Wednesday, August 4, 2021

Women To Take Driving Seat in Nigeria’s Male-Dominated Farming Industry

 Women To Take Driving Seat in Nigeria’s Male-Dominated Farming Industry

Farming collective Alluvial Agriculture is training 50 women in tractor mechanics

The initiative will create female-owned tractor businesses serving women farmers

Programme is part of a joint initiative with Mastercard Foundation, with training from Tata International Nigeria.

Lagos, Nigeria, 4th August 2021 – For the past 13 years, Linda Sheknami Auta has grown rice, maize, yam and soybeans by hand. It is a long and arduous process that has prevented her from expanding her business as quickly as she would like. 

Ploughing her 20 hectares farm in Niger State in Nigeria’s Middle Belt takes the equivalent of five months of hard toiling. With the right specialist equipment and training, this could be cut to just 10 days. But finding the financing, tools and farm workers is tough – especially as a woman.

“Women in my industry are often looked down upon, considered too weak to be doing what is traditionally considered a ‘man’s job,’ so it has been hard to hire labour,” says Linda, 34. “Unfortunately, some men just do not want to work for a female boss.”

A new initiative by farming collective Alluvial Agriculture seeks to level the field for female farmers. The company, which provides education and market access for smallholder producers across Africa, has begun training and financially supporting 50 women across 15 Nigerian states to become tractor owner-operators. 

“For too long, women have been excluded from agricultural finance and mechanisation, despite the fact that they are the backbone of our industry,” said Dimieari Von Kemedi, co-founder and managing director of Alluvial Agriculture. “Our program is an important step in addressing this imbalance.”


Training is being provided by a joint venture between the Indian conglomerate, Tata International, and Alluvial. After the three-week course is completed, each of the women will form partnerships or cooperatives, and each cooperative will be provided with state-of-the-art John Deere tractors and will work on at least 5,000 hectares of female-led farms that are part of Alluvial’s community block farm projects. A percentage of fees earned by the women will be used to repay the loan for their tractor. Based on expected earnings from tractor leasing, the women should have paid for their first tractor within two or three years. Each of the new female-led businesses is expected to own between 20 and 50 tractors by 2028.

“The Mastercard Foundation is very excited about this partnership as it is an opportunity to drive inclusive growth for women in farming,” said Chidinma Lawanson, Nigeria Country Head at Mastercard Foundation. “Training young women to take up space in the male dominated sector is innovative and promotes gender equality. We look forward to many more women gaining such jobs in agriculture a major sector of the Nigerian economy.”

Female farmers across Africa struggle to cultivate their own businesses, cut off from formal financial support and agricultural training – symptoms of continued gender inequality that permeates through African society, says Chijioke Okoli, Nigeria Director for agriculture and construction equipment at Tata Africa Services. 

“Expert training and education in tractor operations will significantly support women in agriculture for the long term,” Okoli said. “We are honoured to be working with Alluvial Agriculture and the Mastercard Foundation to advance women’s economic empowerment.”

Linda is one of the first women to be approved for the new scheme. Once she has received her training, she plans to pass on her knowledge to other women. 

“I never imagined that I would learn to drive a tractor, but I am not one to turn down a challenge – I have a passion for trying things that society believes aren’t for women,” says Linda. “Women in agriculture must be empowered. Only then can we achieve gender equity in farming, afford a better life for our families, and help grow the economy.” 

About Alluvial Agriculture

Alluvial is a highly scalable private sector response to decades of failure by various parties to tackle one of the world’s most pressing issues: food security. We deploy an innovative business model that provides comprehensive support to small farm enterprises and smallholder farmers. This support spans training, technology, land preparation, irrigation, input supplies, and market access within contiguous farms in community and virtual blocks. Our partnership with communities, research and financial institutions, agtech companies, and value chain actors produces several high-quality crops and an enabling environment for farmers to sustain and scale up their activities. More information at https://www.alluvialtrade.com/

About the Mastercard Foundation 

The Mastercard Foundation is a Canadian foundation and one of the largest in the world with more than $39 billion in assets. The Foundation was created in 2006 through the generosity of Mastercard when it became a public company. Since its inception, the Foundation has operated independently of the company. The Foundation’s policies, operations, and program decisions are determined by its Board. For more information on the Foundation, please visit: www.mastercardfdn.org

