Showing posts with label Amazon. Show all posts
Showing posts with label Amazon. Show all posts

Tuesday, May 2, 2023

Chinonye Chukwu: From Nigeria To Alaska

Chinonye Chukwu was born in Port Harcourt in Nigeria is an Alaskan-raised screenwriter, producer and director. A recipient of the prestigious Princess Grace Award, Chinonye’s short, The Dance Lesson, premiered at the Ritz Theater of Philadelphia and was later acquired by MindTV for regional network distribution. The film was also a Regional Finalist for the 2010 Academy of Motion Picture Arts and Sciences Student Academy Awards and an Honorary Mention at the Los Angeles International Film Festival. Chinonye’s other work includes Igbo Kwenu!, a recipient of the PIFVA Subsidy Grant from the independent film community and both the “Best Motion Picture Award” and “Best Screenplay Award” at the 2009 Diamond Screen Festival. In 2012 she completed her first feature narrative, Alaskaland, the story of an estranged Nigerian-American brother and sister who reunite in their Alaskan hometown. Her 2019 death row drama, Clemency, starring Alfre Woodard and Aldis Hodge, which she wrote and directed, received the U.S. Dramatic Grand Jury Prize at Sundance 2019. She is a director on the TV series, Americanah, based on the novel of the same name by Chimamanda Ngozi Adichie. Her 2022, critically acclaimed, biographical drama, Till, based on the true story of Mamie Till-Bradley, received numerous awards and nominations.


FILMOGRAPHY

Igbo Kwenu! (2009)

The Dance Lesson (2010)

Bottom (2012)

alaskaLand (2012)

A Long Walk (2013)

Clemency (2019)

Sorry for Your Loss - Episode: I'm Here (2019)

Till (2022)



Tuesday, December 6, 2022

The World is Full of Unreasonable People

 Every conflict in history has been caused by Rebellion against rationality.

Humans have a preference for irrationality.
That's why the world has never known even one year of peace.
There is always a preventable war going on somewhere.

In the absence of noble ethos
The city burns in the violence of chaos.

The on going invasion of Ukraine by Russia is a rebellion against rationality.
The world is full of unreasonable people.

- Ekenyerengozi Michael Chima,
Author of "The Prophet Lied", "Scarlet Tears of London", "Diary of the Memory Keeper", "Children of Heaven" and other books distributed by Amazon, Barnes and Noble and other booksellers.
#people #london #amazon #books #Ukraine #Russia #war #conflict #rebellion #rationality #noble #ethos #heaven #children #prophet #history #chaos #world
https://www.instagram.com/p/Cl1ubbitW4c/?igshid=MDJmNzVkMjY=

Friday, November 25, 2022

Video: Nightfall in Lagos


Nightfall in Lagos


Jibowu on the Lagos Mainland in Nigeria on Tuesday night of November 22, 2022.

- By Ekenyerengozi Michael Chima, author of "Lagos in Motion: Sights and Sounds of Africa"s Largest Megacity" distributed by Amazon and producer/director of the documentary film in progress since 2016 with more than 40 hours of footage so far. Final principal photography to start before Christmas.

#Lagos

#Mainland

#Nigeria

#Jibowu

#Africa

#Megacity

#documentary

#film

#photography

#Amazon

#publish

#producer

#director

#nightfall

#November

#Tuesday

#Christmas




Sunday, October 23, 2022

Books By Ekenyerengozi Michael Chima on Amazon

Ekenyerengozi Michael Chima, aka Orikinla Osinachi, is a prize winning Nigerian writer, most prolific African blogger and the Publisher/Editor ...
https://www.amazon.com/author/ekenyerengozimichaelchima



Sunday, October 2, 2022

My US$3000 Challenge

I am in urgent need of US$3000 (three thousand dollars) within 24 hours to pay for house rent for one year.

Presently, due to critical economic crunch and delayed incomes, I don't have any money to pay for house rent and the welfare of my poor dependants of underprivileged children in Nigeria.

Delays in my incomes have been caused by lack of sales of my books on Amazon and other booksellers and delays in the acquisition of the film and TV rights to the movies and series I am marketing for producers and distributors.

