IEC Applications Can End Extreme Poverty in the World
I am one of those involved in the concerted efforts for the eradication of extreme poverty in the world. And I have reached the advanced final stage in the development of the applications that can reduce poverty by 80 percent with IEC, Information, Education and Communication methods which I have seen during my years of working as an IEC field officer for the Center for Education, Population, AIDS and Drug Abuse (CEPADA), an NGO founded by Mrs. Hadiyat O. Shitta-Bey, a former award winning Program Specialist in the United States Agency for International Development (USAID) when I did Market Based Distribution (MBD) surveys of the largest markets in Lagos, the most populous state in Nigeria and the largest megacity in Africa and when I was contracted as a public health illustrator and translator for the production and publication of family planning methods booklets in Pidgin English, Igbo, Yoruba and Hausa for semi literates distributed by the Planned Parenthood Federation of Nigeria (PPFN) and as a national Program Consultant for the Child Survival and Development (CSD) projects of the UNICEF in Nigeria.
The first mobile app for all the users to GSM phones has been in development since 2014 and I have also completed the layout for a SaaS e-commerce and fintech app for interactive IEC through social network for wealth creation and distribution among all the users of mobile phones in Nigeria and other countries.
Imagine an app with X Amazon and Paypal combined.
My advocacy for the education of the millions of girls out of school in Nigeria is fundamental in the eradication of extreme poverty in developing countries, because surveys have shown that majority of the people living in poverty come from families with mothers who did not go to school or dropped out of school.
In Nigeria, we found out that almost 90 percent of the bandits and terrorists on rampage in northern Nigeria were born by mothers who did not go to school and without any formal education and thousands of their children were destitutes. Their rebellion against law and order was caused by lack of parenting and poverty with uneducated parents who did not have the information on family planning and family welfare.
They continue to breed children they cannot feed and they cannot afford to send to school.
Extreme poverty is largely due to ignorance and illiteracy.
With the use of IEC applications through mobile phones, millions of the people in poverty will be taken out of poverty.
The first MVP of the mobile app was among the top finalists for tech innovation awards in Africa in 2014 and the pitch for the SaaS e-commerce and fintech app was shortlisted for the a tech startups hackathon in Africa in 2022.
Both mobile apps will advance the decentralization of e-commerce and fintech platforms in all communities in Nigeria and other countries and downloaded without any payment by all those who can use mobile phones and the IEC applications will be in their own languages.
The Diversions and Misappropriations of Grants and Loans in the Nigerian Film Industry
The socioeconomic, sociocultural and political institutionalization of corruption in Nigeria has done collateral damage to the Nigerian society with widespread administrative incompetence in public service and political corruption is the cause of the maladministration in the Nigerian government.
Political corruption is the anathema of democracy and good governance in Nigeria with brazen corrupt practices from the local government to the Office of the President; from Alausa to Abuja. Every workplace is infected of the virus of the epidemic of corruption with corrupt and incompetent public officials posing and posturing as Smart Alecs, but they disregard the values and virtues of dignity, integrity and nobility.
There is widespread culture of conceit and deceit in the Nigerian society. Being fraudulent is no longer shocking!
Corruption is now widely reported in the Nigerian entertainment industry with several cases of unprofessional sharp practices during film and TV productions.
The entertainment industry has become a conduit for money laundering in the camouflage of international events and productions used for illicit transfers of funds and tax evasions.
We should not sweep the corruption in the entertainment industry under the red carpet.
Fraudulent activities should be exposed and reported no matter the rank and file of the entertainers and their sponsors.
The Diversions and Misappropriations of Grants and Loans in Nolllywood and the Nigerian Film Industry by filmmakers with questionable integrity.
The recent statement by popular Nigerian comedian and film/TV producer, Bright Okpocha popularly known as "Basketmouth" that several millions of dollars given to some of the selected Nigerian filmmakers by Netflix for film productions were diverted and misappropriated (https://www.vanguardngr.com/2024/12/netflix-they-spend-10-on-movie-use-others-to-buy-cars-houses-basketmouth-slams-nollywood-producers) did not surprise me, because there have been previous reports on corrupt practices of filmmakers in Nigeria.