About the Mastercard Foundation COVID-19 Recovery and Resilience Program

The Mastercard Foundation COVID-19 Recovery and Resilience Program has two main goals. First, to deliver emergency support for health workers, first responders, and students. Second, to strengthen the diverse institutions that are the first line of defense against the social and economic aftermath of this disease. These include universities, financial services providers, businesses, technology start-ups, incubators, government agencies, youth organizations, and non-governmental organizations. More information at: https://mastercardfdn.org/covid19-recovery-resilience-program

For further information, photos, videos and interviews, please contact:

Alluvial Agriculture

Ebiuwairo Uwagboe

+234 810 175 7344

uwagboe@alluvialonline.com

New Markets Media & Intelligence

Gavin Serkin           

+44 20 3478 9710 

gserkin@newmarkets.media

Mastercard Foundation

Nonye Mpho Omotola

Country Lead, Program Communications, Nigeria

nomotola@mastercardfdn.org




Tuesday, August 3, 2021

Facts You Don't Know About the True Origins of the Igbos in Nigeria


Facts You Don't Know About the True Origins of the Igbos in Nigeria

IGBO AMAKA!
The Igbos of Eastern NIGERIA have the oldest monarchy in Africa dating back to the Bronze Age when the Igbo Ukwu Kingdom flourished and famous for the awesome bronze artworks of classic naturalistic sculptures of the lost wax casting of the same period of time with the Indus Valley Civilization of South Asia.



The progenitor of the Igbos was among the "Sons of God" who fell in love with the fair daughters of men before the days of Noah.
The ancient Nsibidi writings which were discovered in 1904. Historian Robert Farris Thompson erroneously misinterpreted the meaning of Nsibidi as "cruel blood thirsty". But Nsibidi actually means "In the Beginning" or "The Beginning".
Igbos are "UmuChineke" which means Children of God. 
Do you know that the word, CHI which is the Igbo root for the name of Almighty God, Chineke and Destiny is a universal name for destiny as the CHI in Chinese and Japanese which means the Vital Life Force of the universe.

Symbolism Of The CHI
In Plato's Timaeus, it is explained that the two bands that form the soul of the world cross each other like the letter Χ. Plato's analogy, along with several other examples of chi as a symbol occur in Thomas Browne's discourse The Garden of Cyrus (1658).

Chi or X is often used to abbreviate the name Christ, as in the holiday Christmas(Xmas). When fused within a single typespace with the Greek letter Rho, it is called the labarum and used to represent the person of Jesus Christ.

- By EKENYERENGOZI Michael CHIma,
"Orikinla OsinaCHI


Monday, August 2, 2021

Exposing the Historical Lies of Biafra On Abraham, Israel and the Igbos

Psychological Warfare with historical facts will end the agitations of the Movement for the Actualization of the Sovereign State of Biafra (MASSOB) and the Indigenous People of Biafra (IPOB) within three years and not military operations.  Because of their wromg premise of the historical origins of the Igbo triibe. Since their agitations have been premised on the wrong judgement of being historically linked to the Jews and Israel, they have shown their intellectual ignorance of the facts of the origins of the Igbos of South eastern region of Nigeria. You cannot have a nation without historical foundation of the history of your country.

Igbos don't have any relationship with the Jews of Israel which DNA results have confirmed.

Igbo Ukwu already had a king and kingdom before Abraham was born. Igbo Ukwu civilization is the oldest  with the lost wax casting for sculpture in Africa. The oldest in the world was  found in the Indus Valley Civilization of South Asia from 3300 - 1300 BCE. Igbo Ukwu was a Bronze Age civilization. The bronze artworks of Igbo Ukwu are the oldest bronze artifacts known in West Africa and were manufactured centuries before the emergence of other known bronze producing centers such as those of Ife and Benin. The bronzes include numerous ritual vessels, pendants, crowns, breastplates, staff ornaments, swords, and fly-whisk handles.

Abraham the founding father of the Jews existed during the Iron Age which came after the Bronze Age which came after the Stone Age. Therefore, Igbos cannot be from any of the lost tribes of Israel.  Finis.

Case closed.