I will be grateful for every amount of support I receive within 24 hours before I become homeless tomorrow.

CONTRIBUTION in USD can be sent to my bank account:

Guaranty Trust Bank Plc
365 Akin Adesola Street, Victoria Island, Lagos State, Nigeria.
Beneficiary name- EKENYERENGOZI MICHAEL CHIMA
Account number- 0016426307
Bank identifier/SWIFT CODE- GTBINGLA
SORT Code - 058152353

CONTRIBUTION in Naira should be sent to my Guaranty Trust Bank current account 0016426297 
Ekenyerengozi Michael Chima

Thank you for your support.

Gratefully,
EKENYERENGOZI Michael Chima 
Publisher/Editor, 
NOLLYWOOD MIRROR®Series
https://www.amazon.com/author/ekenyerengozimichaelchima
https://www.linkedin.com/in/michaelchimaeyerengozi
Tel: +2347066379246

PS:

If I receive more than the US$3000 I need urgently, the remaining money will be used for my charity for the education of underprivileged girls out of school in Nigeria which I have been supporting since 2013 by advocacy for girl education and the celebration of the annual United Nations' International Day of the Girl Child on every October 11.




Tuesday, July 12, 2022

Nollywood Must Stop Producing Many Crappy Movies

Nollywood Must Stop Producing Many Crappy Movies

The popularity of the phenomenon of Nollywood was based on overproduction of cheap home videos widely distributed and pirated in Nigeria and neighbouring countries in West Africa from VHS tapes to DVDs on the streets before the launching of cable TV channels between 2001 and 2004 and then uploaded by several authorized and unauthtorized people on YouTube from 2005 ; followed by the launching of Ibaka TV and iROKOtv in 2011.

The proliferation of low budget home videos in Nigeria made Nollywood the second largest producer of movies in the world after the Bollywood of India;  making news headlines all over the world and attracting both International vendors and investors. 

The biggest video streaming services in the world led by Netflix and Amazon are now competing for the best of the film and TV productions in Nollywood which compelled the producers to improve the quality of their movies to satisfy the criteria for international acquisition and distribution. But quantity is still the focus of the majority of producers and the production of substandard movies is doing more harm than good to the sustainable development of Nollywood and the Nigerian film industry.

The productions of cheap movies have left the few cable TV channels and streaming services saturated with movies which subsequently reduced the market value of Nigerian movies in comparison to South African, South Korean, Mexican and Indian movies in international acquisition and distribution. 

The frequency of productions in Nigeria is increasing the crappy movies in both Nollywood and Kannywood that I am ashamed to watch many of the movies with even top A-List actors. 
Did the highly esteemed actors read the screenplays before acting their idiotic roles? Or the temptations of being paid hundreds of thousands of naira made them to skip and waive professional standards?

We have submissions of hundreds of Nigerian movies and yet international buyers can only accept less than 20 movies every quarter. 

Many producers are now selling their movies for less than the costs of the productions. 

Is it not embarrassing to spend more than N3 million naira to produce a movie in Lagos, Asaba or Kano and you end up selling it for less than N500, 000 for two years on a local TV channel?
The local TV stations are now rejecting many movies, because they are saturated with dozens of movies and series submitted to them.
The local TV stations don't need to produce original movies and series, because they are cheaper to acquire from hundreds of unsolicited movies and series sent to them. 

It is not good to produce more than 1, 000 movies every year, but we can only count the best on our fingertips.


- By Ekenyerengozi Michael Chima,
Publisher/Editor, 
NOLLYWOOD MIRROR® Series,
Tuesday, July 12, 2022.
247 Nigeria (@247nigeria) / Twitter


Buy books by Ekenyerengozi Michael Chima on 

https://www.amazon.com/author/ekenyerengozimichaelchima


Friday, April 22, 2022

The Epidemic of Stupidity

 There is an epidemic of stupidity in Nigeria and majority of Nigerians are suffering from the sickness; from the street to the Office of the President.

- Ekenyerengozi Michael Chima,
author of "In the House of Dogs", "The Prophet Lied" and other books distributed by Amazon, Barnes and Noble and other booksellers. "In the House of Dogs" is about life inside Nigeria.

