Showing posts with label cinematography. Show all posts
Showing posts with label cinematography. Show all posts

Sunday, September 6, 2026

Complete Guide To Crafted and Prompted AI Film Production

 

My short film, "Ngozika and the Magic Water Pot" was crafted and not prompted.

Crafting and prompting AI films involves combining structured text generation (like Claude or GPT) with specialized video-generation tools (like Seedance, Luma, or Higgsfield) to maintain character and scene consistency.

Core AI Filmmaking Workflow

Concept and Scripting: Write your baseline logline or narrative idea, then use an assistant like Claude to break the concept down into a structured script, scene list, or shot-by-shot prompts.
Visual Anchors and Character Sheets: Generate reference images or character turnaround sheets first using tools like Nano Banana Pro or Ltx Studio to lock in faces, wardrobe, and distinct visual styles before animating.

















Prompt Engineering by Category: 

Structure prompts with explicit cinematic terminology—specifying camera lenses (e.g., 35mm T1.4), specific lighting setups, framing angles, and precise motion rather than vague descriptions.
Generation and Iteration: Feed reference character IDs and storyboard frames into video models (such as Higgsfield or Luma Dream Machine) to generate short clips, using start and end frames to control pacing.

Editing and Audio: Export your clips into a traditional non-linear editor like Da Vinci Resolve, and layer in voiceovers, background tracks, and sound effects using platforms like ElevenLabs.

Crafted AI films rely on a structured pre-production workflow, whereas prompted AI films rely on direct text generation.

Prompted AI Films
Direct generation: You type a text command into an AI video generator and let the model create the scene instantly.

Speed: Fast and useful for quick tests, concepts, or abstract clips.
Drawbacks: Often results in inconsistent characters, shifting backgrounds, and a disconnected narrative feel.


Crafted AI Films
Structured workflow: You plan the story, script, and visual style before generating any video.
Asset control: You create specific character sheets and location references to keep appearances uniform across every shot.

Post-production: You edit clips together in software like Da Vinci Resolve or CapCut to fix errors and add synchronized sound.
To make a full story-driven AI movie, you must use the crafted approach. Direct prompting alone will cause your characters, lighting, and backgrounds to change completely from shot to shot.
Building a coherent feature or short film requires a structured, multi-step production pipeline.

1. Scripting & Visual Planning

Write a tight script: Use tools like ChatGPT or Claude to format a standard screenplay.
Generate a storyboard: Create consecutive image references for every single scene.
Build image-to-video assets: Always use an image as your video starting point, rather than just text, to maintain control over composition.

2. Consistency Framework (The "Crafted" Core)

Character seeds: Generate a master portrait of your character from multiple angles using image generators like Midjourney.
Consistent reference (Cref): Use character reference parameters to lock in facial features across different scenes.
Style sheets: Save specific prompt modifiers (e.g., "35mm anamorphic lens, moody cyberpunk lighting, muted color palette") to apply to every background image.

3. Video Generation & Movement

Animate the stills: Feed your consistent master images into video engines like Runway Gen-3, Luma Dream Machine, or Sora.
Keep camera motion subtle: Large camera movements cause AI video to warp and distort. Stick to pans, tilts, and slow zooms.
Upscale key shots: Use video enhancers like Topaz Labs Video AI to clean up low-resolution artifacts before editing.

4. Audio & Post-Production

Voice cloning: Use ElevenLabs to generate consistent, emotionally expressive character dialogue.
Sound design: Layer background ambiances, foley (footsteps, clothing rustle), and cinematic music tracks in an editor.
Traditional editing: Piece your clips together in DaVinci Resolve or Adobe Premiere. Use color grading to blend different AI generations into a unified visual look.

Step-by-Step Production Roadmap
Here is a complete project blueprint to guide you from concept to final render. You can download this checklist to track your progress:
Here is your file: ai_movie_production_roadmap.md.

Phase 1: Pre-Production: Scripting, character design, and style guiding.
Phase 2: Asset Generation: Generating consistent images and animating them into video clips.
Phase 3: Audio & Editing: Dialogue creation, sound layering, pacing, and color grading.
(Note: The blueprint has been successfully.

To create a historical epic with AI, you biggest challenge is historical accuracy and scale. AI video models easily mix up eras, clothing styles, and architecture. You must use precise visual terminology to force the AI to maintain a grounded, big-budget cinematic look.

Here is your production kit for a historical epic.