I have been informed about diversions and misappropriations of grants and loans for film and TV productions by the beneficiaries since 2001 to date.
The funds provided as soft loans with low interest rates by the Ecobank were misappropriated. The AccessNolly Fund of the Access Bank and NollyFund of the Bank of Industry (BoI) of Nigeria were diverted and misappropriated and the grants from the Project ACT Nollywood were also misappropriated by some of the beneficiaries. The film productions were compromised, badly done or abandoned.
A former Regional Audio-visual Attache at the French Embassy in Nigeria knew that some of the funds from the Fonds Images Afrique grants given for a short documentary film on Lagos and two other productions were diverted and misappropriated
See Nollywood and the French Connection on
https://nigeriansreportng.blogspot.com/2022/06/nollywood-and-french-connection.html
He gave me the details and I watched the documentary film.
"This is not Lagos", I said and smirked. But I did not report the disclosures. The same Regional Audio-visual Attache later told the director of the documentary film that he suspected me of being an American spy. I was amused.
I laughed and dismissed the suspicion. I have been identified sitting with certain Americans and a prominent Ghanaian politician on exile in Nigeria during an official meeting for a family planning project in Nigeria at the Eko Hotel and Suites on Victoria Island in Lagos, Nigeria. One of the Americans who was my namesake then was later accused of spying for the Central Intelligence Agency (CIA) in Ghana by the military regime of Jerry Rawlings in the 1980s. I was only contracted as a public health illustrator through the United States Agency for International Development (USAID).
I have stopped communication with this French Regional Audio-Visual Attache who was later transferred to Burundi.
He told me that a particular young filmmaker misappropriated the funds given to him and used only the remainder to produce a feature that they rejected. But his colleague who did not misappropriate funds produced a good mystical romantic drama that was accepted by Canal France International in 2009 and broadcast to all television channels in French-speaking Africa under the title "La Métamorphose".
The details of the cases of the diversions and misappropriations, including the filmmakers involved are available.
- - by Ekenyerengozi Michael Chima,
The Publisher/Editor,
NOLLYWOOD MIRROR® Series,
First book series on Nollywood and the Nigerian film industry.
Distributed by Amazon, Barnes and Noble and other booksellers.
Since 1988, I have completed my comprehensive research for the historical film on Mary Slessor, the famous Scottish missionary and heroine and saviour of twins among the Efik and Ibibio tribes in now Cross River and Akwa Ibom States of south-south region of Nigeria.
I met with the Mr. Lai Arasanmi of blessed memory, who was the Manager, Programmes, Nigerian Television Authority (NTA) , Ahmadu Bello Way, Victoria Island, Lagos whose resume included B.Sc. Broadcast Journalism, Bowling Green State University, Ohio, USA, 1975; M.A. Speech Communication; Cert. Public Entreprise Management, ASCON. Member: Nigerian Guild of Producers/Directors with several awards. But I abandoned the project and became an evangelist on the streets and public transport buses in Lagos.
There have been attempts of both film and TV productions of the dramatic life of Many Slessor. But none has been successful, because of poor research, poor characterization of her personality and erroneous art direction and production design. Jeta Amata's "Mary Slessor" was not well done in casting and storytelling as can be seen in the video on https://youtu.be/ospsnFdqsck?si=CQIjzAHamcCaFhA8.
Any "Mary Slessor" without her Scottish accent is wrong characterization and should not have been done.
In my research, I had access to copies of the letters of Mary Slessor, especially the personal letters to her sister.
Presently, no Nollywood actress can play Mary Slessor, because none of them has attained that standard of intellectual acumen and professionalism in acting historical figures of such magnitude.
Nastassja Kinski can play the leading role in the film adaptation of Mary Slessor.