#Nigeria #amazon #author #books #dogs #life #stupidity #epidemic #President #writer #house #office


Wednesday, April 6, 2022

Marcelina Ekwutosi Omagie: Celebrating 100 Years of Doing Good

Marcelina Ekwutosi Omagie: Celebrating 100 Years of Doing Good

- By Chief Ingram OSIGWE


When you look at Mrs Marcelina Ekwutosi Omagie aka Nwaezebuona (daughter of a king is precious jewellery ), you don't just see a woman who is one of the rare persons to have lived through a century. No! Her cheerful mien and sharp wits belly her age. Rather, who you see is a beautiful soul, a strong, resilient woman who, every day,  inspires you to endure and overcome every trial and tribulation of life.

Yes, Mrs Omagie is a centenarian. Not many, especially in this part of the world with short life span, are blessed with longevity. But she is. Mrs Omagie will be 100 on April 9. God has been good to her, she enjoys good health and uninterrupted grace in her 100 years on earth.

As mama turns 100, her children, grandchildren, great-grandchildren and great-great-grandchildren will be rolling out the drums to celebrate a woman whose longevity is seeped in quality of life for according to Martin Luther King Jnr, "the quality, not the longevity, of one's life is what is important"

Though mama has no biological children of her own, she has spent the better part of her 100 years on earth mentoring the young and old and contributing tremendously to the goodness of humanity, growth of the Catholic church and tranquillity of the society.

It is, therefore, no surprise that a plethora of individuals, groups and organisations who have benefited richly from her fountain of love and who see her as a mother, grandmother, great-grandmother and great great grandmother will be celebrating Mrs Omagie's 100th birthday 

One of such organisations is the Stella Maris Catholic Church (outstation), Onitsha.

According to snippets from  Mrs Omagie's chequered life history, a time came when she immersed herself in the work and worship of God and then discovered that life and everything therein was all vanities. Mama thus decided to bequeath all she owned, including the land on which Stella Maris Catholic Church now stands, to God and the betterment of mankind.

On the day the church was dedicated, the Catholic Archbishop of Onitsha, Valeria Maduka Okeke declared that even though mama has no biological children all members of the Stella Maris family are her children and would always celebrate her as their matriarch.

This explains the elaborate birthday events the church has lined up for her.

Born on April 9, 1922, in Onitsha, Anambra State, to the family of His Royal Highness, the late Eze Timothy Williams Obiosa Ibuaka and late Catherine Ibuaka from the present-day Delta state, mama, as a kid, spent much of her time in the service of God through membership of various societies in the church including the Block Rosary and Mary League.

This was after her baptism at the Holy Trinity Catholic Church, Onitsha, now Basilica of the Most Holy Catholic church.

Her dedication to the church and things of God was to lead her to insist on becoming a nun.

However, her mother thought otherwise and persuaded her to get married. Thus on December 26th, 1944, mama sacrificed her desire to become a nun for a married life when she tied the knots with Solomon Omagie.

The marriage did not produce children and following a series of challenges arising from that, mama travelled abroad where she combined the work of God with furthering her studies.

In Rome for example, mama served the pope for many years as an altar girl. She was also active in the choir where she was noted for her exceptional appearance in African apparel.

In the field of education, Mrs Marcelina Omagie was one of the pioneer Nigerian lecturers at the then University College, Ibadan, now the University of Ibadan. She was in the employ of the University till 1975 when as a Senior Lecturer,  the then Nigerian leader, General Yakubu Gowon pleaded with her to proceed to the fledgeling University of Maiduguri to help solidify its formation.

The elegant, flowery chapters of mama's life, especially her contributions to the growth of the Catholic faith in Nigeria, will not be complete without mentioning her role in the formation of the Catholic Women Organisation, CWO.

She was one of the Catholic women in Nigeria who in 1964 met and birthed the CWO.

April 9 is indeed a date to keep for mama's birthday will be a celebration of a salutary life well lived and still living in the service of God and humanity.

The commercial city of Onitsha will come alive as all roads will be leading to Stella Maris outstation, Onwugbenu street, GRA, the venue of mama's 100th birthday celebration.

