Showing posts with label Hollywood. Show all posts
Showing posts with label Hollywood. Show all posts

Sunday, October 25, 2026

Video and Photos of The Renaissance Man in October 2026

 


EKENYERENGOZI Michael Chima, the Renaissance Man.

No filters.

No enhancement.

No makeup.

No face cream.






Psalm 103 verse 5 is my portion with all the thanksgivings to Almighty God JEHOVAH JIREH for His faithfulness never fails.

Ekenyerengozi Michael Chima, also known as Orikinla Osinachi, is a Nigerian author, filmmaker, and digital media entrepreneur born on January 30, 1963. He serves as the CEO of International Digital Post Network Limited and founded the Eko International Film Festival.

Literary Works & Publications
Ekenyerengozi Michael Chima writes across multiple genres including fiction, poetry, political documentation, and industry overviews.
 
Book Title Genre / Focus Core Subjects
His notable literary works span multiple genres, including the NOLLYWOOD MIRROR® Series, poetry collections like "Children of Heaven" and "The Prophet Lied", "Scarlet Tears of London" and prose, "Bye, Bye Mugabe".
"The Victory of Muhammadu Buhari and the Nigerian Dream", a political non-fiction on contemporary Nigerian socio-political landscape.
"LAGOS in MOTION" Photo Journalism A comprehensive photo album tracking Africa's largest megacity.
 
Chima has significantly impacted the Nigerian film industry through his documentation of Nollywood history, early initiatives to bring IMAX to Nigeria, and collaborations with the International Chamber of Media & Entertainment Industry in India. He also developed the iPost Nigeria app and manages several online publications.

Media Presence & Public Portals
Chima works extensively via digital storefronts, blogs, and archival channels.
Digital Bookshelf: Readers can track his active catalog and updates through the official Ekenyerengozi Michael Chima Amazon Page.

Publishing Portals: He hosts industry features, community write-ups, and cultural updates across independent blogs like the Nigerian Times and his personal profiles.

Ekenyerengozi Michael Chima has expanded his footprint as a prominent digital creator by actively pivoting into the generative artificial intelligence (AI) filmmaking industry. Operating out of Uyo, Akwa Ibom State, he has integrated advanced large language and multimodal models into his workflow, establishing himself as a vocal advocate, thought leader, and practitioner of AI cinema in Africa.

AI Film Industry Involvement & Creative Workflows
Chima positions generative AI not as a threat, but as a "new kind of collaborator" capable of lowering production costs and democratizing cinema. He utilizes tools like Google Gemini to manage the entire cinematic workflow—handling everything from concept design and scriptwriting to production design, cinematography, sound, and final direction.

His AI-driven initiatives and film projects include:
Project / Focus Area Media Format / Tooling Core Description & Impact
LAGOS in MOTION (Completion) Documentary / Google Gemini Originally filmed in 2016 using traditional Sony and Canon DSLR cameras, Chima is completing the project with AI to bypass expensive physical production logistics (such as drone-based aerial videography) from his computer.

Igwekala (Chineke Knows That I Love You) Epic Fantasy Film / Google Gemini An ongoing epic fantasy project rooted deeply in ancient Igbo mythology, designed as a benchmark for culturally expressive, high-concept African AI cinema.

THE INVISIBLE SPY Espionage/Crime Short An AI-generated political and crime thriller tracking global espionage and terrorism networks.

Virtual Actor Development Digital Talent Creation Chima creates and manages his own recurring virtual persona actors (such as Ada Uchendu Michaels, Jessica Michaels, and Nkechi Michaels) for continuous deployment in his hybrid and AI film productions.

BEFORE IT IS TOO LATE
 A short film project in progress exploring the 2021–2023 Horn of Africa drought and extreme agricultural climate shifts.

Thought Leadership & Industry Advocacy
Through his role as CEO of International Digital Post Network Limited, Chima extensively documents the emergence of "Global AI Cinema":

Nollywood Integration: He actively catalogs how the wider Nigerian film industry is adopting generative AI for visual effects (VFX), archiving, hybrid workflows, and local-language digital reconstruction to preserve African heritage.