I was convinced by her role as "Tess", the 1979 epic drama film by Roman Polanski, the film adaptation of Thomas Hardy's 1891 classic novel, "Tess of the d'Urbervilles". that was nominated for six Academy Awards, including Best Picture and won the Oscars for Best Cinematography, Best Art Direction and Best Costume Design.
Nastassja Kinski met Roman Polanski at a party in 1976.e He urged her to study method acting with Lee Strasberg in the United States and she was offered the title role of Tess.
In 1978, Kinski underwent extensive preparation for the portrayal of the English peasant girl and she had to learn and acquire a Dorset accent through elocution studies:
"I was given the book almost a year prior to read, I then had to transform myself and lose my German accent completely. I worked with a coach from the National Theatre in London, Kate Fleming. It was almost an intellectual voyage. I went to live in the countryside of the deep part of England, on a farm, did everything they did, and learned it. When the time came in Paris to do my test, it was with our director and our producers Claude Berri and Timothy Burrill, I had done a screen test with Roman prior to that, for Dino DeLaurentis, but now this was for Tess. Preparation is an amazing thing. It, somehow, after all the work, carries you if you are fully present, it carries you through like a bird, like big inner and outer wings."
Nastassja Kinski can undergo the same preparations for the role of Mary Slessor and I am convinced that even at the age of 64 years, she will bring out the great personality of the iconic Scottish missionary and also learn to speak the native languages of the Efik and Ibibio tribes she loved and lived with till her breath in their midst on earth.
The awesome life of Many Slessor would be most appreciated in the historical film based on the facts she documented in her dairies and letters.
Mary Slessor stands just outside Ikotobong court house, which can be seen with its thatched roof on the right side of the photograph.
Mary Slessor with her adopted children.
Mary Slessor stands with a number of villagers outside her house in Ekenge
Pots in which twin babies were exposed due to the superstitions of the natives (photo c. 1880)
In 1889 the British Government established a Protectorate in Calabar and, on account of her unique influence, she was invited to take up the office of Magistrate and Superintendent of the district court. It had already become customary for locals to refer their disputes to her for settlement.
During her forty-year ministry in Africa, Mary Slessor contracted malaria (which never left her), as well as other fevers and health-wracking illnesses. She ministered to head-hunters and cannibals.
She interceded in inter-tribal warfare and she saved countless babies who were left to die in the jungle due to the superstitions of the natives. The birth of twins among the Efiks had always resulted in infanticide because they believed it was the result of a great sin by the mother and evidence of a curse. They would be abandoned in the jungle to wild animals. Mary rescued a number of twins and raised them herself, saving numerous lives. On one occasion she nursed a chief back to health, to the great relief of his wives, all of whom would have been sacrificed if he had died. They gathered around her to ask about her wonderful powers and she replied:
“I have come to you because I love and worship Jesus Christ, the Great Physician and Saviour, the Son of the Father God who made all things. I want you to know this Father and to receive the eternal life which Jesus offers to all those with contrite and believing hearts. To know Jesus means to love Him, and with His love in our hearts we love everybody. Eternal life means peace and joy in this world and a wonderful home in the next world. My heart longs for you to believe in Jesus, to walk in His paths, and to know the blessings of eternal life through Him.”
The natives said Mma Mary Slessor was a mother, a teacher, a court President, and a Consul of the Southern Protectorate of Nigeria who traversed the area as far as Arochukwu in Abia State preaching the gospel.
“Mary Slessor came from Scotland to Calabar and then moved to Okoyong. She stayed at Calabar and even built a wooden storey building house there but now they are trying to renovate that place.
“After that, She left Okoyong to Use Ikot Oku. From Ikot Obong village where you have the district court sign board to Use Ikot Oku where you have the bridge, that bounds Ibiono Ibom and Itu local government areas, her tombstone is about half a kilometre from here.
“I have had her oral history from one of our longest Chiefs, Chief Etim Udoudo who reigned over 30 years. That man even sang the song the woman sang before she died. I have gotten the history from my grand father’s second wife, Adiaha Akpan Usung (nee Adiaha Akpan Ekarika). She told me stories about her. I have also gotten oral evidence from one of the twins that she nurtured, late Elder Mrs Ceecee Akpaninyang who happened to be my aunt.