According to organisers of the event- Nneoma Lady Maria Ihionu, Dr Dorathy Ezenwanne and Barr. Lizzy Anyaonu- mass to herald mama's birthday celebration will be officiated by His Grace, Archbishop Valeria Maduka Okeke, the Metropolitan Archbishop of Onitsha.

Monday, March 21, 2022

INDIGENOUS FOR GLOBAL! #AFRIFF 2022 CALL FOR ENTRIES

INDIGENOUS FOR GLOBAL! #AFRIFF 2022 CALL FOR ENTRIES

LAGOS – Monday, 21st March 2022

The Africa International Film Festival (AFRIFF), today announced its Call for Entries for its 11th Edition in November 2022. Speaking at today’s briefing, founder and festival director Ms Chioma Ude said “I am delighted to open our Call for Entries for our 11th anniversary edition, following Amazon’s acquisition of films from AFRIFF’s film catalog last year, we are now strategically positioned to help filmmakers distribute their titles with our landmark partnership with Amazon Prime Video. We also had Byron Allen’s Entertainment Studios pick up 2 movies from the festival. This year, we are already in talks with a multitude of streaming platforms interested in licensing and acquiring films from the festival  We are proud to present this year’s programme themed INDIGENOUS FOR GLOBAL, dedicated to the incredible opportunities Amazon Prime video and others offer Nigerian filmmakers going forward, enabling us to dream and continue to innovate and create exciting and vibrant experiences for our Audience”.

Submissions for the 2022 edition of AFRIFF are now officially open and will run till July 30th 2022. General entries will be accepted until July 1st with a late entry deadline set for July 30th, 2022. Filmmakers are encouraged to submit entries early with the regular deadline as late entry submissions will be strictly accepted only via waiver code.

Festival selections include fiction and non-fiction films both domestic and international, features and shorts, impact-driven documentaries and Animation with an emphasis on films that have not been premiered on commercial screens. 

ENTRY DETAILS

Early Deadline: July 1st  |  Final Deadline: July 30  |  

Selection Notification Date: September 26th, 2022

Submission linkhttp://filmfreeway.com/AFRIFF
 

CATEGORY STATUS

Features: Film is 60 minutes or more

Shorts & Episodics: Film is less than 45 minutes.

Documentary: Documentaries can be short form or feature length, however short docs are accepted as Short films for AFRIFF’s programme.

Animation/Anime: Accepted as short form or feature length.

SUBMISSION GUIDELINES

Only those films produced after January 1st of 2021 are eligible for competition.

Films produced before 2021 maybe accepted in the programme if their story speaks to the programme theme or AFRIFF programmers think it suits the programme.

Films of any nationality and language can participate. Non English must be subtitled.

Submissions will only be accepted through AFRIFF’s filmfreeway page. 

There are no limits to the number of entries a filmmaker may enter, but these have to be submitted separately.

AFRIFF does not require premiere status; however it will prioritize premiere status for competition and screenings.

Submit Your Film on https://filmfreeway.com/AFRIFF

­The 11th Africa International Film Festival will be a hybrid experience. Follow us on all social media platform @AFRIFF

Save the date November 6 –12, 2022.

ABOUT AFRICA INTERNATIONAL FILM FESTIVAL (AFRIFF)

The Africa International Film Festival (AFRIFF) conceived by Ms Chioma Ude is a celebration of Cinema and filmmaking talent from Africa and the diaspora. It consistently delivers a rich programme to foster invaluable exchanges of ideas, production connections, and business relationships. It creates an energetic and exciting hub for entertainment industry professionals to make rewarding connections and has gradually gained a reputation for delivering incredible value. 

The objectives are to develop the local film industry to a level where the products compete favorably with their contemporaries all over the world; providing a growth opportunity for these film industry professionals to eventually export their products and facilitate access to investors, equipment, and technical skill acquisition through several capacity development opportunities.

Africa International Film festival - AFRIFF
Ornife Legacy Place, 8 Professor Gabriel Olusanya Street, 105102, Lekki,
Lagos, Nigeria.