1. Visual Style & Cinematic Prompts

Lenses selection

Use terms like "Panavision anamorphic lenses" or "70mm IMAX format" to get wide, sweeping epic framing.
Lighting style: Use "Chiaroscuro lighting", "natural golden hour sunlight", or "flickering torchlight" to mimic period films like Gladiator or The King.
Color grading: Specify color palettes such as "muted earth tones, deep crimson accents, and desaturated blues" to avoid a cheap, oversaturated digital look.

2. Crafting Massive Scale (Battles & Cities)

Crowd generation: Avoid asking for "thousands of soldiers marching." AI will warp the faces and bodies. Instead, prompt for a "low-angle wide shot of an army encampment, hundreds of tents, smoke rising, silhouettes".
Environmental plates: Establish your setting first. Prompt for "wide aerial drone shot of ancient Roman marble colosseum, pristine condition, 1st century AD, dusty atmosphere".
The "Fog of War" trick: Add "heavy atmospheric haze, dust particles floating, dense smoke" to your prompts. This hides AI background glitches and enhances the epic mood.

3. Maintaining Historical Accuracy

Specify materials: Do not just say "armor" or "dress." Say "weathered iron lorica segmentata armor with leather straps" or "coarse linen tunic with gold embroidery".
Architectural cues: Detail the textures. Use terms like "eroded limestone pillars", "rough-hewn wooden palisades", or "cracked cobblestone streets".
Avoid modern buzzwords: Never use words like "photorealistic" or "hyperrealistic." Use historical references instead: "historical oil painting texture, gritty realism, 35mm film grain".

4. Audio Architecture

Orchestral weight: Use AI music tools like Udio or Suno to generate a "slow, swelling orchestral brass theme with heavy taiko drums and driving cellos".
Soundscapes: Layer continuous background audio. You will need tracks of "distant clashing iron, horse whinnies, heavy wind gusts, and crackling campfires" to sell the environment.
Historical Epic Prompt Templates
Copy and paste these master formulas into your image generator (like Midjourney or Flux) before animating them:

text
[Character Close-Up]
Cinematic medium close-up of a battle-weary 14th-century knight, mud splattered on face, deeply detailed eyes reflecting campfire light, dented steel chainmail armor. Shot on 70mm lens, film grain, historical realism, dark moody atmosphere --ar 16:9
Use code with caution.

text
[The Wide Establishing Shot]
An Establishing wide shot of an ancient mountain fortress at sunrise, stone towers cutting through thick low-hanging fog, torchlight flickering on the ramparts. Epic scale, cinematic lighting, 8k resolution, historical drama aesthetic --ar 16:9
Use code with caution.

Video clip from the making of "Ngozika and Magic Water Pot" with screenshots from the production and pictures for my epic film project on Virgil's classic drama, "The Aeneid" produced with Google Gemini on August, 2026.
© EKENYERENGOZI Michael Chima. All rights reserved. No copying, duplication and reproduction in any format of media without the authorization and permission of the author and publisher.

Tuesday, December 5, 2023

Breaking News: MAMI WATA Nominated for Film Independent Spirit Awards for the Best International Film




 Breaking News! 

Nigeria's phenomenal filmmaker, C. J. "Fiery" Obasi's  multiple award winning film, "MAMI WATA" has become the first ever Nigerian film to be nominated for the Best International Film of the annual  Film Independent Spirit Awards which have been pointers for the nominations for the annual Academy Awards, popularly called the Oscars. This is first in the history of filmmaking in Nigeria.

"MAMI WATA", a 2023 West African mythological fantasy film shot in black-and-white written and directed by Obasi, premiered at the 2023 Sundance Film Festival and won the Special Jury Prize in the World Dramatic Competition for the  cinematography.

The film has won several awards, including three awards at the  FESPACO - Prix de la Critique Paulin S. Vieyra (African Critics Award), Meilleure Image (Cinematography Award) and Meilleur Décor (Set Design Award). It  was acquired by Dekanalog for North American distribution. 

It is currently the Nigerian film with the widest Internatonal theatrical release in the history of Nollywood and the Nigerian film industry.

"MAMI WATA" is Nigeria's entry for the Best International Feature Film at the 96th Academy Awards.


Film Independent Spirit Awards Nominations 2024

BEST INTERNATIONAL FILM (Award given to the director)

Anatomy of a Fall

France

Director: Justine Triet

Godland

Denmark/Iceland

Director: Hlynur Pálmason

Mami Wata

Nigeria

Director: C.J. ‘Fiery’ Obasi

Tótem

Mexico

Director: Lila Avilés

The Zone of Interest

United Kingdom, Poland, USA

Director: Jonathan Glazer

The 39th Spirit Awards will be held on Sunday, Feb. 25, 2024 on the beach in Santa Monica, CA hosted by Saturday Night Live alum Aidy Bryant. 