Workflow Advocacy: 
He regularly publishes articles and technical analyses on his Michael Chima Ekenyerengozi's LinkedIn, tracking the shifting boundaries between text-to-video tools, procedural simulation software, and human narrative judgment.

Global Ecosystem Tracking: 
He bridges developments across global markets, reporting on AI adoption from Hollywood and the European FAST TV connected ecosystems to local initiatives in Bollywood.

AI Model Integration & Virtual Actor Development
Ekenyerengozi Michael Chima approaches generative AI filmmaking as a structured discipline rather than simple prompt engineering. He utilizes a multimodal stack to build, direct, and manage his recurring virtual personas:
Core AI/CGI Segment Specific Tooling & Platforms Workflow Implementation & Functionality.
Directing & Conceptualization Google Gemini Acts as the "AI Assistant Director."
Chima uses it to generate complete screenplays, detail precise physical lens focal lengths, determine optimal camera angles, and establish thematic color palettes.

Virtual Persona Rigging AI-Enhanced CGI Plugins Automates tedious animation stages. He employs machine learning plugins inside traditional pipelines to track facial motion and automate character rigging.

Texture & Visual Consistency Procedural Rendering Engines Solves AI's inherent "hallucination" and geometry-shifting flaws. By leveraging machine learning noise cleanup alongside software like Autodesk Maya or Blender, he maintains visual consistency for his virtual actresses across different camera angles.

Cinematic World-Building Generative Text-to-Video Models Used to generate massive historical backdrops, such as complex crowd simulations or sweeping geographic vistas for his upcoming epic film project on Virgil's The Aeneid.
Distribution & Showcasing Portals
Chima distributes his digital content and hosts industry case studies across several mainstream multimedia frameworks:
Short-Form Cinematic Releases: Completed trailers, experimental AI video clips, and atmospheric scene teasers are shared via the Michael Chima Ekenyerengozi Instagram Page.
Extended Features & Montages: Long-form project collections, cultural film montages, and hybrid live-action/AI experiments are uploaded directly to the Michael Chima Ekenyerengozi Facebook Reels Network.

Industry Updates: Comprehensive project documentation detailing how Nigerian independent creators can bypass expensive studio budgets using AI is published on Michael Chima Ekenyerengozi's LinkedIn Portal.
Would you like to examine the specific structural differences between his AI workflows and traditional Hollywood CGI, or review additional books from his non-AI literary catalog?

Comparing Chima's AI Workflow vs. Traditional Hollywood CGI
The fundamental difference between Ekenyerengozi Michael Chima's generative AI approach and traditional Hollywood computer-generated imagery (CGI) lies in the democratization of capital and the speed of execution. Hollywood utilizes thousands of artists to build worlds frame-by-frame, whereas Chima leverages a single machine to guide machine learning algorithms through the creative process.
Metric / Attribute Chima's Generative AI Workflow Traditional Hollywood CGI Pipeline
Budget Requirements Ultra-low / Democratic. Run entirely from personal computers with standard subscription models. Massive capital investment. Requires tens to hundreds of millions of dollars for render farms and studio infrastructure.

Team Size Single Creator / Small Indie Team. The director manages scriptwriting, camera work, and rendering simultaneously. Hundreds of Specialized Artists. Divided into riggers, animators, texture artists, lighting technical directors, and compositors.

Rendering Speeds Near Real-Time. Text-to-video and procedural cleanup engines process frames in seconds or minutes. Hours / Days Per Frame. Complex physical ray-tracing requires extensive processing time on massive external server arrays.

Character Consistency Algorithmic Seeding. Managed via continuous seed prompts, neural face-swapping, and machine learning cleanup. Manual Keyframing. Hand-crafted structural precision that ensures perfect geometric continuity across hours of film.
Asset Creation Prompt-Driven & Procedural. Generated instantly via multi-modal AI models based on contextual text files. Hand-modeled. Sculpted point-by-point in software like Maya or ZBrush from physical concept art blueprints.
Deep Dive into the Non-AI Literary Catalog.

Before pivoting into generative filmmaking, Chima built an extensive literary foundation documenting African arts, politics, and urban transformation.
NOLLYWOOD MIRROR® Series: His flagship publication series that serves as an essential archival record of the Nigerian movie industry. It charts the growth of Nollywood from cheap home-video VHS tapes to global theatrical distribution, featuring profiles of pioneer actors, economic analysis of film financing, and critiques of distribution bottlenecks.

