Wednesday, September 16, 2026

The Education of Lantana Film

 


I am using generative AI for the film production of "The Education of Lantana" about a bright Muslim girl who boldly refused child marriage in northern Nigeria and appealed to go to school. She won her appeal by saying that Shehu Usman dan Fodio (Arabic: عثمان بن فودي, romanized: ʿUthmān ibn Fūdī; 15 December 1754 – 20 April 1817) , the Fulani scholar, Islamic religious teacher, poet, revolutionary and a philosopher who founded the Sokoto Caliphate and ruled as its first caliph supported the education of his beloved daughter, Princess Nana Asmaʼu. And how she started her teachers (Jajis) who travelled throughout the Caliphate educating women in the students' homes. In turn, each of these Jajis used Nana Asma’u's and other Sufi scholars writings, usually through recited mnemonics and poetry, to train crops of learned women, called the ’Yan-taru', or those who congregate together, the sisterhood.




Lantana said that Islam emphasized that the education of girls is a fundamental duty and an equal right for both males and females. A mandatory duty, because seeking knowledge is a sacred obligation for every Muslim, regardless of gender, as taught by Prophet Muhammad (Sallallahu Alayhi Wa Sallam) under the protection of human intellect (al-Aql), enabling both men and women to make sound moral choices and understand their faith: that educated girls grow into knowledgeable mothers and community pillars who guide future generations.

"We are the mothers of nations."
Prophet Muhammad (Sallallahu Alayhi Wa Sallam) actively encouraged the education of women, setting aside dedicated days to teach them religious commandments and Aisha, the Prophet's youngest wife was among the major authorities in Islamic jurisprudence, narrating thousands of hadiths and teaching prominent male companions. 
The Imam of the mosque; the Alaramma of the madrasa and Shu'aban Makaranta of their Islamiyya school who were impressed by Lantana's Qur'anic memorization (Hifz) of the Surah Al-Baqarah, the second and longest chapter of the Quran, containing 286 verses supported her appeal and allowed her to return to school and not to be forced to marry.




  • ​Dramatic Intent: Shows quiet determination, reverence for her faith, and an unstoppable desire to learn.
  • ​"I do not wish to step away from our ways, Mother. Every word of the Koran I hold in my heart, just as Father taught me. But when I look at these letters on my slate, I see a doorway. A way to help our village, to read the papers the doctors bring, to write our own stories instead of letting others speak for us. I am not turning my back on who we are—I only want to see how far our light can reach."

    ​Aminu (Father)

    • ​Context: Aminu addresses a council of village elders who are questioning why he permits his daughter to spend so much time studying formal schoolbooks.
    • ​Dramatic Intent: Displays dignity, paternal pride, deep traditional roots, and a changing perspective.
    • ​"You ask me why I let a girl spend her hours with books instead of preparing only for a husband's hearth. I am a man of tradition, as my father was before me. I bow to God, and I honor the dust of this compound. But look at her. She holds the Holy Book in one hand and the future in the other, without letting either fall. If our daughters remain in the dark, our whole village stumbles. I will not be the father who dimmed his own child’s lantern."

      ​Zainab (Mother)

      • ​Context: Zainab speaks privately with Aminu inside their mud home at dusk, trying to gently sway his heart to support Lantana's path.
      • ​Dramatic Intent: Emotional depth, maternal warmth, strategic persuasion, and quiet strength.
      • ​"Look at her out there in the yard, Aminu. She has your quiet eye, your steady heart. I walked the path given to me without complaint, and it has been a good life beside you. But the world outside our walls is moving faster now. Lantana has a fire in her head that water cannot quench. If we try to trap that fire, it will burn us all. But if we guide it... imagine what she could build for us."


Glover Memorial Hall Should Be Renamed Olu Jacobs Memorial Hall



Glover Memorial Hall Should Be Renamed Olu Jacobs Memorial Hall in memorial tribute to the great Nigerian actor, Oludotun Baiyewu Jacobs, MFR  (11 July 1942 – 16 September 2026).

He deserves the honour for his outstanding legacy in the history of Nigerian film industry.

He had an illustrious career as an accomplished actor in England before returning to Nigeria to contribute to the advancement of Nigerian cinema and became one of the founding fathers of the phenomenal Nollywood, the largest film industry in Africa.