- By Ekenyerengozi Michael Chima,
Publisher/Editor,
NOLLYWOOD MIRROR® Series,
The first book series on Nollywood and Nigerian film industry.

#mamiwata

#fieryobasi

#nollywood

#filmindependentspiritawards

#spiritawards2024

#nominations

#academyawards

#oscars

#nigeria

#sundance

#sundancefilmfestival

#cinrematography

#awards



Wednesday, October 18, 2023

Lighting Techniques That Film Schools Cannot Teach

Lighting Techniques That Film Schools Cannot Teach


GET CREATIVE

There’s a certain subset of lighting techniques that film schools can’t teach. Cinematographer Owen McPolin ISC sheds some light on the creative thinking and resulting methods used when illuminating spaces.

Even the highest-end shows will eventually present a camera team with problems which require a solution nobody has ever used before. Owen McPolin ISC has been shooting mainly for television since the late ‘90s, with recent credits including episodes of Penny Dreadful, Ripper Street and Shadow and Bone. He tells us that even the best-prepared production might occasionally provoke desperate measures."
 
Read it on 

https://britishcinematographer.co.uk/supplement_posts/get-creative/

NEW ARTWORKS AND NFTS


See the gallery on 

https://nigeriansreportng.blogspot.com/2023/10/new-original-artworks-and-nfts-for-sale.html


Saturday, August 19, 2023

Oppenheimer: So, You’ve Watched the Film – Now Find Out How It Was Made


Hoyte van Hoytema ASC NSC FSF on Oppenheimer

WEAPONS OF MASS DESTRUCTION


The latest collaboration between Hoyte van Hoytema ASC NSC FSF and Christopher Nolan sees them take on their most groundbreaking creative project yet, bringing the fascinating true story of “father of the atomic bomb”, theoretical physicist J. Robert Oppenheimer, to the screen
So, you’ve watched the film – now find out how it was made in our latest Long Read, available for 48 hours only!
 
Along with its pink-hued peer Barbie, Oppenheimer has been one of the cinematic stars of the summer. Christopher Nolan’s latest epic, a biopic of physicist J. Robert Oppenheimer, saw the director team up once again with visionary DP Hoyte van Hoytema ASC NSC FSF on their most groundbreaking creative project yet.
 
Find out more about van Hoytema’s lensing choices, including his “magic mix” of IMAX and more “workhorse” 65mm cameras, the challenges of shooting black-and-white on big format, and developing custom optics with Panavision’s Dan Sasaki.
 
“I love building things,” the DP says of his creative cinematography. “I always get a big kick out of enabling shots or enabling ways of storytelling that you haven’t seen before, and especially in these times where people think they can do whatever they can come up with in CGI…I always like to challenge myself and find the equivalent of a good CGI [shot] in the physical world, because I think the physical world brings a certain level of tangibility that is unobtainable in CGI.”
 
Available to read for free for just one weekend only – don’t miss out!
https://britishcinematographer.co.uk/hoyte-van-hoytema-asc-nsc-fsf-oppenheimer/


Tuesday, July 4, 2023

Shaka Ilembe is the Best, Biggest and Greatest African Epic Historical Drama Series


Shaka Ilembe is the Best, Biggest and Greatest African Epic Historical Drama Series




"Shaka Ilembe"is the best, biggest and greatest African epic historical drama series so far in the history of filmmaking and TV productions in Africa and one of the best epic drama series in the world.

In the content and context of the subject in production, and casting, directing, production design, set design, costume design and cinematography with naturalistic characters and realistic scenarios of the historical events, you can see the evidence of the professional excellence, experience and expertise of the producers. The series have been exciting and thrilling to watch on DStv.
The Directors, Academy Award-nominee Angus Gibson (Mandela) and Teboho Mahlatsi are geniuses with Desiree Markgraaff, the EP. 

The movie set will be good for international art and architecture exhibition at the BIENNALE ARTE 2024 of the 60th International Art Exhibition that will take place from Saturday 20 April to Sunday 24 November, 2024 in Venice, Italy.

https://www.labiennale.org/en/art/2024

I published the news release from the MultiChoice Group since 2022 on my Nigerians Report on https://nigeriansreportng.blogspot.com/2022/05/africa-epic-historical-drama-series.html.

Set in the 1700s, "Shaka iLembe" tells the story of the making of the iconic African king, with iterations from his early childhood through to adulthood.