“The woman stayed here and worked. She built her house on that hill, that was her base. According to Chief Udoudo, she used to move and she was carried on what was called ‘amake’, a sort of swing, where young men would put her on their shoulders and travel across this bridge through Arochukwu. The bridge links Atan, Onoyom to Arochukwu to Ikpe Ikot Nkon; that was the route she used to travel,” he said.
According to Elder Usungurua, it was during one of such trips that Mma stumbled on the Long juju shrine where people were used for sacrifice. Mma Slessor was said to have informed the British government of the activity there which led to the destruction of the shrine.
Her advance into Ibibios territory was aided by the fact that the British government was building roads in that region. “Get a bicycle, Ma,” government officials said, pointing to the road, “and come as far as you can. We will soon have a motor car service for you.” At fifty-seven years of age Mary gamely learned to ride a bicycle after a government official presented her with a brand new model from England.
The early months of 1909 found Mary covered with painful boils from head to foot. “Only sleeping draughts keep me from going off my head,” she related. She later became severely ill from blood poisoning. She was taken to Duke Town near the coast where members of the mission attentively nursed her back to heal. But after five weeks of such care she was eager to resume her ministry responsibilities inland, and did so before some officials and doctors thought it fully advisable.
Eventually her health declined to the point that the Mission’s doctor forbad her to travel by bicycle. Hearing of her need for an alternative means of transportation, a group of ladies in Scotland sent her a Cape cart, a basket-chair on wheels capable of being maneuvered along quite easily by two boys or girls.
In the closing years of her life Mary established churches and schools in the villages of Ikpe, Odoro Ikpe and Nkanga further up Enyong Creek. She carried out ministry at those locations unaided by fellow missionaries. To her deep disappointment, the Mission had already concluded that health conditions were not safe enough in that region to place other missionaries there. To the end, however, she continued to be assisted by several African girls who lived with her as foster daughters.
WOLE SOYINKA - ENI OGUN, An Accomplished Biopic on the First African Nobel Laureate of Literature
Joshua Ojo with Prof. Wole Soyinka.
Joshua Ojo's vivid biopic, "WOLE SOYINKA - ENI OGUN"is an outstanding historical film on the phenomenal life of the most lionized African writer, Prof. Wole Soyinka, the first African winner of the highly coveted Nobel Prize for Literature.
This is the only one of the few films on the life of Soyinka to capture the essence of the spirit of the art and persona of his iconic genius in motion picture. And the first to be produced in his beloved mother tongue of the Yoruba language. The biopic produced to celebrate his 90th birthday is a must see and the film has been authorized by the Nobel laureate.
It chronicled his trials as a fearless sociopolitical human rights activist and triumphs as an intellectual luminary of the literary world with critically acclaimed books of poetry, drama and prose for which he became famous and awarded the Nobel Prize in Literature in 1986 for with his writings, Soyinka "in a wide cultural perspective and with poetic overtones fashions the drama of existence."
The cinematic beauty of the film with outstanding portrayal of Soyinka by the award winning Nigerian actor, Lateef Adedimeji and other accomplished actors, including Jide Kosoko, Femi Branch, Segun Arinze, Dele Odule, Funky Mallam, Haffiz Oyetoro, Bimbo Oshin, Joke Muyiwa and Olaiya Igwe showed the accomplishments of the director in the art direction with the production design, casting, characterisation, cinematography and soundtracks based on the historical facts of the celebrated author with important emphasis on Ibadan and other locations of his life and the political circumstances of his imprisonment in the Kirikiri Prison for 22 months during the Nigerian-Biafran war from 1967-1970.
"This is my most challenging film production so far. Because of the historical importance and significance of the legacy of Prof. Wole Soyinka, I have to make sure of the accuracy of the sets used for the period in the history of Nigeria. KIRI-KIRI PRISON was built from the scratch in the studios. Soyinka's house was equally built with over 98 percent of the set built by the crew, except for the scenes of the roads and the other scenes shot outside Nigeria," the director said.