In 2007, Jacobs won the Africa Movie Academy Awards (AMAA) for Best Actor in a Leading Role.He received the Industry Merit Award for outstanding achievements in acting at the 2013 Africa Magic Viewers' Choice Awards (AMVCA) and the MAA Lifetime Achievement Award in 2016. He was conferred the national honour of Member of the Order of the Federal Republic in 2011 by former President Goodluck Ebele Jonathan, GCFR.

See his biography on 

https://en.wikipedia.org/wiki/Olu_Jacobs

The colonial era of the Glover Memorial Hall named in honour of Sir John Hawley Glover, who served as the Governor of the Lagos Colony is gone since the Independence of Nigeria on October 1, 1960.

The Glover Memorial Hall is already under the management of the wife of Olu Jacobs, veteran actress Mrs. Joke Silva-Jacobs and their Lufodo Academy, keeping its legacy alive with consistent theatrical plays, musical events, and studio sessions.  Therefore, it will be noble for the hall to be renamed the Olu Jacobs Memorial Hall as a monument of his legacy.

- EKENYERENGOZI Michael Chima,
The Founder, Publisher/Editor,
NOLLYWOOD MIRROR® Series,




 

Tuesday, September 15, 2026

Video of Princess Nana Asmaʼu bint Shehu Usman dan Fodiyo

In progress, my historical film on Princess Nana Asmaʼu bint Shehu Usman dan Fodiyo, (1793–1865) focusing on her illustrious life as a highly esteemed Islamic poet, scholar and reformer in the foundation of the Sokoto Caliphate from the reign of her father,  Usman bin Fodio عثمان بن فودي, Sultan of Sokoto, Amir al-Mu'minin, Imama. the first Sultan of Sokoto 

لَآ إِكْرَاهَ فِى ٱلدِّينِ ۖ قَد تَّبَيَّنَ ٱلرُّشْدُ مِنَ ٱلْغَىِّ ۚ فَمَن يَكْفُرْ بِٱلطَّـٰغُوتِ وَيُؤْمِنۢ بِٱللَّهِ فَقَدِ ٱسْتَمْسَكَ بِٱلْعُرْوَةِ ٱلْوُثْقَىٰ لَا ٱنفِصَامَ لَهَا ۗ وَٱللَّهُ سَمِيعٌ عَلِيمٌ ٢٥٦

Let there be no compulsion in religion, for the truth stands out clearly from falsehood. So whoever renounces false gods and believes in Allah has certainly grasped the firmest, unfailing hand-hold. And Allah is All-Hearing, All-Knowing.

Surah Al-Baqarah Ayah 256 - 






The film will include her brothers, Sultan Muhammadu Bello (3 November 1781-25 October 1837) and Sultan Abu Bakr Atiku (1782–1842). And how she started her teachers (Jajis) who travelled throughout the Caliphate educating women in the students' homes. In turn, each of these Jajis used Nana Asma’u's and other Sufi scholars writings, usually through recited mnemonics and poetry, to train crops of learned women, called the ’Yan-taru, or "those who congregate together, the sisterhood."

Princess Nana Asmaʼu bint Shehu Usman dan Fodiyo, (1793–1865) of the Sokoto Caliphate with  her father,  Usman bin Fodio
عثمان بن فودي, Sultan of Sokoto, Amir al-Mu'minin, Imama. the first Sultan of
Sokoto

#princess
#nanaasmau
#islam
#muslims
#sokoto
#caliphate
#nigeria
#leadership
#scholarship
#education
#women


Monday, September 14, 2026

The Eagle Has Landed






The Eagle Has Landed

By Ekenyerengozi Michael Chima

My allegory of the triumph of the eagle continues with this clip I produced with Gemini and Noiz. 

#eagle

#allegory

#filmmaking

#storytelling

#cinema

#success

#triumph

#victory

Saturday, September 12, 2026

What the Eagle Said to the Lion


What the Eagle Said to the Lion:

You can be the King of the Jungle, but I am the King of the Sky.. 
I can fly  and soar higher over lands and rivers from coast to coast beyond the jungle where you cannot go.


A clip from my ongoing epic film, "Igwekala, Son of the Sky".

The saying "the lion might be the king of the jungle, but the eagle has never been his subject" is a popular modern proverb used to describe independent power and mutual respect among mighty forces. 