The awesome King of Zulus, Shaka kaSenzangakhona  (c. 1787 – 22 September 1828) has inspired writers and producers and was the inspiration for my own short story in 2020, "Shaka The Great: The Rise and Fall of the Greatest African King"
https://nigeriansreportng.blogspot.com/2020/09/shaka-great-rise-and-fall-of-greatest.html

"Shaka Ilembe" should be a must watch for every filmmaker, storyteller and other creatives in Africa, especially in Nollywood and Kannywood of the Nigerian film industry.

As I have always emphasized that South Africa has the best and biggest film industry in Africa.
What makes a film industry is more than the mass production of movies in thousands annually, but includes having film and TV markets, film commissions and movie merchandise as shown in the awesome production of "Shaka Ilembe" that is worth more than US$2 billion in the market valuations of the film tourism boosting the hospitality industry of South Africa and the movie merchandise of the fashion designs and accessories of the rich culture and lifestyles of Zulu people. A celebration of the culture of the haute couture and architecture Zulu Kingdom.
I will really love to visit the movie set.

"Shaka Ilembe' is a case study for sociocultural, socioeconomic and sociopolitical studies and anthropology of South Africa in African Studies and the history of filmmaking in Africa.

Producer: Multichoice Studios of the MultiChoice Group.

See more details on https://www.dstv.com/mzansimagic/en-ng/show/shaka-ilembe/season/1

- By Ekenyerengozi Michael Chima,
Publisher/Editor,
NOLLYWOOD MIRROR® Series
Nigeria Daily Twitter
https://twitter.com/nigeriadaily
New Nigeria on Pinterest
www.pinterest.com/nigeriansreport
https://www.amazon.com/author/ekenyerengozimichaelchima
https://www.linkedin.com/in/michaelchimaeyerengozi


Tuesday, June 27, 2023

How Many NOLLYWOOD Movies Have Been Shot on Canon?

How Many NOLLYWOOD Movies Have Been Shot on Canon?

How many Nollywood movies have been shot on Canon?

This is a very important question both for Nollywood and Canon.

Knowing how many people are using your products is critical to the growth of your company in Research and Development (R&D); Marketing and Sales Analysis of the products and services.

Nollywood is the largest film industry in Africa in the productions of movies and should be the largest market for cameras for both cinematography and photography. 

The Nigerian Film Corporation (NFC), Directors Guild of Nigeria (DGN) , Producers Guild of Nigeria (PGN) and Cinematographers Guild of Nigeria (CGN) or Association of Cinematographers in Nigeria (ACN) should know and have the data on the cameras and accessories used for film and TV productions in the Nigerian film industry.

These facts are included in the indices for the development and growth of the film industry.

What are models and specifications of the Canon cameras used for film and TV productions in the Nigerian film industry?

When did Canon cameras become the most popular cameras in the Nigerian film industry?

Does Canon know the film and TV productions shot with Canon cameras?

The most popular and the best Canon cameras used in Nollywood and Kannywood?

The best movies, documentaries and music videos shot on Canon?

The award winning film and TV productions shot with Canon cameras?

By the way, the third part of my on going documentary film, "Lagos in Motion" was shot on Canon.

- Ekenyerengozi Michael Chima,
Publisher/ Editor,
NOLLYWOOD MIRROR® Series,
Executive Director, Screen Naija YouTube Channel.

In Her Eyes Through Her Eyes Filmmaking Workshop For Women in Nigeria


For 100 women who want to become outstanding filmmakers in the Nigerian film industry.
Contact by WhatsApp:
Tel: +234 706 637 9246

Tuesday, June 13, 2023

Small Camera with Big Dreams Versus Big Camera with Small Imagination

Reading in Motion" showing #Nollywood actress,, Celina James reading, "Conspiracy of Lagos" by Bisi Daniels in my documentary film, "Lagos in Motion".



Small Camera with Big Dreams Versus Big Camera with Small Imagination



It is better to have a small camera with big dreams than to have a big camera with small Imagination.

What makes a great filmmaker and photographer is not the size of the camera, but the size of the Imagination.

Without cinematography, there is no cinema. 
What has really affected the quality of film productions in Nollywood is the lack of enough professional cinematographers. 
From the first 60 seconds of a movie, you can see if the cinematography is good or bad.
What will guarantee the picture quality of a movie are the technical quality of the camera; the professional expertise of the cameraman or camerawoman and the expertise of the cinematographer.

Years ago, as a member of the Digital Cinema Society founded by James Mathers, I started the Nollywood Digital blog to announce and introduce new digital cinema cameras to Nigerian filmmakers to keep them updated on the best cameras for the best film and TV productions. I also proposed a quarterly Nollywood Digital Cinema Exhibition for hands-on demonstrations of the cameras and screenings of award winning movies shot with the cameras.