LAGOS in MOTION: A Photo Album of Africa's Largest Megacity: A piece of visual journalism that captures the rapid urbanization, structural chaos, and cultural resilience of Lagos. The book documents everyday street life, iconic bridges, transport networks, and the sharp socio-economic contrasts within Nigeria's commercial hub.
The Prophet Lied: A collection of political and social poetry that targets systemic corruption, military legacies, and unfulfilled socio-economic promises in post-independence Nigeria. The tone is deeply critical of regional political classes while remaining empathetic to everyday citizens.
Scarlet Tears of London: A drama focusing on the gritty realities of the African diaspora. It breaks down the idealized view of migration by telling the stories of illegal immigrants, psychological displacement, culture shocks, and the economic struggles faced by Nigerians living in the United Kingdom.
 


Friday, September 25, 2026

The Microdrama Boom vs. Traditional Streaming



The Microdrama Boom

The Format: True microdramas consist of 1-to-2-minute vertical episodes with heavy cliffhangers, popularized by specialized mobile apps like ReelShort and DramaBox. 





Market Competition: These snackable mobile apps pull significant daily engagement away from traditional subscription services like Netflix, prompting wider industry experiments with short-form and vertical media formats. 

The projected value of the global microdrama industry is $26 billion by 2030. Twenty-eight million American adults are already watching them, more than half aged between 18 and 34. In China, where the format originated, half of all internet users have now watched at least one.
https://www.wired.me/story/microdramas-are-the-attention-economys-new-tv-format#:

Micro-dramas—fast-paced, vertical-format video series with episodes lasting 1 to 2 minutes—have exploded into India's fastest-growing entertainment sector, currently valued at around $300 million and projected to reach billions by 2030. 

The market valuation and revenue of the US microdrama market is projected to reach $1.5 billion. Driven by explosive smartphone engagement, the format has shifted from an emerging niche into a major segment of the broader entertainment landscape.

The economic breakdown of this booming sector includes:
Market Projections & Growth
Rapid Expansion: According to research firm Omdia, the US market will jump from $1.5 billion to nearly $2 billion.

Long-Term Trajectory: A study from Media Partners Asia (MPA) published by Variety projects that US microdrama revenues will more than double over the coming years, reaching $3.7 billion.

Global Market Share: 
The US is the single largest microdrama market outside of China, commanding approximately 50% of all international short-drama revenues.

Individual App Valuations & Revenues
ReelShort Market Dominance: The leading US microdrama app, owned by Crazy Maple Studio, is on track to earn $1.05 billion individually. It holds a dominant 29% share of the market outside China.

Competitor Monetization: Competitors like DramaBox trail closely with a 21% market share, followed by emerging platforms like DramaWave (13%) and NetShort (10%).
 
Monetization Mechanics: 
The market operates predominantly on consumer pay-per-view tokens and subscriptions, which account for 85% to 90% of total platform earnings, while the remainder is covered by short in-app advertisements.
Contextualizing with Traditional Hollywood.

While traditional US television and subscription streaming remain massive at roughly $125 billion, that sector is contracting by nearly $15 billion annually due to cord-cutting. Microdramas have capitalized on this gap, with mobile users now spending more time per day watching vertical microdramas on their phones than streaming platforms like Netflix or Amazon Prime Video.

Micro-dramas—fast-paced, vertical, mobile-first video series with episodes lasting under three minutes—are rapidly emerging as a major entertainment boom in Nigeria.
The Rise of Nigerian Vertical Dramas
Explosive Growth: The format, which originated in China, has taken root in Nigeria's massive digital and Nollywood landscape.

Hit Productions: Shows like Billion Naira Bride, a 60-episode vertical drama produced by the Digital Creator Africa Academy (DCAA), shattered records by pulling in over 66 million views within three weeks of its release.
Platform Innovation: Telecommunication providers and streaming services are launching dedicated mobile platforms, such as Lebara Play, recognized as Africa’s first telco-powered micro-drama platform, alongside premieres like Imported Bahu."
 