Meaning and Interpretation

Independent Domains: The lion rules the land as the traditional "king," but the eagle reigns supreme in the sky, meaning true power does not have to subjugate everything else to be valid.

Refusal to Bow: Just as an apex predator of the air answers to no terrestrial king, strong individuals or entities do not need to bow to external titles or dominant authorities.

Equal Might: It highlights that different entities operate in entirely different spheres of greatness, and dominance in one arena does not command loyalty or fear in another.

Story by Ekenyerengozi Michael Chima
Produced and Directed by Ekenyerengozi Michael Chima
Video and photograph by the author and producer   generated with Adobe Firefly
https://firefly.adobe.com/discover?tab=gallery 
Eagle sound effect from 
https://pixabay.com/sound-effects/search/eagle/ 

@Ekenyerengozi Michael Chima. All rights reserved. 

#igwekala
#eagle
#lion
#epic
#cinema
#power
#wisdom

The New Strategy of Netflix in Nigeria is the Best for Nollywood


As macroeconomic headwinds—such as intense inflation and the depreciation of the Nigerian Naira—have impacted consumer spending and local platform margins, global streaming giants have re-evaluated their approach. While rumors previously circulated that Netflix was pulling out of Nigeria, the streamer firmly debunked this, confirming that it has instead pivoted toward a long-term play. This approach relies on tightening its release slate to emphasize high-demand, proven titles and funding creative equity initiatives behind the scenes to structurally elevate the quality of Nigerian cinema

1. Targeted Training & Academy Partnerships

Instead of funding isolated productions, Netflix routes money directly into institutional talent development.

Lufodo Academy of Performing Arts: Funded through the Netflix Fund for Creative Equity, this collaboration delivers hands-on, rigorous training for local screenwriters and actors under the tutelage of industry veterans.

Realness Institute Labs: Netflix runs localized initiatives like the Episodic Lab (EPL) and the Development Executive Traineeship (DET). These programs train mid-career Nigerian film professionals to polish concepts, build narrative structures, and pitch projects to international standards.

2. Upgrading Technical and Post-Production Infrastructure

A frequent critique of older Nollywood releases was the disparity between great ideas and technical execution. Netflix addresses this by sponsoring specialized technical workshops, including the APost Lab, focusing heavily on improving sound engineering, color grading, and editing workflows.

The goal is to build an ecosystem where local post-production crews can consistently match international distribution benchmarks.

Netflix is still acquiring finished films in Nigeria

Focus on Acquisition: The streaming platform now relies on an acquisition model. It watches completed films and buys the licensing rights for the ones it likes.

Several major Nigerian releases from Niyi Akinmolayan, Moses Inwang, and other prominent directors have recently landed on Netflix.


🎬 Moses Inwang
Ordinary People (September 2026): This highly anticipated 8-episode action-thriller series is Moses Inwang’s biggest project yet. Set in the wealthy, gated Mirage Estate, it follows residents whose seemingly perfect lives unravel as dangerous secrets, betrayals, and dark ambitions are pushed to the edge. It stars a massive Nollywood ensemble cast including Ramsey Nouah, Chidi Mokeme, Sharon Ooja, and Adunni Ade.

Devil Is a Liar (Late 2025): A tense drama/thriller following a successful realtor who falls for a younger man, only for her life to crumble under a wave of tragedy and betrayal. It stars Nse Ikpe-Etim, Mercy Aigbe, and Nancy Isime.

🎨 Niyi Akinmolayan
Colours of Fire (July 2026): Following its theatrical run, Akinmolayan’s visual Afrofusion fantasy epic joined Netflix. The film blends African mythology and deep visual effects to tell a story of forbidden love and propaganda between two rival tribes (the Red and Blue tribes). It stars Uzor Arukwe and Osas Ighodaro.

Lísàbí: A Legend Is Born (Late 2025): A sweeping historical epic centered around the legendary Yoruba folk hero Lisabi and his rebellion against oppression.

Tòkunbọ̀ by Ramsey Nouah: A gritty crime thriller focused on a former car smuggler who is given a high-stakes, time-sensitive mission to deliver a captive judge's daughter.

House of Ga'a by Bolanle Austen-Peters: A massively successful 18th-century historical epic that tracks the ruthless rise and eventual downfall of Bashorun Ga'a, the fiercely tyrannical prime minister of the Oyo Empire.