Monday, January 31, 2022

20 Years Since The New York Times Named "Nollywood" in 2002

20 Years Since The New York Times Named #Nollywood

Norimitsu Onishi was the Chief of The New York Times’s southern Africa bureau, based in Johannesburg when he discovered the phenomenon of the first indie film industry in Africa in 2002 in the hustle and bustle of Lagos city, the heart and soul of the guerilla filmmakers of Nigeria.

How The Times Named ‘Nollywoodin 2002

"It’s like Hollywood or Bollywood but in Nigeria — Nollywood!I told my editor."
Norimitsu Onishi.

https://www.nytimes.com/2016/02/11/insider/how-the-times-named-nollywood.html


The name of Nollywood has become the identity of the Nigerian film industry even though the making of the genre started in the 1980s which I have chronicled in my widely read and shared article, 
The Nollywood Phenomenon: From Analog to Digital - SHADOW & ACT
https://shadowandact.com/the-nollywood-phenomenon-from-analog-to-digital-2

The article shows the evolution of Nollywood over the years and how the digital cinema revolution has made a critical impact in the advancement of Nollywood since 2002.

It is now 30 years since the production of the first Nollywood blockbuster, "Living in Bondage" by Chris Obi Rapu in 1992 written and produced by Kenneth Nnebue and Okechukwu Ogunjiofor. And as we say in Lagos, many waters have passed under the Eko Bridge from 1992 to 2022.

Traditional filmmakers of the old school of filmmaking on celluloid still say Nollywood is video and not cinema. But top people in the global film industry said: Every region has unique stories to tell. And we should encourage them to tell their stories first and not be hindered by the technical requirements for professional film production. That the first thing is to supply on demand, because it was the overwhelming quantity of Nollywood home videos in the 1990s that attracted the rest of the world before the improvements in the quality. 

There have been significant improvements in the quality of the movies as Nollywood filmmakers have been adapting to current developments in filmmaking by using the same digital cinema cameras used by their counterparts in Bollywood and Hollywood following international standards in film and TV productions.

The improvement in the quality of the content has attracted the leading International acquisition and distribution companies, major studios and OTT video streaming services from America and Europe. Netflix, Disney and Amazon are now demanding for the best content in Nollywood and well produced movies have been acquired. 

There have been international productions of Nigerian movies featuring top Hollywood actors such as "The Amazing Grace" of 2006 directed by Jeta Amata, written by Jeta Amata and Nick Moran and produced by Jeta Amata and Alicia Arce with top roles by Joke Silva, Nick Moran and Scott Cleverdon; "Black November" directed by Jeta Amata in 2012, starring Hakeem Kae-Kazim, Mickey Rourke, Kim Basinger, Fred Amata, Sarah Wayne Callies, Nse Ikpe Etim, OC Ukeje, Vivica Fox, Anne Heche, Persia White, Akon, Wyclef Jean and Mbong Amata; "30 Days in Atlanta" directed by Robert O' Peters and produced by AY Makun in 2014 starring Starring AY Makun, Ramsey Nouah, Richard Mofe Damijo (RMD),Desmond Elliot, Vivica A. Fox, Lynn Whitfield, Karlie Redd, Majid Michel, Omoni Oboli, Racheal Oniga, Yemi Blaq and Juliet Ibrahim; "A Trip To Jamaica" directed by Robert O' Peters and produced by AY Makun in 2016 starring AY Makun,Funke Akindele, Nse Ikpe Etim, Dan Davies, Eric Roberts and others; "Esohe" directed by Charles Uwagbai and Robert O' Peters in 2018 starring Jimmy Jean Louis, Misty Lockheart, Desmond Elliot, Chris Attoh, Bimbo Manuel, Ufuoma McDermott, Toyin Aimakhu, Jemima Osunde and Monica Omorodion Swaida; "A Soldier's Story 2" of 2020 directed by Frankie Ogar and produced by Martin Gbados, starring  Eric Roberts, John J Vogel Jr, Alex Usifo, Akin Lewis, Segun Arinze, Linda Ejiofor, Somkele Idhalama, Michelle Dede, Daniel K. Daniel, Tope Tedela, Baaj Adebule, Samabasa Nzeribe and others; "Christmas in Miami" of 2021 directed by Robert O'Peters and produced by AY Makun starring Ayo Makun, Osita Iheme, Richard Mofe-Damijo, IK Ogbonna, Kent Morita, Raquel Lamanna, Manoj Chandra, Malcolm Burtchett, Nadya Marie, Tanya Price, Barry Piacente and Catherine Olsen and Adah Obekpa's "The American King" of 2021 starring Enyinna Nwigwe, Nse Ikpe-Etim, Andrew Howard and Nick Moran who has been playing prominent roles in the international productions of Nollywood movies since the 2000s to date. 
"The American King" is currently showing in movie theaters in America and coming up next month in cinemas across Nigeria, Ghana and Liberia from February 25, 2022.