The most popular cameras in Nollywood are from Sony, BlackMagic Design and Canon. 
It is important for these manufacturers to have regular demonstrations of their cameras like Sony Middle East and Africa in collaboration with Kontakt Pro Nigeria Ltd had in Nigeria last September, 2022, showcasing the Cinema Line FX3, FX6 and the FX9 full-frame digital cameras.



Sony has recommended the new FX30 as an ideal choice for filmmakers actively working on or considering entering the Sony Future Filmmaker Awards, a major new annual awards program for short films. www.sonyfuturefilmmakerawards.com 

- By Ekenyerengozi Michael Chima,
Publisher/Editor,
NOLLYWOOD MIRROR® Series,
Founder/CEO,
International Digital Post Network Limited,
Screen Outdoor Open Air Cinema (SOOAC)
Vuulr Program Partner
Cinewav Affiliate Partner





Tuesday, June 6, 2023

I Can Win the Oscar for The Best Picture

 


I see a Big Picture of myself winning the Oscar for the Best Picture, widely considered as the most prestigious honor of the annual Academy Awards of AMPAS.

Yes, I can win the Best Picture Oscar with my my first feature.
The original screenplay has been cowritten by me and by the accomplished multiple award winning filmmaker, Dr. Chika Christian Onu, director of "Living in Bondage" 2 and famous for directing "Glamour Girls", in 1994, the first romantic comedy in the history of the phenomenon of Nollywood.

I have shortlisted two cinematographers I believe have the experience and expertise for the cinematography. My preferred director remains classified.
Locations are in Port Harcourt and Bonny Island in Rivers State.
The research for the screenplay took four years, including the time that Dr. Chika Christian Onu came to the Nigeria LNG RA 1 on Bonny Island where I was staying from 2004 to 2008.
I published the screenplay as a book in Raleigh, North Carolina, USA.

#BestPicture
#Oscars
#academyawards
#nigeria
#experience
#research
#cinematography


https://www.instagram.com/p/CtKE98NtWdr/?igshid=NjZiM2M3MzIxNA==

Sunday, March 19, 2023

What Matters Most in Filmmaking?

"What matters most in filmmaking is not the size of your camera, but the size of your imagination."

- Ekenyerengozi Michael Chima,
Publisher/Editor,
NOLLYWOOD MIRROR® Series,
The first book series on Nollywood and the Nigerian film industry since 2013.


Case study: Mami Wata: Directed by C.J. 'Fiery' Obasi.



Winner of the World Cinema Dramatic Special Jury Award for Cinematography at the 2023 Sundance Film Festival, USA.

Mami Wata won the PRIX DE LA CRITIQUE Pauline S. Vieyra (African Critics Award) at the Special Awards Gala.Next, the drama received the MEILLEUR IMAGE (Cinematography Award) and finally the MEILLEUR DÉCOR (Set Design Award) at the Closing Awards Ceremony of the 2023 Panafrican Film and Television Festival of Ouagadougou (Festival panafricain du cinéma et de la télévision de Ouagadougou or FESPACO) on March 4, 2023, in Ouagadougou, Burkina Faso.

Complete list of winners of the 28the FESPACO
 
FICTION FEATURE FILM
Golden Stallion of Yennenga: “Ashkal” by Youssef Chebbi (Tunisia)
Silver Stallion: “Sira”, by Apolline Traoré (Burkina Faso)
Bronze Stallion: “Shimoni” by Angela Wamai (Kenya)
– Best Performance by an actor: the whole cast of “Sous les figues” by Erige Sehiri (Tunisia)
– Best Actress: All the actresses of “Sous les figues” by Erige Sehiri (Tunisia)
– Best set design: “Mami Wata” by Fiery Obasi (Nigeria)
– Best editing: “Abu Saddam” by Nadine Khan (Egypt)
– Best Screenplay: “Le Bleu du caftan” by Maryam Touzani (Morocco)
– Image Award: “Mami Wata” by Fiery Obasi (Nigeria)
– Sound Award: “Ashkal” by Youssef Chebbi (Tunisia)
– Best Music: “Our Lady of the Chinese Shop” by Ery Claver (Angola)
– Special Mention of the Jury: “Regarde les étoiles” by David Constantin (Mauritius)
FICTION SHORT FILM
– Golden Foal Short Fiction: “Will my parents come to see me” by Mo Harawe (Somalia)
– Silver foal short fiction : ” A doll ” by Andriaminosa Hary and Joel Rakotovelo (Madagascar)
– Bronze foal short fiction: “Tsutsue” by Amartei Armar (Ghana)
DOCUMENTARIES
Golden Stallion feature documentary: “Omi Nobu/L’Homme nouveau” by Carlos Yuri Ceuninck (Cape Verde)
Silver Stallion feature documentary: “Nous, étudiants” by Rafiki Fariala (Central African Republic)
Bronze Stallion feature-length documentary: “Guardian of the Worlds” by Leïla Chaïbi (Algeria)
Golden Foal short documentary: “Angle mort” by Lofti Achour (Tunisia)
Silver foal short documentary: “Katanga nation” by Beza Hailu Lemma (Ethiopia)
Bronze Foal short documentary: “Kelasi” by Fransix Tenda Lomba (DRC)
Special Mention of the Jury: “L’Envoyée de Dieu” by Amina Mamani (Niger) and “Cuba en Afrique” by Negash Abdurahman (Ethiopia)
PERSPECTIVES SECTION
– Paul Robeson Award to the feature documentary “The Spectre of Boko Haram” by Cyrielle Raingou (Cameroon)
BURKINA FASO SECTION
– Best Burkinabe film: “Laabli l’insaisissable” by Luc Youlouka Damiba.
– Best Burkinabe hopeful: “Le Botaniste” by Floriane Zoundi


