of the films by the  Nigerian Official Selection Committee (NOSC) for the Best International Feature Film category of the 2023 annual Academy Awards. Their focus on Netflix distracted them from following the road map to the Oscars.


- By Ekenyerengozi Michael Chima.
The Publisher/Editor,
NOLLYWOOOD MIRROR® Series,
New Nigeria on Pinterest





Friday, October 21, 2022

Public and Private TV Stations in Nigeria are Grossly Underfunded

Both the public and private TV stations in Nigeria are grossly underfunded.

I am speaking from professional experience since I started my career in the largest TV network in Africa, the  Nigerian Television Authority (NTA) as the youngest professional scriptwriter for TV in Africa at 18 and from the 1980s and in 1998 worked as an Independent Production Manager of "Money Wise" on  the private DBN TV for two years when I was 35. 

When I look at both the public and private TV stations in Nigeria, I shake my head is disappointment. The underdevelopment of NTA in programmes is embarrassing when compared to the South African Broadcasting Corporation (SABC).

The federal government gives peanuts to the NTA and expect the NTA network of over 36 TV stations to produce world class programmes, because they are clueless about the economics of the TV industry which can be learned from the more advanced TV industry of South Africa. 

If the public and private TV stations in Nigeria are producing great content for entertainment and enlightenment of the best standards, they will be highly profitable to compete with MultiChoice, the South African company that operates DStv, the leading satellite television service in Sub-Saharan Africa and GOtv operating in several countries and has the popular streaming service, Showmax. 

The NTA network and private TV stations in Nigeria have channels on DStv and GOtv instead of competing with MultiChoice. But how can they compete without the required infrastructure for a world class international TV industry with the budgets for the best TV productions and for the premium content that will increase their revenues from TV commercials and international distribution of their content. 


- By Ekenyerengozi Michael Chima,
Publisher/Editor,
NOLLYWOOOD MIRROR® Series.

I will Always Hang my Hat on the Truth

 I will always hang my hat on the Truth.

Speak the Truth and damn the wrath of the Earth.

- Ekenyerengozi Michael Chima,

Author of"The Prophet Lied", "Diary of the Memory Keeper", "Scarlet Tears of London", "Unveil Me My Love", "In the House of Dogs" and other books distributed by Amazon, Barnes and Noble and other booksellers.

https://www.amazon.com/author/ekenyerengozimichaelchima


Speak The Truth and Damn the Wrath of the Earth

The Truth dies in whoever is silent

In the midst of Liars.

- Ekenyerengozi Michael Chima,

Author of"The Prophet Lied", "Diary of the Memory Keeper", "Scarlet Tears of London", "Unveil Me My Love", "In the House of Dogs" and other books distributed by Amazon, Barnes and Noble and other booksellers.

https://www.amazon.com/author/ekenyerengozimichaelchima


Thursday, October 20, 2022

AFRILABS: 2022 AfriLabs Annual Gathering

MEDIA ADVISORY

 
AFRILABS: 2022 AfriLabs Annual Gathering
 
The purpose of the press conference is to position the 2022 AfriLabs Annual Gathering as a global event
 
 
JOHANNESBURG, South Africa, October 20, 2022/- WHAT: Founded in 2011, AfriLabs (https://AfriLabs.com/) is a network organisation supporting Innovation Centers across African countries, grounded on the mission of building a community around the rapidly emerging technology hubs in Africa. The AfriLabs Annual Gathering is AfriLabs’ flagship event which provides a unique opportunity for technology hubs within the AfriLabs network and other stakeholders of the African technology and innovation ecosystem (such as corporates, development agencies, academia, and investors) to convene, network, learn and share knowledge.
 
WHEN: Friday, 28th October 2022 

TIME: 11.00 am – 12.00 noon South African time. See here (https://bit.ly/3CNIZkX) what time it will be in your country
 
WHERE: Online Via ZOOM
 
All journalists should REGISTER here (https://bit.ly/3Sjw0NV) to receive Zoom log in details for your attendance: https://bit.ly/3Sjw0NV

Language: English (With simultaneous translation to French and Portuguese)

Details:
The purpose of the press conference is to position the 2022 AfriLabs Annual Gathering as a global event focused on driving dialogue to foster intra-Africa connectivity, collaboration and innovation. Key information about the Gathering will be provided during the press conference, we encourage participants register to attend the conference.
 
Distributed by APO Group on behalf of AfriLabs.
 
For any interviews/media requests please contact:
OPC Technical contact: info@apo-opa.com
 
SOURCE
AfriLabs

"Elesin Oba: The King's Horseman" is Not the First Film Adaptation of Prof. Wole Soyinka's Works

"Elesin Oba: The King's Horseman" is Not the First Film Adaptation of Prof. Wole Soyinka's Works


The film project is the first time that one of Soyinka’s works would be made into a feature film.
http://lifestyle.thecable.ng/biyi-bandeles-elesin-oba-to-hit-cinema-oct-28/

It is baffling how Nigerian news media and their news reporters will continue to peddle falsehood on "Elesin Oba, The King's Horseman" being the first film adaptation of one of the works of Prof. Wole Soyinka.

The colourful film adaptation of "Death and the King's Horseman", one of the most popular plays of Nobel Laureate, Prof. Wole Soyinka, based on a real incident that took place in Nigeria during the British colonial era: the horseman of a Yoruba King was prevented from committing ritual suicide by the colonial authorities is erroneously being reported as the first film adaptation of one of his literary works. 
So what of the previous film adaptations of Soyinka's plays and autobiography? 
"Kongi's Harvest" of 1970 directed by Ossie Davis and produced by Francis Oladele, Lennart Bern
“Ake: The Years of Childhood” by Mr Dapo Adeniyi; 2016
"Sidi Ilunije", the film adaptation of "The Lion and the Jewel" by Tunde Kelani in 2017.

When Mo Abudu, the producer of the film said "Elesin Oba" is the first film adaptation of Prof. Wole Soyinka's works on Instagram, I corrected her that there have been film adaptations of other plays of Soyinka. But I have seen repetitions of this falsehood in several news reports.

Misinformation on the facts of life and history does collateral damage to human knowledge and education.  And the realization is more important for Mo Abudu who should be well educated on the history of filmmaking in Nigeria and film adaptations of Nigerian literary works, because she is a highly respected stakeholder in the Nigerian film industry as the Founder and CEO of the EbonyLife Group, owners of EbonyLife Studios, EbonyLife Films and the EbonyLife Creative Academy.


- By Ekenyerengozi Michael Chima,
Publisher/Editor,
NOLLYWOOOD MIRROR® Series