#netflix
#nigeria
#nollywood
#movies
#acquisition
#production
#training
#strategy





Friday, September 11, 2026

Celebrated Short Film "Ngozika and the Magic Water Pot" Adapted Into Global Multilingual Storybook

 

FOR IMMEDIATE RELEASE


Celebrated Short Film "Ngozika and the Magic Water Pot" Adapted Into Global Multilingual Storybook

LAGOS, NIGERIA, September 10, 2026 
Prolific Nigerian author, filmmaker, and publisher Ekenyerengozi Michael Chima has officially announced the upcoming global release of the storybook adaptation of his celebrated short film, Ngozika and the Magic Water Pot.
 Following its acclaimed reception as a cutting-edge, AI-produced short film, this new literary edition brings the vivid, mystical world of Umu Udara village directly to pages designed for readers worldwide.

To ensure the modern African folklore reaches a truly global audience, the storybook is being translated into a massive roster of international and indigenous languages. The book will be released in hardcover edition, paperback edition and Amazon Kindle edition and will be available in French, German, Spanish, Russian, Chinese, Arabic, and Swahili, alongside Nigeria’s major native languages: Igbo, Yoruba, and Hausa.
The narrative follows Ngozika, the precious only child of a poor widow, who accidentally loses her water pot at the stream. Terrified of her mother's reaction, she weeps by the water until sunset, when turbulence gives rise to Mammy Water. The mystical mermaid comforts the frightened young girl and bestows upon her a miraculous gift: a magical water pot that will never run dry.

Ngozika and the Magic Water Pot expands the cinematic landscape originally crafted alongside AI Producer Oluwadare Solesi. By blending traditional folklore with cutting-edge artificial intelligence in film production, the project has broken boundaries in African digital media. The new book edition translates these rich cultural textures, emotional depth, and stunning visual realism into a timeless reading experience.

Distributed worldwide via Amazon and other leading global booksellers, this multilingual launch marks a major milestone in cross-media storytelling and the international preservation of African cultural narratives.

"Translating the visual magic and heart of our AI-produced short film into print—and into the world's most spoken languages—allows us to share the core of African storytelling with everyone, everywhere," says author and director Ekenyerengozi Michael Chima. "This storybook is a celebration of our shared heritage, resilience, and the enchanting elements of classic folklore made accessible to the global village."

About the Author
Ekenyerengozi Michael Chima (also writing as Orikinla Osinachi) is an award-winning Nigerian writer, filmmaker, journalist, and social entrepreneur. He is the founder of the International Digital Post Network and King of Kings Books International, and the publisher of the acclaimed Nollywood Mirror® Series.

Media Contact:
Name: Ekenyerengozi Michael Chima
Company/Publisher: King of Kings Books International
Email Address: ekenyerengozimichaelchima@gmail.com
Phone Number: 
+234 07066379246
Website/Amazon Page: 
https://www.amazon.com/author/ekenyerengozimichaelchima








"
 

The Lumière Declaration on the Future of Cinema and the Moving Image


The Lumière Declaration on the Future of Cinema and the Moving Image is a global framework of 15 principles adopted on September 7, 2026, at the Lumière Summit in Saint-Paul-de-Vence, France.


Core Overview
Initiative and Leadership: Jointly presented by France and South Korea, the summit was co-chaired by French President Emmanuel Macron and South Korean President Lee Jae Myung.
Global Governance: Designed to establish a new "multilateralism of the moving image," providing a baseline of global governance 130 years after the Lumière brothers' first public screening.

Key Participants: Signed by international organizations, governments, and industry leaders—including the Motion Picture Association (MPA)—with support from a council of prominent filmmakers like Wim Wenders, Denis Villeneuve, and Juliette Binoche.

Core Principles
Works at the Center: Reaffirms that moving images are a shared cultural common good and that ambitious, intentional works remain irreplaceable.

Audience Attention: 
States that audience attention is "a trust to be honoured, not a resource to be captured" in an era of digital and algorithmic saturation.

Creation and Renewal: 
Stresses investment in next-generation talent, experimentation, and public-private financial support.

Diversity and Growth: 
Defends cultural diversity across formats, languages, and budgets while recognizing the audiovisual sector as a core driver of economic growth.
 
The Saint-Paul-de-Vence Declaration on Artificial Intelligence is one of five thematic frameworks adopted on September 7, 2026, during the Lumière Summit at the Fondation Maeght in France. Rather than debating if artificial intelligence should be integrated into film, TV, and gaming, the declaration sets out to establish on what terms AI is used and who gets to decide.