"
 

Friday, August 7, 2026

The First Annual African AI Film Festival Live in Hollywood



The First Annual African AI Film Festival Live in Hollywood

 

The First Annual African AI Film Festival - live in Hollywood (Nov 21) & Kampala, Uganda (Dec 12) 

The annual African AI Film Festival is opening a new stage for African and African-diaspora storytellers using artificial intelligence.

Launching its inaugural edition in November 2026, the African AI Film Festival is the first global stage dedicated to African and African-diaspora filmmakers reimagining cinema with artificial intelligence. The festival brings together Africa’s storytelling traditions with the newest creative technologies, creating a platform where filmmakers can explore new ways of telling authentic African stories. By hosting live events in both Hollywood and Kampala, the festival creates a bridge between African storytelling and the global AI filmmaking community.

#Africa
#AI
#Africanaifilmfestival
#filmfestival
#Hollywood
#November

Thursday, July 2, 2026

Casting Calls On NOLLYCASTING

 



NollyCasting is Africa's leading digital casting platform that connects African creative talents with local and international production professionals. Founded with the goal of modernizing the African entertainment ecosystem, the platform allows actors, crew members, and other creators to showcase their portfolios directly to filmmakers, brands, and major production studios.

Who Can Use NollyCasting?
The web platform serves a wide variety of roles across the entertainment and commercial sectors, including:
Talents: Actors, stunt performers, voice-over artists, models, dancers, comedians, and event ushers.
Crew Members: Director of photography (DPs), sound engineers, editors, production managers, and volunteers.
Project Owners: Filmmakers, advertising agencies, international studios, and digital content creators looking for fresh or seasoned faces.

How the Platform Works
Create a Profile: Talents set up an online portfolio on the NollyCasting Profile Page by uploading headshots, bio details, skills, and reels.

Submit Audition Tapes: Talents can upload audition videos and self-tapes directly to the site for specific casting calls. According to the NollyCasting Privacy Policy, these files are stored securely and remain accessible to authorized casting professionals.

Post Casting Calls: Production companies use the dashboard to post open audition roles, review applicant portfolios, and filter candidates dynamically to build a talent pipeline.

Get Discovered: The system streamlines the hiring pipeline, making it easier for creatives to secure roles in Nollywood films, TV series, commercials, music videos, and comedy skits.

Register Now on https://www.nollycasting.com/


Tuesday, June 2, 2026

Video: Hollywood Style Penthouse on Lagos Island in Nigeria

2 Bedroom Penthouse with private cinema and swimming pool in a private estate on Lagos Island in Nigeria.





















Price US$150 lol er night 

Caution: 150k

FEATURES:

24/7 ELECTRICITY

HOUSE KEEPING 

Wi-Fi

SWIMMING POOL

SNOOKER 

NETFLIX 

PRIME MOVIE'S 🍿 

CINEMA MOVIES 🍿 

PRIVATE CINEMA 📽️ 

PS5

CARD GAMES Teri

PRIVATE PARKING

CLEAN WATER

FULLY EQUIPPED KITCHEN

EN-SUITE ROOMS


CONTACT 

MATTHEW ETIM

+234 706 740 6622



Saturday, May 23, 2026

Hollywood Style Classy Accommodation in Lagos City

 


Hollywood Style Classy Luxury 1-2 Bedroom Apartments on Victoria Island and Lekki in Lagos City, the business heartbeat of Nigeria and the soul and spirit of Nollywood, the largest film industry in Africa.

The exquisite apartments of high class and style offer more than the luxury of the five star hotels and suites in Lagos and other cities in Nigeria.

Highly recommended with the guaranty of privacy and security.














From US$100 daily.

View the photo gallery exclusively on TALK OF THE TOWN By Orikinla 
http://totnaija.blogspot.com/2026/05/classy-luxury-1-2-bedroom-apartments-on.html



Wednesday, May 20, 2026

NOLLYWOOD EVERYWHERE!


NOLLYWOOD EVERYWHERE!

Have you seen the best movies in NOLLYWOOD?

Mesmerizing movies by the  guerrilla filmmakers whose ingenuity in picturesque creativity with bootstraps budgets produced the global phenomenon of Nollywood, the largest indie film industry in Africa.