 



Wednesday, December 14, 2022

From the British Cinematographer Magazine

British Cinematographer Magazine · Premier House · 13 St Pauls Square · Birmingham, West Midlands B3 1RB · United Kingdom

https://www.instagram.com/p/CmJiUCHtpF1/?igshid=MDJmNzVkMjY=

Monday, November 7, 2022

"Nanny" is an Awesome Mystical, Paranormal and Surrealistic Horror Movie

 


"Nanny" is an awesome mystical, paranormal and surrealistic horror movie.



Aisha played by the Senegalese American actress and model, Anna Diop, is an undocumented young Senegalese woman working as a nanny for an affluent Manhattan family and she hopes her new job as a nanny will help bring her young son, Lamine to the United States. However, when a violent presence begins to invade both her dreams and reality, it theatens to destroy everything she's fought for. 

The young female director, Nikyatu Jusu is a genius of great imagination which can be seen in the gripping cinematography of this film.  The cinematographer, Rina Yang is a master of cinematic imagery and poetry in motion picture. It was really awesome.

"Nanny" deserved the Grand Jury Prize in the US Dramatic Competition it won at the 2022 Sundance Film Festival.

It was a great opening film for the 2022 annual Africa International Film Festival (AFRIFF) that started yesterday evening at the FilmHouse Cinemas in the Landmark Centre on Victoria Island, Lagos, Nigeria.

#Afriff2022 #Nanny #Nigeria #film #nigeria #cinematography #Africa #drama #filmfestival #Sundance


Thursday, August 25, 2022

Canon R Tour in Nigeria to Launch our Flagship R System Models and Experiential Opportunities To Test Drive It's Revolutionary Mirrorless Range of Products

Canon Central and North Africa is set to embark on the Canon R Tour journey to Nigeria that falls in line with the company’s vision to bring together the finest imaging technology solutions to the continent of Africa. Through the R tour, Canon is also launching its revolutionary mirrorless range of products for the first time in Nigeria – the EOS R3, EOS R5 C, EOS R7, and EOS R10. 

L-R: Mr. Amine Djouahra, Mr. Daniel Ehimen, Ms. Yagazie Eguare Mr. Emmanuel Oyeleke, and Ms. Olive Emodi (2)
(Source: Canon Central and North Africa (CCNA) 

Canon hosted a Masterclass with Canon Certified trainer Austen Udoh, on its renowned mirrorless products, followed by an open exhibition that put on display some of Canon’s best products for the audiences to touch and try on August 23rd, 2022. Furthermore, photography workshops will also be held on 24th and 25th August 2022 with Canon photographers who will shine light on their best tips and tricks to use Canon’s revolutionary full-frame R system lineup. Starting on August 24th, the photography workshops will commence with Canon ambassador Emanuel Oyeleke putting the spotlight on Canon EOS R3, followed by photographer Victor Modo on EOS R3, and finally, conclude on August 25th with PRO influencer Daniel Ehimen on EOS R5C.

Access Multimedia Content

The EOS R3 offers all the familiarity and speed of Canon’s celebrated EOS-1 series, with the innovation and versatility of the pioneering EOS R System whereas the EOS R5 C is a powerful, hybrid cinema camera that combines the professional filmmaking features of the Cinema EOS range with the EOS R System’s photo capabilities.