- EKENYERENGOZI Michael Chima 

Publisher/Editor, 

NOLLYWOOD MIRROR®Series 

247 Nigeria (@247nigeria) / Twitter

https://mobile.twitter.com/247nigeria

https://www.amazon.com/author/ekenyerengozimichaelchima

https://www.linkedin.com/in/michaelchimaeyerengozi




Sunday, August 1, 2021

Abba Kyari: Pastor, We Are in Big Trouble! FBI Wants To Disgrace Our Government

 

SOYINKA and the Quest for the Ori Olokun

 SOYINKA and the Quest for the Ori Olokun

The first African Nobel Laureate in Literature Prof. Wole Soyinka is 80 years old today, born on July 13, 1934. And the enigmatic and phenomenal genius is famous for his dare devil exploits including the one that landed him in jail. 

In 1965, he seized the Western Nigeria Broadcasting Service studio and broadcast a demand for the cancellation of the Western Nigeria Regional Elections. In 1967 during the Nigerian Civil War, he was arrested by the federal government of General Yakubu Gowon and put in solitary confinement for two years after he secretly and unofficially met with the military governor Chukwuemeka Odumegwu Ojukwu in the Southeastern town of Enugu (August 1967), to try to avert civil war. Go and read his "The Man Died" for his prison notes.

In 1978, Wole Soyinka was made aware of the existence of a bronze head in a private collection in Brazil – similar to the disputed one discovered by the famous German archaeologist Leo Frobenius (29 June 1873 – 9 August 1938) in 1910, which now stood in the Ife Museum, but of far greater quality. In his memoir "You Must Set Forth at Dawn" (2007), Soyinka recalls how, in a spirit of cultural duty, and with the knowledge of the Nigerian authorities, he mounted a kind of guerrilla raid with a group of friends, stealing the object from the apartment in question in near-farcical circumstances, and removing it to the Senegalese capital Dakar, where experts proclaimed it genuine. Suspicious, however, of the lightness of the object, Soyinka examined it further to find the letters “BM” stamped on the back: it was a British Museum replica, once sold in the museum’s shop. Soyinka then declared the British Museum’s head to be the real 'Ori Olokun", even though it was excavated 18 years after Frobenius’s original discovery.

~ By Ekenyerengozi Michael Chima, aka Orikinla Osinachi, prize winning Nigerian writer since age 13, author of Children of Heaven, Sleepless Night, Scarlet Tears of London, Bye, Bye Mugabe (now being revised with the new title of Bye, Bye Zimbabwe and other books.

SGF Lauds Akokwa Christian Elite Forum's Comittment To Nation- Building

SGF Lauds Akokwa Christian Elite Forum's Comittment To Nation- Building

Secretary to the Government of the Federation, SGF, Boss Mustapha has commended the Akokwa Christian Elite Forum for its contribution to nation-building.

He described the Forum as an assemblage of patriots who have the progress and unity of Nigeria at heart saying the Akokwa nation was lucky to have them as sons and daughters.

The SGF was speaking at the annual Akokwa Eminent Persons Dinner powered by the Forum.

The Akokwa Christian Elite Forum hosted Mustapha to this years.

An apolitical and non-governmental Christian body, Akokwa Christian Elites is made up of businessmen and women, professionals, intellectuals and other categories of peace-loving and socially constructive men and women of Akokwa in Ideato North council area of Imo state who believe in the supremacy of God and who live a life guided by Him through the Christian faith.

The annual dinner attracts eminent personalities. Among highly placed Nigerians who had in the past been hosted to dinner by the body include captains of industry, political leaders, academics, professionals, religious leaders among others.




These include Mazi Sam Ohuabunwa of Neimeth International Pharmaceutical Plc., and former Chairman Nigerian Economic Summit Group (NESG), Mr Tony Ewelike, CEO, A. G Homes, Arc. Azike Diribe, a First-class Architect of the Integrated Consortium, Mr Marvel Akpoyibo, retired Deputy Inspector General of Police (DIG) Administration, Professor Pat Utomi of the Lagos Business School, His Excellency  Senator Anyim Pius Anyim (GCON), former Secretary to the Government of the Federation (SGF), Bar. James Ocholi (SAN), the Pro-Chancellor of Salem University, Kogi State, Arc Ifeanyi Odedo, Managing Director, Sharon Ultimate and Sharon Regency Hotels, Abuja, Dr Uche Ogah(OON), Minister of State, Mines and Steel.