Nollywood is the official sobriquet for the Nigerian film industry, which ranks as the second-largest movie industry in the world by volume of film output, trailing only India's Bollywood. Producing roughly 2,500 films annually, Nollywood is a massive cultural and economic powerhouse that influences fashion, speech, and pop culture across the African continent and its global diaspora.

#nollywood
#movies
#nigeria
#africa
#filmmakers
#hollywood
#bollywood

Thursday, November 20, 2025

Nollywood Blues and Multinational Corruption in Nigeria


Nollywood Blues and Multinational Corruption in Nigeria 


There is more opportunism than professionalism in Nollywood and the Nigerian film industry.

They should know that you can't have a film commission without at least one qualified film commissioner.
Having a film corporation is different from having a film commission.

In Nollywood, you will see someone posing and posturing as an expert on the international sales of Nigerian movies, but has not secured any international acquisition and distribution of any Nigerian movies and documentaries.

Nollywood can compete with Joziwood.
But Nollywood cannot compete with Hollywood 

You see the professional misconduct of celebrated stakeholders whose professional body misappropriated the foreign funds from the French government meant for film productions and they are still going about business as usual.

Yes. It is a good development to start a film market, because you can't have a functional film industry without an international film market. But you must know how to market the film market beyond the mere announcement of launching a film market.

In Nollywood, the box office can be fixed to favour a Nigerian movie more than other Nigerian movies.

I have written on corruption in Nollywood and the Nigerian film industry, but both the local and foreign companies and other organizations have been partners in crime in the institutionalization of corruption in Nigeria.

The major sponsor of the leading musical society in Nigeria did not like my political poem, "Empty Shells in Our Oil Wells" shortlisted for the 2001 annual poetry prize. In 2004, the multinational oil company later invited me to the head office in Lagos on supporting my proposed documentary film, "Winds of Fire, Winds of Change" on the hazards of gas flares, oil pollution and terrorism in the Niger Delta region. But later rescinded and I abandoned the production of the political documentary film and rescripted it into the screenplay of "Naked Beauty" co-authored with Dr. Christian Chika Onu, the multiple award winning Nollywood filmmaker and author of "The Unusual Story of the Early Years of Nollywood", the first book by one of pioneers of the phenomenon of the first indie film industry in Africa.
"Naked Beauty" is exclusively published by Lulu Books in hardcover version, paperback and ebook versions.

The MacArthur Foundation told me about the support for investigative journalism against corruption in Nigeria, but ironically the selected news media receiving the funds, included newspapers that refused to publish my reports on millions of dollars in tax evasions by a major American multinational oil company in 2006, because they don't want to lose their adverts. The company invited me for discussion, but I declined to honour the suspicious parley.

- by Ekenyerengozi Michael Chima,
Publisher/Editor,
NOLLYWOOD MIRROR® Series,
The first book series on Nollywood and the Nigerian film industry.
https://www.amazon.com/author/ekenyerengozimichaelchima

#nollywood
#joziwood
#hollywood
#professionalism
#journalism
#corruption
#filmmakers
#movies
#boxoffice
#french
#funds
#sponsor
#music
#poetry
#filmmarket
#commission
#filmindustry
#oilcompany
#america
#multinational
#gas
#pollution
#terrorism
#macarthurfoundation
#nigerdelta
#nigeria
#nakedbeauty
#chima
#chika
#books

Saturday, April 12, 2025

A Century of Nigerian Cinema: Dangerous Men

 


A Century of Nigerian Cinema: From "Palaver" To Nollywood
1926-2026

The Best Nigerian Action Movies

Dangerous Men
Genre: Action
Runtime: 105 Minutes

Storyline
Emmanuel is an assassin who goes against the order of his contractor X and refuses to carry out a hit placed on Senator Kingston. Emmanuel is forced to take turn a homeless man into the perfect killer. The deadly duo forms an alliance with Kingston and go after X. This leads to the ultimate showdown between the assassin and the head of the organization. Get ready for non-stop action, masterful fight sequences.