It is importan we document the new developments in Nollywood since 2002 to date for film history and film studies. That is why I working on a documentary film on "Nollywood Rising: The New Generation".

- By Ekenyerengozi Michael Chima,
Publisher/Editor,
NOLLYWOOD MIRROR® Series,
The first book series on Nollywood and the Nigerian film industry published since 2013.
https://www.amazon.com/author/ekenyerengozimichaelchima
Special hardcover editions are available for purchase from Raleigh, North Carolina, USA.

 


































Thursday, January 6, 2022

Meritocratic and Topocratic Distribution of Content in Nollywood and the Nigerian Film Industry

Meritocratic and Topocratic Distribution of Content in Nollywood and the Nigerian Film Industry


A system is topocratic if the compensation and power available to an individual is determined primarily by her position in a network.
In the model, individuals produce and sell content, but also distribute the content produced by others when they belong to the shortest path connecting a buyer and a seller.

A system is said to be meritocratic if the compensation and power available to individuals is determined by their abilities and merits. 

In Nollywood and the Nigerian film industry, we have seen the monopoly of topocracy by certain powerful stakeholders, including the film distributors and exhibitors.
Filmmakers have pointed out that the film distributors and exhibitors have been giving the best showtimes at their cinemas to the movies they produced or co- produced which have become the highest grossing NIgerian movies since 2016 to date. They have also taken advantage of the acquisition of NIgerian movies by Netflix and Amazon by using the same topocratic model.

Only about 20 percent of the Nigerian movies accepted by NIgerian film distributors and exhibitors are based on meritocracy.

- By EKENYERENGOZI Michael Chima,
Publisher/Editor, 
NOLLYWOOD MIRROR®Series,
247 Nigeria (@247nigeria) / Twitter





Monday, November 8, 2021

Highlights of the Opening Day of 10th Anniversary of AFRIFF in Lagos



The opening day of the 10th Anniversary edition of the annual Africa International Film Festival (AFRIFF) held on Sunday, November 7, 2021 attracted hundreds of people, including the top A-List stars of Nollywood and the Nigerian film industry in the Filmhouse Cinemas at the Landmark Retail Boulevard on Victoria Island, Lagos, Nigeria.

Chioma Ude, the Founder and Executive Director of the annual Africa International Film Festival (AFRIFF) with Mr. Herbert Wigwe, the Group Managing Director and CEO of Access Bank, the leading major sponsor of AFRIFF.
Chioma Ude with Ukonwa Kuzi-Orizu Ojo, Chief Marketing Officer, Prime Video and Amazon Studios with James Farrell, the International Head of Local Originals, Amazon Studios.

Before the Nigerian premiere of the opening film, Amazon Studios' sci-fi action thriller, "Encounter" directed by Michael Pearce, Mr. Herbert Wigwe, the Group Managing Director/CEO of Access Bank Plc, the leading major sponsor of AFRIFF lauded the visionary leadership of Chioma Ude, the Founder and Executive Director of one of the best film festivals in Africa and said Access Bank will continue to support AFRIFF. Claire A. Pierangelo, the US Consul General to Nigeria also commended the remarkable success of AFRIFF and that the US Consulate is happy to partner with AFRIFF. Ukonwa Kuzi-Orizu Ojo, Chief Marketing Officer, Prime Video and Amazon Studios with James Farrell, the International Head of Local Originals, Amazon Studios were the keynote speakers and they announced the big plans of Amazon Prime Video and Amazon Studios to increase the international appreciation of Nollywood by hiring M-Net West Africa's former Regional Director, Mrs. Wangi Mba-Uzoukwu as the Principal Head of Content Acquisition for Prime Video in Sub-Saharan Africa. Kemi"Lala" Akindoju was the MC of the opening day event.