"I did the casting myself, because I really wanted actors to look like the real characters in his life. For the production design, I took my time as well to draw and sketch out how I wanted them to look and the guys in that department brought life to it.
I've been to Soyinka's house, so it was easy for me to recreate it."
"I had an accident two days to shoot. I was given two options: either to cut off my right leg or I do an emergency surgery, which I did. And I went back to location a week after the surgery, with an ambulance on stand by everyday. I'll shoot for 2 to 3 days and rush back to the hospital for check-up. That was how we shot for two months to complete the principal photography."
The film certainly is an outstanding achievement in filmmaking in Nollywood and African Cinema. It will attract millions of Yorubas in Nigeria and the Diaspora; especially in Brazil where hundreds of thousands of people are devotees of the Yoruba OGUN traditional religion which Soyinka has celebrated in his life and works. Millions of others who have read his popular plays, novels and essays will be anxious and curious to watch the film subtitled in English and should be widely available in other popular languages for the global distribution.
- By Ekenyerengozi Michael Chima,
The Publisher/Editor,
NOLLYWOOD MIRROR® Series,
The first book series on Nollywood and the Nigerian film industry.
Effective Content Marketing in Nigeria Must Target the Gen Z
You cannot do effective content marketing if you are ignorant of the demographics of your target audience.
The target audience for online entertainment, e-commerce and fintech industry are the Generation Z, or Gen Z of people born between 1995 and 2010. The 'Z' in the name means "zoomer", as this is the first generation known to 'zoom' the internet.
Majority of them make up the population of 65 million Nigerians using social media platforms.
They spend $975m daily on online betting.
Data from the National Lottery Trust Fund (NLTF) has revealed that over 65 million Nigerians actively engage in betting, spending an average of $15 daily. This is just as it disclosed that everyday, 14 million bet takes and payments are made online in the country.
According to one of the fast rising upwardly mobile Nigerian Gen Z techies, Benjamin Unah, Co-Founder & Chairman - Primeries
https://primeries.com/, the #1
streetwear marketplace that connecting shoppers to the hardest streetwear brands and creatives in Africa, "they are the most active shoppers online and subscribers of entertainment providers for streaming music and movies."
According to the report on Understanding the Gen Z in Nigeria: Trends and Insights - Sagaci Research
"Trends among the Gen Z in Nigeria: more likely to go to physical shops and use cash Male Nigerian consumers aged 18-25 exhibit different shopping behaviours compared to older ones. A significant 58% of them would rather go to a shop than buying products online versus 47% of the older group. This result stems from young people’s preference for a physical experience; they want to visit stores, see the product firsthand, and make their choice in person. Additionally, 26% of these younger consumers prefer using cash, a higher percentage than the 16% observed in the 26+ demographic.
In contrast, older consumers are more inclined to use debit cards, with 41% opting for this payment method compared to 29% of the younger age group. Following recent banking issues in Nigeria, younger people now prefer to keep physical cash on hand for added security and to avoid potential problems.
Read the complete report on https://sagaciresearch.com/gen-z-nigeria-insights/ " .
The Road Map for the Nominations for the Annual Academy Awards for Nigerian Filmmakers
There is a Road Map for the Nominations for the annual Academy Awards of the Academy of Motion Picture Arts and Sciences (AMPAS) and the route is common knowledge to those who truly know the criteria for filmmaking of international standards in the quality of the content and context of filmmaking and the benchmarks of the most coveted international awards and prizes for filmmaking.
Making the nominations for the almighty Oscars from the long list to the short list is beyond the mere selections of the official entries for different countries in the competition for the Best International Feature Film Category of the Academy Awards which is the most competitive, because of the challenges of competing with the best filmmakers from other countries you may not know their works.