Produced By
Gugu E Michaels
Directed By
Gugu E Michaels

Cast
George Davidson, Leo U'Che, Gugu E. Michaels, Stella Regis

About the Crew
Accomplished filmmaker GuGu E. Michaels has worked as a director and producer on a number of projects.
Feature films include Thugz, Repentance, and Dangerous County.
Actor George Davidson is well known in his home country of Nigeria.
Winner 2012 - Best African Film at the World music and indie film festival - Washington, DC.
In 2012 Michaels, racked up over 12 nominations in organizations like World Music & Independent Film festivals with Dangerous Men including Best Action, Best Cinematography, Best screenplay and Best African film.

#nollywood
#nigeria
#centenary
#actionfilm
#crime
#politocs
#corruption
#drama
#movies

 

Sunday, September 1, 2024

An Empire of Their Own: How the Jews Invented Hollywood

Winner of the Los Angeles Times Book Award for history, this "wonderful history of the golden age of the movie moguls" (Chicago Tribune ) is a provocative, original, and richly entertaining group biography of the Jewish immigrants who were the moving forces behind the creation of America's motion picture industry.

Read it on Amazon Books

An Empire of Their Own: How the Jews Invented Hollywood

Saturday, August 3, 2024

Don't View Nollywood with the Rose-Tinted Glasses of Hollywood

 


Don't View Nollywood with the Rose-Tinted Glasses of Hollywood

I have previewed a new Nigerian drama on the psychological consequences of rape in the life of a teenage girl sexually violated by a Roman Catholic priest at a convent in south- eastern Nigeria.
If you replace the leading roles with the famous Hollywood icons, Nicole Kidman and John Travolta and have the location in America, the crime thriller will be nominated in the next Oscars for Best Picture, Best Directing, Best Original Screenplay and Best Actress in a leading role, because of the accomplishments of the cast and crew in the production of the movie. But many Nigerian and other African movies have been viewed with the rose-tinted glasses of the American film industry, popularly called, Hollywood and in most cases, viewed by White Americans who did not understand the nuances of the peculiarities of Black Africans in dialogues and mannerisms.

Are there racial biases in international film acquisition and distribution with the superiority complex of white curators who esteem white filmmakers highly in comparison to black African filmmakers without comprehensive analysis of the content and context of subject and without the broad-minded considerations for diversity and inclusion in the existential dramas of life on earth?
"Our films are good enough for you, but your movies are not good enough for us. "
Is Hollywood the global standard for the best storytelling on motion picture?
The Economist published a selection called, "The Best Films So Far in 2024" without any consideration for the best movies so far in Bollywood and Nollywood on Netflix, Amazon Prime Video, Showmax and other streaming platforms, cable TV networks and cinemas.

I have seen many crappy Hollywood movies repeatedly shown on M-NET Movies Channels without any consideration for the viewers who paid for the subscriptions.

Netflix and Amazon Prime Video have paid over 200 percent more for the acquisitions of American and Korean films than what they paid for African films.
Showmax of the MultiChoice Group pays more for South African productions than Nigerian productions.
Are these differences in the valuations based on the quality of the movies or racial bias against black African filmmakers by Western standards? But the French are an exception to the stereotypical views of Africa by Hollywood, because the French have a better understanding of African Cinema than Hollywood and the British which can be seen in their broad-minded Official Selections of the annual Cannes Film Festival where several African filmmakers have won coveted awards, including the most coveted, the Palme d'Or.

Can a white curator of films understand the interpretations of the soundtracks of the Talking Drum in different scenarios of the scenes in the Yoruba political drama of "Saworoide", produced and directed by Tunde Kelani in 1999? 
Can the curator understand the soundtracks of the great Ikoro drum of Igbo people in a film adaptation of Chinua Achebe's all time classic novel, "Things Fall Apart"?

What of the different lighting techniques in Nollywood and Hollywood?
Do you know that the sunlight is brighter in Africa than in America?
The sunlight is the same everywhere on earth?
The colour of the moonlight is more romantic on Bonny Island in the Niger Delta than on Long Island in southeastern New York State.
There are different hues and shades of the colours of the rainbow and the narratives of the movies should be viewed in the different perspectives of the origins of the filmmakers to see the big picture of the different stories of life on motion picture.