 JLeo Uche with Mr. Victor Okhai, President of the Directors Guild of Nigeria (DGN).


Angela M. Gordon, American filmmaker and writer with Wale Ojo and JLeo Uche.

The celebrated filmmakers, actors and stakeholders in the Nigerian film industry who were at the event, included Mr. Victor Okhai, the President of the Directors Guild of Nigeria (DGN),  Mrs. Joke Silva-Jacobs, Kunle Afolayan, Charles Novia, Francis Onwochei, Ugezu J. Ugezu, Teco Benson, Obi Emelonye, Jay Franklin, Wale Ojo, Wole Ojo, Nse Ikpe-Etim, Osas Ighodaro and JLeo Uche. They had interviews on the red carpet with both local and International guests, participants and visitors.  There were cocktails and foods for everyone at the event. 

In association with The Smithsonian, there was a Soirée Opening Night Fashion Party  at the Shiro Lagos Asian Restaurant and Bar opposite the Filmhouse Cinemas. Famous trendsetter and multiple award winning TV host, Denrele Edun was the cynosure of the Soirée.



Friday, October 15, 2021

AFRIFF Announces James Farrell and Ukonwa Kuzi-Orizu Ojo of Amazon Prime as Keynote Speakers for 10th Anniversary


AFRIFF announces Prime Video’s James Farrell, International Head of Local Originals, and Ukonwa Kuzi-Orizu Ojo, Chief Marketing Officer, as Keynote Speakers for its 10th anniversary edition!


Lagos, Nigeria –  15/10/2021   

Africa International Film Festival (AFRIFF), today announces James Farrell, International Head of Local Originals at Amazon Studios, and Ukonwa Kuzi-Orizu Ojo, Chief Marketing Officer for Prime Video & Amazon Studios, as its keynote speakers for its 10th anniversary edition. The Prime Video leaders will join together in a Fireside Chat for the session at 7.00pm WAT on Sunday 7th November, where delegates will hear more about Prime Video’s plans for future investment in local storytelling in Africa.   

James Farrell is in charge of all Original TV and film created by Amazon Studios outside the US, with recent movies and series including Mixte (France), El Juego de las Llaves (Mexico), Mumbai Diaries 26/11 (India), The Family Man (India), The Dinner Club (Italy) and LOL: Last One Laughing (versions produced in 11 countries in 2021 including Japan, Brazil and Germany). James Farrell commented: “Here at Prime Video we are constantly looking for the highest quality and most ambitious original content to satisfy our local audiences and more than 200 million Prime members globally.  Being present at the 10th edition of AFRIFF is in line with our goal to search out the most unique voices throughout the world and then move quickly to help bring their visions and stories to life. I’m thrilled to be joining Ukonwa for this keynote session, but most of all, I am looking forward to meeting the talented filmmakers at AFRIFF and start building some incredible projects with them.”

Ukonwa Kuzi-Orizu Ojo, who originates from Nigeria, is an experienced global marketing leader. She joined Prime Video & Amazon Studios in 2020 as Chief Marketing Officer, leading global brand and originals marketing from Amazon Studios’ Los Angeles headquarters. Since joining, Ojo has overseen the launches of hit global Prime Video movies and series including Coming2America, Tom Clancy’s Without Remorse, Cinderella and The Underground Railroad. Ukonwa Kuzi-Orizu Ojo commented: “I’m thrilled to be attending in this landmark year for AFRIFF. At Prime Video we are obsessed with finding unique, authentic stories and supporting them to reach both local and global customers. I’m looking forward to sharing my passion with the talented filmmakers who attend this festival, and collaborating on how we can take African storytelling to a global audience.”