In my own opinion, any film that has not made the Official Selections for the annual Cannes Film Festival, Venice International Film Festival, Toronto International Film Festival, Berlin International Film Festival and Sundance Film Festival should not be the official selection of Nigeria for the Best International Feature Film Category of the Academy Awards. Because in the history of the Oscars,most of the nominees and winners were in the Official Selections of the most highly esteemed and highest ranking international film festivals as I have listed them above. And only the majority of them that won the Palme d'Or of the Cannes Film Festival, Golden Lion and Silver Lion of the Venice International Film Festival, Audience Award of the Toronto International Film Festival, Golden or Silver Bear of the Berlin International Film Festival and Best Feature Film at the Sundance Film Festival made the nominees and winners of the Oscars.
Any Nigerian filmmaker who cannot or has not competed for the best international awards in the global film industry should not be considered for the representation of the Official Selection of the entry for the Best International Feature Film Category of the Oscars.
Only the best should represent Nigeria, because only the best is good enough for us.
Nigerian filmmakers have not even won the prizes for the Best Feature Film at the annual Durban International Film Festival of South Africa, the highest ranking international film festival in Africa and only one Nigerian filmmaker, Newton Aduaka has won the Étalon d'or de Yennenga" (Golden Stallion of Yennenga) at the Ouagadougou Panafrican Film and Television Festival (FESPACO) for his critically acclaimed film, "Ezra" in 2007.
The problem of Nigerian filmmakers is the fact that they don't like being told the truth and when you tell them the truth, they become upset and even stop communicating with you in their unprofessional and unintellectual attitudes. But the fact is majority of them don't even know that filmmaking is not for those who are intellectually challenged, because the Art of Filmmaking is beyond the mere craft of shooting a movie.
Majority of the filmmakers in Nigeria don't know what is Art Direction and many of them have not studied Production Design.
Many of them don't know what is the aspect ratio of a movie for the cinema and most of them don't know what is a shooting ratio.
They don't even know how to use lighting for storytelling; costume for storytelling; the nuances of
characterisation and music for storytelling in filmmaking.
I have advised the film schools in Nigeria to use nominees and winners of the Oscars for case studies in filmmaking to teach their students on how and why the nominees and winners got the nominations and won the Oscars.
The Nigerian Official Selection Committee (NOSC) for the Oscars should know that to make the nominations for the Oscars is more than the mere selection of the official entry.
Is there a budget for the promotion of the selected film?
Promotion for reviews in the highly esteemed and rated international news media such as the New York Times, Hollywood Reporter, Deadline Hollywood, Indiewire, Screen International, CNN, BBC and Underurrents of the International Federation of Film Critics (FIPRESCI)
Read How Much Does It Cost To Win An Oscar? - BBC News
Just two of the most high-profile attempts to influence what must be the most select group of voters on the planet, the 6,000 members of the Academy of Motion Picture Arts and Sciences. Estimates for the total amount Hollywood spends on Oscar campaigns range from $100m right up to $500m in a single year.23 Feb 2016
My Red Apple Series and Serendipity Series are the most comprehensive series in still life art photography in the history of contemporary art in Nigeria.
All the photographs were shot within 30 days with my smartphone camera in a bedroom/study in September and October, 2024 in Uyo, Akwa Ibom State of Nigeria.
There are more than 50 photographs so far and more will be shot before end of this year for the publication of the book of my still life art photography.
There is only one red apple with a gold ring in the world.
It is the invention of yours faithfully, Ekenyerengozi Michael Chima, master of the imaginative symbolism in art and literature.
- Ekenyerengozi Michael China,
Tuesday, October 22, 2024.
Uyo, Akwa Ibom State,
Nigeria.
Publisher/Editor,
NOLLYWOOD MIRROR® Series
The first book series on Nollywood and the Nigerian film industry since 2013.
Affiliate Partner,
Cinewav of Singapore
https://www.amazon.com/author/ekenyerengozimichaelchima
https://www.linkedin.com/in/michaelchimaeyerengozi
.jpeg)
.png)
.jpeg)
.jpeg)
.jpeg)
.jpeg)