Connecting, Communicating & Co-creating

Centering its vision of getting closer to its customers and imaging community in Nigeria, Canon has set up various experiential booths to facilitate audiences in getting an authentic experience of the Canon universe. A total of five different experiential booths promises a thrilling ride for the participants. The R series & Pro Printer booth will put on display the Canon R series line-up along with its different accessories as well as showcase the brilliance of the PRO printers through a live photoshoot and printing experience. The Canon Showroom will spark curiosity among visitors for Canon’s high-end DSLR range, the lineup of its Cinema products, along with Inkjet and laser printers. Likewise, the Documentary Production Booth will offer an exciting experience to avid documentary filmmakers and cinematographers by simulating a food documentary experience, while action and sports photography enthusiasts can experience diverse photography techniques to capture split-second moments at the action booth where it will showcase an exhilarating fast-paced aerial act performance. Lastly, there will also be a Service Check and Clean booth, where audiences can get their Canon gear checked and cleaned by professionals.

“The objective behind setting up these different booths is for our end users, enthusiasts and customers, and media to really get up close and personal with Canon products to gather all the knowledge, and additional tips and tricks they need to use their Canon products optimally. We truly practice what we preach, and the R-tour is a living testimony of Canon’s commitment to get closer to its customers. It gives us an opportunity to connect, learn, teach, communicate, and co-create with our passionate end users who are as eager to interact with us, as we are with them. The roaring success of our previous R-tours in Africa highlights the mammoth efforts taken by Canon to build long-lasting relationships with our consumers,” remarked Amine Djouahra, Director of Sales and Marketing, Canon Central and North Africa.

“Nigeria is a land of creativity and is home to the second biggest film industry in the world, there is absolutely no doubt that the country needs best-in-class photography and videography products and that’s precisely what we do. Canon and Nigeria are a perfect match for each other, and I know that this R-tour will help us fortify this bond of creativity even further,” he continues.

The last day of Canon’s R-tour in Nigeria, August 25th will witness the first ever African Canon Creators Summit, where content creators will be invited to learn and exchange knowledge on the nitty-gritties of content creation. The space will also help participants to better understand the significance of imaging and using the right equipment and tools to achieve the right outcome. The summit will also host a panel discussion on ‘The importance of quality content creation and how it can grow industries. In addition, content creators will be part of future local creator summits along with a performance-based opportunity to attend Canon Creator Summit in Dubai, and exclusive product offers to purchase Canon products.  

Spreading Goodness – Project Ire

Canon will commence its Project Ire through R-tour with a vision to support and sustain a year-long collaboration with influencers that are spreading goodness and giving back to their respective communities by generating awareness through their art-forms. Canon will collaborate with influencers that include Mofe Bamuyiwa, George Okoro, Princemeyson, Eleanor Goodey, Bedge, Aham Ibeleme and Gazmadu. Coinciding with the Canon’s Kyosei philosophy that stands for working and living together for the common good, the word ‘Ire’ stands for goodness and thus Project Ire will focus on bringing the goodness out of Canon’s avant-garde technology to further the cause of spreading goodness for different communities in Nigeria. The chosen influencers will be exclusively offered the opportunity to test drive Canon’s mirrorless line-up of products, along with a range of online and/or offline masterclasses in a bid to propel the wave of storytelling in Nigeria. Images captured by the influencers who are part of Project Ire will be printed on Canon Pro 300 Printer at the University of Lagos.

The Spirit of Storytelling

As part of the R-tour, Canon will also be announcing a partnership with Shuttersnetwork – a photo community based in Abuja, Nigeria in an endeavor to promote the spirit of storytelling through community engagement, content creation, and social media awareness. Canon’s online activities to generate community engagement in the Shuttersnetwork will include photo competitions, live sessions on Shutter’s network community page along with online panel discussions and masterclasses whereas the offline activities will include photo walks and physical masterclasses. Additionally, photography and videography campaigns and training will also be held by Canon to facilitate creation of inspirational content, along with the availability of Canon’s demonstration products for the network.

Canon Central and North Africa has successfully launched its R-tour previously in Morocco, Egypt and Kenya and intends to continue this journey of building relationships by getting closer to its customers throughout the African continent.

Click here (https://bit.ly/3dObyWK) for more details to join the Generation R Hub community!

For more information on EOS R3: here! (https://bit.ly/3R9BKcz)

For more information on EOS R5C: here! (https://bit.ly/3cbPZ25)

For more information on EOS R7: here! (https://bit.ly/3wr1ZDL)

For more information on EOS R10: here! (https://bit.ly/3wqrCEE)

For more information on Powershot Zoom: here! (https://bit.ly/3AfKXcN)
Distributed by APO Group on behalf of Canon Central and North Africa (CCNA).
 