This announcement comes as AFRIFF continues to solidify itself as Africa’s most innovative film festival, celebrating African content, film making and a unique platform for the many stories Africa has to share with the world. AFRIFF is focused on building the necessary bridge with the rest of the world. 


AFRIFF founder, Ms Chioma Ude stated; “AFRIFF has continued to scale new heights year after year! After the last 18 months with the pandemic, I am beyond excited to welcome  Film and Television leaders such as James Farrell and Ukonwa Kuzi-Orizu Ojo to be our 10th anniversary keynote speakers. James and Ukonwa’s visit to the festival is not only a testament to Amazon’s commitment to amplifying global and diverse stories, but also their unwavering support for the foundations built over the years by a very hard-working team, further identifying AFRIFF’s shared values with a global giant such as Prime Video!” 

 

AFRIFF takes pride in celebrating some of the best films in Africa in the Feature, Documentary and Short category through careful selection by its Creative Director and International Jury. This year, about 4,000 films have been submitted in all the categories and the selection process for films that will screen at the festival is currently on going.

 

Ends.


ABOUT JAMES FARRELL

As Head of Local Originals, James is in charge of all Original TV and film created by Amazon Studios outside the US. James joined Amazon in April 2015 to lead content for Prime Video in Japan before moving on to other roles encompassing India, Latin America, and ultimately the rest of international in 2018 reporting to Jennifer Salke, Head of Amazon Studios.

Local content has been a key driver for the success of Prime Video, and James now manages more than 20 teams based around the world including across Europe, Latin America, Asia, Canada, Australia, India and Africa.

Prior to Amazon, James spent 10 years at Sony Pictures Television with executive roles in Los Angeles, Toronto and Tokyo during that time.  He has an MBA from Columbia Business School, a BA from Middlebury College, and currently resides in Los Angeles with his wife and two children.

ABOUT UKONWA KUZI-ORIZU OJO

Ukonwa Kuzi-Orizu Ojo is Chief Marketing Officer, Prime Video & Amazon Studios, responsible for leading global brand and originals marketing. She joined Amazon in September 2020 and reports directly to Mike Hopkins, Senior Vice President, Prime Video & Amazon Studios. 

Ojo was previously Chief Marketing Officer for M∙A∙C Cosmetics, where she oversaw brand positioning and increased M∙A∙C’s presence and appeal to a global consumer in growing markets around the world. She helped drive customer engagement strategies and delivered breakthrough product innovation in order to maximize consumer connection to the iconic brand.

Prior to that, she served as Chief Marketing Officer of Consumer Beauty at Coty, where she led P&L, brand development strategy, advertising, innovation, social/digital, design, and media planning/buying. Other positions include Senior Vice President at COVERGIRL, and brand and general management roles at Unilever, Reckitt Benckiser PLC, General Mills Corporation and Meadwestvaco Corporation.

Over the course of her career, Ojo has been recognized with over 50 awards and honors, including Business Insider’s list of 25 Most Innovative CMOs, World Federation of Advertisers’ Global Marketer of the Year, WWD Brand Builder of the Year, Ebony Magazine Power 100, Financial Times Top 100 List of Minority Executives for three consecutive years, and Fast Company’s Top 100 list of Most Creative People in Business among others. She is a Henry Crown Fellow at the Aspen Institute and a Member of the Executive Leadership Council.

Ojo is a graduate of the Kenan-Flagler Business School at the University of North Carolina and holds an MBA from the Kellogg School of Management at Northwestern University. 

ABOUT AFRICA INTERNATIONAL FILM FESTIVAL (AFRIFF)

 

The Africa International Film Festival (AFRIFF) is a celebration of Cinema and filmmaking talent from Africa and the diaspora. It consistently delivers a rich programme to foster invaluable exchanges of ideas, production connections, and business relationships. It creates an energetic and exciting hub for entertainment industry professionals to make rewarding connections and has gradually gained a reputation for delivering incredible value. 

 

The objectives are to develop the film industry to a level where the products compete favourably with their contemporaries all over world; provide a growth opportunity for these film industry professionals to eventually export their products to the world; facilitate access to investors, equipment, technical and skill acquisition through several capacity development opportunities.