The Six Core Principles
The framework outlines six principles intended to guide future legislation, cross-border industry conduct, and copyright enforcement:

Cultural Diversity & UNESCO Protection: 
The first principle firmly places AI systems—whether they produce, disseminate, transform, or are trained on cultural works—within the regulatory scope of the 2005 UNESCO Convention on Cultural Diversity.

Human Foundation & Fair Remuneration: It affirms that human-created works are the fundamental bedrock of generative systems. Crucially, any use of copyrighted material to train AI models must respect intellectual property laws and guarantee fair payment to rights holders.

Reclaiming Creative Control: Reaffirming statements made by French President Emmanuel Macron at the summit, the declaration states that AI should be a tool that strengthens human creativity and innovation, ensuring human creation always remains the irreplaceable heart of any work.

Mitigating "Agentic AI" Disruption: The text flags an unprecedented multilateral warning regarding the rise of autonomous, agentic AI, expressing deep concern over a future where audience access to artistic works is entirely filtered or mediated by automated agents.
 
Signatories & Enforcement Nuance
While the broader Lumière Declaration saw a massive wave of industry backing, the targeted, legally sensitive AI text carried a much narrower, highly specific list of initial signees:

Sovereign States: Signed by France and the Republic of Korea.

Rights Organizations: Signed by SACEM (which manages rights for music authors, composers, and publishers) and Adami (which collects and distributes revenue for performers like actors and musicians).

The "Studio" Gap: Observers noted that while these four institutions wield immense regulatory and licensing power in Europe, no major AI developers, streaming platforms, or Hollywood studios were part of the initial signatures. However, the declaration remains open for future signatories as international frameworks evolve.

Read more on 
https://lumieresummit.org/en/news/ 



African AI Film Festival 2026 | Submit Your AI Film
https://africanaifilmfestival.org/ 



Defining Cinema in the Age of AI

Website: www.globalaicinema.org

View original content to download multimedia:https://www.prnewswire.com/news-releases/global-ai-cinema-launches-global-initiative-to-define-cinema-in-the-age-of-ai-302825690.html"
https://finance.yahoo.com/technology/ai/articles/global-ai-cinema-launches-global-223300414.html



Thursday, September 10, 2026

Murder in the Bedroom, Chapter 2


"Edward is an unrepentant brute. He never showed his true character until after our wedding. He does not make love to me. He has sex like dog. And whenever I was not in the mood, he would force me. I said you are raping me. He laughed it off and said there is no rape in marriage. He would yell that he is my husband and paid the bride price and so he has the right over me and my body, heart and soul," Kikelomo said as she served Ada biscuits and tea.

As Ada was leaving, Edward almost collided with her at the door. He hissed frowning and Ada hissed as she left. He slammed the door and yelled at Kikelomo.
"Gossip queens of Banana Island! Gossiping is all you can do. Tell her whatever you like. Rubbish. There is nothing else you can do. You are my wife for better for worse, for richer for poorer, in sickness and in health, to love and to cherish, till death do us part."
She did not reply.
"Serve me my lunch!"
She went to the kitchen to bring him food.
"I have to stop that madam gossip from coming to my house before the birth of my child. Because, I don't want what happened to that innocent toddler to happen to my own baby. The mother and her partners in gossip were carried away gossiping and she did not see when her baby walked out of the living room. The nanny was busy in the kitchen. The little boy waddled to the swimming pool, stumbled and fell into the pool. Before they realized what had happened, the baby had drowned. Horrifying tragedy and an innocent baby died, because the foolish mother was gossiping with other women.
Another gossiping wife forgot that she was boiling water in the kitchen and whilst she was gossiping on the phone chor-chor-chor, boom! The kettle exploded!"
Kikelomo did not reply.

A month later, Edward had to travel out of town.
"It is only for four days," he said.
"All right. Have a safe trip. See you soon," said Kikelomo.
"I know you will miss me. The house is always boring without me," he said and smirked.
"Of course," said Kikelomo.