Various speakers at the event praised the dexterity of the brains behind the Forum and paid glowing tributes to them.

Earlier in his address, President of the Forum, Cliff Onyeje said, "we are partners in the socio-economic and spiritual growth of our people.

"Like past dinners, this year's dinner is geared towards this".




 


 

Saturday, July 31, 2021

46th Toronto International Film Festival Official Selection and Special Presentations


Dates: Thursday, 9 Sep 2021 – Saturday, 18 Sep 2021

Location: Toronto, TIFF Bell Lightbox 


The 46th annual Toronto International Film Festival begins on September 9 to 18, 2021. And following the strict protocol for the control and prevention of the COVID-19 pandemic in Canada, it will be a "hybrid" of physical and digital screenings of both the official selection and special presentations and for other programmes.

The opening film is "Dear Evan Hansen" by Stephen Chbosky, an  adaptation of the Tony-winning musical of the same title.

“This film is ultimately about healing, forgiveness, and reaffirms how connected and essential we all are to one another. We couldn’t think of a more important idea to celebrate this year as we come together once again to share the power and joy of cinema in theaters together," said Cameron Bailey, the Artistic Director and Co-Head of TIFF.

The closing film is "One Second" by Zhang Yimou.

CONTEMPORARY WORLD CINEMA

Are You Lonesome Tonight? (Wen Shipei)

The Box (La Caja) (Lorenzo Vigas)

Costa Brava, Lebanon (Costa Brava) (Mounia Akl)

The Daughter (La Hija) (Manuel Martín Cuenca)

The Hill Where the Lionesses Roar (Luaneshat e kodrës) (Luàna Bajrami)

Întregalde (Radu Muntean)

Kicking Blood (Blaine Thurier)

La Soga 2 (Manny Perez)

Maria Chapdelaine (Sébastien Pilote)

Medusa (Anita Rocha da Silveira)

Murina (Antoneta Alamat Kusijanović)

Nobody Has to Know (Bouli Lanners)

The Odd-Job Men (Sis dies corrents) (Neus Ballús)

The Other Tom (El otro Tom) (Rodrigo Plá)

OUT OF SYNC (Tres) (Juanjo Giménez)

Terrorizers (Ho Wi Ding)

Unclenching The Fists (Kira Kovalenko)

Vengeance is Mine, All Others Pay Cash (Seperti Dendam, Rindu Harus Dibayar Tuntas) (Edwin)

The Wheel (Steve Pink)

Whether the Weather is Fine (Kun Maupay Man It Panahon) (Carlo Francisco Manatad)

DISCOVERY

Aloners (Hong Sung-eun)

Anatolian Leopard (Anadolu Leoparı) (Emre Kayış)

A Banquet (Ruth Paxton)

Dug Dug (Ritwik Pareek)

As In Heaven (Du som er i himlen) (Tea Lindeburg)

Farha (Darin J. Sallam)

The Game (Ana Lazarevic)

Learn To Swim (Thyrone Tommy)

Lo Invisible (Javier Andrade)

Paka (River of Blood) (Nithin Lukose)

Quickening (Haya Waseem)

Scarborough (Shasha Nakhai, Rich Williamson)

Snakehead (Evan Jackson Leong)

To Kill The Beast (Agustina San Martín)

Tug of War (Vuta N’Kuvute) (Amil Shivj)i

Wildhood (Bretten Hannam)

SPECIAL PRESENTATIONS

Ali & Ava (Clio Barnard)

 All My Puny Sorrows (Michael McGowan)

Benediction (Terence Davies)

Bergman Island (Mia Hansen-Løve)

Charlotte (Eric Warin, Tahir Rana)

Dionne Warwick: Don’t Make Me Over (Dave Wooley, David Heilbroner)

Drive My Car (Ryusuke Hamaguchi)

Encounter (Michael Pearce)

 The Guilty (Antoine Fuqua)

I’m Your Man (Maria Schrader)

Inexorable (Fabrice du Welz)

Lakewood (Phillip Noyce)

 The Middle Man (Bent Hamer)

Official Competition (Mariano Cohn, Gastón Duprat)

Paris, 13th District (Jacques Audiard)

Petite Maman (Céline Sciamma)