"The Black Book", the 2023 Nigerian crime thriller of Editi Effiong, starring Richard Mofe-Damijo, Sam Dede, Shaffy Bello, Femi Branch, Alex Usifo, Ade Laoye and Ireti Doyle, released to Netflix on September 22 was the number one on the global rankings and "Òlòtūré", the 2019 Nigerian crime drama on human trafficking by Kenneth Gyang starring Sharon Ooja, Beverly Osu, Ada Ameh and Blossom Chukwujekwu was on the top rankings in several countries and were better than several American and Korean films in accomplishments in filmmaking, but Netflix paid less for the acquisition.

I have always insisted that a great movie is a great movie no matter the location or race of the filmmaker. The quality of the content should determine the price for the acquisition and not the location or race of the producer.


---- By -By Ekenyerengozi Michael Chima,
Publisher/Editor,.
NOLLYWOOD MIRROR® Series,
The first book series on Nollywood and the Nigerian film industry.

Thursday, April 4, 2024

One Village, One Cinema To Generate N29 Billion Annually To Boost Creative Economy of Nigeria

 


The One Village, One Cinema initiative of the International Digital Post Network Limited, an  affiliate partner of Cinewav of Singapore will generate an estimated annual revenue of N29 billion for both the Christian Cinema in Nigeria (CCN) programme and SMEs in the entertainment Industry in all the 774 local government areas in Nigeria, famous for the phenomenal Nollywood, the largest indie film industry in Africa. 



With only an investment of N10, 000, 000 (ten million naira) that is currently less than US$10, 000 (ten thousand dollars) you can have a low budget cinema that can be installed within an hour indoors or outdoors and it can generate an average monthly revenue of N200, 000 - N400, 000 from the sales of the tickets from one location in a village in Africa's most populous nation with an estimated population of more than 200 million people.

The Christian Cinema in Nigeria (CCN) alone has an estimated target audience of 21 million Christians.



The N10 million investment includes the cinema equipment and all expenses paid one week training course at Cinewav in Singapore for one person who will be the operator of the cinema and can train others to become operators in Nigeria.




The cinema equipment can be taken from one location to another location from village to village. Tickets will be sold from N500 per person which is about one quarter of the amount paid for a ticket at the standard cinemas located in the upscale shopping malls in towns and cities. The urban cinemas are not enough for the increasing population of moviegoers with regular disposable incomes. There are less than 400 screens in the country in few cities with most of them in Lagos, the commercial capital of Africa's largest economy. 

The increasing demands for more cinemas compelled the International Digital Post Network Limited to start the One Village One Cinema initiative for both entertainment and public enlightenment and to boost the entertainment industry and accelerate the creative economy of Nigeria.
The initiative will be launched in 2024.

The cinemas will show approved movies, documentary films, series, sports and adverts. 
Public announcements for government programmes and other events are allowed.
The charges for public announcements and adverts are negotiable from N10, 000 - N100, 000 per location.
Revenues from public announcements and adverts are estimated to be N500, 000 - N1, 000, 000 monthly.

During outdoor screenings, only those who paid for tickets can hear the audio with the Cinewav  audio app.

International Digital Post Network Limited plans for more than 12, 000 cinemas in Nigeria, including  solar powered Cinewav Cineplex.

Potential investors, partners and  sponsors are the local, state and federal governments; private sector of local and foreign companies and organizations; especially telecoms, banks, fintechs and other businesses in Nigeria.

"What is the future of big screen?

"Most of the world is without a cinema hall. That will all change! One village, one cinema. Why not?"
~Anthony Tate, Virgina, U.S.A.

We would be happier to use cinemas to break social class barriers and build bridges of unity among communities for the common benefit of all.

Cinema has never been an elitist medium of communication.
Cinema is a tool for public entertainment and enlightenment and has been very effective and imperative in mass literacy campaigns in developed and developing countries for decades. Cinemas made Hollywood the film capital of the world buoyed by over 38,605 indoor screens in 5,561 sites and 628 Drive-In screens in 381 sites in the US, the largest in the world".

Screen Naija One Village, One Cinema Project: The Revival of Outdoor Cinema in Nigeria | Screen Outdoor Open Air Cinema
https://screennaija.wordpress.com/2013/12/04/screen-naija-one-village-one-cinema-project-the-revival-of-outdoor-cinema-in-nigeria/