Later that day, Kikelomo made a phonecall.
Two men in construction site overalls came with diggers. And she led them to the bedroom.
"As I said, the pit should have a depth of 12ft. Then  4-inch (100mm) thick reinforced concrete slab of 4ft by 4ft," she said.
"Okay, madam. That's our job," said one of them.
"It will be completed by tomorrow," said his colleague.
They shifted the bed from the wall. 
Kikelomo sighed and went to the living room to watch TV.

This is the the continuation of "Murder in the Bedroom", A Crime Thriller


 FAME Week Africa, in partnership with MultiChoice Group, a CANAL+ company, has announced the MultiChoice Group Premium Drama Call for Projects, inviting producers across Africa to submit original drama series concepts for potential commissioning.

The call is looking for high-concept, contemporary drama series that are commercially appealing, action-driven and rooted in authentic African stories. Projects should explore universal themes, offer aspirational storytelling and have the potential to connect audiences across at least two African territories.

Projects can submit concepts in any African language, English or French, as long as their cultural authenticity remains central to the project.

MultiChoice Group and FAME Week Africa Open Drama Commissioning Call for African Producers.
https://forms.cloud.microsoft/Pages/ResponsePage.aspx?id=P-50kiWUCUGif5-xXBBnXYp9ssoSYHNKv2LgWATXjrVUQk1KRVcyVkRENTEwUExHTVk3NDRXRjQ5Ui4u

Wednesday, September 9, 2026

Literacy Day Marked in Lagos as Solar Tablets Reach Nigerian Classrooms

Banner produced by Google Gemini

MEDIA RELEASE

Literacy Day Marked in Lagos as Solar Tablets Reach Nigerian Classrooms

LAGOS — 9 September 2026

The World Literacy Foundation celebrated International Literacy Day in Lagos yesterday with an event that brought together partners, educators, and youth ambassadors to highlight its initiatives in Nigeria, including the Sun Books and Pen Pal programs.

The attendees included representatives from Sterling Bank, Money Africa, TotalEnergies, Heirs Energies, and Coronation Group. Also present were head teachers from Ikota Nursery and Primary School and El Perez Nursery and Primary School, the education secretary for Eti-Osa Local Government, and Youth Ambassador Rayman Agban.

The event pointed out the urgent need for a new approach to literacy intervention in Nigeria, which has the highest number of out-of-school children globally. According to UNICEF, approximately 18.3 million children are not enrolled in school in Nigeria, with around 10.2 million of those being of primary school age.

Being in school does not guarantee literacy. Nigeria's adult literacy rate is approximately 70 percent, with the most significant challenges found in the Northwest and Northeast regions. Education Minister Dr. Tunji Alausa has pointed out that these two regions have received 80 percent of the country's education donor funding over the past decade, yet they continue to show the weakest educational outcomes.

Sun Books provides solar-powered tablets preloaded with up to 600 e-books, stories, educational games, videos, and audiobooks in both local languages and English. These tablets do not require mains electricity or an internet connection, making them essential for communities with unreliable resources. In addition, teachers receive training when these devices are introduced.

Since its launch in 2014, the program has distributed over 1,000 tablets. In Nigeria, it is active in Rivers State and also operates in Uganda, Zimbabwe, and South Africa.

Andrew Kay, CEO and Founder of the World Literacy Foundation, emphasized that "literacy goes beyond just learning to read; it is a crucial key to unlocking opportunities, reducing poverty, and helping children reach their full potential." He also noted that "millions of young people still lack access to books and the essential support needed for literacy."

The figures behind the concern:

  • Nigeria has an estimated 18.3 million children who are out of school, with 10.2 million of this population being of primary school age, according to UNICEF.

  • Nigeria's adult literacy rate stands at approximately 70 percent, indicating that nearly three in ten adults are unable to read or write a basic statement, according to the World Bank.

  • Learning poverty impacts 64 percent of children in rural Nigeria, compared to 54 percent in urban areas.

  • Sub-Saharan Africa has the highest rates of educational exclusion in the world, with approximately 182 million adults lacking basic reading skills, according to UNESCO.

  • Approximately 739 million adults around the world are unable to read or write, according to the UNESCO Institute for Statistics.

The Foundation's One Book at a Time campaign encourages people around the globe to contribute $10 to provide a book for a child in need. The goal is to reach 500,000 children, and donors have the option to select Africa as the region where their book will be sent.

This year marks the 60th anniversary of International Literacy Day, which was established by UNESCO in 1966. The theme for 2026 is "Literacy for People, the Planet, and Prosperity."