The Starling (Theodore Melfi)

The Story of My Wife (Ildikó Enyedi)

Three Stories (Nanni Moretti)

Violet (Justine Bateman)

The Worst Person in the World (Joachim Trier)

GALA PRESENTATIONS

Opening Night Film: Dear Evan Hansen (Stephen Chbosky)

Closing Night Film: One Second (Zhang Yimou)

Belfast (Kenneth Branagh)

Clifford the Big Red Dog (Walt Becker)

The Electrical Life of Louis Wain (Will Sharpe)

The Eyes of Tammy Faye (Michael Showalter)

Jagged (Alison Klayman)

Last Night in Soho (Edgar Wright)

The Mad Women’s Ball (Mélanie Laurent)

Night Raiders (Danis Goulet)

The Survivor (Barry Levinson)


Nigeria: An African Nation Ruled and Ruined by Corruption

#Nigeria

#abbakyari
#hushpuppi
#nigerians
#corruption
#Zamfara
#Bandits
#terrorists
#extortionists
#extortion
#bribe
#bribery
#Terrorism
#moneyheist
#moneylaundering
#cbn
#centralbank
#gold
#goldstocks
#goldprice
#goldmine

Nigeria is an African nation ruled and ruined by corruption.
Nigerian government is corrupt, because majority of Nigerians are corrupt. They don't have conscience and they don't have shame as I documented in my book, "In the House of Dogs" published by Amazon .  Dogs eat dogs in Nigeria without apologies and without regrets. 

We cannot quantify the magnitude of the collateral damage that corruption has done to the commonwealth of Nigeria from the colonial government before the political independence of the country on October 1, 1960 to post colonial or neocolonial administrations under the camouflage of the pseudo democratic civilian rule and military rule of the 1960s, 1970s, 1980s, 1990s and the 2020s. 

Political corruption is the most critical reason why Nigerians have never seen ten years of peace in the country since 1950 to date. 

There has never been any free and fair election in Nigeria. What we have in Nigeria is not #democracy , but political idiocy. So, the case of the indicted senior police officer, Abba Kyari , the poster boy of the Nigerian police is not shocking to me.
The only public official who is not corrupt in Nigeria is the one who has not been caught. 

From the local government to the Office of the President, elections have been rigged since the 1950s to date.

How can anyone expect democracy and good governance in a country ruled by corrupt and incompetent politicians who engaged in electoral malpractices to win elections into public office? 

Can you make an omelette from rotten eggs?

What do you expect from lawmakers who have been lawbreakers during their political campaigns and elections?

There will always be disorder where corrupt and incompetent political leaders are in power.


- Ekenyerengozi Michael Chima,

Publisher/Editor,

NOLLYWOOD MIRROR®Series

247 Nigeria (@247nigeria) / Twitter

https://mobile.twitter.com/247nigeria

https://www.amazon.com/author/ekenyerengozimichaelchima

https://www.linkedin.com/in/michaelchimaeyerengozi


Friday, July 30, 2021

Netflix is Improving the Quality of Nollywood To World Class Standards

Netflix is Improving the Quality of Nollywood To World Class Standards

#Netflix is actually helping #Nollywood to improve the quality of film and TV productions in the Nigerian film industry.

But MultiChoice is still accepting substandard movies from #Nollywood for the Africa Magic. They come cheap for as low as US$1200 per movie.

The producers say being seen on #DStv is an achievement and Netflix is their ultimate dream. Making it to Netflix is like winning an #Oscar to Nollywood filmmakers.

Netflix should only accept Nollywoood or #Kannywood movies with Dolby Atmos or DTS:X, because it would boost the quality of the sound in the film and TV productions. 

Your sound begins from writing the screenplay: from the first draft and not the copy and paste soundtracks during the post production which is the common practice in Nollywood.

Using Dolby Vision is not rocket science. 

If Nollywood wants to improve on the quality of productions to qualify for the official selections of top international film festivals and nominations for the Academy Awards, Nigerian filmmakers have to use the same benchmarks for international productions as their counterparts and peers in the leading film Industries in the world.

And I am still waiting for the first Nigerian movie with Dolby Vision.


- By Ekeyerengozi MichaeI Chima,

Publisher/Editor,

NOLLYWOOD MIRROR®Series,

@247nigeria Twitter