Media enquiries, please contact:
Canon Central and North Africa
Mai Youssef
Mai.youssef@canon-me.com

APO Group - PR Agency:
Rania ElRafie
Rania.ElRafie@apo-opa.com

About Canon Central and North Africa:
Canon Central and North Africa (CCNA) (
Canon has been represented in the African continent for more than 15 years through distributors and partners that have successfully built a solid customer base in the region. CCNA ensures the provision of high quality, technologically advanced products that meet the requirements of Africa’s rapidly evolving marketplace. With over 100 employees, CCNA manages sales and marketing activities across 44 countries in Africa.

Canon’s corporate philosophy is Kyosei (
https://bit.ly/2VHJyeU) – ‘living and working together for the common good’. CCNA pursues sustainable business growth, focusing on reducing its own environmental impact and supporting customers to reduce theirs using Canon’s products, solutions and services. At Canon, we are pioneers, constantly redefining the world of imaging for the greater good. Through our technology and our spirit of innovation, we push the bounds of what is possible – helping us to see our world in ways we never have before. We help bring creativity to life, one image at a time. Because when we can see our world, we can transform it for the better.

For more information: Canon-CNA.com

SOURCE
Canon Central and North Africa (CCNA)


















Saturday, April 9, 2022

Nollywood Has Nothing Original To Show Us On Netflix

Nollywood Has Nothing Original To Show Us On Netflix

From all I have seen of NIgerian movies on #Netflix so far, including the Netflix's Nigerian Originals in movies and series, I don't see any that can compare and compete with the best from America, Asia, Europe and Australia on Netflix in screenwriting, casting, directing, production design, music and cinematography. 

There is nothing new that is different from the normal melodramas of #Nollywood on DStv, IROKOtv and public TV channels.

Too much makeup, inappropriate costumes without knowledge of appropriate costumes for storytelling with the cinematography and the music is out of sync with the different scenarios showing  apparent ignorance of using soundtracks for characterisations and the acting is plastic in many scenes like they want to copy scenes from the telenovelas of #Telemundo.

A total lack of originality.

The best NIgerian series is not on Netflix, it is "Oasis" currently showing on TVC.


- Ekenyerengozi Michael Chima,
Publisher/Editor, 


Friday, January 14, 2022

The Top 10 Best NIgerian Movies in 2021


The Top 10 Best NIgerian Movies in 2021

NIgerian filmmakers produced over twenty outstanding movies both on film and video, even though none fulfilled the criteria to qualify for the NIgerian entry for the Best International Feature category of the 94th annual Academy Awards coming up on March 27, 2022.

The following are my selection of the top ten best NIgerian movies in 2021 based on peer reviews, film criticisms, awards and nominations and thematic importance, relevance and significance on contemporary issues of current affairs and history of NIgeria in the screenwriting, directing and cinematography.

1 Eyimofe by Chuko and Arie Esiri

2. Eagle Wings by Paul Apel Papel.

3. Ayinla by Tunde Kelani.

4. Juju Stories by C.J. Obasi, Abba Makama and Michael Omonua.

5. La Femme Anjola by Mildred Okwo.

6. Swallow by Kunle Afolayan.

7. Amina by Izu Ojukwu.

8. Black Mail by Obi Emelonye.

9.  Gone by Daniel Ademinokan.

10. Collision Course by Mrs. Bolanle Austen-Peters.

Notable Mentions

Prophetess by Niyi Akinmolayan.

Blackout by Abbey Abimbola, aka Crackydon.

A Soldier's Story 2 by Frankie Ogar.


Best Actor
OC Ukeje as "Chinda" in Blackmail
Best Actress
Rita Dominic as Anjola in La Femme Anjola.

 Rita Dominic is one of the best actors not only in NIgeria, but the rest of Africa and the world. She is one of the few actors I know who can turn a bad screenplay into a masterpiece.

The cinematic experience of "La Femme Anjola" will be more romantic when dubbed in the French language and Spanish language. Mildred Okwo should have the theatrical release of the French language copy in French speaking countries and the Spanish language copy in Spanish speaking countries.

- By Ekenyerengozi Michael Chima,
Publisher/Editor,
NOLLYWOOD MIRROR® Serie,
The first book series on Nollywood and the Nigerian film industry since 2013,, printed in Raleigh, North Carolina, USA.
Art and book design by Juvelin Aripal in the Philippines.
Published by International Digital Post Network Limited.